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Lot 830
KLEINER RIPPENMÖRSER MIT MASKARONS. Technik: Bronze. Maße: H.11cm, ø12cm. Zustand B/C. Provenienz:Sammlung Horst Jouy. KunstkammerSonderregelungen Art & Interior ART & INTERIOR Erläuterungen zum Katalog Erfragen Sie hier einen Zustandsbericht oder setzen Sie sich mit unseren Experten in Verbindung: antik@van-ham.com
Lot 939
DURGA BESIEGT DEN DÄMON MAHISHASURA. Herkunft: Nepal. Technik: Alte hinduistische Figur. Kupferlegierung. Kaltgold- und polychrome Bemalung. Beschreibung: Aureole und Dämon separat gefertigt und abnehmbar. Maße: 1946g. H.17cm. Zustand A/B. Provenienz:Norddeutsche Privatsammlung. Asiatika - Buddistische Kunst Hinduistische Kunst Bronze NepalSonderregelungen Art & Interior ART & INTERIOR Erläuterungen zum Katalog Erfragen Sie hier einen Zustandsbericht oder setzen Sie sich mit unseren Experten in Verbindung: antik@van-ham.com
Lot 1236
TÄNZERIN MIT TAUBEN. Lormier, Jean. Datierung: 20. Jh. Material: Bronze, partiell patiniert. Marmorsockel. Maße: Höhe inkl. Sockel 37cm. Marke: Am Rocksaum bez. "J. Lormier". Jean Lormier Frankreich Jugendstil / Art Déco 20. Jahrhundert Art Deco FigurErläuterungen zum KatalogErfragen Sie hier einen Zustandsbericht oder setzen Sie sich mit unseren Experten in Verbindung: antik@van-ham.com
Lot 915
PAAR GROßE KAMINBÖCKE MIT MUSIZIERENDEN AMORETTEN STYLE LOUIS XV. Frankreich. Datierung: Ende 19.Jh. Technik: Bronze vergoldet. Rückseitig Eisenstege. Maße: 35x33x22cm. Zustand C. Frankreich Einrichtungen und Dekorationen 19./20. Jahrhundert Kaminböcke Bronze vergoldetSonderregelungen Art & Interior ART & INTERIOR Erläuterungen zum Katalog Erfragen Sie hier einen Zustandsbericht oder setzen Sie sich mit unseren Experten in Verbindung: antik@van-ham.com
Lot 820
MÖRSER MIT EISERNEM KREUZ. Datierung: Datiert 1914. Technik: Bronze. Maße: H.15cm, ø13,5cm. Zustand B. Provenienz:Sammlung Horst Jouy. KunstkammerSonderregelungen Art & Interior ART & INTERIOR Erläuterungen zum Katalog Erfragen Sie hier einen Zustandsbericht oder setzen Sie sich mit unseren Experten in Verbindung: antik@van-ham.com
Lot 835
2 MÖRSER MIT DEKORAUFLAGEN BZW. KREUZWAPPEN. Technik: Bronze. Maße: H.12,2/14cm, ø16/17cm. Zustand B. Provenienz:Sammlung Horst Jouy. KunstkammerSonderregelungen Art & Interior ART & INTERIOR Erläuterungen zum Katalog Erfragen Sie hier einen Zustandsbericht oder setzen Sie sich mit unseren Experten in Verbindung: antik@van-ham.com
Lot 840
MÖRSER MIT GEKRÖNTEN WAPPEN. Technik: Bronze. Maße: H.8,5cm, ø11cm. Zustand B. Provenienz:Sammlung Horst Jouy. KunstkammerSonderregelungen Art & Interior ART & INTERIOR Erläuterungen zum Katalog Erfragen Sie hier einen Zustandsbericht oder setzen Sie sich mit unseren Experten in Verbindung: antik@van-ham.com
Lot 822
KUGELBRAND-MÖRSER. Technik: Bronze. Maße: H.10cm, ø12cm. Zustand B. Provenienz:Sammlung Horst Jouy. KunstkammerSonderregelungen Art & Interior ART & INTERIOR Erläuterungen zum Katalog Erfragen Sie hier einen Zustandsbericht oder setzen Sie sich mit unseren Experten in Verbindung: antik@van-ham.com
Lot 823
