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Lot 47

600-400 BC. Northeast China. Cast bronze openwork fitting depicting a standing doe with a mating stag behind her. A series of suspension loops protrude from the stag’s back, indicating this piece was perhaps originally worn as a pendant. Deer traditionally symbolise longevity and riches in Chinese culture, as they are believed to have very lengthy lives. The Ordos culture thrived during the Bronze and early Iron Ages in what is now Inner Mongolia and is known for its nomadic culture and rich traditions of decorative metalwork, as is embodied in this piece. Excellent condition. Provenance: Important London collection of Ancient art; formed in 1970-80s then passed by descent. Size: H:28.7mm / W:33.5mm ; 13.65g

Lot 48

600-400 BC. Northeast China. Cast bronze openwork fitting depicting a grazing ram with long, curved horns. he sheep or ram is the eighth of the twelve animals in a zodiac cycle and is regarded as an auspicious animal which is peace-loving, kind, helpful, and trusting, but of a nature resistant to change. Ceramic figures such as this item were important to a variety of cultures with afterlife beliefs which involved trials, travels, or an afterlife similar to that which was lived on earth. These animals, which are included as funerary offerings reflect the belief that assistance, luck and companionship would be helpful in overcoming the difficult environs of the afterlife. The Ordos culture thrived during the Bronze and early Iron Ages in what is now Inner Mongolia and is known for its nomadic culture and rich traditions of decorative metalwork, as is embodied in this piece. Excellent condition. Provenance: Important London collection of Ancient art; formed in 1970-80s then passed by descent. Size: H:32.6mm / W:43.5mm ; 32.67g

Lot 5

C. 3rd millennium BC. Ancient Central Asia, Indus Valley. A fine example of an polychrome Indus Valley civilisation jar, comprising globular body and a small, slightly flared rim. The ochre coloured vessel is decorated with black motifs of two humped bulls, with long, curving horns, shown in profile. The bulls are separated vegetal motifs and framed by a series of geometric designs. The outermost limits of the vessel’s decorative scheme are delineated by black and red stripes and the bottom most portion of the jar is painted black. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this ceramic vessel belongs, was in the 3rd millennium BC. The bull, with its hump and powerful horns, is a recurring motif in the Indus Valley, appearing on painted pottery like this example but also on figurines and stamps. The animal may represent the leader of a herd, who is able to protect his followers, or it could be a reflection of the bull’s importance in religious sacrifice. Cf. N. Satyawadi, 1994. Proto-Historic Pottery of the Indus Valley Civilisation: Study of Painted Motifs, New Delhi. Superb condition. Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1970s. Size: H:190mm / W:260mm ; 1559g

Lot 58

c. 1400 - 1500 AD. Medieval Islamic. Pair of beautiful openwork bronze vessel, perhaps lamps or candleholders with incised decorative details. The lamps depict repeated horse and rider figures on the body and animal figures around the rim. Metalwork made in Islamic lands were highly sought-after luxury commodities across the Mediterranean and beyond. These objects were particularly desired by European customers as well as by those living under Islamic rule. Excellent condition, beautiful patina. Provenance: From an important London collection of S.A.; previously in a Central London, Mayfair gallery; originally obtained from an old British collection formed in the 1980s.

Lot 59

c. 1100 AD. Medieval Seljuk. Bronze vessel comprising three elegant feet which support a cylindrical drum with a hinged lid. The lid supports a stylised tower or tree motif, atop which sits an elegantly modelled bird. The exterior of the item is extensively decorated with intricate incised decoration and calligraphy. The Seljuks were a Turkic dynasty who swept out of Central Asia in the early 10th century and conquered an enormous expanse, covering most or all of present-day Turkmenistan, Iran, Iraq, Turkey and beyond. After inflicting crushing military defeats on a host of rivals, the most famous of which was perhaps that against the Byzantines at the Battle of Manzikert in 1071, the Seljuk sultans became major patrons of art and crafts. This vessel is testament to the technical skills of Seljuk craftsmen. Excellent condition; beautiful patina. Provenance: From an important London collection of S.A.; previously in a Central London, Mayfair gallery; originally obtained from an old British collection formed in the 1980s. Size: H:410mm / W:210.5mm ; 4300g

Lot 6

C. 3rd millennium BC. Ancient Central Asia, Indus Valley. A fine example of an Indus Valley civilisation bowl, with lightly flaring walls and a ring foot. This ochre coloured vessel is decorated with a series of black, stylised gazelles standing over a simple floral or solar motif. Each gazelles is separated from the next by a continuous geometric design. n. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this ceramic vessel belongs, was in the 3rd millennium BC. Gazelles are a recurring motif in the Indus Valley and may reflect the importance of such animals to survival in this region. Cf. N. Satyawadi, 1994. Proto-Historic Pottery of the Indus Valley Civilisation: Study of Painted Motifs, New Delhi. Superb condition. Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1970s. Size: H:90mm / W:210mm ; 693g

