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Lot 658

A PAIR OF LATE 19TH CENTURY FRENCH ORMOLU MOUNTED GREEN FELDSPAR LIDDED URNS having colourful veined marble bodies with gilt domed cast bronze tops and square moulded bases 16.5cm high.

Lot 556

A PAIR OF 19TH CENTURY ITALIAN GRAND TOUR GILT BRONZE STATUES OF COMEDIA AND FORTALEZA mounted on circular Grey marble socle bases with bronze plinths 31cm high.

Lot 527

A LATE 19TH CENTURY COLD PAINTED AUSTRIAN BRONZE SCULPTURE OF A BULLDOG in the manner of Franz Bergman 18.5cm across 10cm high

Lot 685

A 19TH CENTURY BRONZE FIGURAL INKWELL in the form of the Glutton and Daniel Lambert eating a goose 10cm high 16cm wide 17cm deep

Lot 245

A MEIJI PERIOD JAPANESE PATINATED BRONZE CHARGER WITH LUSTRE FINISH having raised decoration depicting bamboo shoots and flying songbirds; simulated bamboo foot and character marks to the underside - 37cm diameter

Lot 726

AN EARLY 20th CENTURY ORMOLU AND PATINATED BRONZE CEILING LIGHT CHANDELIER with ribbon style rose above a bronze winged cherub holding a rococo style fitting 112cm high

Lot 595

AN EARLY 20th CENTURY BRONZE SCULPTURE modelled as a gun dog on the scent, mounted on black marble and onyx base 21.5cm high, 36.5cm wide

Lot 571

ANTONIN CARLES. A 19TH CENTURY GILT BRONZE FIGURE OF A NUDE titled 'La Jeunesse' having foundry marks and signed to the base; standing on an octagonal green onyx base 32cm high 12cm wide

Lot 526

A LATE 19TH CENTURY AUSTRIAN COLD PAINTED BRONZE SCULPTURE OF AN OWL stamped Austria underneath 7cm high.

Lot 597

A PAIR OF 19th CENTURY BRONZE AND ORMOLU EGYPTIAN STYLE CASSOLETTES designed for potpourri, the bases having a central pyramid with ormolu torchbearers topped with lidded urns below a larger pierced lidded urn with torch finial supported on three ormolu caryatid legs with winged females standing on a single leg with lions foot 46cm high

Lot 677

A LATE 19th CENTURY SILVERED AND GILT BRONZE THERMOMETER UNDER DOME the tapered pillar surmounted by a gilt eagle on ball finial above a mercury thermometer with engraved calibrated scale on square base mounted on a rosewood plinth and larger ebonised plinth under glass dome 36cm

Lot 236

A CHINESE BRONZE CENSER with lion mask handles having gold splash decoration bearing six-character seal mark - 6cm high 15.5cm wide

Lot 603

A LATE 19th CENTURY PATINATED BRONZE SCULPTURE modelled as a mare and foal on a naturalistic base 18.5cm high

Lot 546

A PAIR 19TH CENTURY FRENCH INLAID WHITE MARBLE, ORMOLU MOUNTED AND BRONZE URN SHAPED SIDE PIECES WITH REVERSIBLE CANDLE SCONCES the black slate bases with leaf cast collars and chain swags 22cms high

Lot 621

A LARGE 19th CENTURY PATINATED BRONZE SCULPTURE modelled as Samson slaying the Lion stood on black marble plinth 66cm high

Lot 524

AN EARLY 20th CENTURY AUSTRIAN PATINATED BRONZE SCULPTURE modelled as a bull mounted on oval onyx base 15cm wide

Lot 549

A 19TH CENTURY FRENCH BRONZE SCULPTURE modelled as a mastiff dog 17cm high 23cm wide

Lot 575

FERDINAND PREISS (1882-1943). AN EARLY 20TH CENTURY BRONZE AND IVORY FIGURE OF SMALL SIZE depicting a young person holding a casket, signed F. Preiss to reserve and mounted on a black slate base 18cm high.