MÖRSER MIT DELPHINHENKELN UND SCHALENFÖRMIGER MÖRSER. Technik: Bronze/Messing. Maße: H.16/19,5cm, ø17,5/17cm. Zustand B/C. Provenienz:Sammlung Horst Jouy. KunstkammerSonderregelungen Art & Interior ART & INTERIOR Erläuterungen zum Katalog Erfragen Sie hier einen Zustandsbericht oder setzen Sie sich mit unseren Experten in Verbindung: antik@van-ham.com
Lot 816
DOPPELHENKEL-MÖRSER MIT WAPPEN. Datierung: Datiert 1574. Technik: Bronze. Maße: H.14,5cm, ø12,5cm. Zustand C. Provenienz:Sammlung Horst Jouy. KunstkammerSonderregelungen Art & Interior ART & INTERIOR Erläuterungen zum Katalog Erfragen Sie hier einen Zustandsbericht oder setzen Sie sich mit unseren Experten in Verbindung: antik@van-ham.com
Lot 1235
ART DECO LAMPE. Frankreich. Meister/Entwerfer: Entwurf M. Le Verrier. Material: Marmor, Bronze, Glas. Maße: H.43,5cm. Marke: Figur auf Rückseite bez. "M LeVerrier France". Zustand B. Elektrifiziert. Frankreich Jugendstil / Art DécoErläuterungen zum KatalogErfragen Sie hier einen Zustandsbericht oder setzen Sie sich mit unseren Experten in Verbindung: antik@van-ham.com
Lot 827
GOTISCHER EINHENKEL-MÖRSER. Technik: Bronze. Maße: H.17cm, ø14,5cm. Zustand B/C. Provenienz:Sammlung Horst Jouy. KunstkammerSonderregelungen Art & Interior ART & INTERIOR Erläuterungen zum Katalog Erfragen Sie hier einen Zustandsbericht oder setzen Sie sich mit unseren Experten in Verbindung: antik@van-ham.com
Lot 834
MÖRSER. Technik: Bronze. Maße: H.14cm, ø15cm. Marke: An der Wandung bezeichnet Daciano Colbachin. Padua. Zustand B. Provenienz:Sammlung Horst Jouy. KunstkammerSonderregelungen Art & Interior ART & INTERIOR Erläuterungen zum Katalog Erfragen Sie hier einen Zustandsbericht oder setzen Sie sich mit unseren Experten in Verbindung: antik@van-ham.com
Lot 919
PAAR VASEN MIT FESTONS. Frankreich. Technik: Porzellan mit kobaltblauem Fond, vergoldete Bronze. Maße: H.38cm. Marke: Gemarkt. Zustand A. Frankreich Einrichtungen und DekorationenErläuterungen zum KatalogErfragen Sie hier einen Zustandsbericht oder setzen Sie sich mit unseren Experten in Verbindung: antik@van-ham.com
Lot 922
PAAR SALIEREN MIT PUTTEN. Wohl Frankreich. Technik: Bleikristall, Metall versilbert, Bronze. Maße: H.17,5cm. Marke: Gemarkt "Baccarat". Zustand A/B. Wohl Frankreich Frankreich Einrichtungen und DekorationenErläuterungen zum KatalogErfragen Sie hier einen Zustandsbericht oder setzen Sie sich mit unseren Experten in Verbindung: antik@van-ham.com
Lot 28
MIGUEL BERROCAL (Villanueva de Algaidas, Málaga, 1933 - Antequera, Málaga, 2006)."Suite Almogávares", 1988.Folder composed of 6 engravings, copy 30/100.Hand signed and numbered.Measurements: 56 x 76 cm.Berrocal began his training at the School of Arts and Crafts in Madrid, as a pupil of Ángel Ferrant. He then went on to the San Fernando School of Fine Arts, where he was a pupil of Ramón Stolz. He complemented his training with work as a draughtsman in the studio of the architect Casto Fernández Shaw and as an assistant to various architects in Rome between 1952 and 1954. During his stay in Paris in 1955, he finally decided to devote himself to sculpture. His first works show the influence of Chillida, while at the same time denoting his preference for articulated and detachable forms in bronze. The difficulty involved in making each of his sculptures led him to decide to produce