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Lot 29
A 1956 Land Rover Series I 86 inch SWB canvas tilt, registration number ADC 401A, chassis number 170-6-03350, Bronze green. From information detailed on the supplied Heritage Certificate, we can see that 170-6-03350 was built on 9th February 1956 and despatched to the supplying dealer Caffyns Limited, Royal Tunbridge Wells, Kent on 29th March 1956, in basic 86 inch 2L petrol engine format. This 86 inch Series I has formed part of a private collection of Land Rovers. Since arriving into the collection 176-6-03350 has been the subject of a comprehensive body off restoration to a period correct high standard. There is an accompanying book with numerous images detailing every aspect of the restoration. Now only for sale so our vendor can concentrate on other Land Rover projects, this beautifully restored example will be offered for auction with a history file. V5C, MOT and tax exempt See illustrations
Lot 41
EXTRA LOT: A 1958 Land Rover Series II SWB truck cab, registration number 184 UXM, Bronze green. Introduced in 1958 to replace the very successful Series I. The Series II would remain in production until 1961 when the IIA became available. This Series II is fitted with the ever faithful 2.25 litre diesel engine. The Land Rover was professionally restored prior to our vendor purchasing it. Since then he has used it on his land. Now only for sale due to the acquisition of a new Range Rover, this well presented Series II will be offered for sale with a history file. V5C, MOT to November 2018 See illustration
Lot 95
Bloch (Marcus Elieser). Ichthyologie, ou Histoire Naturelle, Generale et Particuliere des Poissons. Avec des figures enluminees, dessinees d'apres nature, Volumes 1-6 bound in 3, 1st edition, Berlin: Chez l'Auteur, & Chez Francois de la Garde, Libraire, 1785-1788, half-title to each volume, engraved vignette to title of each volume by D. Berger after F.C.W. Rosenberg, 216 fine hand-coloured engraved plates, generally in clean condition with wide margins, marbled endpapers with bookplates removed, contemporary full russia with greek key gilt border decoration to outer edges, each volume with antique-style modern reback, gilt decorated spines, folio (47.5 x 29.5 cm, 18.7 x 11.75 ins) Nissen ZBI 416. Wood, page 244. Dance, page 56. A fine copy of the first six volumes of Bloch's masterpiece, described by Nissen as 'the finest illustrated work on fishes ever produced. The plates, by a variety of artists and engravers, are outstandingly coloured, and are heightened with gold, silver, and bronze to produce the metallic sheen of fish scales.' The drawings for the work were taken from Bloch's own extensive collection of approximately 1500 fish, which at the time was one of the largest collections in private hands. The full set of 12 volumes containing 432 plates was only completed in 1797. (3)
Lot 41
Chinese butterfly sword set, with horn grips, bronze guard modelled with a dog mask, contained within fish skin covered scabbard, together with one other similar sword. The butterfly swords measure 64cm overall length in scabbard. For a condition report on this lot visit www.peterwilson.co.uk
Lot 477
After Laurence Stephen Lowry R.A. (1887-1976), "Self Portrait", "The Artist's Mother" and "The Artist's Father", set of 3 mounted in one frame, each signed in pencil in the margin, each number 297 from an edition of 300, colour reproduction prints, each image size 31 x 24cm.; 12.25 x 9.5in (3), together with a limited edition bronze medallion depicting L.S. Lowry, after Leo Solomon, produced by The Morris Singer Foundry Ltd, and engraved '127/300', together with fitted case, certificate from The Morris Singer Foundry Ltd on verso, and printed paperwork relating to the set. For a condition report on this lot visit www.peterwilson.co.uk
Lot 643
Breon O`Casey (1928-2011), "Small Bird on Tall Base", initialled and numbered 3/9, bronze sculpture on a marble base, overall height 31.5cm, 12.5in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Provenance: The sculpture was bought from the Breon O'Casey Exhibition 8-29 August 2009 at the Lemon Street Gallery, Cornwall. For a condition report on this lot visit www.peterwilson.co.uk
Lot 1
Three medieval earthenware vessels, to include a pedestal bowl, 10cm (4in) high, small two handled pot, 113.5cm (5in) wide and a large cooking vessel, 20cm (8in) high; a broken bronze spoon (4) Provenance: A note with the items reads 'Samian bowl, excavated near Lincoln, from the Page collection'
Lot 204
Spanish School, 17th Century An Angel and Putti holding the Veil of Saint Veronica with Christ's head crowned with thorns oil on panel 37 x 39cm (14 x 15in) Oil on panel. The panel has a panel join or split running horizontally across the panel below the angel's chin. There is retouching running along the length of the split. There is some slightly raised paint running along the join and a raised area of paint in the lower left corner. The paint is thickly applied and the gilding has a network of age cracking. There is a thick layer of varnish which is slightly yellowed but is glossy and even. The frame has areas of bronze paint covering the gilding. The panel is framed with a second wooden board covering the reverse.
Lot 263
Jules Moigniez (1835-94), a pair of bronze pheasants modelled as a cock and a hen, each looking over its shoulder as it walks up rocks towards three trefoil leaves, the patination dark (2), 34cm (13in) high In good decorative order, the dark patination the result of lacquering. The foliage to one a little loose.
Lot 267
After the Antique, a late 19th century bronze model of the Dancing Faun of Pompeii, after the Roman original excavated in 1830, portrayed in ecstatic dance, with hands raised, with an oak and acorn wreath around his horned head, his tail issuing behind him 75cm (29in) Other Notes: The House of Faun in Pompeii was built in the 2nd century BC. It was a private residence, covering over 3,000 square metres, and one of the largest and most expensive residencies in Pompeii. The villa was given its name from the bronze statue of a dancing faun situated in the impluvium (basin to catching rainwater) and visible from the street through the main doorway. The house, its mosaics and statues were perfectly preserved under the ash following the eruption of Vesuvius in AD79. The original bronze faun is now situated in the Archaeological Museum of Naples. It has been a favourite for reproduction; it was found complete, small in size and for the tastes of the 19th and 20th centuries, it was appealing that the faun seemed to be joyous rather than drunk.
Lot 273
A pair of bronze Renaissance-style lion candleholders, probably late 19th or early 20th century Italian, each rampant beast holding aloft drip trays and nozzles (2) 40cm (16in) Crudely cast and some loss of patina to one lion, the other with a small hole to the reverse side of the tail. In good decorative order.
Lot 4
A group of Wedgwood jasperware, 18th century and later, to include a green jasperware oval plaque, sprigged with a horned mask head above a garland of roses, 8cm (3.25in) wide; a navette shaped plaque sprigged with a soldier around an incense burner, 6.5cm (2.5in) long; two perfume bottles, one of blue jasperware, the other of a black ground sprigged in gold and bronze with classical figure; a blue jasperware canted rectangular small plaque, in a 9ct gold and pearl mount with chain suspension, 3.5cm (1.5in) wide; a blue jasperware oval brooch, sprigged with two classical figures, in a 9ct gold pierced mount, 5cm (2in) long; a blue jasperware oval plaque sprigged with classical figures, 6cm (2.5in) long (7)
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