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19th Century bronze figure of a seated Classical male, possibly Caesar Augustus, modelled in contemplation with right elbow on right knee, wearing robe and sandals, on stone seat, canted rouge marble balck and moulded black slate plinth, unsigned, olive green patina, 43cm high overallCondition report: Good condition.
After Thomas-Francois Cartier (1879-1943) - Large bronze model of a pointer dog, modelled in stalking pose, tail detached but present, 79cm long x 34cm highCondition report: Dog has three screw holes surrounding tail socket which should secure tail in place. Needs reattaching and the screw holes covering. One rear leg has discolouration and a possible restored break (this may simply be how it was cast). Otherwise sound.
Lepine Mantle Clock Dore bronze and glass, two train (missing the strike train), single spring driven, balance wheel escapement, eight-day, non-striking mantel clock made in a form approximating an Anglaise variant of a carriage clock, retailed by the firm of Lepine of Paris, unsigned movement of Continental origin (original most likely French), made circa 1900. [With Twentieth century alterations.] Case: 30 cm x 28 cm x 13 cm Dore bronze mantel clock made in a form of carriage clock which has a close to square shape and styled in a variant of the Anglaise carriage clock style. It is a mantel clock because of the style of the movement within the case (see below). The case has gilt brass fluted pilasters at the four corner posts and glass on the façade, sides and back of the case. There is Dore bronze shaped and fluted carrying handle above with gilt plumes at the centre and at the end of the handle a mobile hinge. There is a large rectangular bevelled glass lenticel on the flat pediment of the case. Not shown but allowing visualization of the platform escapement. There is also a repeat strike on demand button at the front, which in this clock may be useless since there appears to be nor strike train currently in the movement. Below the overhanging pediment is a row of gilt foliate ornamentation above the horizontal gilt frieze over the dial. The two Corinthian type fluted pilasters flank the glass overlying the dial. Below is a double beaded border across the façade of the case (the sides are not shown) and likely goes fully around the four sides of the base. There is a broad architecture base with recessed façade, sitting flat to the surface and flanked by Dore bronze plinths, slightly thrust forward, upon which rest the fluted pilasters. Dial: square silvered dial plate with round Roman hour enamelled chapter ring, closed minute track to the outside, steel Breguet hands, no winding apertures and the dial centre is marked for “Lepine a Paris†(see history). Movement: Round solid brass plate movement, brass tubular pillars connect the plates and are pinned at the back plate, marine lever, i.e., balance wheel lever escapement, steel cut pinions, two-barrel springs should power the clock for eight days and cause striking, but the strike train has been removed. The strike train is usually placed on the left side when looking at the dial and therefore looking at the movement from the rear it should normally be on the right side, and that is where it appears to have been removed. There is no need for a pendulum since the clock uses a balance wheel escapement. In fact, the lever has a vertical pointer at the top of the movement for making the movement run faster and slower. This was likely a French made time and strike French made movement where the anchor escapement and strike side was replaced with a balance wheel time only movement between the plates. Condition: Case – Not a true carriage clock although with the alterations, it can serve as one if you drive a horse and carriage. (Well, it is better for the environment.) The case has some green areas of oxidation and indicates a high content of copper in the brass, since cupric oxide is green. Movement – Missing its strike train and the time train has been replaced with a lever-balance wheel escapement. Movement unsigned. Dial: Good with patchy darkened areas of oxidation of the silvered surface. c. Circa 1900 with 20th century alterations
WW2 R.A.F items, including two war time menusfor R.A.F Wyton & R.A.F Linton-on-Ouse Christmas Dinner 1941 & 1944, the Wyton is signed by other pilots and people at the dinner.R.A.F service and release book for LAC 1014917FR Sherwood (served from 3/9/40 to 8/10/45),R.A.F Christmas card & pocket calendar 1944with a personal message on both, R.A.F Farnborough relay race 1924 bronze medal,with two information booklets for post war resettlement.
A FINE LATE 19TH CENTURY DAMASCENED CASKET ATTRIBUTED TO PLACIDO ZULOAGA, TOLEDO (SPANISH, 1834-1910) the bronze, steel and gold damascened casket of rectangular form, decorated throughout with panels of scrolling foliage and Arabesques, surmounted by a urn finial flanked by acanthus leaves, with three quarter, baluster pilasters to the angles and a rope twist border to the plinth base, raised on four paw feet, the hinged top opening to reveal the silk lined interior,30cm wide x 19.5cm high
After A Mercie, a bronze Classical sculpture of David with sword standing on the head of Goliath, from the F Barbedienne foundry, height 29insCondition report - age not specified, bears a Curiosa Antiques label to the base, has seam marks to each bicep also to the top of the scabbard - may have been in construction or repair, depth of colour quite thin.
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361340 item(s)/page