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Lot 649
Linda Brunker, Irish b. 1966, `Foliose`, bronze, figure with foliage, PROVENANCE: Bought directly from the artist. Linda Brunker was born in Dublin in 1966. She studied at the National College of Art & Design between 1983-1988. She has done several large commissions including `The People`s Counsil`, City Hall, Laguna Beach 2006, `Signal`, commissioned by RTE in Dublin 1996 and many others. Her works are in various collections worldwide and she has had many solo and group exhibitions. She emigrated to the USA in 2005. At an early point in her career she began to develop what she terms an `open filigree` technique of casting in bronze, a practice which has set apart her style and which challenges the traditional concept of bronze figurative sculpture. Her sculptures are typically based on the human form and have a strong spiritual and ecological quality. Natural elements such as leaves, feathers or starfish feature in abundance in her work and are intricately woven together to give shape to elegant figures which are later cast in bronze. The first version of foliose is in the Allied Irish Bank collection. Her work has been in such demand in North America, that in 2007 she opened her own gallery in Los Angeles where her sculpture and drawings form part of an ongoing exhibition. See www.lindabrunker.com 13 x 40 x 21in. (33.02 x 101.60 x 53.34cm)
Lot 650
Linda Brunker, Irish b. 1966, `Homeward`, signed with initials and numbered 4/9, bronze, 12" high, not including square marble base, PROVENANCE: Bought directly from the artist. Linda Brunker was born in Dublin in 1966. She studied at the National College of Art & Design between 1983-1988. She has done several large commissions including `The People`s Counsil`, City Hall, Laguna Beach 2006, `Signal`, commissioned by RTE in Dublin 1996 and many others. Her works are in various collections worldwide and she has had many solo and group exhibitions. She emigrated to the USA in 2005. At an early point in her career she began to develop what she terms an `open filigree` technique of casting in bronze, a practice which has set apart her style and which challenges the traditional concept of bronze figurative sculpture. Her sculptures are typically based on the human form and have a strong spiritual and ecological quality. Natural elements such as leaves, feathers or starfish feature in abundance in her work and are intricately woven together to give shape to elegant figures which are later cast in bronze. The first version of foliose is in the Allied Irish Bank collection. Her work has been in such demand in North America, that in 2007 she opened her own gallery in Los Angeles where her sculpture and drawings form part of an ongoing exhibition. See www.lindabrunker.com
Lot 651
Linda Brunker, Irish b. 1966, `A Wave Forming`, signed with initials and dated 1996, bronze, marked AP/1, 12" high not including oval marble base, PROVENANCE: Bought directly from the artist. Linda Brunker was born in Dublin in 1966. She studied at the National College of Art & Design between 1983-1988. She has done several large commissions including `The People`s Counsil`, City Hall, Laguna Beach 2006, `Signal`, commissioned by RTE in Dublin 1996 and many others. Her works are in various collections worldwide and she has had many solo and group exhibitions. She emigrated to the USA in 2005. At an early point in her career she began to develop what she terms an `open filigree` technique of casting in bronze, a practice which has set apart her style and which challenges the traditional concept of bronze figurative sculpture. Her sculptures are typically based on the human form and have a strong spiritual and ecological quality. Natural elements such as leaves, feathers or starfish feature in abundance in her work and are intricately woven together to give shape to elegant figures which are later cast in bronze. The first version of foliose is in the Allied Irish Bank collection. Her work has been in such demand in North America, that in 2007 she opened her own gallery in Los Angeles where her sculpture and drawings form part of an ongoing exhibition. See www.lindabrunker.com
Lot 652
