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Lot 1
A pair of lead models of greyhounds, late 20th century, cast after the model of the bitch Eos, by John Francis (1760-1861), portrayed standing, with raised, alert heads, the tails curling to the back legs, 80cm high, 102cm long. The original bronze model of Eos, Prince Albert’s favourite greyhound, was exhibited at the Royal Academy by Francis in 1848. Albert had brought Eos with him from Germany in 1840, when he married Queen Victoria and commissioned models for both the Italian Gardens at Osborne House and for Windsor Castle. The Queen also commissioned a portrait oil of the hound by Sir Edwin Landseer (1803-1873) as a present for the Prince, now in the Queen’s Collection at Buckingham Palace.
Lot 1
A Regency bronze hot water urn, circa 1820, the lid with dolphin finial, the engine milled body with twin mermaid handles, with conforming spigot, waisted stem and square base, 34cm high; a bronze model of an infant, late 19th/early 20th century, formerly part of a light fitting; and a brass Buddhistic handbell, 20th century
Lot 1
A Victorian patinated bronze relief cast charger, by Elkington, 1870, with reclining semi draped figures personifying six of the Zodiacal signs around the outer edge, the internal recess with the six months July to December inscribed within reserves flanked by gryphons and ringed planets, the tondo with cavorting amorini, with date stamp and registration lozenge mark, 53cm diameter
Lot 1
A gilt bronze mounted and mother-of-pearl, bone and brass inset ebonised and mahogany music cabinet, late 19th century, with white marble top above the frieze and door, both decorated with Renaissance style grotesques and scrolling foliage, flanked by projecting pilasters with toupie feet, 114cm high, 80cm wide, 42cm deep
Lot 1
A Louis XVI style white marble and ormolu mounted mantel clock the twin train movement with anchor escapement outside count wheel and silk suspension striking on a bell the convex white enamel dial signed Roque Paris bearing Arabic hour and minute numerals the drum shaped case surmounted by the seated brown patinated bronze figure of a woman holding a dove above a pedestal with scrolled brackets and a breakfront shaped base on turned ormolu feet 36cm high first half 19th century
Lot 1
A mid 19th century French bronze and ormolu mounted mantel clock the twin train brass drum movement with anchor escapement and outside count wheel striking on a bell with 8.5cm circular white enamel Roman numeral dial with cartouche shaped bezel the canted black slate case surmounted by a bronze figure group of a knight and his page on a mounted shaped and stepped plinth 66cm high
Lot 1
Domesday Great Domesday Book 'Penny' Edition. [Alecto Historical Editions 1986] one of 250 numbered sets 2 vol. folio full colour continuous tone offset lithographic facsimile original calf backed polished antique oak boards edges untrimmed 2 coins inset in vol.1 (silver penny of William I King of England and proof specimen of 1986 bronze penny of Elizabeth II Queen of England) together with: Great Domesday: Introduction and contents of the manuscript. 1986 folio number 155 of 250 numbered sets signed by baron hailsham and g.h. martin (keeper of public records) original calf backed buckram original calf and buckram slipcases; Domesday Book: Studies. 1987 folio illustrations original buckram backed boards; [Maps] [1987] 28 numbered folding colour maps key together with: Notes to the translations of Great Domesday. 1988 folio; Fascicules (separate county translations). [1988-92] vol.3-7 9 11 14 16-20 22 23 28 folio 16 vol. (only of 32) [these were superseded by the 2 bound translation volumes present here] original wrappers original calf and buckram case; Indices. 1988-92 folio 33 parts in 32 original wrappers original calf and buckram case; Great Domesday: Translation...including all folios subsequently added to the manuscript. 1992 2 vol. folio original calf-backed buckram t.e.g.; The Domesday Book: a Prospectus. 1986 folio loose inserts original wrappers (8) Note: This fine facsimile of the Domesday Book reproduces the original at actual size and was published in commemoration of the 900th anniversary year of Domesday. It was made possible by the rebinding of the original manuscript in the 1980's at the invitation of the Public Record Office in London. The oak covers of this 'Penny Edition' come from floor-boards originally installed in Tattingstone Hall Suffolk which was built around 1500.
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349674 item(s)/page