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Lot 1282

A SUPERB PAIR OF REGENCY BRONZE, ORMOLU AND MARBLE CUPID CANDLESTICKS on pedestals, formed as cupids holding scrolling branches. 17ins high.

Lot 1283

A 19TH CENTURY FRENCH BRONZE OF A YOUNG WOMAN carrying a basket of fruit and standing on a circular base. 15ins high.

Lot 1284

AFTER GIAMBOLOGNA A SUPERB LARGE STANDING BRONZE OF HERMES-MERCURY on a circular classical plinth. 35ins high.

Lot 1289

AFTER WAAGEN (19TH CENTURY) A GOOD LARGE COLD PAINTED BRONZE OF AN ARAB GIRL leaning provocatively against a large urn on a stand, the whole supported on a marble base. 2ft 10ins high.

Lot 1290

FRANCOIS ALPHONSE PIQUEMAL (CIRCA. 1900) FRENCH AN UNUSUAL BRONZE OF A PORTLY MAN standing on a rustic base. Signed. 12.5ins high.

Lot 1291

PAUL DUBOIS (1827-1905) A SUPERB LARGE BRONZE "JOHN THE BAPTIST" standing carrying a cross. Signed on the side P. DUBOIS, ROME, 1861. F. BARBEDIENNE FONDEUR. 38ins high.

Lot 1292

ANTOINE-LOUIS BARYE (1796-1875) FRENCH A FINE BRONZE OF TIGRE QUI MARCHE, a superb cast of a marching tiger on a rectangular base. Signed BARYE. F. BARBEDIENNE with F.B. stamp. The underside numbered 7906. 22cms long, 7cms wide, 11cms high.

Lot 1293

CHRISTOPHER FRATIN (1800-1864) FRENCH A LARGE BRONZE OF A LION, front left foot off the ground, standing on a naturalistic base. Signed FRATIN. 21ins long, 12ins high.

Lot 1294

19TH CENTURY FRENCH A GOOD BRONZE OF A CAVALIER ON HORSEBACK, the horse rearing up on its back legs. 10.5ins high.

Lot 1295

VICTOR PALLARD (1805-1886) FRENCH A SUPERB BRONZE GROUP OF THREE YOUNG CUPIDS RIDING A TIGER, holding grapes, on an oval base. Signed.

Lot 1296

CHARLES CUMBERWORTH (1811-1852) FRENCH A SUPERB BRONZE GROUP OF A MOTHER WITH A YOUNG BOY AND GIRL "PETITS BLANCS", holding flowers, a basket of fruit at her side. Signed. 13ins high, 9ins wide.

Lot 1297

A GOOD 19TH CENTURY FRENCH BRONZE GROUP OF TWO YOUNG CUPIDS depicting harvest, holding grapes. 15ins long, 12ins high.

Lot 1298

EMILE EDMOND PEYNOT (1850-1932) A BRONZE FIGURE OF A YOUNG GIRL carrying flowers in her apron. Signed E. Peynot, Houdebine Paris Foundry, Circa. 1885. 18ins high.

Lot 1300

CHRISTOPHER FRATIN (1800-1864) FRENCH A GOOD PERIOD BRONZE COW AND CALF, the cow scratching against a tree. Signed FRATIN. 13.75ins long, 12ins high.

Lot 1301

A LOVELY SMALL 19TH CENTURY FRENCH BRONZE OF THREE PLAYFUL CHERUBS, one holding a bunch of grapes, on a circular base. 9ins high.

Lot 1302

KLINKENBERG A BRONZE OF A YOUNG STANDING NUDE GIRL. Signed, on a marble base. 11ins high.

Lot 1303

RAPHAELL A GILT BRONZE LAYING NUDE with long flowing hair on a bed, on onyx. Signed SUZ. RAPHAELL. 8.25ins long.

Lot 1304

D. H. CHIPARUS A BRONZE OF AN ATHLETE standing on a rectangular base. Signed. 20.5ins high.

Lot 1306

PAULI (fl. LATE 19TH CENTURY) A GOOD GILT BRONZE STANDING FIGURE OF THE YOUNG MOZART carrying a violin under his arm. Signed. Inscribed MOZART. 24ins high.

Lot 1308

V. BRAYNEER A VERY GOOD GILT BRONZE BUST OF A YOUNG LADY on a pedestal base. Signed. 24ins high.

Lot 1329

A RUSSIAN GILDED BRONZE HORSE AND CART. 8ins long.

