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Lot 218
A wooden sarcophagus shape tea caddy, applied brass floral motif to lid, on four bun feet, 12x19cm; a bronze model of a dog; a figure of Napoleon on horseback at Waterloo; three painted figures of late 19th and early 20th century soldiers; a resin model of St George and the Dragon; a barometer; and other collectables.Qty: 1 box
Lot 275
A lucky rabbit's foot, yellow metal mount and pin, marked 15ct; some scrap yellow metal pieces; two other metal mounted rabbits' feet; a silver gilt Scientific Lodge No. 88 jewel, with ribbon and applied 150th anniversary badge; a small silver Poetry Society medal; a niello brooch, marked Siam Silver; silver T-bar; envelope charm; earrings; other charms; bronze and other metal medals; buttons; US five cents coin, 1937; an Isaac Newton token, 1791; and other small items.Condition report:The mount on the largest paw is inscribed "B.O.H April 19th 1898". The mount on the other paw is engraved with thistles but no text.
Lot 385
Two 9 carat yellow gold photograph lockets; a trace link chain, bolt fastener marked 9ct; an emerald three stone ring, the stones pip set in 9 carat yellow gold mount ring size L; a paste set dress ring in 9 carat yellow gold; an opal and white stone ring, in unmarked yellow metal; a pair of blue stone earstuds, in 9 carat yellow gold, post and butterfly fittings; a 9 carat yellow gold with bronze core half-hinged bangle; an Ingersoll lady's wristwatch; a Cortebert lady's fob watch; a gilt metal chain; and a simulated pearl necklace.
Lot 645
Cast bronze bell, Taylor & Co, Loughborough, 1890, originally from St Hilda’s Church, Leicester, diameter 55cm, height 57cm, as found.Condition report:We guestimate the weight to be in the region of 200-250lbs. There are no evident cracks to the bell itself. There is no clapper. The two steel brackets are rusting and one of the bolts has perished.
Lot 181
A bronze oriental ornament of Immortals - 16cm high CONDITION REPORTCondition disclaimerOur team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention.
Lot 84
A bronze figure of deer and fawn - 15cm long, together with a bronzed bird ornament and small mythical beast CONDITION REPORTno visible signatureCondition disclaimerOur team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention.
Lot 948
Pierre Yves Tremoise (b. 1921) - A 20th century circa. 1980's bronze Florentine paperweight medal. The paperweight being etched with a nude male and female figure embracing with abstracted forms around them. Signed Tremois on the front, stamped BR FLOR with the Cornucopia mark for The Paris Mint (Monnaie De Paris). Measures 80mm diameter. Height 17mm. Total weight 878g. Overall good condition.
Lot 123
VIVIANE BRICKMANNE (Belgium, 1957)."Small Egyptian head".Patinated bronze. Exemplary 2/25Signed on the lower back.Measurements: 22 x 16 x 9 cm.Of Belgian origin, Viviane Brickmanne, lives and works in Madrid. She graduated in Philosophy and Letters at the University of Louvain. In fact, this classical, literary and poetic training was a conceptual influence in her first figurative sculpture. In which the concept of air and space was a premise that he later developed in his winged figures and in works of a more abstract nature where ascending lines always prevail. This content can also be seen in his "Mutants" sculptures, which represent stylised young women trying to escape from the earth and take flight towards an unattainable freedom, as their metallic or vegetable wings keep them anchored to the ground. Underlying these works is the idea of fragility and disintegration. He has worked with different techniques, among which bronze stands out. Aluminium and brick where he sometimes incorporates leaves or decomposing pomegranates. Thus counterposing an organic element with a manufactured one, and at the same time the concept of the feminine with the masculine.Brickmanne began her exhibition career in 2003, participating in various group exhibitions. Since then she has participated in several national and international exhibitions, both as a group and solo artist, including group exhibitions at AAF New York in 2013, Art Santa Fe, Gaudi Gallery in South Korea, AAF Hamburg in 2014, Feriarte in 2017, SumArte at the Ateneo de Madrid in 2018 and Studio Lisboa in Portugal in 2018, among others. Individually she has shown her work at the Belgian pavilion in Zaragoza in 2008, at the Atalante gallery in Madrid in 2011 and at the Hotel Hisperia in 2017. She has been awarded several prizes in recognition of her work, including the trophy for the Plus es más awards, Bayard editions, the Cara al viento prize from the Belgian and Luxembourg Chamber of Commerce in Spain and the Spanish-Dutch forum, and the First Primavera Sculpture Prize from the International Association for the Arts. His works have also been published in the magazine Plaform Prees, April 2000, the magazine Plus es mas in 2012 and the project on conservation of contemporary sculpture. Study of the sculpture Eurydice for the Faculty of Fine Arts, Complutense University of Madrid. 2014.
Lot 42
CARLOS MATA (Palma de Mallorca, 1949 - Barcelona, 2008)."Kyros Horse".Patinated bronze, copy 219/275 CE.Signed and justified.Size: 38 x 30 x 9 cm.In this sculpture Mata works with the basic forms that were constant in his work: objects, people and animals reduced to their essence and silhouettes of pure lines. It is precisely this purity that makes the warmth of the texture of the bronze shine even more brightly, competing in prominence with the shape of the piece itself. Mata's production includes stylised and elegant figures of horses and bulls, inspired by his childhood and youth. Mata chooses materials such as iron or bronze for many reasons, among them the plasticity he demonstrates in adapting to the original hand-worked model, reflecting the warmth of manual work with its arid, irregular, rough surfaces, which invite one to touch, and also with its fluid, smooth, rounded-edged crevices.A sculptor, painter and engraver, Carlos Mata studied Fine Arts in Barcelona and Paris, cities between which he has shared his residence since his formative years. He held his first solo exhibition at the Canalls gallery in Sant Cugat del Vallés in 1976, and this first exhibition was followed by others in Barcelona, France and Germany. His most recent exhibitions include those held at the Kreisler gallery in Madrid, Casal Soleric in Palma and Can Marc in Girona. His sculptures in unpolished cast iron take advantage of their austere and rough qualities in figurative stylisations of a certain primitivism and archaeological evocation, generally taking animals, such as bulls or horses, as their subject. The same schematic intention can be seen in his painting, of a neo-figurative, planist type with a contained and reduced chromatic range.
Lot 409
A Napoleon III garnitureComprising of clock and pair of five branch candelabraGilt and patinated bronzeClock surmounted by sculpture depicting a writerGilt bronze dial of Roman numberingCandelabra of reliefs decoration with snakes, putti and foliage motifsFrance, 19th century(untested movement, signs of wear) Height: 68 cm (candelabra)60x39x21 cm
Lot 418
A pair of thirteen branches candelabraEach comprising of a gilt bronze mounted cloisonne vase on a rouge griotte marble standVases of polychrome decoration with flowers and butterfliesMounts of reliefs decoration with griffins and foliage motifsAttributable to F. BarbedienneFrance, 19th centuryHeight: 100 cmDiam.: 44 cm
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