Lot 61

c. 1100 AD. Medieval Seljuk. Bronze vessel with cylindrical body, inward sloping shoulder, flaring neck culminating in an upward-angled spout and ear-shaped handle. The exterior of the item is extensively decorated with intricate incised decoration and calligraphy, as well as repousse decorative motifs on the neck. The Seljuks were a Turkic dynasty who swept out of Central Asia in the early 10th century and conquered an enormous expanse, covering most or all of present-day Turkmenistan, Iran, Iraq, Turkey and beyond. After inflicting crushing military defeats on a host of rivals, the most famous of which was perhaps that against the Byzantines at the Battle of Manzikert in 1071, the Seljuk sultans became major patrons of art and crafts. This vessel is testament to the technical skills of Seljuk craftsmen. Beautiful patina; excellent condition. Provenance: From the important collection of a London doctor A.R; passed by descent to his son; formerly acquired the 1980s on the UK art market Size: H:340mm / W:160mm ; 1600g

Lot 62

2000-700 BC. Luristan Culture. Bronze dagger with a bevelled leaf-shaped blade and long, intricate wrap-around handle culminating in an oval-shaped pommel. The handle would originally have been reinforced with a wooden insert. Bronze weaponry production flourished from the 2nd millennium BC to about 700 BC when it was gradually replaced by iron. Swords, spears and arrows were exchanged via trade and war and are discovered in both civic and ritual context. A sword such as this one would have been an important symbol of rank, and power beyond the means of most common Luristani soldiers. Superb condition; on a custom-made stand. Provenance: From the private collection of D. Ruskin, Oxfordshire; formerly in a British collection formed before 2000 on the UK / International art markets. Size: H:400mm / W:30.5mm ; 392g

Lot 63

2000-700 BC. Luristan Culture. Bronze dagger with a bevelled leaf-shaped blade and long, straight wrap-around handle culminating in an oval-shaped pommel. The handle would originally have been reinforced with a wooden insert. Bronze weaponry production flourished from the 2nd millennium BC to about 700 BC when it was gradually replaced by iron. Swords, spears and arrows were exchanged via trade and war and are discovered in both civic and ritual context. A sword such as this one would have been an important symbol of rank, and power beyond the means of most common Luristani soldiers. Superb condition; on a custom-made stand. Provenance: From the private collection of D. Ruskin, Oxfordshire; formerly in a British collection formed before 2000 on the UK / International art markets. Size: H:430mm / W:30.5mm ; 276g

Lot 64

2000-700 BC. Luristan Culture. Bronze dagger with a bevelled leaf-shaped blade and wrap-around handle culminating in an oval-shaped pommel. The handle would originally have been reinforced with a wooden insert. Bronze weaponry production flourished from the 2nd millennium BC to about 700 BC when it was gradually replaced by iron. Swords, spears and arrows were exchanged via trade and war and are discovered in both civic and ritual context. A sword such as this one would have been an important symbol of rank, and power beyond the means of most common Luristani soldiers. Superb condition; on a custom-made stand. Provenance: From the private collection of D. Ruskin, Oxfordshire; formerly in a British collection formed before 2000 on the UK / International art markets. Size: H:290mm / W:30mm ; 154g

Lot 65

2000-700 BC. Luristan Culture. Bronze dagger with a bevelled leaf-shaped blade and wrap-around handle culminating in an oval-shaped pommel. The handle would originally have been reinforced with a wooden insert. Bronze weaponry production flourished from the 2nd millennium BC to about 700 BC when it was gradually replaced by iron. Swords, spears and arrows were exchanged via trade and war and are discovered in both civic and ritual context. A sword such as this one would have been an important symbol of rank, and power beyond the means of most common Luristani soldiers. Superb condition; on a custom-made stand. Provenance: From the private collection of D. Ruskin, Oxfordshire; formerly in a British collection formed before 2000 on the UK / International art markets. Size: H:380.5mm / W:30mm ; 236g

Lot 66

C. 550 BC–330 BC. Achaemenid. Bronze dagger with elongated leaf-shaped blade and gently flaring bronze tang or handle. The Achaemenid Empire (the first Persian empire) was an ancient empire founded by Cyrus the Great and stretching from the Balkans and Eastern Europe to the Indus Valley and covering 5.5 million square kilometres at its height. This empire is also famous for being the antagonist of the Greek city states during the Greco-Persian wars. This beautiful dagger embodies the need for ancient Persians to keep the gods appeased during religious sacrifice. Excellent condition; on a custom-made stand.Provenance: From the private collection of D. Ruskin, Oxfordshire; formerly in a British collection formed before 2000 on the UK / International art markets. Size: H:380mm / W:80mm ; 713g

