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Lot 342
An 18th/19th century leaded-bronze measure, for DorsetA mug, with moulded rim and foot, curving handle with terminal spur, struck to the underside with a crowned ‘T’ (with cross-bar) and struck to the rim with various indistinct marks (one probably a crowned ‘G’), and three times with a dagger, also marked with a dagger within a circle below the rim 12cm high, 9.5cm diameter
Lot 66
An unusual pair of bronze figural ‘Bergmannleuchter’ candlesticks, German, mid-18th century, each in the form of a Saxony miner, dressed in full Guild uniform, each with an outstretched arm holding a candle socket, and standing on a square baseA similar pair of pewter candlesticks were made by Christian Friedrick Hiemann, master in 1744, Dresden, Saxony
Lot 331
A mid-century German white metal musical dressing table powder jar with cut glass base. The circular top with a dancing ballerina on a ball, Together with an Italian square bronze photograph frame with a ground or turquoise inset flakes and the central circular aperture ringed in paste gems. 14.5 cm x 14.5 cm square
Lot 84
A BRONZE FIGURE OF A LAMATibet, 17th to 18th century. Seated in dhyanasana on a double-lotus pedestal with beaded rim, holding prayers beads in his right hand, wearing a flowing robe. The benevolent face with lips pursed into a smile flanked by elongated earlobes. Condition: Good condition, commensurate with age, several nicks and dents, malachite encrustations, the base plate is a later addition. The surface with a fine smooth patina.Provenance: From a British private collection.Weight: 1115 gDimensions: Height 14.5 cm5% or 13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.
Lot 1262
A BASTAR BRONZE OF A GODDES WITH A KHAPPAR AND SCEPTREIndia, 19th-20th century. This goddess is standing up straight on a flat square shaped base. The robe of the goddess is beautifully decorated with fine detail such as linear patterns along its legs and arms. The goddess is also wearing a crown and the rob is blessed with further decorations such as a necklace and belt. The goddess is equipped with a khappar (vessel) and a sceptre.Condition: Overall in good condition a part from the apron missing, which seems to have broken off. Provenance: Collection of an Indian gentleman.Dimensions: Height 18.5 cm
Lot 1241
A BASTAR BRONZE OF A GODDESS WITH TRIDENT AND PLAQUEIndia, 19th-20th century. The goddess is standing on a circular base that is decorated with a cross-lined pattern. She is holding a trident in her left hand that is bent towards her left shoulder. In the right hand had she is holding a plaque that is close to her chest. From the upper back emerges a god saw brine that symbolises holiness. The goddess is also wearing a crown, which is detailed with spikes. Condition: Very good condition.Provenance: Collection of an Indian Gentleman.Dimensions: Height 19 cm
Lot 83
A GILT BRONZE FIGURE OF INDRA, 17TH CENTURYNepal. Seated in rajalilasana atop a large, separately cast, double-lotus base. His left hand lowered toward his thigh and his right hand holding a lotus stem coming to full bloom at the shoulder. Wearing a richly incised dhoti and adorned with beaded and floral jewelry.Provenance: From a noted French private collection.Condition: Good condition with old wear, particularly to gilt, casting flaws, remnants of pigment, minuscule dents, light scratches. Note that the separately cast elements (figure, mandorla, and base) have been bolted together at some point in time and can only be separated when the bolts are removed. The enshrinement is lost, with drilled holes left unused at either side and back of the base.Weight: 2,121 gDimensions: Height 23.8 cm The serene face with heavy-lidded eyes below the characteristic horizontal urna and full lips forming a subtle smile. The hair is beautifully arranged in a high chignon behind the open worked floral mitre crown, a separately cast mandorla behind him.Indra is a Vedic god known as the king of all other gods, as well as the deity of war, and of the sky, adopted into the Newar Hindu pantheon and exalted as the giver of rain. As such, images like this are rarely found in India, but common in Nepal. His horizontal third eye distinguishes him from other Hindu deities, as does his distinctive single-crested crown.Auction result comparison: Compare with a related but smaller bronze of Indra and Indrani, 17th century, at Bonhams Hong Kong, in Images of Devotion, 2 October 2018, lot 64, sold for HKD 350,000. Compare with a related but much smaller bronze of Indra, 15th century, at Sotheby's New York, in Indian, Himalayan and Southeast Asian works of art, 22 September 2020, lot 321, sold for USD 52,920. 