Lot 638

A 19th CENTURY PATINATED BRONZE SCULPTURE modelled as a semi-nude gladiator standing on a naturalistic base 53cm high

Lot 698

A 19TH CENTURY CAST BRONZE SCULPTURE OF THE ARC DE TRIOMPHE the top with hinged lidded compartment, on an oval base 10cm high

Lot 525

A LATE 19TH CENTURY COLD PAINTED BRONZE SCULPTURE of a perched Parakatte on the rim of a circular Onyx dish 12.5cm diam 9cm high

Lot 630

A PAIR OF LATE 19TH CENTURY BRONZE EWERS having shaped spouts and leaf cast handles, with applied relief cast cherubs to the fronts; mounted on circular marble bases 39cm high.

Lot 583

CLAUDE MICHEL CLODION. A 19TH CENTURY BRONZE SCULPTURE OF BACCHANT 76cm high

Lot 522

AN EARLY 20th CENTURY AUSTRIAN COLD PAINTED BRONZE SCULPTURE modelled as a terrier mounted on onyx base 14cm wide

Lot 558

AFTER LOUIS THEOPHILE HINGRE. A LATE 19th CENTURY PATINATED BRONZE SCULPTURE modelled as a running gun dog on naturalistic base 14.5cm wide - signed

Lot 567

AFTER ANTOINE-LOUIS BARYE. AN EARLY 20th CENTURY BRONZE SCULPTURE modelled as a seated greyhound 17cm high - signed to base

Lot 714

PROSPER LE COURTIER. A LATE 19TH CENTURY BRONZE SCULPTURE depicting a Bull Mastif chained to a post, engraved Beware of the Dog signed PROSPER LE COURTIER, DATED 1878 15cm deep 18cm wide 26cm high.

Lot 563

AFTER ANTOINE LOUIS BARYE. LATE 19th CENTURY PATINATED BRONZE SCULPTURE modelled as a dog and mouse, inscribed to the plinth 'F. BARBEDIENNE. FONDEUR. PARIS' 10cm high 16cm wide

Lot 197

A bronze bust of Horatio Nelson, the base of the bust engraved ‘Nelson’, on black marble socle base with brass plaque ‘Fredericks’, 36cmH

Lot 110

WWI 1914/15 Trio to Harold Tom Davis Corporal Royal Engineers together with the French Medaille D'Honneur Des Affaire Etrange with swords in bronze. Also including French Citation, matching ribbon Strip, cap badge, Strip of 5 overseas service stripes in blue. Photographs in uniform and Imperial Service Medal KGV boxed awarded later etc. Mr Davis was a local man living in Bridgwater. His records confirm the award of the French Medal has Gazette Date 17/3/1920 page 3406. Provenance from the family.

Lot 113

African art A sword amulet Nigeria. . Cm 53,00. A talismanic artifact in the form of a dagger made with a series of bronze coins.

Lot 26

African art Oba head, BeninNigeria. . Cm 19,00 x 21,00. Bronze head with dark patina depicting the idealized head of a king (Oba) of the Benin people. Above each eye there are four short scarifications and two longer ones in the middle of the forehead, probably originally inlaid with iron strips.The neck is represented compleately covered with a coral bead collar.Some anthropologists think that this type of representation does not identify with a sovereign, but with a trophy head of a defeated enemy.NOTE - See: Benin Oba Head, bronze, British Museum (online collection. Museum number: Af1897,1217.3)

Lot 89

African art A Kpelie mask, SenufoIvory Coast. . Cm 13,00 x 25,00. Bronze kpelie mask associated with the initiatory society Poro among the Senufo people. These masks were worn by men during ceremonies or to honor deceased ancestors. As in other similar works, with geometric elegance and symmetry, there is an idealized female face, finely represented with signs of scarification, surrounded by animal and symbolic attributes. The two "legs" on the sides of the chin, symbolize the contact of the spirit with the earth.

