AFTER FRANÇOIS RUDE (FRENCH, 1784- 1855), A BRONZE GROUP 'THE EDUCATION OF ACHILLES BY THE CENTAUR CHIRON' 19TH CENTURY approximately 43cm high, base 45cm wideProvenance:The Simon Neal Collection. Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Lacking some small elements- lyre to bottom left corner, main bow, lower section of arrow/sword to centaur's left hand. Overall fairly greenish areas of surface interspersed with darker patination. Small areas such as Achilles face with possible later repatination. The surface slightly rough in areas and drapery section which had lyre on it loose/partially fixed to base. Please see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
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ALFRED JACQUEMART (FRENCH, 1824-1896) BRONZE FIGURE OF 'THE HOUND AND TORTOISE' LATE 19TH/EARLY 20TH CENTURY signed to cast 'A. Jacquemart' 15cm high, base 18cm wide Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. The whole has the patina of being loved- and stroked- with paler patination to the back. The overall surface is quite dirty and it will benefit strongly from a sympathetic light clean and wax. The base edge with some distortionPlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A LARGE BRONZE NEOCLASSICAL URN- THE 'VASE ECLAVES' LATE 19TH CENTURY, ATTRIBUTED TO LA COMPAGNIE DES BRONZES DE BRUXELLES With twin slave handles flanking body with twin slave handles flanking body with relief decoration of ribbons, flowers and skulls, green griotte marble base 62cm high, base cm wide Provenance: L'Egide Antiquities Brussels 2011. Attributed to "La Compagnie des Bronzes de Bruxelles" and the design to Picault. Illustrated in the collection catalogue for the foundry , ref 1289 "Vase Esclave". Private collection, Blaisdon Hall, Gloucestershire
A 'GRAND TOUR' BRONZE AND SIENA MARBLE MODEL OF THE COLUMN OF MARCUS AURELIUS ITALIAN, EARLY/MID 19TH CENTURY The underside with English retailer's label for "J Tennant Successor To S Mawe, Mineralogist To Her Majesty, Manufacturer & *** Works Of Art, Alabaster, Marble *** And Derbyshire Spar Etc" 27.5cm high, the base 9.5cm squareCondition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning.The whole in generally good condition but:small distortion to corner of upper galleryloss to paperwork to undersidesome patina rubbing to exposed edges adn nibbles around edges and corners of base Please see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
AFTER LUCA DELLA ROBBIA, A PAIR OF BARBEDIENNE PARCEL GILT BRONZE 'CANTORIA' PLAQUES FRENCH, CIRCA 1860-1880 Each now set in ebonised carved frames, signed to lower moulding of plaques the plaques 26.5cm by 24.5cm, the frames 42.5cm by 40.5cm Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning.The plaques in generally good condition- the frames with old marks and wear from hanging adn transportation- both stamped to reverse with roman numeral I and IVPlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A PAIR OF FRENCH GILT AND PATINATED BRONZE CHENETS 19TH CENTURY IN THE MANNER OF PRIEUR Each with seated putto warming himself each 24cm wide Provenance: Private collection, Blaisdon Hall, GloucestershireCondition Report: There are scratches, marks and abrasions consistent with age and use.Observations include: the gilding generally with a patina of light wear and age, the gilding of one base shows greater signs of rubbing than the other with some verdigris spotting; the depth of patina with a range of colours from dark and golden, to browns and reds; some minor traces/drops of a varnish like substance; the feet screw into the base; the underside with the usual discolourations, verdigris and some rust; the big toe of one foot with a line across it appears that this could possibly be from the moulding or a very small repair; one Christie's paper label to the base of one chenet.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer
AFTER JULES MOIGNIEZ (1835-1894), A PAIR OF BRONZE EQUESTRIAN GROUPS ENTITLED 'AVANT LA COURSE' AND 'RETOUR AU PESAGE' FRENCH, LATE 19TH CENTURY Each signed J. Moigniez to naturalistic cast base and with title inscription 'Avant la Course' and 'Retour au Pesage', later marble plinths taller bronze 34.5cm high, 37cm high overall, base 32.5cm wideLiterature:Christopher Payne, Animals in bronze, Woodbridge, 1986, p. 351, pl. H208, another cast from this model.
