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Lot 327
Rene-Paul Marquet (1875 – 1939), a patinated bronze and ivory figure of a young courtier, holding a plumed feather hat, in embroidered court jacket, signed Marquet, numbered 7967, on an onyx plinth, 28.3cmCondition report: The left hand ivory fingers tips are chipped and cracked and the thumb is missing. A small chip to the front top right corner of the onyx base.
Lot 409
A Tiffany & Co moulded glass and gilt bronze mounted standard lamp, the sepia coloured pleated glass shade above a green to yellow glass column, on a reeded gilt metal stand and triangular base with foliate scrolling feet, stamped ‘Tiffany Studios, New York, 1927’, 160cm.Condition report: Established chips to the lower end of the glass column, where it meets the metal (see photo). Possibly re-gilded recently. No chips or cracks to the shade.
Lot 482
A bronze portrait plaque of HM King Edward VIII, inscribed 'Edward VIII, King-Emperor 1937' unsigned, head left, produced to commemorate the planned coronation of 1937. Together with a composite portrait bust of HM Queen Victoria after the model by Sir Joseph Edgar Boehm R.A. (Austrian 1834-1890) celebrating the Golden Jubilee of 1887. The roundell: 26.5cm diameter, the bust 29 cm high.Qty: 2
Lot 56
A Sino Tibetan patinated bronze figure of green Tara seated on a double lotus socle with hands in the green Tara mudra with one leg extending forward from her seated position. 11.5 cm wide x 21 cm high. Together with an Indian bronze figure of Indra seated on a lotus socle. 12 cm wide 17 cm highQty: 2Condition report: No apparent major defects
Lot 1012
Messing. Sechsarmige Göttin in der Geste der Wunschgewährung (Varada Mudra) sitzend. In ihren anderen Händen hält sie ein Flammengefäß, einen Wedel, einen Keil, eine Flamme u. eine Gebetskette. Indien, 19. Jh. H. 12 cm. Yamuna. Messing. Auf einer Schildkröte sitzende Göttin mit Dreizack u. Zepter. Indien, 19. Jh. H. 12,5 cm. Tanzende Gottheit. Bronze. Vierarmiger Gott, in tanzender Haltung auf einem Büffel stehend, eine Trommel u. eine Lotusblüte haltend. Indien, 19. Jh. H. 19 cm.
Lot 1014
Messing. Der vierarmige Elefantengott ist tanzend dargestellt, sein rechtes Bein steht auf einer Ratte. In seinen Händen hält er eine Schale, eine Axt und eine Gebetskette, die vierte Hand zeigt eine trostspendende Mudra. Eine Priesterin reicht ihm eine Frucht, die er mit seinem Rüssel greift. Indien, 19. Jh. H. 14 cm. Bronze. Der vierarmige Elefantengott auf einem Thron sitzend. Indien. H. 17 cm.
Lot 129
Leon Underwood (British, 1890-1975)Father and Son bronze with a dark brown patina33.5cm (13 3/16in) longConceived in 1963, from the edition of 7Footnotes:ProvenanceThe Artist, and thence by family descentPrivate Collection, U.K.ExhibitedLondon, Royal Academy, Summer Exhibition, 7 May-14 August 1966, no. 1466 (another cast)London, Marlborough Fine Art, Helen Lessore and the Beaux Arts Gallery, February 1968, no. 56 (another cast)Colchester, Minories, Leon Underwood: A Retrospective Exhibition, 9 August-10 September 1969, no. 83 (another cast)London, Archer Gallery, Leon Underwood, Michael Aram, Georges Brunon, 30 October-29 November 1969, no. 57 (another cast)LiteratureB. Whitworth, The Sculpture of Leon Underwood, Hampshire, 2000, p. 143, no. 225, illustrated on p. 143 (another cast)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 130
Leon Underwood (British, 1890-1975)The Fledgling bronze with a light gold patina22.5cm (8 7/8in) high, excluding baseConceived in 1960, from the edition of 7Footnotes:ProvenanceThe Artist, and thence by family descentPrivate Collection, U.K.ExhibitedLondon, Kaplan, An Exhibition of Sculpture by Leon Underwood, 2 March 1961, no.4 (another cast)New York, NM Acquavella Galleries, The Artist Serves the Church, 1962, no. 18 (another cast)London, Kaplan Gallery, Sculpture by Leon Underwood, 24 April-18 May 1963, no. 21 (another cast)London, Upper Grosvenor Gallery, September 1963 (another cast, details untraced)Colchester, Minories, Leon Underwood: A Retrospective Exhibition, 9 August-10 September 1969, no. 61 (another cast)London, Archer Gallery, Leon Underwood, Michael Aram, Georges Brunon, 30 October-29 November 1969, no. 53 (another cast)LiteratureB. Whitworth, The Sculpture of Leon Underwood, Hampshire, 2000, pp. 107, 140, no. 190, fig. 88, illustrated on p. 107This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 132