them in series. With this idea in mind, he produced two hundred copies of the sculpture "Maria de la O", for which he received the prize for sculpture at the Paris Biennale and which was later acquired by the MOMA in New York. In 1966 he settled permanently in Verona, and from 1968 he alternated his work between monumental and small-scale works. Together with several gallery owners, he founded the Società Multicétera, the first industry of small sculptures. He has exhibited in Italy, France, Germany, Spain and the United States, received the gold medal of the Bronze of Padua, the Grand Prize of Honour at the Brazil Biennial, and was named Knight of the Order of Arts and Letters by the French government. He has sculptures in public places in Korea, Bordeaux, Denmark and Switzerland, as well as in various places in Spain. He is represented in the Museums of Modern Art in New York and Paris, the Olympic Museum in Lausanne, the Kunsthalle in Hamburg, the Juan March Foundation in Madrid, the National Gallery in Rome and the Victoria & Albert Museum in London.
Lot 3
ANTONI CLAVÉ I SANMARTÍ (Barcelona, 1913 - Saint Tropez, France, 2005)."Le guettur", 1962.Patinated bronze, copy E.A.Signed and justified on the right side.Wooden base.Bibliography: Pierre Seghers "Clavé" Ed. Polígrafa, Barcelona 1971, reprod pg 173. Lluis Permanyer, "Clavé escultor", Ed. Polígrafa, Barcelona 1989, reprod pg 76-77.Size: 15,5 x 7,5 x 8 cm. + 8 cm. base.Antoni Clavé is one of the most important figures in Spanish contemporary art. Trained at the San Jordi School of Fine Arts in Barcelona, Clavé first devoted himself to advertising graphics, illustration and decorative arts. In 1936 he took an active part in the Civil War, joining the Republican ranks, which led him to go into exile in France at the end of the war. That same year, 1939, he exhibited the drawings he had made on the battlefields. He settled in Paris, where he met Vuillard, Bonnard and Picasso. He already enjoyed great international prestige at the time when he began to be recognised in Spain, with his exhibition at the Sala Gaspar in Barcelona in 1956. At the same time he produced illustrations for the work "Gargantua and Pantagruel", which led him to become familiar with medieval iconography. It was in the 1950s that he began his intense work in the world of ballet and theatre, achieving great fame in the world of international stage design. In 1952 he made the sets for the film "Hans Christian Andersen", by Charles Vidor, and was nominated for an Oscar award. In 1954 he abandoned set design to devote himself to painting. He was awarded prizes at the Hallimark in New York in 1948, at the Venice Biennale in 1954 and at the Tokyo International Biennale in 1957. In 1984 the Spanish state recognised his artistic value with the exhibition of more than one hundred of his works in the Spanish pavilion at the Venice Biennale. That same year he was awarded the Gold Medal of the Generalitat de Catalunya. Clavé's work can be found, among many others, in the Bilbao Fine Arts Museum, the Tate Gallery, the Museum of Modern Art in Paris, the British Museum in London, the Museum of Modern Art in Tokyo and the Reina Sofía Museum in Madrid.