Lot 109

Erotica: Sculpture/Garden Design: â–² William Crozier (1942), Marilyn, 1975/80, Bronze, cast Hans Mayr Foundry, Munich, 1981, Edition 3/9, Signed and dated, 113cm by 83.2cm by 96.5cmExhibited: New York, Xavier Fourcade Inc, 1985 The following six lots (lots 104 to 109) of erotic bronzes by William Crozier, were formerly in the collection of Robert Skull who with his first wife, was one of the first collectors of contemporary American Art in the 1960's. The 1973 Sotheby's auction, "The Collection of Robert C. Scull", of 50 mostly Pop Art lots yielded $2.2 million, and was the first single seller auction of contemporary American art.William Crozier is a figurative sculptor who has lived and worked in New York for more than 30 years.For many years William Crozier was represented by Richard Bellamy and Xavier Fourcade. He has had one-person shows at Xavier Fourcade, Inc, New York, (where a number of these bronzes were exhibited) as well as the Richard Hines Gallery, Seattle and Jason McCoy Gallery, New York. Crozier's work was included in the 1983 Whitney Biennial Exhibition and is in the permanent collection of the Metropolitan Museum of Art. The collector Robert Scull purchased one cast of each of his new pieces from 1970 to 1983 and all of the bronzes in this collection are numbered 1/9. Other bronzes in the edition have subsequently been sold at Sotheby's and Christies contemporary art sale in New York in the 1980's and 90's.Crozier's public commissions include a monumental-scale sculpture of Senator Jacob Javits for the Jacob Javits Convention Center, The Korean War Veterans Memorial in Kissena Park, Queens, New York and a portrait bust of David Rockefeller for Rockefeller University.Due to the erotic nature of these bronzes we have not illustrated them, however photographs are available on request.

Lot 9

Cistern: A small Georgian lead corner cistern, dated 1755 and with bronze tap, 52cm high by 55cm wide It is extremely rare to find lead cisterns of such modest proportions. Most were of much larger size for outside locations usually in courtyards to collect rainwa

Lot 67

Fountains: A bronze fountain, last quarter 20th century, 99cm high Provenance: From a private garden in Totteridge, North London

Lot 84

Garden urns/pots/planters: A similar pair of bronze urns Provenance: From a private garden in Totteridge, North London

Lot 89

Garden statues/Sculpture: An important life size lead figure of Hygieia by Bromsgrove Guild and modelled by Charles Bonnet, early 20th century, 196cm highThe Bromsgrove Guild of Applied Arts was established in 1894 by Walter Gilbert who took over a foundry in Bromsgrove, Worcestershire. It was first involved with decorative ironwork, but the business soon expanded into a great many other fields. By 1900 Gilbert had gone into partnership with a Mr McCandlish and had taken over further premises in the town which housed bronze and lead foundries, as well as wood and stone carving studios. By 1908 they had established an outlet in London, and as a result of their most famous commission, the iron and bronze gates outside Buckingham Palace, they were issued with a Royal Warrant appointing them metal workers to Edward VII (an honour repeated two years later under George V). Unlike the majority of other contemporary English manufacturers of garden ornaments most of the Guild's figurative subjects were modelled in the popular styles of the day. In 1921 the Guild became a limited company, but by this date some of the members had left to start companies of their own. However, the Guild continued to produce a variety of garden ornaments for many years finally closing in 1966.The modeller of this statue, Charles Bonnet, despite his English sounding name was from Barcelona. Much of his work was of animals and birds and many of his statues were displayed in the show garden at the back of the Bromsgrove works in Station Road. Most of the Bromsgrove products were produced in quantity, and were available to purchase from the various catalogues produced by the Guild. This rare figure does not appear to have been illustrated in any of Bromsgrove Guild's literature and the only other known example of this figure was commissioned for the garden of Chequers, which was originally the Buckinghamshire mansion belonging to Lord Lee, who presented the house to the nation in 1917 as a country residence for the use of future Prime Ministers. It still stands on the lawn in front of the main entrance to the house.Hygieia was a goddess in Greek mythology and was the daughter and chief attendant to Asklepios, the god of medicine.The cult of Hygieia started in Athens in the 600s BC, in connection with the cult of Athene, goddess of wisdom and purity. Statues of Athene and Hygieia stood at the entrance to the Acropolis temple in Athens. In classical sculpture she was often shown holding or feeding a large snake, (the symbol of Asklepion medicine).Literature: The Bromsgrove Guild - an Illustrated History, edited by Quintin Watt, published by the Bromsgrove Society 1999, page 63.

