Sally Arnup (1930-2015), A Bloodhound Following the Scent, numbered VI/X, bronze sculpture, 46cm x 23cm, on rectangular marble plinth CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
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A pair of Art Deco style alabaster lamps with bronze mounts and square stands with claw feet, 66cm high CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
A FRESNEL LAMP HOUSING, POSSIBLY FOR A RIVER ESTUARY, 19TH CENTURYheavily constructed in bronze, with internal A-frames supporting circular Fresnel lenses with two micrometers attached along the lower edge and loose chimney plate to top, now mounted to turned wooden feet -- 32 x 25½in. (81.5 x 65cm.)Lenses in good condition. Metalwork with typical time staining / verdigris.
AN ETCHED BRASS PRESENTATION PLAQUE OF LORD FISHER, 1917depicted half-length in full uniform with decorations, signed and inscribed Rex Osborne / Admiral of the Fleet / Lord Fisher / First Sea Lord / Permanent Souvenir of the Great European War / 1914 - Qui Vivra, Verra!, mounted on stained oak panel, the reverse with period labels dated 1917 -- 8½ x 7in. (21.5 x 18cm.); together with a 5½in. bronze boat badge from H.M. Aircraft Carrier Bulwark (1954); and another for the Chilean destroyer [Almirante] Riveros (1960) mounted on wooden table stand(3) wear to lacquer on left side
A 17TH CENTURY BRONZE MORTAR RECOVERED FROM THE WRECK OF ASSOCIATION, 1707, RECOVERED BY ROLAND MORRIS IN THE LATE 1960swith typically worn decoration to sides and rim, now repolished externally -- 4½ x 5in. (11.5 x 12.5cm.) together with provenance certificate and letter(3)Structurally sound.
19th Century French dark patinated and gilt bronze five light chandelier, the ceiling rose mounted with rams heads above rectangular link gilt chains, the circular fitting with winged female figure mounts, the candle arms in the form of flaming torches, 43ins drop x 24ins maximum diameterNeeds some tightening up and possibly re-wiring. It has five female figures and they are made of bronze
JULIEN HENRI VIARD, (Paris 1883-1938).Powder box, ca. 1925.Moulded glass.Provenance: Spanish private collection, formed between 1970 and 1995.Initials on the back "Institute a Beaute, 26 Place Vendôme, Paris".Slightly chipped and hair on one foot.Measurements: 7 x 11 x 11 cm .Art deco gunpowder box, with Egyptian reminiscences of moulded, pressed, frosted and colourless glass, with a triangular section and shape. Designed by Henri Viard. The lid is decorated with falcon wings and Egyptian scarab beetles.Designer of hundreds of perfume bottles during the 1920s, Julien Viard received his training from Antonin Mercié and then from his father, the sculptor Clovis Viard. The latter was associated with the Parisian Leblanc-Barbedienne establishments. During the Universal Exhibition of 1900, the press noticed an ornamental gilded bronze and marble fireplace designed by Clovis with the complicity of DenysPuech. At the 1907 Salon, Julien was awarded the prize of the Society of French Artists, category "engraving on medal and fine stone" and a medal in the decorative arts section. Clovis Viard is also known to have designed perfume bottles between 1900 and 1910, including the Rare de Caron.Around 1910, Julien turned away from bronze to work with glass and produced his first bottles, sometimes associated with Henri Hamm (1871-1961), from whom he would draw inspiration. Julien and his father then teamed up with Georges Viollet-le-Duc (1874-1951) to found around 1914 a glass manufacturing company in Montreuil-sous-Bois called "C. & J. Viard" which, slowed down by the war, became particularly active from 1918 onwards.Viard designed models to be blown or moulded, then had them cast en masse by glassworks such as Baccarat or larger producers such as Dépinoix or the Société parisienne de verreries. Viard generally took care of the finishing touches. Julien Viard also worked in collaboration with Lucien Gaillard and Lalique.Until his father's death in 1927, Julien Viard produced a large number of models of bottles, boxes and glass objects, mainly for French but also American perfume houses.
Perfumer Victorian era. England, ca. 1890.Glass and silver plated metal.Provenance: Spanish private collection, formed between 1970 and 1995.The inner stopper is missing and there is a piece of glass in the mouthpiece.Measurements: 6 x 3,5 x 1,7 cm.English Victorian travel perfume box, in ovoid shaped glass, with case, mouthpiece, stopper and silver plated metal pendant chain.Throughout history all kinds of perfume boxes have been made, the Victorian period (1837-1901) has been one of the best periods in which England manufactured perfume boxes and received from the oriental market some of singular beauty, quality and originality, using different materials such as glass of different colours, silver, gold, porcelain, opaline and bronze.
Oriental perfume box. Possibly India, 19th century.Bronze and enamel.Provenance: Private Spanish collection, formed between 1970 and 1995.Measurements: 8 x 5 x 2,5 cm .Oriental perfume box, possibly Indian, 19th century. Bronze with enamelled decorations, with faces, vegetal ornaments and borders.Throughout history all kinds of perfume boxes have been made, the Victorian period (1837-1901) has been one of the best periods in which England manufactured perfume boxes and received some of singular beauty, quality and originality from the oriental market, using different materials such as glass of different colours, silver, gold, porcelain, opaline and bronze.
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