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Lot 332
A PAIR OF ORMOLU AND PATINATED BRONZE THREE LIGHT CANDELABRA FRENCH, LATE 19TH/EARLY 20TH CENTURY The classical dressed female figure supports in the manner of Clodion, supporting cornucopia with three scrolling branches above, later adapted as table lamps with tole ware shades 109cm high overall, bases 72.5cm highCondition Report: In good richly gilded decorative appearance- the branches attach to later screws to tops of branches which have been fitted for use as lamps. These are a little short making attachment of branches loose and not fixed. This will require remedial work. Some wear to shades and chips to bases with some edge losses to marbleWear, marks, knocks and scratches as per age, handling, use, and cleaning.Please see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 282
Y A LOUIS XV TULIPWOOD BUREAU PLATMID 18TH CENTURY76cm high, 157cm wide, 76cm deepProvenance:Sotheby's, London, 17th May 2022, STYLE London: Furniture, Clocks, Silver, Ceramics & Works of Art, Lot 72 (£7,216). Property from the Estate of Philip Astley-Jones. Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Old splits, chips and losses. Various old veneer repairs - see images. Leather top is and old replacement and has the expected scratches, marks, scuffs and ring marks. One side of the top with two areas of what appears to be water damage/fading Bronze mounts are later replacements and have some minor tarnishing. One sabot detached but present. A key is present, the handle is misshapen and it only operates one lock. Some later blocks to the interior of the carcass. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 60
A LARGE FRENCH BRONZE MANTLE CLOCK CASE LATE 19TH CENTURY, AFTER CARRIER BELLEUSE The substantial bronze and mixed metal case with surmount of two cherubs loosely after Belleuse design "La Source", apparently unmarked 96.5cm wide, 56cm high Provenance: Borde Hill House, West SussexCondition Report: The diameter of the hole for the movement measures approximately 18.5cm diameter.Considerable wear, marks, knocks and scratches as per storage outside in a barn or similar. Th whole with substantial dirt and verdigris build up. One roundel missing above clock insert front- back door missing as are some screws/bolts. The whole with marks and patina wear- notably to legs and exposed outer margins. Traces of gilding visible under dirt surface Please see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 351
AFTER FRANCIS CHANTREY (1781-1841), BRONZE BUST OF ARTHUR WELLESLEY, 1ST DUKE OF WELLINGTON EARLY 19TH CENTURYSet on a Belgian black marble short pedestal 26.5cm high overall, base 10cm wide Condition Report: bronze with mild wear to patination of exposed/raised areas as per age and use. base with small chips and loss to cornersCondition Report Disclaimer
Lot 59
A LATE VICTORIAN GILT BRONZE MOUNTED EBONISED QUARTER-CHIMING BRACKET CLOCK OF SMALL SIZEUNSIGNED, CIRCA 1900The eight-day triple fusee movement with platform lever escapement and chiming the quarters on either six bells or four gongs, with foliate engraved backplate and 5 inch arched brass dial applied with silvered Arabic numeral chapter ring beneath subsidiary strike/chime selection dials to the arch, the case with gilt cupola and baluster galleries to superstructure, Corinthian columns flanking the dial and fine foliate cast arched frets to sides, on chiselled scroll feet.40cm high, 27cm wide, 21.5cm deepProvenance: Borde Hill House, West SussexCondition Report: Movement is complete and in reasonably clean condition with no visible evidence of alteration or noticeable replacements. The going train is working (although accuracy of timekeeping has not been checked) the quarter train sounds on a graduated nest of eight (not six as catalogued) bells of four gongs - the train will operate but is very slow/lazy indicating that lubrication has 'dried-out'/'gummed-up' hence a gentle clean/service will be required. The strike train is currently not operating most likely due to also being dried-out/gummed-up. The dial has overall oxidation/mellowing to the silvering and very slight discolouration to the gilt finishes otherwise is in fine original condition. The 'Eight Bells/Westminster' selection dial is operational however the clock will still want to chime when the chime/silent dial is selected to 'SILENT'.The case is generally in fine original unrestored condition with faults very much limited to overall light to moderate discolouration and wear to the gilt mounts and a light bumps, scuffs, age related wear to the ebonised finishes; the rear door frame has some shrinkage cracking/movement to the veneers.Clock is complete with winder and case key. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description. Condition Report Disclaimer