Linda Brunker, Irish b. 1966, `Resting Oak Dryad`, signed with initials and marked 3/9, bronze, 9.5" high not including square marble base, PROVENANCE: Bought directly from the artist. Linda Brunker was born in Dublin in 1966. She studied at the National College of Art & Design between 1983-1988. She has done several large commissions including `The People`s Counsil`, City Hall, Laguna Beach 2006, `Signal`, commissioned by RTE in Dublin 1996 and many others. Her works are in various collections worldwide and she has had many solo and group exhibitions. She emigrated to the USA in 2005. At an early point in her career she began to develop what she terms an `open filigree` technique of casting in bronze, a practice which has set apart her style and which challenges the traditional concept of bronze figurative sculpture. Her sculptures are typically based on the human form and have a strong spiritual and ecological quality. Natural elements such as leaves, feathers or starfish feature in abundance in her work and are intricately woven together to give shape to elegant figures which are later cast in bronze. The first version of foliose is in the Allied Irish Bank collection. Her work has been in such demand in North America, that in 2007 she opened her own gallery in Los Angeles where her sculpture and drawings form part of an ongoing exhibition. See www.lindabrunker.com
Lot 653
Linda Brunker, Irish b. 1966, `Siren`, titled, signed and dated 1997, bronze, 11.25" high, PROVENANCE: Bought directly from the artist. Linda Brunker was born in Dublin in 1966. She studied at the National College of Art & Design between 1983-1988. She has done several large commissions including `The People`s Counsil`, City Hall, Laguna Beach 2006, `Signal`, commissioned by RTE in Dublin 1996 and many others. Her works are in various collections worldwide and she has had many solo and group exhibitions. She emigrated to the USA in 2005. At an early point in her career she began to develop what she terms an `open filigree` technique of casting in bronze, a practice which has set apart her style and which challenges the traditional concept of bronze figurative sculpture. Her sculptures are typically based on the human form and have a strong spiritual and ecological quality. Natural elements such as leaves, feathers or starfish feature in abundance in her work and are intricately woven together to give shape to elegant figures which are later cast in bronze. The first version of foliose is in the Allied Irish Bank collection. Her work has been in such demand in North America, that in 2007 she opened her own gallery in Los Angeles where her sculpture and drawings form part of an ongoing exhibition. See www.lindabrunker.com
Lot 26
A pair of Continental bronze candlesticks, probably Spanish or Dutch, early 18th century, each with stiff leaf cast socket, knopped and foliate cast stem, spreading socle and square base, on four bun feet, 14cm high (possibly lacking some stem elements). Visit www.dnfa.com for condition reports.
Lot 207
A 19TH CENTURY GILT BRONZE OPEN FRAME MANTEL CLOCK, the drum movement surmounted by a pensive figure and supported on ornate columns, the swept platform base with applied animals and engraved foliate decoration standing on griffin feet. White enamel dial with Roman and Arabic numerals, sunburst pendulum to the French brass movement which strikes on one bell. 16.5" High
Lot 128
A Group of Three to Able Seaman J. S. Rice, Royal Navy, Ashantee 1873-74, one clasp Coomassie (J.S. Rice, A.B, H.M.S., Active, 73-74, Egypt 1882-89, one clasp Suakin 1885 (J.S. Rice, Gunr R.N. H.M.S. Condor.), Khedive`s Star1882, unnamed as issued, generally very fine, together with photographs of recipient and related paperwork. 60. Rice, J.S., entered July, 1867, Excellent; Ariadne, 1868, commissioned for use of Prince and Princess in Mediterranean; Ocean, China, 1869-72; Active 1873-77; landed with naval brigade, Ashantee war, and present at capture of Borborassie and Becquah, battles of Amoaful and Ordasee and capture of Coomassie (Ashantee medal, Coomassie clasp) ; Congo expedition against pirates 1875, and selected to land with party of 12 officers at Whydah, for palaver with nativechiefs, during blockade of Dahomeyan coast; recommended for early advancement for steady conduct when employed on board supply , that vessel having fallen on broadside off patent slip, Simon`s Town, September, 1874; rated Chief gunner`s mate, April, 1877, Admiralty Order, for good service in Active; employed in raising wreck of Eurydice, and while so engaged, promoted to rank of gunner, July 1878; Moorhen, China, 1879-83; Condor, 1884-87, during naval and military operations in Eastern Soudan, and suppression of slavery in Red Sea (Egyptian medal, Suakin clasp, Khedive`s bronze star); navigating officer of Spey. Naval manoeuvres, 1889, was the means of saving the lives of a boat`s crew, the boat having capsized in a squall off South Queensferry, and was overboard for nearly half-an-hour, in heavy sea, supportinga marine, who was fully dressed and unable to swim (vide Our Gazette, October and December, 1889; United Service Gazette, 16th November, 1889; and Admiralty and Horse Guards` Gazette, 23rd November, 1889) 1889-93 Experimental Gunner, "Excellent". 