Lot 1330

A PAIR OF 19TH CENTURY FRENCH BRONZE FIGURES OF A BOY AND GIRL carrying pitchers and standing on circular bases. 10.5ins high.

Lot 1331

AFTER THE ANTIQUE A STANDING BRONZE LAMP, fluted column on an hexagonal base. 14ins high.

Lot 1332

AFTER THE ANTIQUE AN ITALIAN HEAVY OVAL BRONZE PLAQUE, Madonna. 6ins x 4.75ins.

Lot 1333

GUIDO MARIANI (CIRCA. 1990) ITALIAN A BRONZE STANDING YAWNING FAT POLAR BEAR TYPE FIGURE. Signed G. Mariani, 4/8, 13.5.90. 8ins high.

Lot 1334

GUIDO MARIANI (CIRCA. 1990) ITALIAN A BRONZE STANDING ELONGATED FIGURE, arms outstretched. Signed G. Mariani, 4/8, 13.5.90. 10ins high.

Lot 1335

AN ART NOUVEAU GILT BRONZE SHAPED BOX AND COVER with lift off lid, decorated with flowers and leaves in relief. Signed R. ELIAS. 4ins high, 5ins wide.

Lot 1347

TWO SMALL EARLY BRONZE AMULETS. 3ins long.

Lot 1364

A SMALL BRONZE BULL "HORNS" on a stand. 2.5ins high.

Lot 1375

AFTER THE ANTIQUE A STANDING BRONZE NUDE on a wooden plinth. 11ins high.

Lot 1394

A GOOD 19TH CENTURY AUSTRIAN PAINTED COLD CAST BRONZE OWL, standing on a tree trunk. 11ins high.

Lot 1426

A CHINESE BRONZE INCENSE BURNER with decorated sides, on four long legs. 6.5ins wide,

Lot 1427

AN ISLAMIC BRONZE ELEPHANT AND GROTESQUE FIGURE VESSEL with pierced sides. 9ins long.

Lot 1438

AFTER BRUNO ZACH A BRONZE GILDED SEMI CLAD STANDING GIRL, holding a whip. Signed, on a circular base. 14ins high.

Lot 1439

AFTER BRUNO ZACH A BRONZE SEMI CLAD STANDING GIRL leaning forward, on a square marble base. 12ins high.

Lot 1452

A PAINTED BRONZE HORSE. 6.5ins high.

Lot 1456

AN EGYPTIAN LOOKING BRONZE CAT. 14ins high.

Lot 1457

FRANZ BERGMAN, A GOOD COLD PAINTED BRONZE COCKATOO, perched on a branch, monogrammed and stamped Geschutz. 11ins high.

Lot 1510

A RARE 18TH CENTURY RUSSIAN ORTHODOX BRONZE AND ENAMEL CRUCIFIX with feasts. 23cms long, 15cms wide.

Lot 1512

A COLLECTION OF 21 MEDALS, SILVER AND BRONZE, won by Major J. K. M. Hamilton, Royal Scots, mostly shooting medals.

Lot 1516

A RENAISSANCE CARVED IVORY PORTRAIT PENDANT "GREGOR XIII", 5cms diameter, in a bronze frame.

Lot 1523

A SMALL EARLY BRONZE FOLDING TRIPTYCH. 9cms high,

Lot 1536

A SMALL CHINESE BRONZE CLIP. 8.5cms long.

Lot 1539

AN ORIENTAL BRONZE VASE engraved with calligraphy. 15cms high.

Lot 1611

A MINIATURE NUDE BRONZE TORSO. 3ins high, on a plinth.

Lot 493

Marc Antony Æ Semis. Uncertain mint in Syria, 38-37 BC. Fleet Coinage. L. Bibulus M. f., praetor designatus. M•ANT•TER•COS•DES• ITER•ET•TER•III•VIR•R•P•C (NT ligate), bare head right / L•BIBVLVS•M•F•PR•DESIG, quinquereme right, with three oars and stern ending in boar’s head left. RPC 4092.1 = Amandry, Bronze I, Series I.E, 1. 6.00g, 20mm, 9h. Near Very Fine. Rare.