Lot 361
AFTER ANTONIO CANOVA (ITALIAN, 1757-1822), A BRONZE MODEL OF THE PUGILIST CREUGAS ITALIAN, 19TH CENTURY Inscribed to front of plinth "CREUCANTE" and with foundry stamp for Nelli Roma 36.5cm high The Fonderia Nelli (Nelli Foundry) was the leading sculpture foundry in Rome from 1880 to 1900 and established by Alessandro Nelli (1842-1905). This figure was illustrated item No.300 on page 80 "Fonderie Romaine Artistique et Industrielle D'Alexandre Nelli" Catalogue of 1889.Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. The overall surface with some build up of dirt and grease from handling- some wear to raised and exposed sections of toes, chest, - 2 small marks to lower back/buttocks and left elbow. colour of surface and under base would suggest this is a period castingPlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. Condition Report Disclaimer
Lot 400
AFTER THE MODEL ATTRIBUTED TO GIROLAMO CAMPAGNA (ITALIAN, 1549-1626) A BRONZE FIGURAL SALT PROBABLY ITALIAN, LATE 18TH/EARLY 19TH CENTURY Cast as a kneeling classical male supporting a scallop shell on his shoulders 18.5cm high, base 14.5cm wideA 16th century bronze of this model is in the Capodimonte Museum, Naples and a further gilt bronze model dated to 1600-1700 and catalogued as Venetian, previously attributed to Campagna is in the Victorian and Albert Museum. Condition Report: Areas of verdigris build up and some dirt deposits to crevices- typical mild surface wear from handling and age- small areas of wear to baseCondition Report Disclaimer
Lot 171
AFTER JEAN-SIMON DEVERBERIE (1764-1824), A RARE PAIR OF ORMOLU AND PATINATED BRONZE CANDELABRA À L'AMÉRIQUE FRENCH DIRECTOIRE PERIOD The figures with enamelled eyes, and rich feathered crowns, each supporting twin spiral twist candle branches 54.5cm high, bases 16.5cm diameter Provenance:By repute- Sir Lionel Faudel-Phillips, Balls Park Hertford and thence by family descent. Deverberie designed, made and sold luxury ornaments, clocks, garnitures and candelabra, working in Paris in the late 18th/early 19th century. An almost identical pair is held in the Museum François Duesberg. For a similar pair please see Christie's Paris, "Provenant de la villa Les Cèdres" à Saint Jean Cap Ferrat, 22 September 2020, lot 169, sold EUR 20,000Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Both have loss to gilded and patinated surfaces and are quite dirty with some wax and cleaning spill deposits. Formerly wired and with drilled holes to sconces and drip pans. With old remedial repairs with pins and solder notably to all branches/hand contact points and to reverse of loin cloth/lower back of one figure. Some later screws and pins for loincloths crown fixings. 3 earrings absent. One bead banding to base a later replacement Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 341
A PATINATED AND GILT BRONZE EIGHTEEN-LIGHT CHANDELIER IN EMPIRE STYLE, LATE 19TH CENTURY With original bar and loop chains and spreading gilt corona approximately 92cm high, 89cm wide overall Condition Report: The whole formerly wired for electricity- now removed- leaving drilled holes throughout. Gilding refreshed/redone within the last 20/30 years and some repatination to darker surfaces. Chains look to be original but linking hoops are stretched and will benefit from replacement to ensure safe hanging. Lacks terminal drop or bolt with screw thread visible to drop section endPlease see additional images for visual references to condition which form part of this condition report All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.It is the buyers responsibility to satisfy themselves that the lot being purchased may be imported into the country of destination. Some lots will require export or cites licences in order to leave the UK or Europe- it is the buyer's responsibility to satisfy themselves as to these requirements. Condition Report Disclaimer
