A Qajar bronze brazier, 18th/19th century, of octagonal form, the sides decorated with figurative panels inside pierced borders, surmounted by pairs of birds and supported by a figure at each corner, (a.f), 41cm diameter; also a brass bowl engraved with a border of figures and animals, 24.5cm diameter; and a circular brass brazier raised on three supports, 38cm diameter.
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A small patinated bronze figure of a young girl holding a duck, late 19th century, signed 'Schmidt Fellino' to the rear, 16cm high, a bronze of a putto atop a tortoise, a small bronze bust signed 'A. Poll', 12cm high, a pair of small bronze cranes, and a small bronze peasant boy titled 'Frech Dax', 12.5cm high, (6).
A Japanese bronze small dish, Meiji period (1868-1912), worked in relief with a prunus branch, Nogawa mark to base, 12.5cm diameter, wood stand; together with a small bronze four-legged jardiniere; two small lacquer boxes and covers in the form of fruit; four lacquer bowls; a lacquer hair ornament; and a wood panel (9).
A PAIR OF JAPANESE MEIJI PERIOD CHOCOLATE - BROWN PATINATED BRONZE VASES (now as electric table lamps), the oviform bodies cast in relief each with a bird perched and in flight amongst pendulous branches and ascending flowering and leafy plants, gilded and lacquered, the vases 10" (25.5 cm) high (2)
Indian School (circa 1800), watercolour and gouache on paper - portrait of the Indian statesman 'Ballagee Nana' seated, in gold-splash border, 28cm x 21cm, framed.N.B. Nana Furnaveese was a prominent Indian statesman. Edward More mentions a bronze statue once in the domestic chapel of Nana Furnaveese at Poona and was plundered thence when that great man was so shamefully seized and used by that foolish boy (as he was then, the present Dowlut Rhao Sindeah (see lot 900).Provenance: From the collection of Edward Moor (1771 - 1848), British soldier and scholar. Author of 'The Hindu Pantheon' published 1810 - the first English publication detailing the Hindu gods. The original work was extensively illustrated by William Blake - the engravings taken from Indian paintings in Edward Moor's own collection. The majority of the collection was gifted to the British Museum by Mrs A. G. Moor in 1940 CONDITION REPORT Main image- vertical tear or crease lower right corner. A little surface staining, marks, scratches, a little paint loss, border similarly a little staining, some losses- possible insect damage particularly lower right corner and right margin
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