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An 18th / 19th century Georgian Prussian biblical ecclesiastical / religious bronze medallion with ' Er Segnete Sie ' (He blesses them) written above figure blessing two children. Bible & chalice with ' Sey getheu bis an den tod so will ich dir die krone des lebens geben ' (Be True unto Death and I will give you the Crown of Life) to reverse. Measures approx 4cm wide.
A collection of 5x presumed reproduction First / Second World War badges / awards to include; Guerrilla Warfare badge, Naval Blockade Runners badge, Bronze Award 100 Tank Battle, Close Combat Clasp, Naval Airship badge, Submarine badge & Balloon Observer badge. NOTE: From a private collection of German militaria comprising of both genuine and replica items. Where possible we have stated ‘original’ or ‘replica’ but buyers are strictly reminded to satisfy themselves prior to bidding as to authenticity / condition irrespective of the description.
Louis XVI-Style Bronze-Mounted Kingwood Bureau à Rognon, arched and fitted superstructure with drawers and doors, surmounted by a medallion of Peter the Great (1672-1725), inscribed "Petrus Alexiewits, Tzar Mag. Russ. Imp.", serpentine inset tooled leather top, three frieze drawers, cabriole legs, bronze sabots, h. 50 in., w. 50 1/2 in., d. 25 7/8 in
French Gilt Bronze and Bleu Celeste Porcelain Three-Piece Clock Garniture, c. 1890, striking bell movement marked "Japy Freres", case surmounted by urn, porcelain dial over plaque with courting couple, on carved wood base, with conforming four-light candelabra, clock h. 15 1/4 in., w. 10 1/2 in., d. 5 1/2 in
Bashka Paeff (Russian/American, 1894-1979),"Crouching Child Holding a Sea Shell", bronze, inscribed "BASHKA PAEFF / ROMAN BRONZE WORKS / NY" in circular base behind proper left foot, h. 27 1/2 in., dia. 20 3/4 in., presented on bronze pedestal, inscribed "G. SCHOONMAKER Sc." and "GORHAM CO. FOUNDERS" on base, overall h. 73 in., dia. 39 1/2 in . Note: Bashka Paeff was a noted American sculptor from Boston, Massachusetts. Her sculptures are featured in institutional collections and installed as public art. A very similar sculpture to the one offered here, titled “Boy and Bird,” is mounted as a fountain at the Arlington Street entrance to the Boston Public Garden.
Fine Empire Gilt and Patinated Bronze "Au Matelot" Mantel Clock, Paris, c. 1810, after the design by Jean-Simon Deverberie (1764-1824), modeled as a bale of cotton, flanked by a sailor, with anchor, rum barrel and paddle, porcelain dial marked "Chopin a Paris", silk-thread movement, the octagonal plinth base with frieze depicting putti engaged in commerce, barrel feet, h. 14 1/2 in., w. 12 in., d. 4 1/2 in. Provenance: Palmetto Hall: The Jay P. Altmayer Family Collection; Christie's, Jan. 2017, lot 210 Note: The clock presented here is one of a series of "Noble Savage" clocks designed by Deverberie during the directoire, Consulat and Empire Periods. As an allegory of trade, particularly colonial commerce, it depicts a break from the traditional designs showing Greek gods and Classic themes. Ref.: A pen and ink drawing of this model inscribed "Michel, no. 120 aoust 1808 de depot legal" is in the Cabinet des Estampes, Bibliotheque Nationale, Paris. This same model is illustrated in Kjellberg, Pierre. Encyclopedie de la Pendule Francais du Moyen Age au XXe Siecle, Paris, 1997, p. 343, pl. A
**Please note - this item is not available for online bidding. Please contact our gallery for additional information. Chinese/Tibetan "Gem" Embellished Parcel-Gilt Bronze Figure Parcel-Gilt Bronze Figure of Amitayus, modeled seated in dhyanasana on a double lotus base with hands held in dhyanamudra, wearing a dhoti chased with foliate borders, a gem-inset five-pronged tiara, necklaces, arm bands and anklets, interior walls set with prayer scrolls, h. 16 1/2 in
Enrique Alferez (American/New Orleans, 1901-1999), "Woman in a Huipil", 1987, bronze, signature, date and "N.O." inscribed on self-base, h. 16 in., w. 7 in., d. 5 1/2 in., wood base, overall h. 17 in. Note: Noted New Orleans sculptor Enrique Alferez repeatedly revisited the theme of "Woman in a Huipil" throughout his career. He executed various models of this bronze in different sizes and finishes for several decades beginning in the 1960s. Often the pose will differ slightly, by a turn of the head, or an adjustment in the triangulation of the arm. The woman is always depicted with her hair in a neat bun, her eyes tightly closed, in a state of serene calm and elegance. The work offered is a fine example of a sculpture from this series.
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