AFTER PROVIN SERRES, A BRONZE FIGURE OF NEPTUNE FRENCH, MID 19TH CENTURY Depicted astride his sea horse, trident aloft, on yellow Siena marble base 53cm high overall, base 21.5cm diameter Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. The surface slightly dirty but with quite deep shine which will come up further with sympathetic light clean and wax. The trident loose and slightly clumsy in execution relative to main piece- some wear to margins with paler patina and some wear around edges of marblePlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
RUBY LEVICK BAILEY (WELSH, 1871-1940), A BRONZE GROUP OF A MERCHILD ON A FLOATING BARREL DATED 1912 Patinated bronze, signed to cast and dated 1912, on wood plinth base 32cm high overall, base 18 x 23cmProvenance: Airlie Gardens, Holland Park. The home of Herbert Olivier (1861-1952), Edwardian artist and travellerCondition Report: Wear, marks, knocks and scratches as per age, handling, use. The whole looks to have been situated in a damper part of Airlie Gardens, Holland Park. Extensive verdigris build up and surface dirt. The whole will benefit strongly from sympathetic clean and wax. The oak plinth probably original but the screws to underside have seized making inspection of underside of bronze impossible. Loss to corner of oak plinth. Please see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A MAHOGANY, BRASS MARQUETRY AND BRONZE MOUNTED SERVING TABLE OR SIDE TABLEENSUITE TO THE PREVIOUS LOT IN REGENCY STYLE, SECOND HALF 19TH CENTURYOf inverted breakfront form, the concealed central drawer stamped 'EDWARDS & ROBERTS' 134cm high, 201cm wide, 74cm deepProvenance:The Private Collection of a GentlemanFormed at two properties in Twickenham and Hampton Court, over a period of sixty yearsThe firm of Edwards & Roberts, 1845-1899, specialised in reproductions of earlier styles. The Victoria & Albert museum collection has a chair with similar brass anthemion and greek key inlay designed by Thomas Hope (circa 1807) and made by Edwards & Roberts circa 1892.
RUDOLF KAESBACH (GERMAN, 1873-1955) A BRONZE MODEL OF A HORSE TAMER EARLY 20TH CENTURY The tamer restraining the horse with the reins, dark brown patination, signed to the cast, on a Maurin green marble plinth 36cm high overall, the base 23cm wide Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. The bronze with some mild wear to patina as per age and handling- notably to horse head and top of horse back and haunch. The green marble with 1 top small corner chip, , black plinth with chips to each end and corner chipsPlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
A PAIR OF BARBEDIENNE ORMOLU AND PATINATED BRONZE THREE LIGHT FIGURAL CANDLEABRA LATE 19TH CENTURY, FRENCH Each with female caryatid stem support, signed to plinth F Barbedienne 54cm high, base 9cm wide It is possible that the design for these figures was sculpted by Louis-Constant Sevin (1821-1888) drawing on similar examples in The Louvre. Barbedienne utilised this design for table lamps, such as this, as well as larger floor standing lamps.
A FRENCH RESTAURATION ORMOLU AND PARIS PORCELAIN ARCHITECTURAL MANTEL CLOCK WITH CENTRE SECONDSBOURDIN, THE CASE ATTRIBUTED TO JEAN FRANCOIS DENIERE, PARIS, CIRCA 1830The eight-day two train bell striking movement with visible pin-wheel deadbeat escapement incorporating unusual pivoted pallets to the backplate stamped BOURDIN, A PARIS to centre over part obscured Pons MEDAILLE D'OR, 1827 to lower margin, The silvered two-piece Roman numeral dial engraved Bourdin H'r. du Roi, RUE DE LA PAIX to centre and with pierced gilt hands, the architectural case finely cast with scrollwork upstand to the fish-scale tiled hipped 'roof' over generous corbelled cornice, the front and sides inset with panels polychrome painted with Neo-classical motifs over generous stepped skirt base decorated with further conforming panels 54.5cm high, 30.5cm wide, 17cm deepProvenance:By repute previously the property of the prolific architect, garden designer and author Sir Reginald Theodore Blomfield RA (1856-1942).The present lot can be very closely compared to an almost identical example sold at Christies, New York IMPORTANT EUROPEAN FURNITURE, CERAMICS, AND CARPETS, 21st November 2008 (lot 139) for $50,000 including a matching pair of garniture side pieces.Jean-Francois Deninger, called Deniere, was one of the most important bronziers of the first half of the 19th century. He entered into partnership with Francois Mathelin in 1797 with whom he established a substantial workshop which employed over 200 workers during the Empire period. Amongst Deniere's clients were the duchess de Berry and Louis Philippe, the duke of Hamilton, Ferdinand VII of Spain, William II of Hesse, William II of Holland, Tsar Alexander II of Russia. They were also commissioned to finish some of the bronze work for the redecoration of the White House in Washington and the mounts for Charles X coronation coach in 1825. By the time Louis-Philippe was on the throne the workshop had expanded to around 400 workers.Condition Report: Movement is in relatively clean working condition with no visible evidence of alteration or noticeable replacements. We have not tested it for accuracy of timekeeping and would advise a precautionary gentle clean/service. The dial has overall even mellowing/oxidation to the silvering; the hands appear undamaged the bezel/surround has some patchy discolouration to the gilding. The case is in very fine original condition retaining good strong gilding with well-defined burnished highlights. There are a few slight areas of spotting and minor edge wear to the edges of the lower skirting. The rear is finished flush and has some overall noticeable oxidation coming through the gilding. The porcelain panels are free from visible faults (including noticeable rubbing) except for a very small area of edge wear to the extreme top left corner of the lower left front panel (within the upper part of the skirting); this is only visible on very close examination.Clock is complete with a pendulum (probably not original) and a winding key. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description.Condition Report Disclaimer