Lot 7

C. 3rd millennium BC. Ancient Central Asia, Indus Valley. A fine example of an Indus Valley civilisation bowl, comprising a slightly flaring body and a ring foot. The ochre coloured vessel is decorated with black motifs two humped bulls, with long, curving horns, shown in profile, separated two vegetal motifs and framed by a series of geometric designs. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this ceramic vessel belongs, was in the 3rd millennium BC. The bull, with its hump and powerful horns, is a recurring motif in the Indus Valley, appearing on painted pottery like this example but also on figurines and stamps. The animal may represent the leader of a herd, who is able to protect his followers, or it could be a reflection of the bull’s importance in religious sacrifice. Cf. N. Satyawadi, 1994. Proto-Historic Pottery of the Indus Valley Civilisation: Study of Painted Motifs, New Delhi. Excellent condition. Provenance: Property of a North London professional; previously acquire on the UK/European art market in the 1980s;Size: H:80.5mm / W:190.5mm ; 431g

Lot 79

Ca. 700 AD. Tang Dynasty or later. Circular bronze mirror with intricate relief depicting repeating dragons described within an ornamental circular border on the reverse, as well as small loop for suspension. The dragons' eyes, mouths and scales are carefully depicted, indicating the many hours of workmanship which must have been spent on making this piece. Dragons are a symbol of power, strength and good fortune in Chinese art. The Tang dynasty ruled most of China between AD 618 and 907, and this period is widely viewed as an era of progress and stability, during which many scientific and artistic advances were made. This beautiful mirror may have belonged to a noble lady who lived under the Tang. Excellent condition. Provenance: Previously with R.U., Parthenon Gallery, London; formerly in pre-2000 UK collection. Size: H:10mm / W:150mm ; 299g

Lot 8

C. 3rd millennium BC. Ancient Central Asia, Indus Valley. A fine example of an Indus Valley civilisation bowl, comprising a slightly flaring body and a ring foot. The ochre coloured vessel is decorated with black motifs two humped bulls, with long, curving horns, shown in profile, separated two vegetal motifs and framed by a series of black bands and geometric designs. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this ceramic vessel belongs, was in the 3rd millennium BC. The bull, with its hump and powerful horns, is a recurring motif in the Indus Valley, appearing on painted pottery like this example but also on figurines and stamps. The animal may represent the leader of a herd, who is able to protect his followers, or it could be a reflection of the bull’s importance in religious sacrifice. Cf. N. Satyawadi, 1994. Proto-Historic Pottery of the Indus Valley Civilisation: Study of Painted Motifs, New Delhi. Excellent condition. Provenance: Property of a North London professional; previously acquire on the UK/European art market in the 1980s; Size: H:100mm / W:140.5mm ; 374g

Lot 80

Ca. 700 AD. Tang Dynasty or later. Circular bronze mirror with intricate relief depicting an abstract dragonesque pattern arranged around a central rondel containing a small loop for suspension. Dragons are a symbol of power, strength and good fortune in Chinese art. The Tang dynasty ruled most of China between AD 618 and 907, and this period is widely viewed as an era of progress and stability, during which many scientific and artistic advances were made. This beautiful mirror may have belonged to a noble lady who lived under the Tang. Excellent condition. Provenance: Previously with R.U., Parthenon Gallery, London; formerly in pre-2000 UK collection. Size: H:10mm / W:200mm ; 440g

Lot 81

Ca. 700 AD. Tang Dynasty or later. Circular bronze mirror with a carefully-executed chevron decoration; each chevron is ornamented with intricate incised motifs. The Tang dynasty ruled most of China between AD 618 and 907, and this period is widely viewed as an era of progress and stability, during which many scientific and artistic advances were made. This beautiful mirror may have belonged to a noble lady who lived under the Tang. Excellent condition. Size: H:10mm / W:190mm ; 525g, Provenance: Previously with R.U., Parthenon Gallery, London; formerly in pre-2000 UK collection.

Lot 82

Ca. 202 BC–220 AD. Han Dynasty or later. Circular bronze mirror with a repeating concentric star motif. The Han Dynasty, which ruled between 202 BC–220 AD, brought great prosperity and stability to China, reigning over a golden age of classical Chinese civilisation during which China saw major advances including the widespread development of a monetary economy and the invention of paper, as well as much progress in the decorative arts. This beautiful mirror may have belonged to a Han noblewoman. Excellent condition. Size: 150mm; 356g, Provenance: Previously with R.U., Parthenon Gallery, London; formerly in pre-2000 UK collection.

