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An 18th/19th century leaded-bronze measure, for DorsetA mug, with moulded rim and foot, curving handle with terminal spur, struck to the underside with a crowned ‘T’ (with cross-bar) and struck to the rim with various indistinct marks (one probably a crowned ‘G’), and three times with a dagger, also marked with a dagger within a circle below the rim 12cm high, 9.5cm diameter
An unusual pair of bronze figural ‘Bergmannleuchter’ candlesticks, German, mid-18th century, each in the form of a Saxony miner, dressed in full Guild uniform, each with an outstretched arm holding a candle socket, and standing on a square baseA similar pair of pewter candlesticks were made by Christian Friedrick Hiemann, master in 1744, Dresden, Saxony
A mid-century German white metal musical dressing table powder jar with cut glass base. The circular top with a dancing ballerina on a ball, Together with an Italian square bronze photograph frame with a ground or turquoise inset flakes and the central circular aperture ringed in paste gems. 14.5 cm x 14.5 cm square
A BRONZE FIGURE OF A LAMATibet, 17th to 18th century. Seated in dhyanasana on a double-lotus pedestal with beaded rim, holding prayers beads in his right hand, wearing a flowing robe. The benevolent face with lips pursed into a smile flanked by elongated earlobes. Condition: Good condition, commensurate with age, several nicks and dents, malachite encrustations, the base plate is a later addition. The surface with a fine smooth patina.Provenance: From a British private collection.Weight: 1115 gDimensions: Height 14.5 cm5% or 13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.
A BASTAR BRONZE OF A GODDES WITH A KHAPPAR AND SCEPTREIndia, 19th-20th century. This goddess is standing up straight on a flat square shaped base. The robe of the goddess is beautifully decorated with fine detail such as linear patterns along its legs and arms. The goddess is also wearing a crown and the rob is blessed with further decorations such as a necklace and belt. The goddess is equipped with a khappar (vessel) and a sceptre.Condition: Overall in good condition a part from the apron missing, which seems to have broken off. Provenance: Collection of an Indian gentleman.Dimensions: Height 18.5 cm
A BASTAR BRONZE OF A GODDESS WITH TRIDENT AND PLAQUEIndia, 19th-20th century. The goddess is standing on a circular base that is decorated with a cross-lined pattern. She is holding a trident in her left hand that is bent towards her left shoulder. In the right hand had she is holding a plaque that is close to her chest. From the upper back emerges a god saw brine that symbolises holiness. The goddess is also wearing a crown, which is detailed with spikes. Condition: Very good condition.Provenance: Collection of an Indian Gentleman.Dimensions: Height 19 cm
A GILT BRONZE FIGURE OF INDRA, 17TH CENTURYNepal. Seated in rajalilasana atop a large, separately cast, double-lotus base. His left hand lowered toward his thigh and his right hand holding a lotus stem coming to full bloom at the shoulder. Wearing a richly incised dhoti and adorned with beaded and floral jewelry.Provenance: From a noted French private collection.Condition: Good condition with old wear, particularly to gilt, casting flaws, remnants of pigment, minuscule dents, light scratches. Note that the separately cast elements (figure, mandorla, and base) have been bolted together at some point in time and can only be separated when the bolts are removed. The enshrinement is lost, with drilled holes left unused at either side and back of the base.Weight: 2,121 gDimensions: Height 23.8 cm The serene face with heavy-lidded eyes below the characteristic horizontal urna and full lips forming a subtle smile. The hair is beautifully arranged in a high chignon behind the open worked floral mitre crown, a separately cast mandorla behind him.Indra is a Vedic god known as the king of all other gods, as well as the deity of war, and of the sky, adopted into the Newar Hindu pantheon and exalted as the giver of rain. As such, images like this are rarely found in India, but common in Nepal. His horizontal third eye distinguishes him from other Hindu deities, as does his distinctive single-crested crown.Auction result comparison: Compare with a related but smaller bronze of Indra and Indrani, 17th century, at Bonhams Hong Kong, in Images of Devotion, 2 October 2018, lot 64, sold for HKD 350,000. Compare with a related but much smaller bronze of Indra, 15th century, at Sotheby's New York, in Indian, Himalayan and Southeast Asian works of art, 22 September 2020, lot 321, sold for USD 52,920. 十七世紀鎏金銅因陀羅 尼泊爾。因陀羅以轉輪王坐姿,神態閒適,坐於雙層蓮座上,分開而鑄, 不相連。左手撐在身後,右手持蓮莖,蓮花盛開于肩頭。穿著精美的飾有串珠和花卉紋的多提褲。 來源:法國知名私人收藏。 品相:狀況良好,磨損,尤其是鎏金,鑄造瑕疵、顏料殘留、微小凹痕、輕微劃痕。 請注意,單獨鑄造的人物、光背和底座已在某個時間用螺栓連接在一起,只有拆除螺栓時才能分離。供奉已丟失,底座兩側和背面的鑽孔未使用。 重量:2,121 克 尺寸:高 23.8 厘米 安詳的臉龐,雙眼低垂,豐滿的嘴唇有著厚重的雙眼皮,微妙的微笑。 頭髮在雕刻精美的王冠梳成高髻。身後是單獨鑄造的光背。 因陀羅被稱爲天界诸神最有能力的主宰,被尊為賜雨者。他在尼泊爾很常見,其第三隻眼將他與其他印度神祇區分開來,他獨特的單冠也是如此。 拍賣結果比較:比較一件稍小的因陀羅及其妻子舍脂的銅像,十七世紀,見香港邦翰思Images of Devotion 2018年10月2日 lot 64, 售價HKD 350,000;一件稍小的因陀羅銅像,十五世紀,見紐約蘇富比Indian, Himalayan and Southeast Asian works of art 2020年9月2日 lot 321, 售價USD 52,920。
AN INDONESIAN BRONZE FIGURE OF BUDDHAJava, style of the 10th century, but dating later to the 19th century. Seated in dhyanasana on a double-lotus base with beaded rim, his hands folded on his lap, the face with downcast eyes, the hair tied in a high chignon.Condition: Good condition, commensurate with age, and some casting irregularities. Extensive patina.Provenance: British private collection.Weight: 168.4 gDimensions: Height 8.9 cm5% or 13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.
