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![After De Martino, bronze bust of boy in hat on a stepped marble plinth [signature in upper case letters], and bronze bust of](http://lot-images.atgmedia.com/SR/1882/2887662/398-201371811739_468x382.jpg)
Lot 176
6 Matchbox Series. No 63 Alvis Foamite Crash Tender. Red and silver livery, with silver nozzle. No 66 Harley-Davidson Motor Cycle and sidecar. Metallic bronze with BPT. No 68 Mercedes Coach. In orange and white livery. No 70 Ford Thames Estate Car. Turquoise and yellow with clear wheels and SPW. No 71 Jeep Gladiator Pick Up Truck. In red with green interior, BPW and No 75 Ford Thunderbird. Cream body with pink side panels, dark blue base with SPW. All boxed, 4 creased. Contents GC-Mint Jeep some light chipping.
Lot 596
An officer’s small size silver plated cap badge of the South Wales Borderers, and sundry other items to the South Wales Borderers including an OR’s all brass cap badge and 17 bi-metal cap badges (a few worn or repaired), 4 non matching officers bronze collar badges, 10 small sweetheart brooches (some enamelled), 6 pairs of SWB brass shoulder titles, and 3 blazer badges; also an HPC to the Royal Berkshire Regiment (loops AF), 3 dragon cap badges to the Monmouthshire Regiment (2 brass, 1 WM), a white on red Monmouthshire cloth title, and sundry buttons etc. Average GC
Lot 716
An SB 16 bore percussion sporting gun by Ketland, converted from flintlock, originally c 1775, 44” overall, half octagonal barrel cut down to 28½”, the breech with London and maker’s proofs, the plain flat stepped lock engraved “Ketland” in scroll (faint), fullstocked with take down fore end, chequered wrist and engraved bronze mounts including trigger guard with acorn finial and elaborate classical escutcheon, and with silver wire inlaid scrolls around tang. GWO & QGC (worn overall, the lock and barrel have been pitted and cleaned, fore end repaired)
Lot 865
A bronze framed 48 bore percussion boxlock sidehammer pistol, 9½” overall, turn off octagonal barrel 4½” with brass fore sight, B’ham proved, the bronze frame with scroll engraved decoration, the chequered walnut butt with flared flat end and GS mounts including band around the flared butt and vacant oval escutcheon. WO & GC Plate 11
Lot 870
A charming 180 bore bronze framed percussion boxlock muff pistol, 5” overall, fluted barrel 1¾”, the bronze frame engraved with scrolls and with B’ham proofs and hidden trigger, the finely chequered rounded walnut butt with plain GS butt cap and vacant oval escutcheon. GWO & clean condition (the hammer nose worn through, the barrel seized in partly unscrewed position) Plate 11
Lot 24
LAURENCE JENKELL (NÉE EN 1965) Bonbon victoire de Samothrace, 2011 Bronze à patine brune Signé et numéroté 1/8 Fondeur Bocquel Bronze with brown patina Signed and numbered 1/8 127 x 100 x 30,5 cm - 50 x 39 3/8 x 12 in. Un certificat d’authenticité de l’artiste sera remis à l’acquéreur Laurence Jenkell décline le Bonbon sous toutes ses formes. Ce simple objet de désir devient son sujet de prédilection et plus qu’un support, le bonbon interprété par Laurence Jenkell devient un “langage”. Un discours spécialiste dirait que sa sculpture bonbon est un geste radical issu du contenu sémantique du Pop Art et du Nouveau Réalisme. Un discours profane parlerait d’une gourmandise artistique qui délecte nos sens et qui par sa douceur évoquée permet de magnifier l’ensemble des sujets portés par ces bonbons. L’œuvre artistique de Laurence Jenkell s’inscrit dans une démarche intellectuelle et culturelle : le sujet du Bonbon alliant simplicité et universalité. Laurence Jenkell declined the Candy under all its forms. This simple object of desire became her subject of preference and more than a medium, the candy interpreted by Laurence Jenkell became a "language". A specialist speech would say that her candy sculpture is a radical gesture stemming from the semantic contents of Pop art and New Realism. A profane speech would speak about an artistic greed that delights our senses and evokes sweetness by glorifying all subjects carried by these candies. Laurence Jenkell`s artistic works join in a thought and cultural process: the subject of the Candy allying simplicity and universality.