十七世紀鎏金銅因陀羅 尼泊爾。因陀羅以轉輪王坐姿，神態閒適，坐於雙層蓮座上，分開而鑄, 不相連。左手撐在身後，右手持蓮莖，蓮花盛開于肩頭。穿著精美的飾有串珠和花卉紋的多提褲。 來源：法國知名私人收藏。 品相：狀況良好，磨損，尤其是鎏金，鑄造瑕疵、顏料殘留、微小凹痕、輕微劃痕。 請注意，單獨鑄造的人物、光背和底座已在某個時間用螺栓連接在一起，只有拆除螺栓時才能分離。供奉已丟失，底座兩側和背面的鑽孔未使用。 重量：2,121 克 尺寸：高 23.8 厘米 安詳的臉龐，雙眼低垂，豐滿的嘴唇有著厚重的雙眼皮，微妙的微笑。 頭髮在雕刻精美的王冠梳成高髻。身後是單獨鑄造的光背。 因陀羅被稱爲天界诸神最有能力的主宰，被尊為賜雨者。他在尼泊爾很常見，其第三隻眼將他與其他印度神祇區分開來，他獨特的單冠也是如此。 拍賣結果比較：比較一件稍小的因陀羅及其妻子舍脂的銅像，十七世紀，見香港邦翰思Images of Devotion 2018年10月2日 lot 64, 售價HKD 350,000；一件稍小的因陀羅銅像，十五世紀，見紐約蘇富比Indian, Himalayan and Southeast Asian works of art 2020年9月2日 lot 321, 售價USD 52,920。
Lot 1317
AN INDONESIAN BRONZE FIGURE OF BUDDHAJava, style of the 10th century, but dating later to the 19th century. Seated in dhyanasana on a double-lotus base with beaded rim, his hands folded on his lap, the face with downcast eyes, the hair tied in a high chignon.Condition: Good condition, commensurate with age, and some casting irregularities. Extensive patina.Provenance: British private collection.Weight: 168.4 gDimensions: Height 8.9 cm5% or 13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.
Lot 62
A RETICULATED MINIATURE BRONZE BRUSH POT, BITONGChina, Qing Dynasty (1644-1912). Of cylindrical form, the reticulated sides cast with a three-clawed dragon, clinging on to the flaming pearl of knowledge surrounded by endless scrolling clouds, with a meander-pattern band at the rim and a border of waves and clouds at the foot.Condition: Good condition with traces of wear and age, surface scratches, and verdigris. Provenance: French private collection.Weight: 387 g Dimension: Height 11.3 cm
Lot 76
A PAIR OF TIBETAN COPPER REPOUSSE AND BRASS EWERSTibet, 20th century. The first crafted in copper applied overall with a bronze finish, set with a dragon handle and a curved spout issuing from the mouth of a further dragon, the shoulder and neck with copper applications showing the bajixiang and a band of lotus petals, the circular cover with a lotus bud finial and attached to the handle by a chain. The second crafted in copper, set with a mythical brass beast handle and a curved spout issuing from the mouth of a further beast, the shoulder and neck with brass applications showing floral scroll, the circular cover with a lotus bud finial and attached to the handle by a chain.Condition: Very good condition with minor wear and casting irregularities, occasional light scratches, and few minuscule nicks. One chain broken. Provenance: Austrian private collection.Weight: 926 and 688 g Dimensions: Height 27 and 21 cm
Lot 29
A FIGURAL BRONZE PAPERWEIGHT IN THE SHAPE OF A WATER BUFFALO AND HERDERChina, late Ming Dynasty (1368-1644) to early Qing Dynasty (1644-1912). The small Chinese bronze paperweight cast in the shape of a recumbent water buffalo, with the legs placed underneath the body and a young herder on the water buffalo's back, holding on to the animal's bridle.Condition: Good condition with minor surface wear. Provenance: French private collection.Weight: 187g Dimensions: Length 5.8 cm
Lot 607
KOKUSAI: A RYUSA MANJU NETSUKE WITH A WATERWHEEL AND COINSBy Kokusai, signed Koku 谷Japan, Shiba, Tokyo, late 19th centuryOf oval form, inlaid in sentoku bronze with a waterwheel with a flowering branch on top, flanked by two paulownia leaves and encircled by scrolling vines, the underside with two coins, one of which shows the seal signature KOKU which forms himotoshi, encircled by raised bosses. Pierced twice for suspension.WIDTH 4.1 cmCondition: Very good condition, appealingly worn, few minuscule nicks. Fine, dark patina.Provenance: European collection.According to Paul Moss, "The waterwheel had been used to process grain - mainly