A RETICULATED MINIATURE BRONZE BRUSH POT, BITONGChina, Qing Dynasty (1644-1912). Of cylindrical form, the reticulated sides cast with a three-clawed dragon, clinging on to the flaming pearl of knowledge surrounded by endless scrolling clouds, with a meander-pattern band at the rim and a border of waves and clouds at the foot.Condition: Good condition with traces of wear and age, surface scratches, and verdigris. Provenance: French private collection.Weight: 387 g Dimension: Height 11.3 cm
A PAIR OF TIBETAN COPPER REPOUSSE AND BRASS EWERSTibet, 20th century. The first crafted in copper applied overall with a bronze finish, set with a dragon handle and a curved spout issuing from the mouth of a further dragon, the shoulder and neck with copper applications showing the bajixiang and a band of lotus petals, the circular cover with a lotus bud finial and attached to the handle by a chain. The second crafted in copper, set with a mythical brass beast handle and a curved spout issuing from the mouth of a further beast, the shoulder and neck with brass applications showing floral scroll, the circular cover with a lotus bud finial and attached to the handle by a chain.Condition: Very good condition with minor wear and casting irregularities, occasional light scratches, and few minuscule nicks. One chain broken. Provenance: Austrian private collection.Weight: 926 and 688 g Dimensions: Height 27 and 21 cm
A FIGURAL BRONZE PAPERWEIGHT IN THE SHAPE OF A WATER BUFFALO AND HERDERChina, late Ming Dynasty (1368-1644) to early Qing Dynasty (1644-1912). The small Chinese bronze paperweight cast in the shape of a recumbent water buffalo, with the legs placed underneath the body and a young herder on the water buffalo's back, holding on to the animal's bridle.Condition: Good condition with minor surface wear. Provenance: French private collection.Weight: 187g Dimensions: Length 5.8 cm
KOKUSAI: A RYUSA MANJU NETSUKE WITH A WATERWHEEL AND COINSBy Kokusai, signed Koku 谷Japan, Shiba, Tokyo, late 19th centuryOf oval form, inlaid in sentoku bronze with a waterwheel with a flowering branch on top, flanked by two paulownia leaves and encircled by scrolling vines, the underside with two coins, one of which shows the seal signature KOKU which forms himotoshi, encircled by raised bosses. Pierced twice for suspension.WIDTH 4.1 cmCondition: Very good condition, appealingly worn, few minuscule nicks. Fine, dark patina.Provenance: European collection.According to Paul Moss, "The waterwheel had been used to process grain - mainly rice (and thus, and importantly sake) - since the seventh century in Japan. With the coming of the Meiji era, more modern industrial techniques began to proliferate, and the use of waterwheels diminished. Perhaps this design is supposed to harken back to better days and serve as a reference to both Kokusai's rice dealing family background and the benefits of a regular sake intake. […] It has also been suggested that the overall design resembles a wood wheel from an ox-drawn carriage, as used by nobles in Heian Japan." (Sydney L. Moss Ltd., 2016, Kokusai the Genius: and Stag-antler Carving in Japan, vol. II, p. 152)Literature comparison: Compare a related stag antler ryusa manju attributed to Kokusai, illustrated in Sydney L. Moss Ltd. (2016) Kokusai the Genius: and Stag-antler Carving in Japan, vol. II, p. 152, no. 155. A related and signed stag antler ryusa manju by Kokusai is illustrated in Davey, Neil K. (1974) Netsuke: A comprehensive study based on the M.T. Hindson Collection, p. 176, no. 522, where it is described as a chariot wheel among waves.
