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Lot 2422
French gilt bronze and champleve enamel clock, 19th Century, the case of architectural design with four finials and columns, mounted with winged putti, on squat bun feet, the dial with Roman numeral chapter ring, the movement signed by Le Roy and Sons, Paris, no 9139, with key and pendulum, 53.5cm highCondition Report: We have not set up this clock to work, so it would be recommended to consult a clock repairer to service the movement and check its time keeping.The hands are in need of straighteningThere is wear and surface scratching to the ormolu and general household dust apparent.
Lot 2424
French white marble and gilt bronze clock garniture, late 19th Century, the clock with white enamel dial with Arabic numeral chapter ring, signed Louis Girard, 63 Rue de la Pomme, Toulouse, the movement with count wheel striking, with pendulum and key, 30cm high, together with a pair of two branch candelabra, 24cm high (3)
![Utagawa Kuniyoshi [1798-1861], an oban tate-e portrait of the famous Emperor Go-Daigo loyalist, Kusunoki Masashige from the W](https://cdn.globalauctionplatform.com/a7add664-8865-4e38-8521-afbd00f5c511/8e47b4d6-2e2b-4ff5-869e-afcb010e97b5/468x382.jpg)
Lot 2085
Utagawa Kuniyoshi [1798-1861], an oban tate-e portrait of the famous Emperor Go-Daigo loyalist, Kusunoki Masashige from the Warrior series Meiko Hyaku Yuden; published by Izumiya IchibeiCompare another example of this print in the British Museum, No. 2008.3037.15307Kusunoki Masashige [1294-1336] found fame as a loyal defender of the Emperor Go-Daigo during the tumultuous years of the Nanbokucho period in the 14th Century. Masahige's opposition to the power of the Ashikaga Shoguns found fertile ground during the Meiji Restoration, and a huge, bronze equestrian figure of him was placed close to Tokyo's Babasaki Gate in 1900 ['Meiji Revisited'/The sites of Victorian Japan' by Dallas Finn/page 162 refers]. Kuniyoshi's design with a compass and globe is interesting; Henri Joly mentions a netsuke of Kusunoki in the Gilbertson Collection, carved with Kusunoki holding a Mariner's compass ['Legend in Japanese Art'/page 309, refers]. Although there was a significant market for Kuniyoshi's historical portraits, the Bakufu were highly sensitive regarding images that could be interpreted as critical of the Tokugawa regime. Kuniyoshi's triptych of Raiko and the Earth Spider, for instance, precipitated a confrontation with the Bakufu censors, and Kuniyoshi was forced to destroy the offending blocks in order to avoid further trouble [Source: page 114 of 'Japanese Prints/Ukiyo-e in Edo, 1700-1900' by Ellis Tinios, British Museum Press, 2010.]Condition Report: Left hand side visibly trimmed.
Lot 19
Tim Cotterill 'Frogman' (British 1950-) "Hedge Fun" With engraved signature and numbered 92/250, with numbered certificate of authenticity, limited edition bronze sculpture with hand-applied patina.length 20cm (8in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The sculpture is in very good, original condition with no obvious faults to report.
Lot 53
A single long drawer over two doors, all mounted with gilt bronze moldings, the interior with room for adjustable shelf, plain edge base on bun feet.(H: 38 in. W: 53 1/4 in. D: 19 in.)ProvenanceCollection of Alan I. and Dianne Kay, Bethesda, Maryland.The Estate of Alan I. and Dianne Kay, Bethesda, Maryland.includes keyTo receive a condition report, additional images or for any other information, please email Andrew Taggart at ataggart@freemansauction.com
Lot 67
Incised with the Artist's initials and numbered 'EN/5/6' along the base, to the right; also stamped with the conjoined initials of the Modern Art Foundry 'MA,' the symbol of the Art Founders Guild and dated '1982' on the rear of base, bronze with black patinaHeight: 27 1/2 in. (69.9cm)Width: 15 in. (38.1cm)Depth: 12 1/2 in. (31.8cm)Base: 4 1/2 x 10 x 10 in. (11.4 x 25.4 x 25.4cm)Conceived circa 1926, posthumously cast in 1982. Edition of 6.ProvenanceEstate of Elie Nadelman.Kent Fine Art Inc., New York, New York.Acquired directly from the above in 1986.Collection of Alan I. and Dianne Kay, Bethesda, Maryland.The Estate of Alan I. and Dianne Kay, Bethesda, Maryland.Exhibition"Masters of Modern and Contemporary Sculpture," Marlborough Gallery, New York, November 8-December 4, 1984, no. 49 (illustrated).LiteratureLincoln Kirstein, Elie Nadelman, Eakins Press, New York, 1973, no. 71, p. 294 (in reference to the galvano plastique).Masters of Modern and Contemporary Sculpture, Marlborough Gallery, New York, 1984, no. 49 (illustrated).Barbara Haskell, Elie Nadelman: Sculptor of Modern Life, New York, 2003, pp. 157, 159 and 166, fig. 189 (another example illustrated). To receive additional images or for any other information, please email Raphaël Chatroux at rchatroux@freemansauction.com