rice (and thus, and importantly sake) - since the seventh century in Japan. With the coming of the Meiji era, more modern industrial techniques began to proliferate, and the use of waterwheels diminished. Perhaps this design is supposed to harken back to better days and serve as a reference to both Kokusai's rice dealing family background and the benefits of a regular sake intake. […] It has also been suggested that the overall design resembles a wood wheel from an ox-drawn carriage, as used by nobles in Heian Japan." (Sydney L. Moss Ltd., 2016, Kokusai the Genius: and Stag-antler Carving in Japan, vol. II, p. 152)Literature comparison: Compare a related stag antler ryusa manju attributed to Kokusai, illustrated in Sydney L. Moss Ltd. (2016) Kokusai the Genius: and Stag-antler Carving in Japan, vol. II, p. 152, no. 155. A related and signed stag antler ryusa manju by Kokusai is illustrated in Davey, Neil K. (1974) Netsuke: A comprehensive study based on the M.T. Hindson Collection, p. 176, no. 522, where it is described as a chariot wheel among waves.
Lot 81
A GILT BRONZE FIGURE OF HEVAJRA AND CONSORTHimalayan region, 17th - 18th century or possibly earlier. The two-part group depicting the eight-headed deity standing in alidha with the other two legs lifted off the base, with sixteen arms, each holding a kapala. The main arms embracing his consort Nairatmya, who is depicted wrapped around Hevraja's waist with her right leg, holding a kapala in her left hand and a triguk in her right. On a recent wood base.Condition: Overall good condition with general wear, some casting irregularities, small nicks, and light scratches here and there. The gilding renewed at a later state. Provenance: German Private collection.Weight: 422 g Dimensions: Height 9.5 cm (the figure), 14 cm (total including the base) Auction result comparison: Compare a related Nepalese figure of Hevajra and consort sold at Christie's New York, Indian, Himalayan & Southeast Asian Works of Art on 20 March 2019, lot 684, for USD 50,000.
Lot 61
A BRONZE TRIPOD CENSER WITH DRAGONSChina, late Qing Dynasty (1644-1912). The finely cast bronze tripod censer with a globular body, raised on three short conical legs, a dragon seated atop the lid, reticulated in vine and lotus patterns fitted into the waisted mouth rim, and flanked by 'dragon' handles. An apocryphal four-character Xuande reign mark to the bottom.Condition: Good condition with usual traces of wear and age.Provenance: German private collection.Weight: 1.06 kg Dimension: Height 19.3 cm, Length 17.2 cm
Lot 1263
A BASTAR BRONZE OF THREE WARRIORSIndia, 19th-20th century. Three warriors stand in a row. The right one has a sword on his right hand, the other two have a sceptre. On their left hand, the right one has a vessel, the middle one has a bag, and the left one has a gong.Condition: Good condition.Provenance: Collection of an Indian gentleman.Dimensions: Height 11 cm
Lot 1290
A RARE DONG SON 'HAMSA BIRD' BRONZEVietnam, 500 BC - 300 AD. The bird with neatly incised spiral designs characteristic for the Dong Son Culture. The neck decorated with a chain. An opening on the upper body. Bronze with amazing malachite and azurite patina.Condition: Overall, very good condition, especially for such a rare piece. Minor losses, fissures, and traces of wear and age.Provenance: From an important Italian private collection.Weight: 300.9 gDimensions: Height 15 cm
Lot 1221
A GROUP OF THREE BRONZE FIGURES OF NANDIIndia, 17th to 18th century. The first and second cast standing on a rectangular platform, wearing a cowbell around the neck, and surmounted by a candle holder. The third depicted reclining on a rectangular plinth, richly adorned with multiple belled necklaces.Nandi is Shiva's mount and the gatekeeper of Shiva in Hindu mythology. He is seen as full of 'joy' (nandi) in the presence of his master. An image of controlled virility and devotion, he would typically be placed in front of a Shiva temple facing a shrine.Condition: Overall good condition with traces of age and wear, casting irregularities as well as small nicks and dents here in there. The second and third with some small losses. Provenance: Austrian Private collection.Weight: From left to right - 538.4 g, 960 g and 370.6 g Dimensions: Height from left to right - 12.5 cm, 19 cm and 11.5 cm