Lot 87

Ca. 700 AD. Tang Dynasty or later. Circular bronze mirror with intricate relief depicting an abstract dragonesque pattern arranged around a central rondel and framed by a series of repeating geometric registers. Dragons are a symbol of power, strength and good fortune in Chinese art. The Tang dynasty ruled most of China between AD 618 and 907, and this period is widely viewed as an era of progress and stability, during which many scientific and artistic advances were made. This beautiful mirror may have belonged to a noble lady who lived under the Tang. Excellent condition. Size: W:180mm ; 743g Provenance: Previously with R.U., Parthenon Gallery, London; formerly in the 1990s UK collection.

Lot 88

Ca. 700 AD. Tang Dynasty or later. Circular bronze mirror with a carefully-executed relief of a phoenix (fenghuang) with outstretched wings and an elongated tail. This bird was a symbol of virtue and grace, and was often associated with weddings and royalty. The Tang dynasty ruled most of China between AD 618 and 907, and this period is widely viewed as an era of progress and stability, during which many scientific and artistic advances were made. This beautiful mirror may have belonged to a noble lady who lived under the Tang. Excellent condition. Size: H:10mm / W:170mm ; 697g, Provenance: Previously with R.U., Parthenon Gallery, London; formerly in the 1990s UK collection.

Lot 93

c. 1100 AD. Medieval Seljuk or later. Bronze vessel comprising three elegant feet which support a cylindrical drum with a hinged lid. The lid supports a stylised tower or tree motif. The exterior of the item is extensively decorated with intricate incised decoration and calligraphy. The Seljuks were a Turkic dynasty who swept out of Central Asia in the early 10th century and conquered an enormous expanse, covering most or all of present-day Turkmenistan, Iran, Iraq, Turkey and beyond. After inflicting crushing military defeats on a host of rivals, the most famous of which was perhaps that against the Byzantines at the Battle of Manzikert in 1071, the Seljuk sultans became major patrons of art and crafts. This vessel is testament to the technical skills of Seljuk craftsmen. Beautiful patina; excellent condition. Size: H:120mm / W:100mm ; 337g. Provenance: From the private collection of D. Ruskin, Oxfordshire; formerly in a British collection formed before 2000 on the UK / International art markets.

Lot 94

c. 1100 AD. Medieval Seljuk. Bronze vessel with tripod feet, globular body, inward flaring neck, outward flaring rim topped with a hinged, domed lid and ear-shaped handle. A fine cylindrical spout protrudes from the vessel’s body. The exterior of the item, especially around the lid and shoulders, is extensively ornamented with intricate incised decoration and calligraphy, as well as applied details on the handle and lid. The Seljuks were a Turkic dynasty who swept out of Central Asia in the early 10th century and conquered an enormous expanse, covering most or all of present-day Turkmenistan, Iran, Iraq, Turkey and beyond. After inflicting crushing military defeats on a host of rivals, the most famous of which was perhaps that against the Byzantines at the Battle of Manzikert in 1071, the Seljuk sultans became major patrons of art and crafts. This vessel is testament to the technical skills of Seljuk craftsmen. Beautiful patina; excellent condition. Provenance: Property of a London Gallery, previously with Mr. M.P. Dannish collector; acquired in the 1990s, Size: H:230mm / W:150mm ; 1761g. Provenance: From the private collection of D. Ruskin, Oxfordshire; formerly in a British collection formed before 2000 on the UK / International art markets.

Lot 97

1400 - 1500 AD. Medieval Islamic (Persian). Globular bronze vessel with ring base, abstract geometric openwork decoration ornamented with incised details about the body, and pseudo-calligraphy (decoration with mimics written scripts) on the shoulder; the rim is decorated with a repeating punched circle motif. Metalwork made in Islamic lands were highly sought-after luxury commodities across the Mediterranean and beyond. These objects were particularly desired by European customers as well as by those living under Islamic rule. Excellent condition. Provenance: From the private collection of an Oxford gentleman; previously in an old British collection, formed in the 1990s on the UK / International art markets. Size: H:190mm / W:140mm ; 513g

Lot 10

AN AUSTRIAN COLD-PAINTED BRONZE MODEL OF A MAN AT PRAYER, STYLE OF FRANZ BERGMAN, VIENNA, CIRCA 1900formed as a man praying on a rug, his hands raised, a staff lying beside him, a pair of shoes at his right side, marked GESCHUTZT, numeral 2082 under base; height: 14 cm (5 1/2 in.) CONDITIONThe bronze appears in very good original condition. Beyond minor wear to the patina, apparent in photographs, there are no apparent issues to report. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 11