Lot 72
RICHARD MACDONALD (USA,1946)."Season. Royal Ballet Series, London.Patinated bronze, copy 1/55.Signed and justified on the base.Measurements: 71,5 x 40 cm, 5 cm. base.Richard MacDonald, based in California, is known for his bronze sculptures and his association with Cirque Du Soleil. Trained in painting and illustration at the Art Center College of Design, MacDonald was successful as a commercial illustrator until a fire destroyed his studio in the late 1930s, along with the accumulated works of his career as a painter and illustrator. He then began sculpting in earnest and within ten years became one of the most widely collected figurative sculptors in the United States today. His work has been acquired for the permanent collections of companies such as AT&T, IBM and Anheuser-Busch, as well as notable private collections. His work has been described as "a tribute to the eloquence of the human form". He is an advocate of neorealism and figurative art, and has encouraged emerging and professional artists through annual international masters' workshops. For the 1996 Olympics, MacDonald created The Flair, a 26-foot-tall sculpture of a gymnast. As with all the monuments he has created, MacDonald designed the plaza on which The Flair sits, including a large reflecting pool and fountain. MacDonald has begun work on The Grand Coda, a memorial to Dame Ninette de Valois, founder of the Royal Ballet and the Royal Ballet School. The monument will be installed at White Lodge in Richmond Park, London, England, a historic royal retreat now home to the Royal Ballet School. This work in progress is currently being developed in the artist's studios in California and London.
Lot 86
ALFREDO SOSABRAVO (Sagua la Grande, Cuba, 1930)."Pajarera", April 2006.Oil and collage on canvas.Signed and dated in the lower left corner. Signed, dated and titled on the back.Enclosed certificate signed by the artist.Measurements: 76,5 x 64 cm; 95 x 82 cm (frame).His constant desire for improvement has made Alfredo Sosabravo one of the most original artists of the two-dimensional expressions of Cuban plastic art. Dedicated to painting, drawing, engraving and ceramics, Sosabravo trained at the Escuela Elemental de Artes Plásticas Aplicadas Anexa a la Academia de Artes Plásticas San Alejandro, in Havana, Cuba. He held his first major solo exhibition in 1967 with oil-collages and ceramics in Galería Habana. As a tribute to his meritorious work, he received in 1988 the "Alejo Carpentier" Medal, in 1994 the "Félix Varela" Order and in 1997 the National Prize of Plastic Arts, the highest award given in Cuba. In 2008, the National Museum of Havana included his work in the anthological exhibition Cuba: Art and History, which is presented at the Museum of Fine Arts in Montreal, Canada. The Instituto Cervantes in Vienna held an exhibition of his work, which included paintings and sculptures in glass and bronze. Throughout his career he has participated in numerous exhibitions both nationally and internationally. He is included in the exhibition of masters of the Second Salon of Contemporary Art, Havana. 1999. He presented an anthological exhibition on the occasion of the Premio Nacional de Artes Plásticas, Centro de Arte. The publishing house Letras Cubanas publishes the monographic book SOSABRAVO, Havana. 2000. Exhibited at the Galería La Acacia, in homage to his seventy years of life, 2003. Inaugurated a personal exhibition at the Castel Dellovo, Naples, Italy. 2004. Solo exhibition of his drawings and collages, La Acacia Gallery, Havana. 2005. Carried out Recent Paintings, National Museum of Fine Arts, Havana. 2006. Designed the curtain for the ballet Pictures at an Exhibition, choreographed by Alicia Alonso for the National Ballet of Cuba. 2008. In homage to his eightieth birthday, the Centro Hispanoamericano de Cultura, Havana, presented his most recent sculptures, paintings and ceramics, all made in workshops in Italy.