Lot 23
A BRONZE LUDUAN-FORM CENSER AND COVER, 17TH CENTURYChina, 17th century. The beast standing foursquare with open jaws baring sharp fangs and teeth, the head forming a hinged cover to allow access to the interior, detailed with finely incised mane and tail above a stout body with stylized markings.Provenance: Karl Zeilinger (1944-2014), a collector of Asian art and antique weapons from Nürnberg, Germany. Thence by descent in the same family.Condition: Fair condition with old wear, traces of use, some losses and cracks, minor iron-red and malachite-green encrustations to the feet. ATTENTION: Since the picture was taken one segment at the front neck is lost. Weight: 984.8 gDimensions: Height 15.2 cmAuction result comparison: A related bronze luduan censer of considerably smaller size, bearing an Xuande mark, was sold by Sotheby's London in Menagerie: An English Private Collection of Chinese Animal Carvings on 10 May 2017, lot 29, for GBP 13,125.十七世紀青銅甪端香爐 中國，十七世紀。神獸張嘴露出鋒利的獠牙，頭部作爲蓋子，刻畫入微地表現鬃毛和尾巴。 來源：Karl Zeilinger (1944-2014), 德國紐倫堡亞洲藝術及古典武器收藏家，在同一家族保存至今。 品相：狀況良好，有舊磨損，使用痕跡，一些磕損和裂縫，輕微的鐵紅色和綠色結殼。 重量：984.8 克 尺寸：高 15.2 厘米拍賣結果比較：一個相近但較小的宣德款甪端青銅香爐，於2017年5月10日倫敦蘇富比Menagerie: An English Private Collection of Chinese Animal Carvings拍場，拍號29，售價GBP 13,125。
Lot 120
A NEPALESE BRONZE FIGURE OF GREEN TARANepal, 19th - 1st half of 20th century. Seated on an unsealed double lotus base in lalitasana, flanked by closed lotus stems, wearing a dhoti and elaborate jewelry around the neck and arms as well as on the ears, the figure with finely chased decorations.Condition: Good condition with minor wear and few small losses, fine patina.Provenance: German private collection.Weight: 2,430 g Dimensions: Height 29.3 cm
Lot 348
A RARE BRONZE OKIMONO OF A PEKINGESE DOGJapan, Meiji period (1868-1912)Cast standing on all fours, wearing a ruffle collar tied around the neck, the head turned to one side with a quizzical expression, the eyes gilt with dark pupils, the mane, fur and tail well rendered and paws neatly articulated. Note some of the finely rendered details and incision work focusing on the distinct characteristics of the animal.LENGTH 32.5 cmWEIGHT 2,963 gCondition: Excellent condition with only minor old wear and minimal casting flaws.Provenance: From a British private collection.The Pekingese (also spelled Pekinese) originates from China. The breed was favored by royalty of the Imperial court as both a lap dog and companion dog, and its name refers to Peking (Beijing) where the Forbidden City is located. The breed has several characteristics related to its unique appearance.During the Second Opium War, in 1860, the Old Summer Palace in Beijing was occupied by a contingent of British and French troops. The Xianfeng Emperor had fled with all of his court to Chengde. However, the elderly Consort Chang remained. When the British and French troops entered, she committed suicide. She was found with her five Pekingese. They were removed by the Allies before the Summer Palace was burnt to the ground.John Hart Dunne, Captain of the 99th Regiment of Foot, who participated in the Second Opium War and ransacked the Summer Palace, gifted one of these Pekingese to Queen Victoria in April 1861, writing to her in a letter: "This little dog was found by me in the Palace of Yuan-Ming-Yuan near Pekin on the 6th of October 1860. It is supposed to have belonged to either the Empress, or one of the ladies of the Imperial Family. It is a most affectionate and intelligent little creature - it has always been accustomed to being treated as a pet and it was with the hope that it might be looked upon as such by Her Majesty and the Royal Family that I have brought it from China." (David Matthews, Jo Lee Magazine, November 2002, page 18). Rather insensitively, the Queen and first owner of a Pekingese in the West, named her new pet 'Looty'.Auction comparison: Compare a closely related bronze figure of a Pekingese with a ball at Christie's, 20 October 2000, New York, lot 10 (sold for 21,150 USD).
