AFTER CHRISTOPHE FRATIN, A PATINATED BRONZE FIGURE OF A HORSE LATE 19TH CENTURYModelled trotting on a naturalistic base and rosso antico plinth21.5cm highCondition Report: Repairs including to poor casting to hind leg, infilled casting hole to chestPatina uneven overallThe usual chips and losses to the marble at the edges and extremitiesCondition Report Disclaimer
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BRUCE LITTLE (SOUTH AFRICAN, 20TH CENTURY), A BRONZE MODEL OF A SPOTTED EAGLE OWL Modelled perched on a bench Signed and dated 2007, 2/12 22cm high Condition Report: The dark brown patination uniform overall With maker's label to the underside and with signatureOverall in presentable order Please see additional images for visual reference to condition Owl is 14cm high.The colour seen on the website is the colour in reality.Please contact the artist for info. on manufacturing techniques.https://brucelittle.com/ Condition Report Disclaimer
CYRUS EDWIN DALLIN (AMERICAN 1861-1944), A PATINATED BRONZE EQUESTRIAN FIGURE, APPEAL TO THE GREAT SPIRIT BEARING DATE 1913 With a Native American Indian (Sioux) chief seated on his horse wearing a feathered headdress and with outstretched arms, raised on a naturalistic rectangular base, signed and dated,C.E.Dallin 1913 and with circled 'C' copyright mark, the end of the base inscribed GORHAM CO FOUNDERS ma OXC, and one side also numbered #247, 22.5cm high Condition Report: Marks, knocks, scratches, abrasions consistent with age and useMarks and wear to the patina from age and handling, notably around left forearm and wrist, the right hand (notably index finger) appears to have had an impact and is dented to the tip The horse's rein stops at the neck, this appears to be by design and not a loss Dirt and discolouration and dust deposits to the deeper recesses, there is a patch to the back where it meets the feathered-headdress which has verdigris The underside with baize which is probably later, solid and stable overall Please see additional images for visual reference to conditionCondition Report Disclaimer
A GROUP OF AUSTRIAN COLD PAINTED BRONZE FIGURESComprising, a squirrel holding a nut, probably by Bergmann, numbered 3167 to underside, 8cm, two mice, each stamped GESCHUTZTZ to underside, 10 and 8cm long respectively, a terrier, 5cm long, a hound, 8cm long, and a frog 7cm wideTogether with two further models of frogs playing golf, 6 and 8cm high respectively (7)Condition Report: The hound has had nearly all the surface removed, the other bronzes with the usual chips and losses, the frog most of all Condition Report Disclaimer
A GROUP OF THREE AUSTRIAN COLD PAINTED BRONZE MODELSComprising two foxes, 11cm and 9cm long respectively, the smaller marked VIENNA BRONZE, and a model of a fox hound 9cm longTogether with three further bronzes, comprising a 20th century model of a bull after Delabrierre, 11cm long at the base, a bronze retriever by LeJeune, 13.5cm long at the base, and a bronze farm horse with filled base, 11.5cm long(6)
A late 19th century continental terracotta figure, moulded as a miniature dark patinated bronze, monk sat cross-legged on a cushion, 8cm, impressed S&G; a Japanese dark patinated pewter dish, cast as a male figure gazing in to a pool, 13.5cm wide, unmarked; a pair of Chinese hardwood carved netsuke Shubunkin goldfish, glass eyes; a carved hardwood netsuke turtle (5)
A SILVER QUEEN MARY MEMORIAL MEDALLION JAMES DASSIER (1676 – 1763), STRUCK 1731 obverse three-quarter bust of Queen Mary facing right with the motto MARIA. I. D.G. ANG. FR. ET. HIB. REGINA, reverse with the figure of Religion seated before a monument to the right, a column, mounted with a medallion of the Pope, motto NATA. 18. FEBR. 1516. COR. 1 OCTOB. 1553. MORT 17. NOV. 1558 Dimensions:41mm diameter, 32.1g Provenance:Provenance:Property of a Gentleman – Previously from the collection of Sir Colin MacRae (1869-1952) of Feorlinn and Lady Margaret Crichton Stuart (1875-1964) Note: References:‘British Commemorative Medals, and their values’, C Eimer, item 38 and 526Notes:Originally from the thirty-four medallion set produced by James Dassier ‘Kings & Queens of England’. This set illustrates the monarchs from William I to, the then, current monarch George II. This set was available in bronze and silver at a cost of fifteen or six guineas and is occasionally found in original wooden trays.