Lot 68
Signed 'V. SZCZEBLEWSKI' in a cartouche and dated '1889' on the base, to the rear; also with 'BRONZE GARANTI AU TITRE/L.V. DÉPOSÉE' pastille stamp on the base, at center; and numbered '3189' on the rim of the base, at the back, bronze with golden highlights on a circular porphyry marble baseHeight (with base): 9 1/2 in. (24.1cm)Width: 3 3/8 in. (8.6cm)Depth 3 3/8 in. (8.6cm)ProvenanceCollection of Alan I. and Dianne Kay, Bethesda, Maryland.The Estate of Alan I. and Dianne Kay, Bethesda, Maryland. To receive additional images or for any other information, please email Raphaël Chatroux at rchatroux@freemansauction.com
Lot 64
Favrile glass, patinated bronzeThe glass shades etch-signed, "L.C.T.," the bronze base marked to underside, "Tiffany Studios, New York/ 383."(H: 21 1/2 in. Dia: 10 in.)ProvenanceLillian Nassau Ltd., New York, New York.Acquired directly from the above in 1986.Collection of Alan I. and Dianne Kay, Bethesda, Maryland.The Estate of Alan I. and Dianne Kay, Bethesda, Maryland.To receive a condition report, additional images or for any other information, please email Andrew Taggart at ataggart@freemansauction.com
Lot 18
With front and back case doors revealing arched brass face and mechanism, the face engraved, "Tho. Moore/ London," and decorated with applied brass spandrels, the case with glazed side panels, the japanning depicting floral motifs, diaperwork, birds, and figures and pavilions in landscapes, the stepped top with gilt bronze handle, the front two corners with gilt bronze mounts featuring busts of ladies over floral garlands, on gilt bronze paw feet.(H: 21 in. W: 13 1/4 in. D: 9 1/4 in.)ProvenanceJohn Ethridge Morris, Interior Designer-Antiquarian, Washington, D.C.Acquired directly from the above in 1985.Collection of Alan I. and Dianne Kay, Bethesda, Maryland.The Estate of Alan I. and Dianne Kay, Bethesda, Maryland.includes pendulum, two case keys; pendulum has break to suspension mechanismTo receive a condition report, additional images or for any other information, please email Andrew Taggart at ataggart@freemansauction.com
Lot 51
Stamped with artists' cypher and signed 'Renoir' on the rim, to the right; also copyrighted, dated (twice), signed, and inscribed '© 1983 GVINO-RENOIR 1915 1917 E.A. 4/4' on the rim at bottom; and with 'Susse Fondeur Paris 1983' foundry stamp incised on the rim, at top, bronze with dark brown patinaDiameter: 19 1/2 in. (49.5cm)Depth: 1 3/4 in. (4.4cm)ProvenanceCollection of Alan I. and Dianne Kay, Bethesda, Maryland.The Estate of Alan I. and Dianne Kay, Bethesda, Maryland. To receive additional images or for any other information, please email Raphaël Chatroux at rchatroux@freemansauction.com
Lot 49
Numbered 'no. 5' and signed 'A. MAILLOL' (underlined) on the rim of the base bottom left, also stamped with 'Cire/Valsuani/Perdue' foundry mark on the rear of base, to the right, bronze with dark brown patinaHeight: 35 in. (88.9cm)Width: 11 in. (27.9cm)Depth: 17 in. (43.2cm)Cast circa 1920, during the artist's lifetime, from an edition of 8.ProvenancePersonal Collection of Erhard Weyhe, New York, New York. Façade Gallery, New York, New York.Acquired directly from the above in 1986. Collection of Alan I. and Dianne Kay, Bethesda, MarylandThe Estate of Alan I. and Dianne Kay, Bethesda, Maryland.LiteratureWaldemar-George and Dina Vierney, Aristide Maillol, New York Graphic Society, Greenwich, 1965, p. 110 (another example illustrated). NoteA certificate of authenticity will be issued by Olivier Lorquin, Président de la Fondation Dina Vierny - Musée Maillol to the buyer of this sculpture. Pomona was the Roman goddess of the flourishing and cultivation of fruit trees, gardens and orchards, most often depicted throughout art history holding baskets of fruit or a cornucopia. Early Modern French sculptor, Aristide Maillol, depicted Pomona several times throughout his career, as early as 1910, either nude or draped in a tunic, holding