Lot 69
A BRONZE DOUBLE DORJETibet, late 19th century. The bronze double dorje with makara heads and finely incised floral and lotus petal motifs.Condition: Very good condition with some verdigris and corrosion on the metal pegs inside the. Provenance: German private collection.Weight: 457 g Dimensions: Height and Width 23.1 cm
Lot 220
A LAPIS LAZULI COURT NECKLACE, CHAOZHU, QING DYNASTYChina, 19th century. Composed of one hundred white chalcedony beads, intersected by four lapis lazuli foudou ('Buddha Heads') and a gourd-shaped fodouda, flanked by open worked and gilt bronze cash coins and suspending a cord tassel intersected by a flattened ovoid lapis lazuli pendant.Provenance: French private collection. Condition: Excellent condition with minor wear and traces of use. Eight of the originally 108 white chalcedony beads are lost.Weight: 300 gDimensions: Length 134 cm, Diameter 11 mm (the white chalcedony beads), 20 mm (the lapis lazuli foudou), and 8 mm (the agate beads)The pendant terminating in a gilt bronze-set lapis lazuli drop, the three jinian strands of agate beads suspending smaller lapis lazuli drops in similar settings.With a fine and old silk brocade pouch, probably from the same period. (2)Auction result comparison: Compare a related court necklace with lapis lazuli beads at Sotheby's New York in Chinese Art on 21 March 2015, lot 818, sold for USD 20,000, and another with lapis beads and pendant at Bonhams in Asian Decorative Arts on 17 December 2014, lot 9384, sold for USD 27,500. 清代青金石朝珠中國，十九世紀。由一百顆白色玉髓珠子組成，四顆青金石佛頭和一個葫蘆狀佛頭塔交錯。兩側朝珠垂下的小珠串是鏤空鎏金包裹青金石的小墜角，朝珠之間飾有鎏金硬幣，最中央懸掛一根流蘇，扁平的卵形青金石吊墜。來源：法國私人收藏。 品相：狀況極佳，有輕微磨損和使用痕跡。 原本 108 顆白玉髓珠子中的 8 顆丟失了。 重量：300 克 尺寸：長134 厘米, 直徑11 毫米 (白玉髓珠子), 20 毫米 (青金石佛頭), 8 毫米 (瑪瑙珠)配絲綢錦囊，可能來自同一年代。 拍賣結果比較：一件相近的青金石朝珠于紐約蘇富比Chinese Art2015年3月21日 lot 818, 售價USD 20,000, 另一件青金石朝珠于邦翰思Asian Decorative Arts 2014年12月17日 lot 9384, 售價USD 27,500。
Lot 1373
A BRONZE INTAGLIO RING WITH A HUNTING LIONAncient region of Gandhara, 7th - 8th century. The top with a beautifully worked intaglio depicting a hunting lion with his prey. Condition: Very good condition with traces of wear of age. Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 13.10 g Dimensions: Inner diameter 2.5 cm
Lot 1323
A BRONZE FIGURE OF BUDDHA, MON-DVARAVATIThailand, 8th - 9th century. Standing on a double lotus base, holding his hands in vitarka mudra. The face with smiling lips, downcast eyes, flanked by elongated earlobes, the hair in tight curls.Condition: Good condition, commensurate with age, some nicks and dents, material loss to the aureole. Extensive encrustation and authentic patina. Provenance: From a British private collection, acquired in the British auction market in 2020 (scan of invoice will be available to the high bidder).Weight: 489 gDimensions: Height 15.5 cm5% or 13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.