Lot 536

Roman Republic AV Half-Stater. Circa 216 BC. Laureate, Janiform head of the Dioscuri / Oath-taking scene: two warriors, one Roman and the other representing the Italian allies, standing facing each other, holding spears and touching with their swords a sacrificial pig held by a youth kneeling left between them; ROMA in exergue. Crawford 28/2; Sydenham 70; Bahrfeldt 2.2, pl. I, 13 (same dies); Biaggi 2; RBW 62. 3.43g, 15mm, 5h. Extremely Fine, and among the best preserved specimens known. Very Rare. From the collection of Gianfranco Galfetti; Privately purchased from Kunst und Münzen, Lugano in 1956. The first gold coinage ever issued by the Roman Republic, this half stater represents one of the most desperate moments in all of Roman history. The Second Punic War of 218-203 BC was waged at an unthinkable cost to Rome in terms of men, material and money. For nearly fifteen years the conflict was fought on Italian soil, bringing devastation to the peninsula on a scale it had never before endured. Yet the greatest shocks came in the opening phase of the war – Hannibal’s crossing of the Alps into the Po plain, considered one of the greatest achievements in military logistics, and the devastating defeats he inflicted on the Roman legions in a quick sequence of major battles, at the Trebia (December 218 BC), Lake Trasimene (June 217 BC), and Cannae (August 216 BC), brought Rome to her very knees. As a measure of the extent of the disaster, Hannibal had defeated the equivalent of eight consular armies (16 legions plus an equal number of allies), and within the space of just three campaign seasons, Rome had lost one-fifth of the entire population of male citizens over 17 years of age. Furthermore, the ruinous effect these defeats had on morale was such that most of southern Italy defected to Hannibal's cause, thus prolonging the war for a decade. In addition to the wholesale destruction of Rome’s armies, the most crucial damage inflicted by Hannibal’s invasion of Italy was the total collapse of Rome’s young monetary system. At that time, the Roman currency was based entirely on bronze, for which the demand in wartime was competing with the needs for weaponry. The weights of the bronze currency were radically decreased, and it therefore became necessary to make bronze convertible to silver, which, however, was also in short supply. The strain on the Roman treasury was extreme. The decision was therefore taken in c. 216 BC to issue a gold coinage as an attempt to provide further stability for and increase faith in the bronze coinage by creating the impression that bronze could be freely exchanged for gold, thus making the token bronze coinage acceptable. The types of this new gold coinage were evidently given some consideration, and in the event were highly appropriate. A Meadows (‘The Mars / eagle and thunderbolt gold and Ptolemaic involvement in the Second Punic War’ in Essays Hersh, 1998) writes: “the oath scene gold, as befitted its status as a creator of confidence in the new denominational system, was something of a showpiece. Its design reflected the ambience of ‘strength through co-operation’ that the Roman state sought to emphasise at the time of its production. That the unity of Rome and her allies was a very live issue in 216 BC is clear from the defections that followed the disastrous battle of Cannae in that very year.”

Lot 152

Macedon, Philippoi AV Stater. Circa 356-345 BC. Head of Herakles right, wearing lion skin headdress / Tripod with legs terminating in lion's paws, circular ornaments on top; ΦIΛIΠΠΩN upwards in left field, grape bunch to right. Bellinger, ANSMN 11, 33, 20. 8.63g, 18mm, 8h. Mint State. Extremely Rare. Originally a Thasian foundation, the town of Daton alternated between Athenian control for most of the fifth century, a brief period of local autonomy in the first half of the fourth century, and once more came under the control on Thasos in circa 360 BC when the local mines were recaptured with Athenian backing and the town was refounded with the new name of Krenides. Shortly thereafter however, in 356 Krenides was threatened by Thracians, and the citizens appealed to the rising power in the area, Philip of Macedon. Philip had conquered Amphipolis the year before, and he now took Krenides under his aegis. The city was strengthened greatly with new fortifications, enlarged with new colonists, and was renamed Philippoi in honour of the king. Having gained command of the Mount Pangeion region and the 1000 talents a year in gold that its mines provided, Philip at first permitted the city to continue striking coinage in its own name, using types that it had previously employed, in both gold and silver - it is to this period of production that the present coin belongs. For a time therefore, the coinage of Philippoi must have circulated alongside Philip’s royal coinage, however with the advent of Philip’s currency reforms of the 340s, gold production at Philippoi came to an end. Philip revolutionised the coinage of the kingdom of Macedon, which would eventually also supersede that of all Greece. Philip’s brother Perdikkas, though he had initially struck a silver coinage, was later like his elder brother Alexander II before him, only able to coin in bronze. Philip now had prodigious quantities of not only silver, but gold too in measure beyond what his brothers could have dreamed. Before Philip, gold coins issued by the Greeks had been extremely infrequent, and struck usually only in times of great emergency. Philip’s control of the Pangeion mines now enabled him to make Macedon the first state in the Greek world to issue gold uninterruptedly year on year, which he did with a new standardised Macedonian gold currency denominated in staters, hemistaters and quarter staters, as well as 1/8 and 1/12 fractions. This wealth would provide the driving force behind his successive conquests, expansion and diplomatic manoeuvres that enabled him to unify all Greece under Macedonian hegemony, and set the stage for his planned invasion of Persia. As for Philippoi, following its incorporation into the Kingdom of Macedon, it would next feature significantly on the pages of history only centuries later when in October 42 BC, on the plain to the west of the city, the legions of Octavian and Marc Antony faced those Brutus and Cassius to determine the fate of the Roman world.