A BRONZE PRINCE CHARLES AND PRINCE HENRY, LEGITIMACY OF THE JACOBITE SUCCESSION MEDALLION OTTONE HAMERANI (1694 – 1764), STRUCK ROME 1731 obverse, the right-facing bust of Prince Charles with star in field, motto MICATE INTER OMNES, reverse the left-facing bust of Prince Henry with motto ALTER. AS. ILLO, the edge with raised motto DIE. XXXI. DECEMBR. MDCCXX. EXTVLIT. OS. SACRVM. COELO Dimensions:42mm diameter, 34g Provenance:Provenance: Property of a Gentleman – Previously from the collection of Sir Colin MacRae (1869-1952) of Feorlinn and Lady Margaret Crichton Stuart (1875-1964) Note: References:‘The Medallic Record of the Jacobite Movement’, N Woolf, item 43:1‘British Commemorative Medals, and their values’, C Eimer, item 521Note:Two main types of this classic 'Two Princes' medallion exist: those without edge lettering, and the rarer type, such as this, with the additional motto to the edge. Struck in 1731 to mark Prince Charles' 11th birthday it shows an almost 7-year-old Prince Henry on the reverse. Unusually neither of the princes is mentioned by name, perhaps suggesting hope of a widespread dispersal of this medallion not just on the Continent but also on British soil.It is recorded one of these was sent by King James to Bishop Atterbury and is mentioned in contemporary correspondence. Showing not only the close relationship James and Clementina had in the production of these medallions but the value they placed in them being seen in high circles of society, further making the claim of their legitimacy and now a claim with heirs.
FIGURE OF ROBERT BURNS BY SIR JOHN STEELL RSA (SCOTTISH 1804-1891) 19TH CENTURY bronze, dark green patina, depicted sitting on a tree stump, his head raised, beneath his feet is a scroll inscribed with a passage of his poetry, on an integral rectangular plinth baseDimensions:28cm wide, 49cm high, 33cm deep
PRADA; a Cervo Lux lace print bowler bag made from printed deer skin leather with ID tag, gold tone padlock and lock in cloche, with a soft bronze leather lining, top handles and includes a luggage label embossed with maker's logo, with original dust bag, 35 x 23 x 12cm.Condition Report: The bag overall is in very good condition, there are some small of wear to the bottom four corners but no stains or scuffs to the leather, either on the exterior or on the interior.
Pogany (Willy, illustrator). The Rime of the Ancient Mariner, in Seven Parts by Samuel Taylor Coleridge, London: George G. Harrap & Co Ltd., [1926?], [128 pp.], colour plates and illustrations (some tipped-in), top edge gilt, remainder untrimmed, original brown sheep with blocked pictorial design to upper cover and spine in black and gilt, tall 8vo (25 x 17.5 cm), together with:Robinson (Charles, illustrator), The Sensitive Plant, by Percy Bysshe Shelley, introduction by Edmund Gosse, London: Heinemann, [1911?], colour plates and illustrations (some tipped-in), pictorial endpapers, top edge gilt, original gilt-blocked sheep, spine browned and repaired at head and foot, extremities rubbed, 4to,Rackham (Arthur, illustrator), The Argonauts of the Amazon, by C. R. Kanyon, London and Edinburgh: W. & R. Chambers, Ltd., 1901, 6 monochrome plates including frontispiece, illustrated advertisements at rear, original pictorial cloth, rubbed at head and foot, 8vo,Peacock (Thomas Love), The Misfortunes of Elphin, Newtown, Montgomeryshire: Gregynog Press, 1928, wood engraved illustrations by Horace Walter Bray to text, original patterned cloth, 8vo (limited edition 98/250),Davies (Rhys), A Woman, London: Capell at the Bronze Snail Press, 1931, top edge gilt, remainder untrimmed, original cloth-backed decorative boards, slim 8vo (limited signed edition 156/165),Weatherly (Frederick E.), The Book of Gnomes, London: Ernest Nister & New York: E. P. Dutton & Co., [between 1890 and 1910?], 8 chromolithograph plates and illustrations throughout by E. Stuart Hardy, one plate and one leaf of text with long repaired closed tear, some toning, inscription to front free endpaper dated 1911, original cloth-backed pictorial boards, board corners worn, oblong folio, plus Nimrod, The Life of John Mytton, Esq. of Halston, Shropshire ... with his hunting, racing, shooting, driving, and extravagant exploits, new edition, revised, 1877, Farnie (Henry Brougham), The Golfer's Manual, being an historical and decsriptive account of the National Game of Scotland by 'A Keen Hand' and originally published in 1857 and now reprinted with an introduction by Bernard Darwin, London: Dropmore Press, 1947, limited edition 304/750, and Rackham (Arthur, illustrator), The Ingoldsby Legends..., London: J. M. Dent & Co., 1898QTY: (9)
After Franz Bergmann (1861-1936) Austrian, pair of cold-painted bronze Blackamoor figures, signed 'F. Bergmann 1882', standing on circular bases, 20.5cm high (2)Provenance: The property of a Gentleman, from a period Winchcombe Town House. Overall wear and scratches. Some paint loss in places.
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350105 item(s)/page