Lot 96
JULIO GONZÁLEZ PELLICER (Barcelona, 1876 - Arcueil, France, 1942)."Le bain", 1920.Pastel and charcoal on paper.Work certified on the back by Roberta González, daughter of the artist.Size: 24 x 16 cm; 42 x 34 cm (frame).Julio González is not only considered an important figure in the artistic panorama of the 20th century for his iron sculptures, but also for his excellent, although less known, facet as a draughtsman. González's drawings are inspired by the work of Pablo Picasso due to the relationship he had with the painter from Malaga, a collaboration that began in 1928 and culminated in the execution in wrought bronze of the sculpture "Femme au jardin". Thanks to his drawings it is possible to delve into the exciting world of González, with female figures captured with enormous skill and delicacy, or with the sketches prior to his iron sculptures, which demonstrate his exceptional and unlimited artistic capacity.Julio González was born into a family of goldsmiths, learning the trade as a child. He later studied Fine Arts at La Lonja in Barcelona. In 1900 he went with his family to Paris, where he frequented the artistic circles and was in contact with Picasso, Gargallo and Brancusi, among others. Around 1910 he began to work on embossed metal masks in a style marked by naturalistic and symbolist features and by a new conception of the human figure, with synthesised volumes and lines. During these years González began to take part in the Parisian salons, particularly the Autumn Salon, the Salon des Indépendants and the Salon of the National Society of Fine Arts. In 1920 he opened his own forge and two years later made his individual debut at the Povolovsky gallery in Paris. At the end of the 1920s he began to develop his first sculptures in wrought iron, a material that until then had been considered merely decorative. During the 1930s his work became more abstract and the first spatial constructions appeared. After a long list of participations in solo and group exhibitions such as the Spanish Art exhibition at the Jeu de Paume Museum (1936) and the Spanish Pavilion at the Universal Exhibition in Paris (1937), at the outbreak of the Second World War his work, as a result of the shortage of iron, focused on a new material, plaster, and on drawings with war themes. González is represented at the Centre Georges Pompidou in Paris, the Reina Sofía in Madrid, the IVAM in Valencia and the MoMA in New York, among many others.
Lot 1289
Paar klassizistischer Kaminböcke Frankreich, um 1810/20 Reich geziert mit Trophäenbündeln, Eckrosetten und Büste zwischen ornamentalen Blattranken, als Bekrönung je zwei vollplastische Feuerschalen auf Bocksbeinen mit Widderköpfen. Bronze, partiell braun patiniert. 25 x 28 x 38 cm.Bronzeskulptur, Kamingarnitur, Klassizismus
Lot 1292
Wandapplike Frankreich, A. 19. Jh. An runder Wandplatte die kugelförmige Halterung mit drei geschwungenen Leuchterarmen, Traufschalen und Einstecktüllen. Bronze, gegossen, fein ziseliert und vergoldet. 16 x 28 x 20 cm.Bronzeleuchter, Kerzenhalter, Kerzenleuchter, Ormolu, Wandlampe, Wandleuchter
Lot 229
A collection of vintage Keim of London and similar brooches and clips, all bronze and gilt finish, two pairs of signed Keim fish design cloak clips joined by a bead chain; a signed pair of dress clips with white detail; unsigned dancer and poodle with a similar finish; three signed shell clips; various ethnographic masks; other similar unsigned brooches and clips; Scottie dog, grapes and vine, elephant fur clip and others.
