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Lot 1047
John Rattenbury Skeaping R.A. (1901-1980), a bronze sculpture of Lady Godiva upon a rearing horse, she modelled as a nude Amazonia female with long flowing hair, signed to the base John R Skeaping (1968) upon a green marble plinth, this design was commissioned by Leonard Lee, formally of racing engines project at Coventry Climax and later Victorius Godiva Fire Pump Racing Engines 1954-1965. The originals of this design each have the name of the recipient engraved along the side, bearing signature. Height 33.5 cm, length 41 cm (see illustration). CONDITION REPORT: The bronze is in extremely good order. There are no breaks and no losses. The patination is good and there are no significant scuffs, marks or scratches. The marble plinth is in good condition all round with no issues.
Lot 1223
A late 19th century Arts & Crafts copper coal receiver, planished, with wrought metalwork supports, and a pair of bronze fire dogs. Tallest 44 cm. CONDITION REPORT: Depth 28.5 cm, top internal diameter 30 cm, base internal diameter 22.5 cm. The piece is structurally sound. The handles are secure as are the three bracket supports. There do not appear to be any holes or significant dents to the copper.
Lot 166
A Chinese Han dynasty style bronze Kylin, its body inlaid with gold coloured metal stripes and scrolls and with archaic character marks to its chest, 37 cm long, 22.5 cm high (see illustration). CONDITION REPORT: The Kylin is in generally very good condition. It is structurally sound with no losses. There is clearly some rubbing to the gilding and losses to the original finish particularly around the bottom sections of the legs and feet. There is no evidence of any damage, repairs or restoration.
Lot 174
A Japanese bronze incense burner, with cover and stand, Meiji period, the cover surmounted by a hawk upon a rock in turn above the melon form body with shaped panels of relief cast dragons, minogame, phoenix and a temple lion, with cast pendant drops held by elephant masks, the stand supported by three dragons with further pendant drops upon a shaped circular base centred on a minogame against a scale border, cast seal mark to the underside of the melon form body. Height 73 cm (see illustration). CONDITION REPORT: Weight 16.4 kg.
Lot 2
A small quantity of British, Irish and commonwealth copper and bronze coins, to include a George I halfpenny 1718, a George II copper halfpenny 1752, George III "cartwheel" pennies, George III British and Irish pennies and halfpennies, Victorian young head and old head farthings, a half farthing 1842, assorted George V and VI pennies and farthings, mixed dates and grades. CONDITION REPORT: The dates of the Australian pennies are one 1942, one 1943 and one 1922.
Lot 55
Copper and bronze coins British Isles and Commonwealth, to include James II gun money shilling 1690, William III copper halfpenny, George II copper halfpenny, George III cartwheel twopence, an 1807 halfpenny, an almost uncirculated Victorian halfpenny 1901 with lots of lustre, Victorian and later pennies, halfpennies and farthings to include Guernsey, Australia, Straits Settlements, Southern Rhodesia, New Zealand, India, mixed dates and grades.
Lot 257
BY AND AFTER ARMAND GODARD, - "St. Mark's Square", an Etling Art Deco silvered and patinated bronze figure with carved ivory face, on a black marble octagonal base surmounted by a pair of polished bronze pigeons, signed and engraved Etling, figure 14 1/4" high, 16" high overall (Est. plus 21% premium inc. VAT) (Illustrated)
Lot 258
AFTER ARMAND GODARD - an Art Deco bronze figure modelled as a young female nude kneeling on her right knee, her left leg and right arm extended, holding flowers in her left hand, dark green patination, stamped Bronze, 15 1/2" long, 8" high, fixed onto a black and white marble oblong plinth (Est. plus 21% premium inc. VAT) (Illustrated)
Lot 296
A VERTEBRAE WALKING CANE, 19th century, with metal tip and polished hardwood handle, 35" long, together with a briarwood cane with eyelets, stiletto tip and cast bronze whippet head handle, 36" long, head 2 1/2" long, and a briarwood stick with polished "knot" pommel, metal buckle collar engraved with initials and a metal tip, 35" long (3) (Est. plus 21% premium inc. VAT)
Lot 541
SAMUEL TONKISS (1909-1992) PORTRAIT HEAD OF LAURENCE STEPHEN LOWRY, RA bronze, cast by the Maurice Singer Foundry, London, 1975, serpentine base, 33cm hThe sculptor Samuel Tonkiss was born in Shropshire and moved to Todmorden, Yorkshire where he worked as a journalist. In 1959 he began to sculpt a series of portrait heads, several of which were cast in small editions. His earlier head of Lowry, sculpted in 1971, is in the National Portrait Gallery, London. The present bust would appear to be extra to the edition of 36 Good condition
Lot 574
OLYMPIC GAMES. PARTICIPANT'S MEDALS comprising Melbourne 1956 designed by Andre Meszaros, Rome 1960 designed by Emilio Greco, Munich 1972 designed by Fritz Konig, Los Angeles 1984 designed by Dogald Stermer, Montreal 1976 Torch Ceremony Commemorative Medal and Commonwealth Games 1970 Participants Medal, bronze except Munich (stainless steel) the first 63mm (6) The lot practically as struck
Lot 591
A FRENCH BRONZE FIGURAL OIL LAMP, C1870 in the form of a woman holding a torch, on turned slate base and four bronze feet, rich greenish dark patina, 58cm h excluding later electric fitment Bronze and slate base both in good condition, the foot at the back of the sculpture lacking central element
Lot 592
A PAIR OF FRENCH BRONZE AND MARBLE CANDELABRA, 19TH C of Putto naked save for a drapery and holding a torch with vase shaped sconce in each hand, nozzles, on turned, beaded statuary marble base, 43cm hProvenance: F J McCarthy, Newark, Nottinghamshire from whom acquired by the present vendor in 1970.Although obviously influenced by the putti statuettes of Claude Michel, called Clodion (1738-1814) these models, of which several versions exist, are attributable to the Paris bronzier Andre-Antoine Ravrio (1759-1814). A pair in which the figures are running, as opposed the two other versions in which the figures are to striding or standing still, in the Residenz, Munich, is illustrated Ottomeyer (H) and P Poschel, Vergoldete Bronzen, 1986, B1, Fig 5.1.5, p325, and a pair similar to the present examples in the Wallace Collection, London is illustrated in the Catalogue of Furniture, 1996, vol III, Nop 253, Figs 152-3 Complete and in good condition with some natural accretion of dust and polish. Patina slightly rubbed, torches complete and undamaged, one slightly bent/loose. Plinths original with much dirt
Lot 609
A PAIR OF AUSTRIAN COLD PAINTED BRONZE MODELS OF AN OWL, EARLY 20TH C perched on two venerable books, mounted on portor marble ends, 16.5cm h Much encrusted with dirt and grime, the bronzes undamaged and not redecorated, slight wear to paint in places, the upright parts of the marble broken and restuck with loss
Lot 763
AN EARLY VICTORIAN BRONZE HORIZONTAL SUNDIAL AND SANDSTONE PEDESTAL, DATED 1837 the square capital with latin inscription and date, on chamfered pedestal, the initials EC and DT in high relief, on stepped base and separate plinth, 120cm h overall Good condition with a few minor chips. Dial engraving obscured by natural verdigris patina over many years of exposure
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