Lot 70
A PAIR OF LOUIS XV BRONZE CANDLESTICKS MID 18TH CENTURY Traces of silvering to the leaf scrolled surfaces 26cm high, bases 14.5cm wideCondition Report: Both drilled for later electrical use- holes to plinths, one with deposit build-up under base suggesting old remedial strengthening work. Condition Report Disclaimer
Lot 387
A PAIR OF FRENCH ORMOLU, BRONZE AND ROUGE GRIOTTE MARBLE SEVEN LIGHT CANDELABRA 19TH CENTURY Each surmounted by baluster-shaped vase issuing trumpet-shaped scrolling branches cast with foliate masks, above a stepped moulding and rectangular base mounted with ribbon-tied oak leaf wreath, drilled for electricity,later plinths127.5cm high, the bases 19.5cm wide, 188cm high overall Provenance: Christie's, London, Furniture, Sculpture and Carpets, 11th September 2008, Lot 193 (£11,250).Property of the Trustees of Lord Gretton
Lot 127
A NEAR SET OF FOUR LOUIS XV ORMOLU THREE BRANCH WALL LIGHTS IN THE MANNER OF JEAN-CLAUDE DUPLESSIS, MID 18TH CENTURY The bras de lumière of three branch form with foliate scrolling stems and nozzles, fitted for electricity slight size variance but approximately-the gilt metal 65cm high, 43cm wide, 88cm high overall Provenance: An Important Collection from a Cadogan Square HousePerrin Antiquaires, Paris, acquired in 1998. A pair of very similar design, with richer detailing to the edge furls and with the 'C' couronné poinçon, is in the Wrightsman Collection at the Metropolitan Museum of Art, New York (1971.206.30-31). As well as being the Royal goldsmith, Duplessis was director of the Vincennes porcelain factory and later Sèvres. Among his most famous designs for gilt bronze are the elaborate and rich mounts for the Bureau du Roi in Versailles by Oeben and Riesener. Literature: Hans Ottomeyer/Peter Pröschel, Vergoldete Bronzen, Munich, 1986, p. 143, ill. Condition Report: Now wired for electricity. The floral pans with some slight variances in design, some sitting off centre to their stems. Some old repairs to floral elements notably to tops. Almost certainly re-gilded and with some drilled holes and evidence of earlier rewiring. Will require electrician testing and probably re-wiring. Bulbs with losses and breaks - some minor breaks and cuttings to candle sleeves. Please see additional images for visual reference to condition.Condition Report Disclaimer
Lot 378
A REGENCY CALAMANDER, BRASS MARQUETRY AND GILT BRONZE MOUNTED SIDE CABINET ATTRIBUTED TO GEORGE OAKLEY, CIRCA 1815 146cm high, 160cm wide, 46cm deep This fine side cabinet is of the highest quality, its geometric brass ornament and exotic calamander veneers relates to the work of George Oakley (d.1841), who produced furniture in the Grecian style for the Prince Regent among other distinguished patrons during his long career which lasted from 1789 to 1819. The firm was granted a royal warrant in 1799 after receiving a visit from Queen Charlotte and other members of the royal family upon which '...her MAJESTY, the Duke and Duchess of YORK, and the PRINCESSES, &c., highly approved of the splendid variety which has justly attracted the notice of the fashionable world' (Morning Chronicle, May 1799). The design closely relates to a suite of furniture probably supplied by Oakley for Sir Arthur Grey Hazlerigg, 11th Baronet, upon his succession in 1817, at which time he refurbished his estate Noseley Hall in Leicestershire employing many fashionable suppliers of the day (see Noseley Hall, Sotheby's house sale, 28-29 September 1998, lots 146 and 147). Another well-known commission supplied to Charles Madryll Cheere for Papworth Hall includes a variety of furniture forms executed in calamander with stylized star brass-inlaid borders (a card table from this commission is illustrated in R. Edwards, ed., The Dictionary of English Furniture, rev. edn., vol.III, 1954, p. 202, fig.42). An almost identical cabinet was sold, Christies Important English Furniture, New York, 23rd October 2002, lot 17 $35,850 and another, 19 October 2000, lot 245 ($37,600).