1893-95 "Royal Arthur", Pacific; Retired August 95. "Warrant Officers Annual. 1895". We have great pleasure in recording an act of bravery which took place under the following circumstances:- During the late naval manoeuvres Lieut. Commander C. F. Foley, of the gun-boat Spey, one of the vessels of G Squadron, had occasion, when the wind was blowing with a force which was logged at seven, to send his gig two miles away for despatches under the command of Mr. John S. Rice, gunner, and crew, taking with them as passenger a private of the Royal Marines. The gig, after proceeding a short way, was caught in a heavy squall and capsized. All the crew except the Marine were able to swim, and he would unquestionably have been drowned but for the gallant conduct of Mr. Rice and J. D. Simmonds, A. B., who at the peril of their own lives, relinquished hold of the upturned boat to which they were clinging, and swam towards the Marine and supported him between them for nearly half an hour in a very rough sea, until assistance arrived. The three men were picked up much exhausted after their long immersion, but soon recovered. We hope that this gallant act will not pass unrewarded, and, as we are informed that the circumstances have been reported to the commander of the G Squadron, that he will bring the gallant conduct of Mr. Rice and the seaman Simmonds under the notice of Admiralty. We trust also that the matter will be brought to the notice of the Royal Humane Society, as it seems to be the case clearly deserving their recognition. "United Services Gazette 16.11.89" The Spey`s Life-Saving Case Sir, - Your very plain-spoken paragraph in the last issue of your journal re the case of gallantry on the part of Mr. J.S. Rice, Gunner and J. Simmonds, A.B., has been read with much interest by your numerous naval readers. It seems incrediable in the present year of grace, with newspaper correspondents on every hand, that such humane and plucky conduct should have been so completely hushed up, or that in such a small craft as the Spey, where the exertions made by these two brave fellows must have been notorious, Lieut. Com. Foley should have failed to report the matter with the object of obtaining some recognition of the exertions of. the officer and man, who did honour to his command. Capt. Markham, however- whose character for fairness is well known- will doubtless act on your initiative, and cause some report to be made of the transaction. And as every officer and man in that ship - and others in company - have been anxiously watching to notice the reward, your article calling attention to the matter has given great satisfaction. - I am, &c., H.:23.11.89 - Admiralty and Horse Guards Gazette: Visit www.dnfa.com for condition reports
Lot 138
A Great War Bronze Memorial Plaque (Michael Carroll), with card envelope of issue. Three Private Michael Carroll`s are listed with the Commonwealth War Graves Commission, all three were killed late 1914, serving with Irish Regiments. (i) 6371, 2nd Bn., Royal Munster Fusiliers, d. 21/12/1914, Remembered with honour at Le Touret Memorial (ii) 6627, 2nd Bn., Royal Irish Regiment, d. 21/10,1914, Remembered with honour at Le Touret Memorial (iii) 6299, 2nd Bn. Leinster Regiment, d. 17/11/1914, Remembered with honour at Ploegsteert Memorial. Visit www.dnfa.com for condition reports
Lot 351
An early 19th Century bronze table oil lamp probably by Hancock & Rickson, the urn shaped reservoir with a shaped dummy spout supported by a figure of a mythical beast with bold floral and leaf capped body, leaf scroll column and bold leaf scroll circular base, and with conforming patent burner, 16ins high (circa 1830 - apparently unmarked)
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349674 item(s)/page