Lot 103

Sculpture/Garden Design: † Giles Penny, Man on Bench, Bronze, signed Giles Penny ‘14 2/2, 150cm high by 180cm long Giles Penny (born 1962), is a British sculptor and painter. He established his reputation in the early 1990's when he was commissioned to produce 23 large scale sculptures for the Body Shop Headquarters in Sussex. This iconic piece, perhaps the best known of all his distinctive sculptures was conceived in 2014 and is limited to only two castings of which the other one is on the seafront at Southend. He has numerous pieces in public collections and spaces, including a two man version of this work in Canary Wharf, London.He is a member of the Royal British Society of Sculptors and Felicity Green, the British fashion journalist and former newspaper executive chose one of his sculptures as her luxury item for Desert Island Discs.

Lot 63

Lights: A pair of substantial bronze garden candelabra, 2nd half 20th century, with glass globes, indistinctly signed and dated 1998, 253cm high overallProvenance: From a private garden in Totteridge, North London

Lot 32

Sundials: An unusual Georgian style carved Portland stone sundial, early 20th century, with allegorical scenes probably representing the Seasons, the circular 12ins bronze plate signed David Pullen, Londini, Fecit and bearing the date 1734 and with a coat of arms, 115cm high

Lot 108

Erotica: Sculpture/Garden Design: â–² William Crozier (1942), Bob, 1971/80, Bronze, cast 1981, Edition 2/9, Signed stamp foundry |Guss Hans Mayr Munchen|, 22.9cm by 137.19cm by 61cmExhibited: New York, Xavier Fourcade Inc, 1985 The following six lots (lots 104 to 109) of erotic bronzes by William Crozier, were formerly in the collection of Robert Skull who with his first wife, was one of the first collectors of contemporary American Art in the 1960's. The 1973 Sotheby's auction, "The Collection of Robert C. Scull", of 50 mostly Pop Art lots yielded $2.2 million, and was the first single seller auction of contemporary American art.William Crozier is a figurative sculptor who has lived and worked in New York for more than 30 years.For many years William Crozier was represented by Richard Bellamy and Xavier Fourcade. He has had one-person shows at Xavier Fourcade, Inc, New York, (where a number of these bronzes were exhibited) as well as the Richard Hines Gallery, Seattle and Jason McCoy Gallery, New York. Crozier's work was included in the 1983 Whitney Biennial Exhibition and is in the permanent collection of the Metropolitan Museum of Art. The collector Robert Scull purchased one cast of each of his new pieces from 1970 to 1983 and all of the bronzes in this collection are numbered 1/9. Other bronzes in the edition have subsequently been sold at Sotheby's and Christies contemporary art sale in New York in the 1980's and 90's.Crozier's public commissions include a monumental-scale sculpture of Senator Jacob Javits for the Jacob Javits Convention Center, The Korean War Veterans Memorial in Kissena Park, Queens, New York and a portrait bust of David Rockefeller for Rockefeller University.Due to the erotic nature of these bronzes we have not illustrated them, however photographs are available on request.

Lot 104

Erotica: Sculpture/Garden Design: â–² William Crozier (1942), Debra, 1976/77, Bronze, Edition 1/9, Signed, 11.5cm by 43.2cm by 37cm The following six lots (lots 104 to 109) of erotic bronzes by William Crozier, were formerly in the collection of Robert Skull who with his first wife, was one of the first collectors of contemporary American Art in the 1960's. The 1973 Sotheby's auction, "The Collection of Robert C. Scull", of 50 mostly Pop Art lots yielded $2.2 million, and was the first single seller auction of contemporary American art.William Crozier is a figurative sculptor who has lived and worked in New York for more than 30 years.For many years William Crozier was represented by Richard Bellamy and Xavier Fourcade. He has had one-person shows at Xavier Fourcade, Inc, New York, (where a number of these bronzes were exhibited) as well as the Richard Hines Gallery, Seattle and Jason McCoy Gallery, New York. Crozier's work was included in the 1983 Whitney Biennial Exhibition and is in the permanent collection of the Metropolitan Museum of Art. The collector Robert Scull purchased one cast of each of his new pieces from 1970 to 1983 and all of the bronzes in this collection are numbered 1/9. Other bronzes in the edition have subsequently been sold at Sotheby's and Christies contemporary art sale in New York in the 1980's and 90's.Crozier's public commissions include a monumental-scale sculpture of Senator Jacob Javits for the Jacob Javits Convention Center, The Korean War Veterans Memorial in Kissena Park, Queens, New York and a portrait bust of David Rockefeller for Rockefeller University.Due to the erotic nature of these bronzes we have not illustrated them, however photographs are available on request.