Lot 674
Polish political history interest: Presentation collection of bronze medallions issued to commemorate the 50th Anniversary of the outbreak of the Warsaw Insurrection, 1944-1994, limited editions, and presented to European Heads of State by Lech Walesa, the medals sculpted by Jerzy Nowakowski (b. 1947) and Jerzy Jarnuszkiewicz (1919-2005), the plaques 12cm square max., with certificates and original presentation case, now damaged
Lot 673
Bronze sculpture 'Un Oiseau d'Europe', limited edition, numbered 7/18, indistinctly signed on the base 'Areballe', polished bronze on a cylinder base, 32cm, original box; also an interlocking bronze nickel maquette by the same artist, 16cm (2)NB: Symbolising a bird of peace, the first sculpture was presented to the then EU heads of government by the Belgian Prime Minister Jean-Luc Dehaene
Lot 195
Tracey Emin (born 1963)Docket in my hand, 2014 incised with the artist's initials, date, and stamp-numbered 89/100 to the undersidebronze multiple with silver nitrate patina10 x 5 x 5cm (4 x 2 x 2in).Produced by the Modern Art Foundry, New York, with their foundry mark 'MA'This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 337
JOACHIM FINK , includes six documents for a Air Gunners Badge, Combat Clasp of Bombers Bronze and Siler, EK2, Discharge Certificates dated may 1945 and June 1945 ( 7) Customers must satisfy themselves prior to sale in regards to conditions and authenticity, viewing is advised, condition reports are available on request
Lot 274
THREE EXAMPLES OF THE 1957 VARIANTS OF THE CLOSE COMBAT CLASP FOR THE HEER VETERANS, these are the type which are missing the 3rd Reich Swastika motif, with foliate detail and crossed weapons, all in metal, bronze, silver and gold, with a back panel visible in the cut out to the middle, all marked to reverse pin '2', Customers must satisfy themselves prior to sale in regards to conditions and authenticity, viewing is advised, condition reports are available on request
Lot 315
SS WEHRPASS (SERVICE) BOOK AND SS RECORD CARD for Adalbert Deutschmann, DOB 21/04/1918. place Landwirtfh, B85 Waffen SS Wehrpass 'Der Fuhrer' rare to find Wehrpass to Hauptscharfuhrer Adalbert Deutschmann with SS Standarte 'Der Fuhrer' and his SS Observation File, entered on April 1 1939 in Klagenfurt, was awarded 2nd class iron cross, a black wound badge, eastern front medal and a bronze infantry assault badge (2) Customers must satisfy themselves prior to sale in regards to conditions and authenticity, viewing is advised, condition reports are available on request
Lot 180
After Ferdinand Preiss, patinated bronze study of a dancing lady on tall plinth. 38cm high approx, together with another patinated bronze study of a dancing girl with angel wings on marble base. 27cm high approx. and a small patinated bronze figure of a dancing nude female on tall marble base. 20cm high approx. (All Modern). (3) (B.P. 21% + VAT)
Lot 69
Early 19th century French marquetry inlaid eight day Portico clock with white enamel Roman face and spiral columns on a moulded foliate decorated base with a further stand which would have originally incorporated a glass dome. Together with gilt bronze foliate repoussé pendulum, the clock overall 39cm high approx. (B.P. 21% + VAT) Rather grubby, some damage and losses to stand and base, lacks key.