Lot 61
Bronze football medallion or plaque by C. Loudray, patinated and shaped, one of three sporting awards believed to have been issued in January 1919 to the Duke of Cornwall's Light Infantry, 70mm x 39mm, depicting a football game, marked C Loudray to front, the reverse not engraved, in original fitted case
Lot 346
A 5 shot 38 bore 1851 Adams self cocking percussion revolver with 1854 "improved" frame, 13½" overall, barrel 7½", the top flat engraved "DEANE ADAMS & DEANE, 30 KING WILLIAM ST, LONDON BRIDGE", London proved, the barrel and frame line engraved, the frame with scrolls and "ADAMS' PATENT No 13012R", the cylinder also engraved "No 13012R", with chequered walnut butt and engraved butt cap with hinged trap. GWO & C, well reblued overall; in its green baize lined fitted oak case, the lid escutcheon replaced with an Italian silver 5 lire coin, with trade label of "Edward London, 51 London Wall, London" and containing 1851 Registered Adams double cavity 38 bore bronze bullet mould, Dixon copper powder flask (spring AF), nipple key with pricker, turnscrew, cleaning rod, pewter oil bottle, small soft leather bag for Eley Bros copper caps for Adams Revolvers (worn), and key to the case. GC £2000-3000
Lot 345
A 5 shot 54 bore 1851 Adams self cocking percussion revolver with 1854 "improved" frame, safety bolt and arbor latch, 12" overall, barrel 6¼", the top flat engraved "DEANE ADAMS & DEANE, No 30 KING WILLIAM ST, LONDON BRIDGE", London proved, the barrel and frame line engraved, the frame with scrolls and "ADAMS' PATENT No 15202R", the cylinder also engraved "No 15202R", with chequered walnut butt and engraved butt cap with hinged trap. Near VGWO&C, retaining 90% of original finish; in its purple velvet lined fitted oak case, with circular brass lid escutcheon, containing 1851 Registered Adams double cavity 54 bore bronze bullet mould, Dixon copper powder flask (much original lacquer, spring AF), nipple key with pricker, turnscrew, cleaning rod, and pewter oil bottle. GC £2000-3000
Lot 338
An attractive pair of 48 bore percussion boxlock pocket pistols, by Peacock, London, 6" overall, turn off octagonal barrels 2" with fern tip engraved borders to muzzles, London proved, signed bronze frames engraved with foliate scrolls, with top safeties and hidden triggers, the rounded butts having rectangular silver escutcheons, finely engraved silver butt caps, and profusely inlaid with silver leaves, tendrils and whorls. GWO & C, the barrels and hammers retaining much original blued finish; in their fitted green baize lined walnut case with circular brass escutcheon, the lid having trade label of Westley Richards, London, containing 3 way red leather covered flask, barrel key, nipple key with pricker, turn screw, 40 bore pincer mould, and key to case. A nice clean set. £1200-1800
Lot 342
A 5 shot 54 bore Tranter self cocking percussion revolver, 11½" overall, barrel 6½", London proved, the frame engraved with scrolls and "No 4,147T", with Tranter marked 2nd type detachable rammer, and chequered walnut butt. GWO & C, retaining approximately 70% of original finish; in its green baize lined fitted mahogany case with circular brass lid escutcheon, containing a double cavity 54 bore bronze bullet mould, Dixon copper powder flask (retaining much original lacquer, no spring), nipple key, turn screw, cleaning rod, pewter oil bottle, tins for "Lubricating Bullets" and "Lubricating Composition", with printed labels, and tin for Eley percussion caps for "Tranter's Patent Revolvers", with printed labels. GC A nice complete set. £2000-2500
Lot 343
A 5 shot 38 bore Beaumont Adams DA percussion revolver, by Gasquoine & Dyson, Market Place, Manchester, 13" overall, barrel 7", the frame engraved "21356. Adams' Patent 37,157", the cylinder also numbered 37,157, London proved, the breech stamped "L.A.C.". GWO & near VGC, retaining 80% of original blued finish; in its fitted green baize lined oak case with circular escutcheon, the lid with trade label of Gasquoine & Dyson, containing Robt Adams marked 38 bore bronze mould, plain copper flask by Sykes with angled top, cleaning rod/bullet extractor, nipple key, turnscrew and pewter oil bottle. GC, the case lid slightly warped. £1500-2200
Lot 205
A bronze model of a male ballet dancer, modern, modelled in dance pose with arms outstretched, possibly after Tom Merrifield (born 1932, British), 20.5cm high, the plinth 26cm wide, 9cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and useSome variation to the patina and surface, some probably by design to simulate greater age and the piece posses. The bronze figure is slightly loose on the base and may need the screws tighteningPlease refer to additional images for visual reference to conditionThe measurements have been updated to our online catalogue this piece is: 20.5cm high, the plinth 26cm wide, 9cm deep Condition Report Disclaimer
Lot 242