round, sensual fruits in both hands. A great admirer of gardens and garden statuary, Maillol was also greatly influenced by Classical and Renaissance art and literature in his work, in large part due to his life on the Mediterranean coast, steeped in Greek and Roman heritage. He was known to recite passages of Virgil by memory, and even illustrated editions of Virgil and Ovid’s writings in the 1920s and 30s. Maillol’s graceful, peaceful Pomona shows his emphasis on a serene surface and emotional restraint that set him apart from his contemporaries. In his close study of this symbol of fertility and abundance, Maillol creates Pomona as a picture of tranquility, her frontal position and elegantly draped tunic speaking to a concentration on geometry, balance and form, a solidity and groundedness that exemplify the artist’s most notable works. While beginning his artistic career in many mediums, including painting, drawing and tapestry, Maillol quickly turned his attention to sculpture and dedicated his career to modeling beauty and serenity through the female form. Pomone à la Tunique, cast in the artist’s lifetime, is classical in subject and beauty, while revealing Maillol’s impact on Modernist realism, as he reduces the figure to its most stable and beautiful form.To receive additional images or for any other information, please email Raphaël Chatroux at rchatroux@freemansauction.com
Lot 20
2007 London Taxi Int TX4 2499cc Auto No Reserve Registration: LC07OJY Chassis: SCRT2A8ME7C201722 Odometer: 361,797 Tranmission: Auto Diesel MOT: Expired June 2022 • Bronze specification • New heavy duty battery fitted March 2022 • Automatic gearbox • Runs and drives Outside . Grey paintwork with "Joker" movie advertisement wrap . As you'd expect with a 15 year old 360,000 mile black cab the bodywork has a few imperfections and some rust bubbles to most panels Inside . Black cloth interior is showing some signs of wear commensurate with the age of vehicle and nature of its work Mechanicals . The turbo diesel engine fired into life with ease and on a short test drive around our site shifted through the automatic gearbox with ease and came to a stop when asked History . There is no history with the taxi other than a V5C Our Opinion If you want a cheap black cab that runs and drives, here it is.
Lot 31
2004 Lexus LS 430 4.3 litre V8 4 door saloon car No Reserve Registration: BD 04 TFZ Chassis: Odometer: 119,000 External Colour: Gold/Bronze Interior Colour: Black Fuel type: Petrol Engine Size: 4300cc Transmission: Auto MOT expires: 20th February 2024 Outside . Not many cars suit a metallic gold exterior but i think it sets the mighty LS off perfectly . Chrome plastic strip across the front bumper has lost its shine . Very few stone chips to the bonnet and top of windscreen area . Rear bumper has a few parking scuffs . Other than that the car is very clean, straight, free from any corrosion or dents . All 4 wheels look like they would benefit from a refurb which would heighten the presence of the great car . 4 matching Nankang tyres all around with I'd say 70% to 80% tread remaining Inside . Usual well appointed LS interior in excellent condition . Black leather seats showing little signs of wear, marks or rips anywhere . Half wood steering wheel showing some signs of wear where the leather meets the wood . Touch screen navigation system . Heated and cooled seats . Rear sun blinds . There will be many features i've missed Mechanicals . Starts easily and soon settles to a near silent idle . Drives and stops effortlessly and goes through the silky smooth automatic gearbox with ease . Under the bonnet the neat V8 looks clean History . We only have the green slip of the V5C . Full book pack . Our HPI check shows 7 previous keepers . Supplied new by Lexus Birmingham . Service history books shows 3 stamps at Lexus main dealers . Then a further 7 stamps at independent garages the last being on 02/04/2020 at 115,892 miles . Collection of old MOT's dating back to 2010 Our Opinion The LS series of cars were always ahead of their time, and this one is no exception, despite it nearing 20 years old this car still looks good and the gold (or bronze as detailed on the HPI report) suite the car like no other. This Japanese Rolls Royce is offered without reserve and could be a bargain user for those long road trips.
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