Lot 22

Garden urns/pots/planters: A carved white marble Medici urn, late 18th/early 19th century, 101cm highFirst recorded in 1598 in the inventory of the Villa Medici, Rome although there is evidence that it was there at least thirty years earlier.  In 1780 it was removed to Florence and soon entered the Uffizi where it remains today. The vase was one of the most popularly reproduced antiquities being copied in marble, bronze, terracotta, alabaster and biscuit and was commonly paired with the similarly shaped Borghese vase.  It is believed that the original was executed in the second half of the first century A.D.

Lot 72

Fountains: A bronze and lead wall fountain, 2nd half 20th century, with green man mask plumbed for water Provenance: From a private garden in Totteridge, North London

Lot 83

Garden urns/pots/planters: After Claude Ballin: A pair of bronze urns, 2nd half 20th century, 96cm high This pair of bronze urns are copies of originals believed to have been cast by Duval from designs by Louis XIV's goldsmith Claude Ballin for the Parterre du Nord at Versailles.Provenance: From a private garden in Totteridge, North London

Lot 105

Erotica: Sculpture/Garden Design: â–² William Crozier (1942), Aching, 1981/82, Bronze, Edition 1/9, Signed and dated |81-82| and foundry mark Guss Mayr Munchen, 132cm by 128.3cm by 231cmExhibited: New York, Xavier Fourcade, 1985 The following six lots (lots 104 to 109) of erotic bronzes by William Crozier, were formerly in the collection of Robert Skull who with his first wife, was one of the first collectors of contemporary American Art in the 1960's. The 1973 Sotheby's auction, "The Collection of Robert C. Scull", of 50 mostly Pop Art lots yielded $2.2 million, and was the first single seller auction of contemporary American art.William Crozier is a figurative sculptor who has lived and worked in New York for more than 30 years.For many years William Crozier was represented by Richard Bellamy and Xavier Fourcade. He has had one-person shows at Xavier Fourcade, Inc, New York, (where a number of these bronzes were exhibited) as well as the Richard Hines Gallery, Seattle and Jason McCoy Gallery, New York. Crozier's work was included in the 1983 Whitney Biennial Exhibition and is in the permanent collection of the Metropolitan Museum of Art. The collector Robert Scull purchased one cast of each of his new pieces from 1970 to 1983 and all of the bronzes in this collection are numbered 1/9. Other bronzes in the edition have subsequently been sold at Sotheby's and Christies contemporary art sale in New York in the 1980's and 90's.Crozier's public commissions include a monumental-scale sculpture of Senator Jacob Javits for the Jacob Javits Convention Center, The Korean War Veterans Memorial in Kissena Park, Queens, New York and a portrait bust of David Rockefeller for Rockefeller University.Due to the erotic nature of these bronzes we have not illustrated them, however photographs are available on request.

Lot 92

Interior Design/Sculpture: â€  After Jacquemart: A pair of bronze dogs, modern, bearing foundry stamp A Durenne Sommevoire, 97cm high Alfred Jacquemart was born in Paris in 1824, the son of a locksmith.  He entered the Beaux Arts on the 22nd September 1843 and became one of the leading 'animalier' figures of his day, regularly exhibiting at the Salon between 1847 and 1877. He produced a considerable number of public works, notably four stone sphinxes for La fontaine du Chatelet in Paris in 1858, and two years later two bronze dragons for the Saint Michel fountain. He was also responsible for eight lions for the Chateau d'Eau, and the rhinoceros in the foundry in the Trocadero.  Jacquemart's works were predominantly produced in two materials, bronze and cast iron.  Examples of the former tend to be small desk and mantlepiece bronzes, but he also produced larger works such as the equestrian figure of The Great General in Chief of the army in Italy, which was exhibited at the Salon in 1864.  However, the majority of his subjects cast in iron were frequently life-size.