FRITZ CHRIST (GERMAN 1866-1906)Judith with the Head of Holofernes, 1900 bronze with dark brown patina atop Egyptian Revival marble base overall height: 45 cm (17 3/4 in.) signed and dated on bronze base CONDITIONBeyond some light discolouration to the patina in places (such as the back of her skirt and underside of the head) and endemic cracks to the marble base, no significant issues apparent to the naked eye. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 13

A PAIR OF ORMOLU ALLEGORICAL FIGURES, LATE 19TH-EARLY 20TH CENTURYdepicting a pair of young female scribes, each leaning on a column propping up a bound manuscript, each holding a stylus, one also holding a miniature model of a sarcophagus, in ormolu bronze, atop rectangular stone bases; height of taller one: 35.5 cm (14 in.), net weight: 8.8 kg (19.4 lbs) CONDITIONN.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 14

MARCEL DEBUT (FRENCH 1865-1933)Poesie des Mers bronze with light brown patina atop stone base overall height: 115.5 cm (45 1/2 in.) signed and inscribed France on base CONDITIONThe sculpture appears in very good condition with some patina and minor scratches appropriate with age. No other apparent issues to report.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 16

AFTER MATHURIN MOREAU (FRENCH 1822-1912) Nymph Carrying Staff with Grapevine ormolu bronze height: 51 cm (20 1/8 in.) signed on base weight: 7.6 kg (16.76 lbs)CONDITIONThe sculpture appears in overall very good original condition. Beyond some verdigris to the recesses (such as folds of the tunic) and minor dents to the feet and base, no significant issues or signs of restoration apparent to the naked eye. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 17

SIR THOMAS BROCK (BRITISH 1847-1922)Hercules and Antaeus, 1869 bronze with dark brown patina height including base: 108 cm (42.5 in.) signed, dated and inscribed with edition number 4/99 on base LOT NOTESSir Thomas Brock was born in Worcester, England in 1847. He was commissioned to create many significant works of sculpture for Queen Victoria. Most famous is his imperial memorial to Queen Victoria. The work is now in front of Buckingham Palace where he was knighted in 1911. Sir Thomas Brock’s sculptures echo style and allegory commonplace in Baroque era sculpture. Sir Thomas Brock’s sculptures were later associated with the New Sculpture Movement. The New Sculpture Movement focuses on the renewal of classicized British sculpture adding a new “elegance” and “vitality”. In his piece “Wrestlers”, it is evident that Sir Thomas Brock was strongly influenced by Hellenistic and Baroque sculpture. The two men are twisting around each other, as the smaller man is pulled upwards -- his face full of agony. The defined muscles and arms of both men are intertwining. There is a terrific sense of tension and force being exerted as both men try to overcome the strength of the other. The work is an exemplar of Brock’s wonderous ability to demonstrate varieties in texture, depict hair and emotion-filled facial expressions, and evoke a sense of the piece being a “frozen” in time -- a particular moment within a time of dynamic movement and chaos; there is a sense of potential energy. The piece is likely a depiction of Hercules slaying Antenaeus. The mythical giant Antenaeus was the son of Gaia, goddess of earth. Because of this, Antenaeus was strong and undefeatable when in contact with the earth. Knowing this, Hercules lifted Antenaeus into the air and squeezed him to death. Both this piece of artwork in particular, as well as the story of Hercules Slaying Antenaeus, can be seen as allegorical to the story of David and Goliath. However, the story of Hercules Slaying Antenaeus clearly differs in that Anetaeus, the loser of the brawl, is a giant. CONDITIONN.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 222

A MODERN TIFFANY STUDIOS STYLE 'AZALEA' LAMP leaded glass and bronze, stamped TIFFANY STUDIOS / NEW YORK / 10/917 under base; overall height: 78 cm (30 3/4 in.), shade diameter: 49 cm (19 1/4 in) CONDITIONOverall in very good condition. The shade with a few hairline cracks dispersed throughout. The shade with some light surface soiling consistent with age. The base with rich patina, minor surface scratches, abrasions, and light wear throughout. Some cracks on glass decor elements on the base.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 296

A PAIR OF FRENCH OR RUSSIAN ORMOLU-MOUNTED TWO-HANDLED CRYSTAL VASES, 19TH CENTURYeach of baluster form, the body partly gadrooned, surmounted with handled formed as putti leaning, with arms crossed, on the lip, standing atop ram heads continuing to acanthus leaves, the lip and rim of the plinth with palmette motifs; height of each including plinth: 33 cm (13 in.) CONDITIONThe vases are in overall very good condition. Some small chips to glass apparent upon close inspection (for example, on the plinth of one, or the center of the body in the other). Small dents and scuffing to the bronze in places (most apparent in the figures of the putti). Otherwise, no significant issues or signs of restoration apparent to the naked eye. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 298