Lot 105
A SINO-TIBETAN GILT BRONZE FIGURE OF AMITAYUS, QINGSino-Tibetan, 1644-1912. Cast seated in dhyanasana on a sealed double-lotus base, the hands lowered in dhyanamudra and holding a vessel containing the elixir of life, the body richly adorned in jewelry, set with many turquoises and corals, the face with a meditative expression with downcast eyes, an urna, and a subtle smile, flanked by long ears, the hair tightly coiled around an ushnisha behind an elaborate crown, several strands of hair falling over the shoulders.Condition: Very good condition with minor traces of wear, some minor wear to gilt, small nicks here and there.Provenance: Australian private collection. Acquired by the collector's father in the 1990s from a British gentleman who relocated to Western Australia in the 1960s.Weight: 904.0 gDimensions: Height 14.7 cm5% or 13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.
Lot 109
A LARGE GILT-BRONZE FIGURE OF A FEMALE BODHISATTVAChina, late Qing Dynasty (1644-1912). Cast as a Bodhisattva standing on a stepped double lotus base, with four arms, significantly bejeweled and wearing a large elaborate crown.Condition: Good condition with significant wear, casting flaws, nicks and dents, some lacquer flakes, corrosion, minor old fills. Provenance: Austrian private collection.Weight: 7.5 kg Dimensions: Height 50 cm
Lot 619
KAKOSAI SHOZAN: A SUPERB INLAID GOLD LACQUER FOUR-CASE INRO DEPICTING BENKEI AND YOSHITSUNE ASKING FOR DIRECTIONSBy Kakosai Shozan, signed Kakosai Shozan 可交齋 枩山 with red 'tsubo' sealJapan, early 19th century, Edo period (1615-1868)Of upright, rounded rectangular form, bearing a lustrous kinji ground, lavishly decorated with gold, hiramaki-e and kirigane as well as gold and silver takamaki-e, and with marvellous inlays of gold takazogan, shakudo with gold hirazogan (flat plane inlay), and suaka (red bronze), depicting the famous warrior Yoshitsune and his servant Benkei in a hilly landscape with gnarled pine trees inquiring directions from a young farmer boy carrying firewood in a basket. The underside with the signature KAKOSAI SHOZAN in gold lacquer and with a red-lacquered 'tsubo' (pot) seal against a dense nashiji ground.HEIGHT 8.8 cmCondition: Excellent condition with only very minor wear.Provenance: From a private collection in Florida, USA.The reverse with two boys gathering wood in a vast landscape with a meandering path between hills lined with tall trees, a towering mountain in the background. The interior of rich gyobu with gold fundame edges.With a fine metal ojime in the form of a South Sea islander clinging on to the cord.The lacquerer is Kakosai Shozan who worked in Edo during the 19th century and whose inro are frequently embellished, as here, with metal details. Kakosai Shozan is recorded in Wrangham, E. A. (1995) The Index of Inro Artists, p. 258.Auction comparison:A related metal-inlaid inro by the artist was sold at Christie's, Japanese Art & Design, 16 November 2000, London, lot 37 (sold for 7,050 GBP).5% or 13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.
Lot 89
A BRONZE BUDDHA SHAKYMUNIChina, late 19th century. The figure seated on a beaded lotus base in dhyanasana and dressed in finely incised robes draping over the shoulders and falling in undulated folds over arms and knees leaving the torso bare. One hand shows bhumisparsha mudra, the other holds an alms bowl.Condition: Fine condition with wear and traces of use, minor dents, remainders of fire-gilding, minor heat-damage near base, little verdigris. The base sealed.Provenance: From a private estate.Weight: 1189.1 gDimensions: Height 19.5 cm 清代青銅釋迦牟尼坐蓮像中國， 十九世紀晚期。釋迦牟尼盤腿坐於蓮座上，肉髻高聳，袈裟半搭，右手施觸地印，左手持一小缽。品相：品相良好，一些磨損和使用痕跡，輕微凹陷，鎏金餘留，些微銅綠。底座封閉。來源：私人遺產重量：1189.1 克尺寸：高 19.5 厘米
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