Lot 106

Erotica: Sculpture/Garden Design: â–² William Crozier (1942), Dawn-Marty, 1973/78, Bronze, cast 1980, Edition 1/9, Signed dated '1973-8' Stamp foundry Munchen19.1cm by 90.2cm by 61cmExhibited: New York, Xavier Fourcade Inc, 1984 The following six lots (lots 104 to 109) of erotic bronzes by William Crozier, were formerly in the collection of Robert Skull who with his first wife, was one of the first collectors of contemporary American Art in the 1960's. The 1973 Sotheby's auction, "The Collection of Robert C. Scull", of 50 mostly Pop Art lots yielded $2.2 million, and was the first single seller auction of contemporary American art.William Crozier is a figurative sculptor who has lived and worked in New York for more than 30 years.For many years William Crozier was represented by Richard Bellamy and Xavier Fourcade. He has had one-person shows at Xavier Fourcade, Inc, New York, (where a number of these bronzes were exhibited) as well as the Richard Hines Gallery, Seattle and Jason McCoy Gallery, New York. Crozier's work was included in the 1983 Whitney Biennial Exhibition and is in the permanent collection of the Metropolitan Museum of Art. The collector Robert Scull purchased one cast of each of his new pieces from 1970 to 1983 and all of the bronzes in this collection are numbered 1/9. Other bronzes in the edition have subsequently been sold at Sotheby's and Christies contemporary art sale in New York in the 1980's and 90's.Crozier's public commissions include a monumental-scale sculpture of Senator Jacob Javits for the Jacob Javits Convention Center, The Korean War Veterans Memorial in Kissena Park, Queens, New York and a portrait bust of David Rockefeller for Rockefeller University.Due to the erotic nature of these bronzes we have not illustrated them, however photographs are available on request.

Lot 66

Fountains: A bronze fountain, 2nd half 20th century, with dolphin mouth drilled for water, 135cm high Provenance: From a private garden in Totteridge, North London

Lot 68

Fountains: A bronze wall fountain, last quarter 20th century , lion’s mouth and dolphins plumbed for water, 185cm high; bowl width 98cm Provenance: From a private garden in Totteridge, North London

Lot 114

A Houghton-Butcher beam compass with bronze brass fittings, no.1566, dated 1918, with accessories in fitted box, an ebony and brass parallel rule, a Loftus of London brass-mounted boxwood multi-rule, a Negretti & Zambra pocket forecaster and various drawing instruments.

Lot 49

A WW1 bronze Death Penny, commemorating Walter Bertie Turner, with original card case.

Lot 161

A mixed lot of items, to include: a Chinese gilt bronze small censer of archaic melon form, bearing Xuande mark in seal to base, together with several decorative printing blocks, wooden armorial panel and other similar items.

Lot 204

SMF, SOLINGENAN EARLY TYPE ONE DRESS DAGGER FOR THE GERMAN LUFTWAFFE,circa 1936, with 12in. double-edged blade etched with the maker's trademark at the forte and stamped with a 'waffenampt' style inspector's mark, solid nickel drooping cross-guard, wire-bound dark blue leather hilt, wheel pommel with bronze 'sunwheel' swastika inlay also repeated on the centre of the cross-guard, dark blue pebbled leather covered scabbard, nickel mounts and complete with its correct chain hanger. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)

Lot 305

W. PARKER, LONDONA RARE PAIR OF 10-BORE BRONZE LAWN or YACHTING CANNON BARRELS, no visible serial numbers,circa 1800, each 18in. overall including rounded cascabel, tapering banded barrels with flared cannon muzzles, stepped integral trunnions and raised square-form vents, both cannon signed on the first band forwards of the cascabel 'W. PARKER, MAKER TO HIS MAJESTY, HOLBORN LONDON', no carriages.

Lot 356

P. LECOURTIERA FRENCH PATINATED BRONZE GROUP OF TWO HOUNDS, ENTITLED 'DEUX CHIENS DE CHASSE ATTACHES',cast from the model by Prosper Lecourtier, late 19th Century, measuring approx. 14in. x 17 1/4in. x 8 3/4in., signed 'P. LECOURTIER'.

Lot 1016

A BRONZE OF BARYE'S RIDERLESS RACE HORSE,measuring approx. 23in. x 13in. x 6in..

Lot 196

A Chinese gilt bronze vase with flared rim, with seal mark to base, H.27cm

Lot 312

A Chinese archaic bronze incense burner, with twin handles and scrolling decoration, H.26 W.23 D.22cm

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