AN ENGLISH PORCELAIN AND ENAMEL 'NAUTILUS' VASE, WORCESTER ROYAL PORCELAIN WORKS, WORCESTER, 1884the nautilus shell-form body surmounted by a lizard and supported by a coral stem with scattered shells below, the circular base applied with coquina shell and seaweed motifs, partly painted in gold and enamelled in a bronze color, impressed and green underglaze factory mark with date cypher for 1884, impressed 93, 4 and V5 under base; height: 22.5 cm (8 7/8 in.) CONDITIONBeyond some gentle rubbing to the enamel in places, the vase is in excellent original condition with no issues to report. Inspection under UV light reveals no apparent signs of restoration. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 299

AN ORMULU MANTEL CLOCK, VIENNA, CIRCA 1800with circular spring, 1-2 day movement, anchor escapement, Viennese 4/4 hour striker on chime springs, one key, the gilded bronze dial decorated with grapes and vine leaves with enamel number ring and fire-gilded bronze movement drum, toppped by a figure holding grapes flanked by two serpents with the heads of eagles, supported by two standing birds upon a horizontal base featuring Neptune, dial signed J. Straub in Wien; overall height: 36 cm (14 1/8 in.) CONDITIONN.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 305

A PAIR OF EXCEPTIONAL AMERICAN BRONZE AND MARBLE LAMP BASES, E.F. CALDWELL & CO., NEW YORK, CIRCA 1915formed as Poseidon and Amphitrite in dark brown and gilt bronze, seated atop marble sea turtles, he with trident, she with lyre, holding a large dish and shell cornucopia, respectively, the finials formed as shells, each mounted with four pull-chain lights stamped HARVEY HUBBELL / AUG 1. 96 / PAT'D MAY 8.00 / JULY 30.01 / FEBY.18.02 / 250 V.50.C.P.; overall height of each: 80 cm (31 1/2 in.), height to top of cornucopia: 49 cm (19 1/4 in.)LITERATUREFor the "Poseidon" model, see Catalogue of the Eighteenth Annual Exhibition of the Architectural League of New York (New York: Architectural Press, 1903), ex. cat., p. 35, no. 366.LOT NOTESThe "Poseidon" model (titled "Marble Turtle With Triton – Bronze") was exhibited by Edward F. Caldwell & Co. in 1903 at the annual exhibit of the Architectural League of New York (in the galleries of the Fine Art Society on 215 West 57th Street). CONDITIONN.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 344

LEONID SOKOV (RUSSIAN 1941-2018)Lenin and Calder, 1994 bronze and painted metal height of the bronze: 38 cm (15 in.) signed, dated and inscribed with edition number 2/6 on base PROVENANCEAcquired directly from the artist by the present ownerEXPERTISEAccompanied by a copy of the confirmation letter from the artist, 2002. (Copy available upon request)EXHIBITEDLeonid Sokov. Collected Works, Freedman Gallery, New York, 2002 CONDITIONN.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 352

ERNST NEIZVESTNY (RUSSIAN 1925-2016)Machine Man bronze height: 57 cm (20 in.) signed lower right and lower left verso, as well as inscribed with edition 1/9 on verso LOT NOTESAn identical sculpture is illustrated in Chagall graphics. Neizvestny. drawings for sculpture (London: Grosvenor Gallery, 1965), ex. cat., [second to last page], illustrated (Figs. 1-2) CONDITIONThe sculpture appears in excellent original condition with no issues to report. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 41

NIKOLAI LIEBERICH (RUSSIAN 1828-1883)Killed Deer, ca. 1865 bronze with brown-green patina length: 29 cm (11 3/8 in.) stamped with Fabr. C.F. Woerffel foundry mark under base CONDITIONN.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 42

A BRONZE SCULPTURE OF A FALCONER, CAST AFTER THE MODEL BY EVGENY NAPS (RUSSIAN 19TH-20TH CENTURY)Falconer bronze with medium brown patina height including base: 32 cm (12 5/8 in.) signed on base CONDITIONBeyond some surface dirt and verdigris, no serious issues apparent to the naked eye. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 43