After the antique, a bronze figure of the seated Mercury, late 19th century, inscribed with foundry mark 'Fonderia Sommer Napoli, 30cm highThis model is based on the discovery of the 1758 Roman model at the Herculaneum, the Greek original is likely to have been made in the third or fourth centuries. Giorgio Sommer together with the Chiurazi firm held the exclusive rights to produce bronze copies of sculpture discovered at Herculaneum. The Roman model is said to have been one of the most celebrated works discovered at the site during the 19th century. The sculpture was flown to Palermo for protection from the Napoleonic depredations (1798), then returning to the Palace of Portici (1816). For a similar model from Fonderia Sommer Napoli, see Christies Interiors, 23rd November, 2013Condition Report: Marks, knocks, scratches, abrasions consistent with age and useThe patina overall a black colour, this has areas of wear and scratching revealing the bronze beneath, notably to his right leg. There are also some patches of verdigris and other signs of oxidation and corrosion. the model is bolted to the base and where these meet internally there is rust but he is fixed solidly at time of report. Please refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 258
A pair of French gilt and patinated bronze models of the Borghese vase, late 19th century, of typical campana form cast with figural relief, each 32cm highCondition Report: Marks, knocks, scratches, abrasions consistent with age and useThere is discolouration and some pitting to the metal areas, also some polish deposits to some recessesThe urns screw to the socle - these joints have some rotational movement but not excessive, The marble with knocks and chips to the extremities, some discolouration and 'greying'. The underside of one base with some filler apparently to affix one side piece of marble to plinth.Please refer to additional images for visual reference to conditionAS catalogued these are each 32cm high, the bases are 14cm wide, 11cm deepCondition Report Disclaimer
Lot 524
A pair of French second Empire gilt metal and bronze four light candelabra, circa 1860, each with central stem above three scrolling branches, scrolling foliate bases, six later glass candle fitments, each 57.5cm high overallCondition Report: Height to top of column excluding section that holds arms is 37cm - see additional photograph with tape measure.Overall matt gilded with some polished gilding to the reeded column.There are traces of gilt paint to the underside suggesting that it is later in part or full.Some mottled dark spots with dust to the recesses.The detachable nozzles have some dents to them.The glass candle holders are later and do not fit in the nozzles.Some of the branches are at slightly different angles so that the nozzles are not at quite the same angle and level.Please see the additional photographs for a visual reference of condition.Condition Report Disclaimer
Lot 555
A 'Deci-Bell' (Jennings) one armed bandit, on first 5 new pence play, coin escalator, illuminated coin head, win line with mask and Tic Tic Toe totalisator, bronze Red Indian head above jackpot window, in chrome case, with US Patent numbers to rear, on a simulated rosewood veneered stand base, 153cm high overallCondition Report: The rear panel is locked with a specialist key which is present at Dreweatts. The inner workings have been inspected but Dreweatts have not and cannot test the action and workings and therefore cannot make any guarantees or comments as to playability or the amount of restoration work likely required to make it work. When opened there was one loose spring in the case - its origins are unknown.There is a cache of money in the lenticule but not clear way of retrieving this to play or test. There is also money 'stuck; in the upper window below the descriptive panel. The arm to the side does rotate a short way and return to the original positionThe case with marks, knocks, scratches, abrasions, the chrome uneven to the touch, there are also areas of pitting and loss to the surface, the money-in slot appears to have been taped over previously removing some of the surface. The wood effect areas of the case with various chips and losses and also to other areas.There is a large cache of old 5ps to the cash drawer to the base of the machinePlease see additional images for visual reference to condition, Dreweatts would strongly advise serious potential bidders view this piece in person to satisfy themselves as to the overall condition and originality of this item.Condition Report Disclaimer
Lot 342
*Peter Tereszczuk (Ukrainian-Austrian,1875-1963),a bronze and ivory figure of a jockey, standing with his hands in his pockets, on a square plinth, signed 'P Tereszczuk' and with monogram, 11.5cm high*Artist's Resale Right may apply to this lot.Condition report: With good patination - some rubbing to the patina on the hat, buttons,pocket fronts shoulders, back and the plinth.
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350105 item(s)/page