A patinated bronze and ivory figure of a girl in clown costume, mounted on a tapering onyx base. Signed 'H Chiparus', and also signed 'Etling Paris'. 22.5cms high *This is illustrated in Art Deco and other Figures by Bryan Catley, page 66. Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/ Ivory submission reference KSXH2JT8. CITES permit is included. Exporting outside the EU will require an additional export permit. *Condition: Ivory seems fine, head is a touch loose in the socket, some wear to the bronze over the years with the odd mark on the back. Onyx base has some marks and scratches over time.
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A large ivory and patinated bronze figure of an elegant lady with hat, scarf and muff. The figure mounted on a shaped onyx plinth. Signed to the base 'Chiparus', 31cms high *This is illustrated in Art Deco and other Figures by Bryan Catley, page 75. Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/ Ivory Submission Reference: ZD23MQ3P. CITES permit is included. Exporting outside the EU will require an additional export permit. *Condition: The ivory hand has some cracking the surface of the hand, the back of the hand has a small chip, the face has a few small marks/scratches in places, the bronze has some marks and wear in places to the clothing and arms. The onyx base has some minor marks in places.
A large bronze vase with a ribbed body, with a variety of birds, flowers and foliage in high relief. Signed with character marks to the base, 45.5cms high. *Condition: Generally good, a few small dents around the base rim of the vase, a few marks to the surface in places including the inside, a few small marks/scratches to the body.
A superb bronze figure of a race horse by Tessa Pullan initialled T.P '89'. Provenance: commissioned by Sheikh Mohammed of Dubai of his horse Soviet star. The artist confirms that two pieces were commissioned one with and one without a jockey and the piece was cast with lost wax process. Cast by Livingstone Art Foundries of Tunbridge wells. Gifted by Sheikh Muhammed to the vendors uncle David Withers (Sheikh Muhammed's lawyer) c. 2000. L. 48cm. H. 26cm.
Marcks, GerhardBerlin, 1889 - 1981H. 41 cm"Kniender Prophet", 1936. Bronze, braun patiniert, auf Bronzesockel. Auf dem Sockel signiert und nummeriert 1/8. Giesserstempel: Guss Barth Berlin. Rudloff, 330. Gerhard Marcks Werktagebuch Gips/Bronze Nr. 173.Privatbesitz, Donaueschingen.Evangelische Kirchengemeinde Oflingen/Hochrhein.Privatsammlung, Baden-Württemberg, dort 1971 erworben.Ausstellung:Ein Guss dieser Skulptur wurde u.a. ausgestellt in:"Gerhard Marcks", Galerie Buchholz, Köln 1937, Kat.-Nr. 16."Gerhard Marcks", Kunstsalon Fischer, Bielefeld 1937, Kat.-Nr. 16."Christliche Kunst der Gegenwart", Stadt Köln, Köln 1948, Kat.-Nr. 386."Gerhard Marcks", Kunstverein, Hamburg 1949, Kat.-Nr. 62."Gerhard Marcks", Galerie Hoffmann, Hamburg 1949."Gerhard Marcks", Kloster Marienberg, Helmstedt 1965, Kat.-Nr. 1."Gerhard Marcks", Leonard Hutton Galleries, New York 1967, Kat.-Nr. 68."Gerhard Marcks", Sally Judd Gallery, Portland 1970."Kunstausstellung der Evangelischen Kirche", Öflingen 1971, Kat.-Abb., S. 103.Literatur: Hugo Schnell, "Christliche Kunst der Gegenwart", in. "Das Münster", 1949, Jg. 2. H. 7/8, S. 200."Knaurs Lexikon der Modernen Plastik", München/Zürich 1961, S. 195, mit Abb.
Marcks, GerhardBerlin, 1889 - 1981H. 26,5 cm; B. 48 cm"Sich niedertuende Kuh", 1949. Bronze, braun patiniert. Im Guss unterseitig Künstlersignum und Nummerierung "IV". Giesserstempel: Guss Barth Berlin.Rudloff, 533.Gerhard Marcks Werktagebuch/Gips/Bronze, Nr. 343.Galerie Gunzenhauser, München.Privatsammlung, Baden-Württemberg, dort 1979 erworben.Ein Guss dieser Skulptur wurde u. a. ausgestellt in: "Gerhard Marcks", Kunsthalle, Hamburg 1949, Kat.-Nr. 13."Gerhard Marcks", Galerie Franke, München 1949, Kat.-Nr. 29."Deutsche Malerei und Plastik der Gegenwart", Stadt Köln, Köln 1949, Kat.-Nr. 449."Deutsche Bildhauer der Gegenwart", Schleswig-Holsteinischer Kunstverein, Kiel 1950."Gerhard Marcks", Kunstverein, Itzehoe 1950."Gerhard Marcks", Curt Valentien Gallery, New York 1951, Kat.-Nr. 26.XXVI. Biennale, Venedig, Kat.-Nr. 121."Gerhard Marcks", Kunsthalle, Kiel 1952, Kat-Nr. 12."Gerhard Marcks", Karl-Ernst-Osthaus-Museum, Hagen 1953, Kat.-Nr. 36."Gerhard Marcks", Kunsthalle, Mannheim 1953, Kat.-Nr. 33."Gerhard Marcks", Kunstverein, Frankfurt 1954, Kat.-Nr. 24."Gerhard Marcks", The Arts Council, London 1954, Kat.-Nr. 20."Gerhard Marcks", Galerie Hoffmann, Hamburg 1955. "Gerhard Marcks", National Galerie, Berlin 1958, Kat.-Nr. 47."Rückblick und Gegenwart", Akademie der Künste", Berlin 1963, Kat.-Nr. 288."Gerhard Marcks", Kunsthalle, Bremen 1964, Kat.-Nr. 41."Gerhard Marcks", Wallraff-Richartz-Museum, Köln 1964, Kat.-Nr. 28."Gerhard Marcks", Leonhard Hutton Galleries", New York 1967, Kat.-Nr. 39."Gerhard Marcks", Kunstverein, Mannheim, 1969, Kat.-Nr. 30."Gerhard Marcks", UCLA Art Galleries, Los Angeles 1969, Kat. Nr. 15."Gerhard Marcks", Galerie Vömel, Düsseldorf 1974, Kat.-Nr. 8."Gerhard Marcks", Galerie Koch", Hannover 1974, Kat.-Nr. 31.Literatur:Günter Busch, "Gerhard Marcks - Bildwerke in Bronze 1946 - 1950", Hamburg 1951, Abb. S. 17.Kurt Leonhard, "Wesen und Wege der neuen Skulptur", in: "Das Kunstwerk", 1951, Jg. V, H. 2, S. 6 ff., mit Abb.Günter Busch, "Gerhard Marcks - Tierplastiken", Wiesbaden 1954, Abb. 13, 14.Ludwig Grote, "Deutsche Kunst im 20. Jahrhundert"; München 1954, Abb. 67.Gerd von der Osten, "Plastik des 20. Jahrhunderts", Königstein 1962, Abb. S. 8.
Klinge, DietrichHeiligenstadt, geboren 1954L. 36 cmFigur 174, 2008. Bronze, schwarz und braun patiniert, auf grünpatinierter Bronzeplatte. In Faserstift unterseitig signiert und bezeichnet "Fig 174" sowie seitlich im Guss signiert, datiert, nummeriert 4/9 und bezeichnet "174".Galerie Schrade, Schloß Mochental.Privatsammlung, Baden- Württemberg
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