VASILY GRACHEV (RUSSIAN 1831-1905)Soldier Taking Aim, 1877 bronze with brown patina length: 22 cm (8 5/8 in.) signed, dated and stamped with C.F. Woerffel foundry mark lower center, with 10-year Ministry of Finance patent seal on verso weight: 2.85 kg (6.28 lbs) CONDITIONThe bronze appears in overall excellent original condition. Beyond some light overal verdigris and a pair of small dents to the cap, no issues or signs of restoration apparent to the naked eye. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 430

ANNA HYATT HUNTINGTON (AMERICAN 1876-1973)Descending Panther bronze 17.8 x 10.2 x 8 cm (7 x 4 x 3 1/8 in.) signed and stamped Gorham Co. Founders, cast number 74 Bronze with dark brown patina scultpure of Descending Panther is signed Anna V Hyatt and stamped with Gorham Co. Founders and cast number #74 CONDITIONOverall very good condition with some wear on patina throughout.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 479

VICTOR HALVANI (ISRAELI B. 1930)Harpist bronze with medium brown patina height including base: 40.8 cm (16 in.) signed and inscribed with edition AP on right leg PROVENANCELawrence, NY EstateClarke Auctions, Larchmont, July 10, 2016, lot 78 CONDITIONIn overall excellent condition with no significant issues apparent to the naked eye beyond some minor scuffs to the circular base and a missing string on the harp. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 480

ELIZABETH MODELL (AMERICAN 20TH CENTURY)Mother and Daughter bronze with dark brown patina overall height: 56 cm monogrammed, signed and impressed with Roman Bronze Works foundry mark on base CONDITIONOverall excellent original condition. Minor surface dirt, debris and verdigris along base.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 482

A BRONZE-MOUNTED TRAVERTINE LAMP BASE, LATE 19TH-EARLY 20TH CENTURYformed as the bust of a woman with a vase on her head, narrowing to a four-sided speckled column, with green patina, atop beige travertine plinth; overall dimensions: 64 (h) x 15 (w) x 12.5 (d) cm () CONDITIONAs apparent in photographs, white residue to the front, some also to the verso of the basket atop her head.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 486

A JAPANESE BRONZE CANDLE STAND, MEIJI PERIOD (1868-1912)depicting a samurai slaying a dragon within a rocky landscape, atop rectangular base with candleholder corner posts, the pierced apron featuring floral motifs, atop four gueridon feet; overall dimensions: 30.5 (h) x 23 (w) x 16 (d) cm (12 x 9 x 6 1/4 in.) CONDITIONThe mounted candleholders are slightly wobbly, one of the pierced ornamental mounts flanking the front one missing. Otherwise no issues apparent to the naked eye.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 487

A JAPANESE BRONZE VASE, MEIJI PERIOD (1868-1912)oviform, with everted lip, the front mounted with three demon figures, the two in the lower register holding a bannner, the verso inscribed in Japanese, bronze with medium brown patina; height: 37.5 cm (14 3/4 in.), weight: 4 kg (8.82 lbs) CONDITIONOverall very good condition. As apparent in photographs, minor surface discolouration and scuffing. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 488

A JAPANESE BRONZE FIGURE OF A GEISHA, MEIJI PERIOD (1868-1912)formed as a standing geisha in a kimono, her obi enamelled in iron-red, the rest in bronze with light brown patina, some details emulating gilt; height: 23 cm (9 in.), weight: 1049 g CONDITIONBeyond some shallow scuffs and scratches overall and miniscule losses to patina (such as the tip of the nose), there are no apparent issues to report. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 492

A GILT BRONZE CHINESE SCULPTURAL GROUP OF BUDDHIST MONKS, 19TH CENTURYthe four shown standing back to back atop a stylized lotus base, with the spire of a stupa in the centre; height: 21.5 cm (8 1/2 in.), weight: 2300 g CONDITIONThe group is in overall good age-appropriate condition. Overall losses and discolouration, primarily to the gilt. One staff missing. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 79

A PAIR OF CHINESE GILT BRONZE AND SHADED CLOISONNE ENAMEL VASES, EARLY 20TH CENTURYof baluster form, enamelled overall with an abundance of naturalistically rendered flowers and leaves, the wide variety of floral species including chrysanthemums, roses, lilies lotus, peony, prunus, aster, dahlia, and others, with stylised lotus borders, the rims with a braided motif; height of each: 30.5 cm (12 in.) CONDITIONThe vases are in overall excellent original condition. Some darkening and minute dents to the bronze. Otherwise, no apparent issues or signs of restoration apparent to the naked eye. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 84