A GILT BRONZE FIGURE OF HEVAJRA AND CONSORTHimalayan region, 17th - 18th century or possibly earlier. The two-part group depicting the eight-headed deity standing in alidha with the other two legs lifted off the base, with sixteen arms, each holding a kapala. The main arms embracing his consort Nairatmya, who is depicted wrapped around Hevraja's waist with her right leg, holding a kapala in her left hand and a triguk in her right. On a recent wood base.Condition: Overall good condition with general wear, some casting irregularities, small nicks, and light scratches here and there. The gilding renewed at a later state. Provenance: German Private collection.Weight: 422 g Dimensions: Height 9.5 cm (the figure), 14 cm (total including the base) Auction result comparison: Compare a related Nepalese figure of Hevajra and consort sold at Christie's New York, Indian, Himalayan & Southeast Asian Works of Art on 20 March 2019, lot 684, for USD 50,000.
A BRONZE TRIPOD CENSER WITH DRAGONSChina, late Qing Dynasty (1644-1912). The finely cast bronze tripod censer with a globular body, raised on three short conical legs, a dragon seated atop the lid, reticulated in vine and lotus patterns fitted into the waisted mouth rim, and flanked by 'dragon' handles. An apocryphal four-character Xuande reign mark to the bottom.Condition: Good condition with usual traces of wear and age.Provenance: German private collection.Weight: 1.06 kg Dimension: Height 19.3 cm, Length 17.2 cm
A BASTAR BRONZE OF THREE WARRIORSIndia, 19th-20th century. Three warriors stand in a row. The right one has a sword on his right hand, the other two have a sceptre. On their left hand, the right one has a vessel, the middle one has a bag, and the left one has a gong.Condition: Good condition.Provenance: Collection of an Indian gentleman.Dimensions: Height 11 cm
A RARE DONG SON 'HAMSA BIRD' BRONZEVietnam, 500 BC - 300 AD. The bird with neatly incised spiral designs characteristic for the Dong Son Culture. The neck decorated with a chain. An opening on the upper body. Bronze with amazing malachite and azurite patina.Condition: Overall, very good condition, especially for such a rare piece. Minor losses, fissures, and traces of wear and age.Provenance: From an important Italian private collection.Weight: 300.9 gDimensions: Height 15 cm
A GROUP OF THREE BRONZE FIGURES OF NANDIIndia, 17th to 18th century. The first and second cast standing on a rectangular platform, wearing a cowbell around the neck, and surmounted by a candle holder. The third depicted reclining on a rectangular plinth, richly adorned with multiple belled necklaces.Nandi is Shiva's mount and the gatekeeper of Shiva in Hindu mythology. He is seen as full of 'joy' (nandi) in the presence of his master. An image of controlled virility and devotion, he would typically be placed in front of a Shiva temple facing a shrine.Condition: Overall good condition with traces of age and wear, casting irregularities as well as small nicks and dents here in there. The second and third with some small losses. Provenance: Austrian Private collection.Weight: From left to right - 538.4 g, 960 g and 370.6 g Dimensions: Height from left to right - 12.5 cm, 19 cm and 11.5 cm
A BRONZE LUDUAN-FORM CENSER AND COVER, 17TH CENTURYChina, 17th century. The beast standing foursquare with open jaws baring sharp fangs and teeth, the head forming a hinged cover to allow access to the interior, detailed with finely incised mane and tail above a stout body with stylized markings.Provenance: Karl Zeilinger (1944-2014), a collector of Asian art and antique weapons from Nürnberg, Germany. Thence by descent in the same family.Condition: Fair condition with old wear, traces of use, some losses and cracks, minor iron-red and malachite-green encrustations to the feet. ATTENTION: Since the picture was taken one segment at the front neck is lost. Weight: 984.8 gDimensions: Height 15.2 cmAuction result comparison: A related bronze luduan censer of considerably smaller size, bearing an Xuande mark, was sold by Sotheby's London in Menagerie: An English Private Collection of Chinese Animal Carvings on 10 May 2017, lot 29, for GBP 13,125.十七世紀青銅甪端香爐 中國,十七世紀。神獸張嘴露出鋒利的獠牙,頭部作爲蓋子,刻畫入微地表現鬃毛和尾巴。 來源:Karl Zeilinger (1944-2014), 德國紐倫堡亞洲藝術及古典武器收藏家,在同一家族保存至今。 品相:狀況良好,有舊磨損,使用痕跡,一些磕損和裂縫,輕微的鐵紅色和綠色結殼。 重量:984.8 克 尺寸:高 15.2 厘米拍賣結果比較:一個相近但較小的宣德款甪端青銅香爐,於2017年5月10日倫敦蘇富比Menagerie: An English Private Collection of Chinese Animal Carvings拍場,拍號29,售價GBP 13,125。
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350105 item(s)/page