Lot 28
ƒ Lynn Chadwick (1914-2003) Maquette VIII Sitting Elektra, 1969-1970 Bronze à patine brune et bronze poli Inscrit "Chadwick" et numéroté 585 5/6 Bronze with brown patina and polished bronze Stamped with the artist`s name and numbered 585 5/6 Haut. 39 cm - 15 3/8 in. Provenance : Collection Walter et Phyllis Shorenstein New York, Vente Christie`s, 4 novembre 2010, lot 336 Acquis lors de cette vente par l`actuel propriétaire Collection particulière, New York Bibliographie : Lynn Chadwick Sculptor: with a complete illustrated catalogue 1947-1988, Dennis Farr et Eva Chadwick, édition Clarendon, Oxford, 1990, décrit et reproduit pages 236-237 sous le n°585 (un autre exemplaire) Lynn Chadwick Sculptor: with a complete illustrated catalogue 1947-2005, Dennis Farr et Eva Chadwick, édition Lund Humphries, Aldershot/Burlington, 2006, décrit et reproduit pages 262-263 sous le n°585 (un autre exemplaire)
Lot 52
François-Xavier Lalanne (1927-2008) Singe alternatif, 1999-2012 Fonte de zinc Signé des cachets fxL et Lalanne, numéroté 6/8B et daté Cast zinc Stamped fxL and Lalanne, numbered 6/8B and dated 76 x 18 x 16 cm - 29 7/8 x 7 1/8 x 6 1/4 in. Provenance : Famille de l`artiste Bibliographie : Les Lalanne, catalogue de l`exposition au Musée des Arts Décoratifs, Paris, 18 mars-4 juillet 2010, page 112 (version en bronze) Un certificat d`authenticité de Madame Claude Lalanne sera remis à l`acquéreur
Lot 53
François-Xavier Lalanne (1927-2008) Singe allumé Bronze argenté et verre dépoli Signé du cachet fxL et numéroté 3/8A Bocquel fondeur Silvered bronze and frosted glass Stamped fxL and numbered 3/8A Haut. 33 cm - 13 in. Provenance : Famille de l`artiste Un certificat d`authenticité de Madame Claude Lalanne sera remis à l`acquéreur
Lot 63
Strong-Cuevas (née en 1929) Half Telescope, 1995 Bronze à patine noire et acier inox Monogrammé, numéroté 6/10 et daté Bronze with black patina and stainless steel Monogrammed, numbered 6/10 and dated 32 x 16,5 x 15 cm - 12 1/2 x 6 1/2 x 6 in. Provenance : Acquis directement auprès de l`artiste par l`actuel propriétaire “ With telescope eyes looking out to the universe, my work suggests space exploration, while the heads with double or more profiles suggest the complementarity of opposites, of psychological divisions, united in the unity of consciousness. Communication through space and time is what I seek to express, linking the ideas of the past with those of the future. The human face is the symbol I use. Exploring forms to meet the idea, I find I have discovered all kinds of shapes…A face can be a universe.” Strong-Cuevas Avec des télescopes scrutant l`univers, mon travail suggère l’exploration de l’espace, tandis que les têtes à deux ou plusieurs profils suggèrent la complémentarité des contraires, des divisions psychologiques, unis dans l`unité de la conscience. La communication à travers l`espace et le temps est ce que je cherche à exprimer, reliant les idées du passé avec celles de l`avenir. Le visage humain est le symbole que j`utilise. Explorer des formes pour répondre à mon idée, je trouve que j`ai découvert toutes sortes de formes ... Un visage peut être un univers.
Lot 69
RIDA VETRO "Tricot". Pièce unique, 2007. Elégante commode à structure parallélépipédique en bois gainé de miroirs en verre teinté, elle ouvre en façade par six tiroirs animés d`une succession de prises annulaires en cristal transparent formant composition géométrique à effet de maille. Pieds tournés en bronze doré. Estampillé à chaud. A "Tricot" wooden cabinet covered in coloured glass mirrors with six drawers, the front decorated with crystal-glass handles. The legs in gilded bronze. A unique piece, 2007. Stamped. Haut. 91,5 cm - Larg. 107 cm - Prof. 46 cm - Height. 36 in. - Width. 42 1/8 in. - 18 1/8 in.
Lot 1033
A Bronze Ormolu and Marble Striking Mantel Clock, early 19th century, surmounted with an enrobed maiden flanked by goats and winged cherubs to the base, later 5-inch enamel dial with Arabic numerals, twin fusee movement with verge escapement and striking on a bell, strike/silent selection, floral engraved borders to the backplate, 50cm by 38cm 30.05.13, Case with fading to the ormolu surfaces throughout, goats with rubbing to the surfaces, base with chips to the marble edges and the beaded applied metal work is loose, the drum shaped case sides which holds the clock movement has some extra vacant holes to the sides and possibly due to this the movement could have been later added into this case, later added dial to the movement, dial plate and movement front plate with extra vacant holes, movement needs cleaning, clock is fully wound at present and not striking, movement needs servicing.
Lot 1039
A French Impressive Gilt Bronze and Marble Striking Mantel Clock Garniture, early 20th century, bronze figure of a young boy holding a bird cage, marble bases with laurel leaf borders, 5-1/2-inch enamel dial with Roman and Arabic numerals and inscribed Leveque A Paris, twin barrel movement striking on a bell, backplate stamped Marti 1900, 54cm by 52cm, with a pair of figural gilt bronze and marble four-light candelabra, 71cm high 24.05.13, Case with the gilding faded, some slight rubbing to the bronze figure, marble base with some minor chips to the edges, dial with hairline cracks and is dirty, one screw is broken below the bezel, movement needs cleaning, pendulum missing, garniture with some slight rubbing to the figures and small chips to the edges of the marble bases, gilding faded.
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