Lot 275

Cold Painted Miniature Spaniel Dogs 2 in total, one in spelter, the second in bronze

Lot 750

Large Whitefriars Style Glass Bubbled Vase Streaky Vase Based On Roman And Bronze Age Vessels, Height 17" Together With An Amber And Green Streaked Vase And 2 Glass Decanters

Lot 806

Chinese Impressive and Superb 17th / 18th Century Gold Splashed Lidded Bronze Censer, In The Form of Large Pumpkin Decorated with Leafy Stems with Flank The Vessel and Handles, The Body Raised on Tripod Feet In The Form of Stemmed Pumpkin Pods, Which Also Extend From The Handles to The Cover. The Size of Censer Is 8 Inches High, Would Have Been Made For Someone of High Rank and Importance. Pumpkins Are Symbols of Prosperity, Abundance, Descendants Luck, Illustrious Children, Well Being and So on. The Censer as Wonderful Patina and Condition. Except For One Small Repair to Interior of Censer, Only Can Be Seen To Interior. Measures 1.5 x 1 Inches - Please See Photos.

Lot 856

Japanese - Tokyo School - Very Fine Early 20th Century Bronze Vase. Signed Kazumasa Meiji - Taisho Period. The Detailing and Casting to Vase Is Superb and Superior Quality. Seal Character Marks to Base Reads - Toto Hidemitsu Kansei. Stands 15.25 Inches Tall. Wonderful Condition.

Lot 105

Victorian - Very Fine British Empire Gilt Bronze Lidded Casket / Trinket Box - To Commemorate Queen Victorias 60 Years on The Throne, with Vignettes / Depicting Scenes of Justice, Law, Art and Industry The Front and Back Vignettes, Depicting Scenes of Victorian Empire From Africa, India and Egypt. The Cover with Victoria Flanked by Cherubs, The Casket Is In Wonderful Condition and Very Impressive In Its Detail. Size - 2.75 Inches High, 5.75 Inches Wide & 3 Inches In Depth.

Lot 1234

Ernest Rancoulet Signed Bronze Sculpture of Leon Gambetta - French Statesman with Foundry Marks. c.1870 - 1915. The Figure Raised on a Square Shaped Bronze Plinth. Nice Condition and Patina. Stands 12.5 Inches High.

Lot 1278

A Large and Impressive Bronze Figure of Male and Female Ballet Dancers In Performance, Raised on a Black Metal Base and Stands 24.5 Inches Tall.

Lot 1290

Contemporary Bronze Figure of ' Don Quixote ' Raised on an Onyx Plinth Base with Removable Sword, Holding a Book In Left Hand. 11 Inches High.

Lot 371

Bronze bell inscribed 'J4' Condition:

Lot 518

Tennis Interest/Books - Helen Hull Jacobs - Beyond The Game, first UK edition 1936, signed by the author, together with many other famous players of the day including Fred Perry, Don Budge, Bunny Austin and many others, also included in the lot are five All England Lawn Tennis Club Bronze Umpires Souvenir medallions named to Miss I. Osborne and dated 1935-1939 Condition:

Lot 536

Antique Chinese child's bronze hand mirror, the reverse with cast seal marks, a cast bronze mirror decorated with figures in a landscape in relief, two archaic Chinese bronze knives and a white metal tablet decorated with Chinese characters Condition:

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