AFTER GIAMBOLOGNA (ITALIAN, 1529-1608), A LARGE BRONZE GROUP 'ABDUCTION OF THE SABINE WOMEN' PROBABLY FRENCH, MID/LATE 19TH CENTURY Signed to cast Jean de Bologne 113 cm high, base 36 by 28cm: TOGETHER WITH AN ASSOCIATED CHINESE MARBLE TOP CARVED HARDWOOD STAND, 80cm high, 41.5cm square Condition Report: Bronze- Good and with very mild wear as per handling and age. Some paler patination to margins from handling but generally good.Base with wear from contact and with repaired corner section- frame with shrinkage cracks throughoutPlease see additional images for visual references to condition which form part of this condition report All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.It is the buyers responsibility to satisfy themselves that the lot being purchased may be imported into the country of destination. Some lots will require export or cites licences in order to leave the UK or Europe- it is the buyer's responsibility to satisfy themselves as to these requirements. Condition Report Disclaimer
AFTER NIKOLAI LIEBERICH (RUSSIAN, 1828-1883) A BRONZE FIGURE OF A BORZOI DOG LATE 19TH CENTURY SIgned in Cyrillic to cast octagonal naturalistic base 'N. Lieberich' 29cm high, base 37cm wideProvenance: Private collection, Blaisdon Hall, GloucestershireCondition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. No foundry mark- the whole in good condition but looks to have been possibly repatinated in the last 20-30 years- minor wear to base Please see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description Condition Report Disclaimer
A CARVED PORTLAND STONE SUNDIAL 19TH CENTURY With unsigned octagonal bronze dial, fluted column on gadroon knop, further separate square plinth base 118cm high, the base 35cm square Condition Report: Weathering - leading to some colour variance- top edge and corners to dial plateau with some loss- some additional loss of definition to surface of stem from weathering and lower edges wear and small lossesPlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.Condition Report Disclaimer
AFTER NIKOLAI LIEBERICH (RUSSIAN, 1828-1883) CAST BY WOERFFEL- A BRONZE FIGURE OF A POINTER DOG RESTING The collar inscribed in Cyrillic 'N. Lieberich', the underside of front right paw inscribed in Cyrillic 'Fabr. C. F. Woerffel/ St Petersbourg' 36.5cm long, 17cm high Provenance: Private collection, Blaisdon Hall, GloucestershireCondition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. The whole showing signs of handling- 'petting'- with paler patination to top of head, haunches, tail etc. otherwise generally good conditionPlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description Condition Report Disclaimer
AFTER THE ANTIQUE, A BRONZE BUST OF THE EMPEROR CLAUDIUS PROBABLY 20TH CENTURY Now set on modern stand the bust 31.5cm high, 49cm high overallProvenance: The Rowse Collection Condition Report: The base with some mild wear otherwise no condition problems noted- the aging/wear is by design and not through accident.Please see additional images for visual references to condition which form part of this condition report All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
AFTER GIAMBOLOGNA, A LARGE BRONZE FIGURE OF MERCURY PROBABLY ITALIAN, 19TH/20TH CENTURY 167.5cm high overall, base 52cm diameterProvenance: The Rowse Collection Condition Report: Wings lacking to helmet and ankles- caduceus lacking, bruise to top of helmet and with signs of restorations around joints, surface wear and weathering Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Please see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionBuyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
AFTER MASSIMILIANO SOLDANI, ITALIAN, 1656-1740), A BRONZE FIGURE 'THE EXECUTIONER' ITALIAN, 18TH CENTURY The figure holding aloft his sword and the head of John The Baptist 40cm high overall, base 11cm wide Provenance:The Simon Neal Collection. The composition is derived in part from Giambologna's "Mars"- with the addition of the Baptist's head. This particular design has traditionally been attributed to Soldani and a comparable example is held in the National Gallery of Ireland in Dublin (Milltown Gift, 1902 Object Number: NGI.8122)Literature: C. Avery, "Soldani's mythological bronzes and his British clientele", Sculpture Journal, XIV, 2005, pp. 8-29, pl. 12Condition Report: Base and sword blade later- the whole with rubbing and signs of repatination which may be obscuring remedial work to ankles, left knee (which is showing a hairline fissure) Condition Report Disclaimer
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350105 item(s)/page