Leon Underwood (British, 1890-1975)The Archaeologist signed, numbered and dated 'Leon U./III/VII '62' (on base)bronze with a dark brown patina34.5cm (13 9/16in) high, excluding baseFootnotes:ProvenanceThe Artist, and thence by family descentPrivate Collection, U.K.ExhibitedNew York, NM Acquavella Galleries, The Artist Serves the Church, 1962, no. 25 (another cast)London, Kaplan Gallery, Sculpture by Leon Underwood, 24 April-18 May 1963, no. 4 (another cast)Colchester, Minories, Leon Underwood: A Retrospective Exhibition, 9 August-10 September 1969, no.75 (another cast)London, Archer Gallery, Leon Underwood, Michael Aram, Georges Brunon, 30 October-29 November 1969, no. 67 (another cast)Chichester, Pallant House Gallery, Leon Underwood: Figure and Rhythm, 7 March-14 June 2015LiteratureB. Whitworth, The Sculpture of Leon Underwood, Hampshire, 2000, pp. 96, 108, 141, no. 210, fig. 75, illustrated on p. 96 (another cast)S. Martin, Leon Underwood: Figure and Rhythm, Pallant House Gallery, Chichester, 2015, pp. 89, 123, fig. 119, illustrated on p. 89 (another cast)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 133
Sir Jacob Epstein (British, 1880-1959)Olive bronze with a dark brown patina32.5cm (12 13/16in) high, excluding baseConceived in 1934Footnotes:ProvenanceAcquired by the family of the present owner circa the mid-1990s, and thence by descentPrivate Collection, U.K.ExhibitedLondon, Leicester Galleries, Carving and Bronzes by Jacob Epstein, March-April 1935, no. 13, illustrated (another cast)LiteratureRichard Buckle, Jacob Epstein Sculptor, Faber & Faber, London, 1962, pl. 329, illustrated on p. 214 (another cast)E. Silber, The Sculpture of Jacob Epstein with a Complete Catalogue, Phaidon Press Limited, Oxford, 1986, no. 250, illustrated on p. 177 (another cast)B.A. and E.P. Schinman (ed.), Jacob Epstein. A Catalogue of the Collection of Edward P. Schinman, Fairleigh Dickinson University Press, Rutherford, p. 51, illustrated (another cast)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 161
Michael Ayrton (British, 1921-1975)Night Landscape oil on board24 x 35.5cm (9 7/16 x 14in).Footnotes:ProvenanceWith Matthiesen Gallery, London, where acquired by the family of the present owner, December 1962, and thence by descentPrivate Collection, U.K.Night Landscape is part of a series of works on this theme which Ayrton painted during the early 1960s, inspired by his visits to Greece and his developing exploration of the legendary flight of Daedalus and his son Icarus out of the Cretan labyrinth built by Daedalus to house the Minotaur. Icarus flew too close to the sun, which destroyed his wings so that he fell into the sea and drowned; Daedalus survived and landed at Cumae, near Naples. This legend, and the associated story of the Minotaur, obsessed Ayrton for almost twenty years, resulting in some of his most powerful works in sculpture and painting, as well as two novels and a full-scale labyrinth in America. At one level the Night paintings record his fascination with the Greek landscape itself, especially Delos and the Cycladic islands; they are also part of his developing vision of the reality of the flight, of which he wrote in his novel, The Maze Maker, a fictionalised autobiography of Daedalus himself. Daedalus recalls nightfall on the wing after their escape:'The night came up, dredged from the sea and filled with gathering cloud. I looked down and saw the sea scuffed with breakers, ruffled and leaden ... I knew and feared the trap and end of night [and] I felt it closing in on me ...Far below I saw the seal-backed shapes of islands sleeping under me. There will be nothing remarkable in this to you, but it was new to me ... I saw how islands chanced above the surface and where, but for a fathom or so, there would have been other islands and I recognised the disorder of the earth's surface poured on its core in a flow like bronze escaped from the kiln and spreading, cooled and wrinkled on the ground.'The colours of the landform in the present lot are very much those of liquid and cooling bronze, insofar as paint can render them, and the vastness of the night sky reflects the horror felt by Daedalus flying through the dark. The Night paintings were important to Ayrton, both as a celebration of his love of Greece and its spectacular interpenetration of land and sea and as a vital visual tool extending his understanding of this ancient myth in practical as well as legendary terms.We are grateful to Dr Justine Hopkins and the Ayrton Estate for their assistance in cataloguing this lot and for compiling this catalogue entry.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 162
Michael Ayrton (British, 1921-1975)Return numbered '5/9' (to reverse)bronze with a dark brown patina22.5cm (8 7/8in) longConceived in 1969Footnotes:ExhibitedLondon, Thomas Agnew & Sons, Michael Ayrton: Paintings, Drawings and Sculpture, March-April 1984, no.37 (another cast)LiteratureP. Cannon-Brookes, Michael Ayrton: An Illustrated Commentary, Birmingham Museums and Art Gallery, 1978, no. 194, illustrated on p. 108 (another cast)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 163
Michael Ayrton (British, 1921-1975)Icarus Fledged numbered '7/12' (on side of base)bronze with dark brown patina18cm (7 1/16in) highThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 248
John Rattenbury Skeaping R.A. (British, 1901-1980)Lucky Boy signed, dated and inscribed 'JOHN SKEAPING 76/AP' (on base)bronze with a dark brown patina48cm (18 7/8in) longThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 94
Arman (French, 1928-2005)Violon Spirale Multiple, 2001-02, bronze violin with gilt patina, incised with the artist's signature and numbered 'XX/XXX', a proof aside from the numbered edition of 100, with granite base, 730 x 200 x 200mm (28 3/4 x 7 7/8 x 7 7/8in)(overall)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 288
A Beswick model of a cockatoo, a pair or bronze glazed ewers decorated with figures amongst foliage, a pair of soapstone oriental figures, a blue and white transfer printed rose bowl, a Mintons "Rotique" pattern fruit bowl, a brown glazed teapot modelled in the form of tree bark, A Doulton Lambeth Dewars Whisky water jug, a flashed amber and vase with white trail decoration etc Condition Report: Available upon request
Lot 811
A lot comprising a WW1 group of two to 55108 Pte. F Anderson HLI with his bronze Memorial Plaque, A group of two to 2252 J Nicol AB RNVR, two Victory Medals to 55106 Pte. E Anderson HLI & 52296 H Arnold AB RN, a naval armband,a Polish eagle plaque, a Mauchline tartanware box, a bundle of foreign banknotes and a piece of Clydebank blitz shrapnel. Condition Report: Available upon request
Lot 258
Paar große 6-flammige Leuchter/Girandolen, Napoleon III., feuervergoldete Bronze, Stand mit drei eingerollten Akanthusblättern auf zwei Ebenen, schlanke leicht konische "grigio carnico" Marmor Schäfte, 6-flammige Girandolen, alle Tüllen vorhanden, Frankreich 19. Jahrhundert, H 66cm, in sehr gutem altersgemäßem Zustand
Lot 320
A World War I bronze Death plaque, issued to James Milne, together with a Princess Mary brass tin and bullet pencil, with letters, a Canal Zone Medal issued to 22867948 GDSM K H Milne SG, two World War II medals including the War Medal and The Defence medal, A 1935 rocking horse crown, other crowns and coins
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