Lot 150
MAX ERNST (1891-1976)Roi Reine Fou signé et numéroté '33/35 Max Ernst' (sur l'arrière de la base); marque du fondeur 'CIRE PERDUE A.VALSUANI' (sur la base)bronze à patine noiresigned and numbered '33/35 Max Ernst' (on the back of the base); stamped with the foundry mark 'CIRE PERDUE A.VALSUANI' (on the base)bronze with black patina 29.5 x 14.6 x 9.9cm (11 5/8 x 5 3/4 x 3 7/8in).Footnotes:L'authenticité de cette œuvre a été confirmée par Dr Jürgen Pech.ProvenanceCollection Max Ernst et Dorothéa Tanning.Collection Juliette Verronneau.Vente, Maître Herbelin, Chinon, 14 octobre 2015, lot 42. Acquis dans cette vente par le propriétaire actuel.For further information on this lot please visit Bonhams.com
Lot 178
DESMOND MORRIS (Né en 1928)Tripod signé avec les initiales de l'artiste, numéroté et marque du fondeur 'DM/3/8' (sur le pied arrière) bronze avec une légère patine brune Conçu en 2020signed with the artist's initials, numbered and stamped with foundry mark 'DM/3/8' (on the back leg)bronze with a light brown patinaConceived in 202030 x 18cm (11 13/16 x 7 1/16in).Footnotes:ProvenanceCollection particulière, Royaume-Uni.BibliographieS. Levy, D. Morris, Late Work, Analytical Catalogue Raisonné 2012-2020, Bristol, 2020, no.2020/15D (un autre exemplaire illustré p. 268).This lot is subject to the following lot symbols: * AR* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 96
Roman Empire - a collection of mixed Roman coins to include Caracalla (198-217) silver Denurius 'PM TR P XVIII COS IIII P P', Gallienus (253-268) silvered Billon Antoninanus, along with mixed bronze examples of Crispus (317-326), Constantine II (Caesar 317-337) 'Gloria Exercitus', and other 4th century and others to include Romulas and Remus examles
Lot 49
Tom MerrifieldValentina Bronze on pedestalsigned T Merriefield and numbered 2/2, last edition of 2 the figure 167cm high 226cm overall See footnote to lot 47Please note Valentina is signed T Merrified and numbered 2/2 and is the last of an edition of 2. The estimate is £4,000-6,000 not £6,000-10,000 as printed in the catalogue Garden ornamentGarden sculptureGarden statue
Lot 47
Tom MerrifieldLa Donna Bronze from an edition of 9 225cm highSRN: Please note La Donna is from an edition of 9, and not signed. The estimate is £6,000-10,000 not £4,000-6,000 as printed in the catalogue Born in 1932 in Sydney, Australia, Tom Merrifield trained as a classical dancer and at the age of sixteen became the youngest lead soloist with the Borovansky Ballet. Three years later he moved to Britain where he danced with the English National Ballet, enjoying an incredibly successful career in this challenging discipline. Throughout the 1950s, 60s and 70s Tom was principal dancer in many of the most successful West End musicals to date including ‘On The Town’, ‘West Side Story’ and ‘Showboat’ and at the pinnacle of his career was the highest paid dancer in the UK. During this distinguished and rewarding career, Tom began drawing and sculpting without any formal art training and eventually took this up as a full-time occupation, looking back only for inspiration in his new passion. He has since gone on to be formally recognised as a major artist and one of the finest sculptors of his generation, being given the incredible accolade of ARBS for Distinction in the Art of Sculpture by the Royal Society of British Sculptors. In 1976 Tom was commissioned by the Society for West End Theatres to create the sculpture given to the winners of The Olivier Awards (then named the SWET Awards). For the next eight years he would spend months preparing the numerous pieces required for each ceremony which so many of theatre’s top talent now hold in pride of place on their mantelpieces. Possibly the most poignant of sculptures Tom has created is that depicting Diana, Princess of Wales. Having met and connected instantly with the Princess long before she died, Tom was considered by the British Red Cross to be best suited to create an exquisite bust of their former patron; now displayed at the Red Cross headquarters in London. Tom has gone on to become internationally celebrated for the power and beauty of his sculptures, many of which now grace prominent public spaces around the world. He has also been awarded substantial, lucrative commissions by the likes of Hilton Group, Speedo, The British Red Cross and Reebok. Some of his works depict famous dancers, including Alina Cojocaru, Dame Alicia Markova, Dame Beryl Grey, Natalia Makarova, Marguerite Porter, Ivan Nagy, and the Olympic Skater John Curry. Tom passed away in 2021 and this sale, consigned by his Executors, includes many of his favourite pieces which were in the garden of his home in Hampstead providing a unique opportunity to acquire works by one of Britain’s leading sculptors. Garden ornamentGarden sculpture
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