A CHINESE WHITE JADE FIGURE OF BUDDHA SHAKYAMUNI WITH GILT BRONZE AND ENAMEL BASE, QING DYNASTY, EARLY 18TH CENTURYdepicted seated cross-legged in dhyanasana atop a lotus blossom, hands held in dhyanamudra, holding an alms bowl, atop base with two rows of petals in varicolored enamel, impressed with yin-yang symbol under base; height of carving including socle: 14.5 cm (5 3/4 in.), height including base: 17.5 cm (6 7/8 in.), net weight: 1.173 kg, weight of carving: 668.8 g, weight of base: 503.8 g CONDITIONThe carving is in overall excellent condition with no significant issues to report. Some dirt to the crevices of the jade, as apparent in photographs. Small area of loss to the interior of the base. Some overall darkening and scratches to the base. Inspection under UV light reveals no apparent signs of restoration.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 9

A BRONZE CASTING OF PSYCHE ABANDONED, 19TH CENTURY, AFTER THE MODEL BY AUGUSTIN PAJOU (FRENCH 1730-1809)Psyche Abandoned bronze with dark brown patina overall height: 82 cm (32.3 in.) signed on base CONDITIONN.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 102

A Lester Piggott commemorative equestrian bronze by David Cornell, 1985, 9" across together with a Hereford Bone China limited edition equestrian study of 'Hyperion - Morning After the Derby' - 179/200, 13.5" across, on wooden plinth. (2)

Lot 136

An early 20thC bronze patinated metal circular wall mirror, the plate with wide shallow bevel, on tasselled cord with metallic threads, 21" overall.

Lot 141

A pair of Chinese bronze censers, the circular upper stages with a fringe of lappets and fret decoration, detaching from the square lower stages applied with flowering foliage above an open fretwork footrim, 9".

Lot 143

A 19thC Indian bronze Buddha, modelled sitting in the Reassurance posture, 12.5" high.

Lot 186

A WWI bronze death plaque awarded to 240512 Lance Coropral John Lovatt Knight, Sherwood Foresters 1st/6th Bn., originating from Openshaw, Manchester, killed in action on 14th November 1917 aged 22 years, buried at the Philosophe British Cemetery, Masingarge, Pas De Calais.

Lot 219

12 various Roman silver coins and one other in bronze. (13)

Lot 309

After Bayre - a 20thC bronze study of a lion fighting with a snake, on black marble base, 11" across.

Lot 311

A oval bronze plaque cast in relief with a British wildlife scene - 'Annette '90', 12.5" high.

Lot 65

1951 Land Rover 80'Registration no. HMR 615Chassis no. 26100726Mileage: 73696MoT: Exempt *In near-original condition*Chassis and bulkhead reported to be solid*Fitted with overdrive Seldom do Land Rovers of this age come to market in well-presented condition, and this 1951 example, which was restored in the 1980s by Series One Club member Gavin Howell is described as having solid chassis and bulkhead, fine bodywork and the rear tub showing no signs of hard use. The bodywork presents well and the bronze green paint retains its lustre, while the interior has tidy seat facings. Fitted with overdrive the engine and gearbox are said to be running well. Restored in the 1980s and showing a pleasing mellowing, this 1951 model would make a worthy addition to any Land Rover collection.Footnotes:Vendor Score Total: 74/100Bidders should note that the automated 100-point Seller's Assessment is provided by each Seller at the point of consignment using the guidelines below, and is not provided, assessed or verified by Bonhams MPH. Accordingly Customers (Bidders) are on notice that each vehicle is offered 'as is / as seen' subject to the Conditions of Sale for the auction, and Customers (Bidders) are strongly recommended to view the Lot(s) being offered, before bidding, in order to satisfy themselves as to their condition; Bonhams MPH will not entertain disputes over Sellers' Assessments. Key for sellers' assessments:1/5 POOR. A project vehicle | Requires urgent attention | Damaged | Parts missing2/5 AVERAGE. Useable condition | Requires some attention | Light damage3/5 GOOD. Drive away | Presents well | Good history file | Drives well4/5 VERY GOOD. Well restored | Running and driving with no noticeable faults | Sound throughout5/5 EXCELLENT. Concours condition | Beautifully presented | Driving very wellEXTERIOR TOTAL: 19/25Body Work: 4Chrome/Plastics/Trim: 3Glass: 4Paint: 4Wheels/Tyres: 4INTERIOR TOTAL: 12/20Dashboard/Door cards/Carpets: 3Headlining: 3Seats: 3Trim: 3ENGINE TOTAL: 16/20Mechanical components: 4Running: 4Starting: 4Under Bonnet: 4RUNNING GEAR TOTAL: 16/20Axles: 4Brakes: 4Gearbox/Clutch: 4Suspension: 4ELECTRICAL TOTAL: 8/10Ancillary components: 4Main components: 4Car History File: 3For further information on this lot please visit Bonhams.com

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