FRENCH ROMAN REVIVAL GILT BRONZE, SLATE, MARBLE AND PORCELAIN MANTEL CLOCK 19TH CENTURY the black slate dial with gilt Roman numerals and a rouge marble centre, flanked and supported by enamelled terms, on a rectangular base set with a porcelain plaque painted with a scene of Chronos being pulled by putti, on short bun feet; the eight-day movement striking a bell, indistinctly stamped '***RSANT F**/ PARISDimensions:35.5cm wide, 54cm high, 16cm deep
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FRENCH KINGWOOD AND TULIPWOOD PARQUETRY MARBLE TOP BOUILLOTTE TABLE, IN THE MANNER OF SORMANI 19TH CENTURY the circular brêche violette marble brass banded top above a parquetry frieze with a drawer, raised on fluted tapered legs ending in sabots, with gilt bronze mounts throughoutDimensions:61cm diameter, 75cm high
FRENCH GILT BRONZE AND BRASS MANTEL CLOCK LATE 19TH/ EARLY 20TH CENTURY the circular gilt dial with painted Arabic numerals and gilt filigree mask, in a rectangular architectural case flanked by two columns, mounted with a floral garland and topped with a finial, on a stepped base with gilt frieze and toupie feet, the twin-train brass movement striking a bell, with a giltwood stand and ebonised base with glass domeDimensions:the clock 20cm wide, 31cm high, 14cm deep
FRENCH GILT AND PATINATED BRONZE, SLATE, AND GREEN MARBLE FIGURAL CLOCK GARNITURE, JAPY FRÈRES LATE 19TH CENTURY the cream painted dial with Arabic numerals, Arabic quarter hour markers and blued steel moon hands, in an arched case beside a figure of Minerva reading a book, on gilt toupie feet, the twin-train movement with outside countwheel, the backplate stamped Japy Frères and numbered '622, 72', striking the full and half hours to a gong, the pendulum stamped '622'; with a pair of urns en suiteDimensions:the clock 54cm wide, 36cm high, 13cm deep
FRENCH PORCELAIN AND GILT BRONZE MANTEL CLOCK 19TH CENTURY the jewelled porcelain Roman numeral dial in a break-arch case with an urn finial, above blue Sêvres style porcelain panels painted with courting couples and garden landscapes, with columns to the corners, on a plinth base with further porcelain panels, the twin-train movement stamped 'Hy.(Henry) Marc, Paris' and numbered '56187', striking the full and half hours to a bell, with matching numbered pendulum; on a giltwood standDimensions:24cm wide, 42cm high, 13cm deep
MALAYSIAN BRONZE LELA SWIVEL GUN CANNON LATE 18TH/ EARLY 19TH CENTURY with multi-stage barrel swelling towards the muzzle, cast with raised mouldings and a pair of lifting-handles formed as dolphins/ monsters, fitted with its original bronze swivel mountDimensions:153cm longNote: Note: The lantaka and lela were types of bronze portable cannon or swivel gun, sometimes mounted on merchant vessels and warships in Maritime Southeast Asia. Lela are similar to a lantaka but longer and had larger bore, usually about 100 –180 cm long. They can be configured as swivel guns, fixed guns, or mounted in a gun carriage and are the equivalent of European falcon and falconet.
A Yoruba edan staff female figureNigeriabronze, with a triple crested coiffure and holding her breasts,20.3cm high, on a stand,a Nigerian bronze figure with a crocodile head and holding a knife, 13.6cm high, on a stand, a Yoruba bronze bell, cast with two masks and an fish tail handle, no clapper, 23.5cm long, on a stand and an iron figure wearing a cloak and hat, 15cm high, on a stand. (8)
A Dan We maskIvory Coastwith metal teeth and painted decoration with a snake vertebrae, brass bells, bone tooth like amulets, bronze rings, fibre and fur,50cm high, on a stand,and two Tanzanian masks, one with pigment, 23.5cm high and the other with carved decoration, 23cm high, on stands. (6)
Vintage Jewellery including a Pearl drop necklace by Ratner's, a Pearl necklace with designer clip 'CO', a glass bead necklace, a Catholic bronze medallion which reads obverse: 'Behold the handmaid of the lord" F.S.B. 1918, and reverse: Thar our daughters may be as the polished corners of the temple", and a 1960s citrine amber coloured glass cabochon stone brooch.
A BOXED CORGI TOYS FORD CORTINA GXL, No.313, Whizzwheels, metallic bronze body with black roof, complete with Graham Hill figure, very lightly playworn condition with only very minor paint loss and wear mainly to corners, box complete with interior but has some minor damage, including crush damage, marking and wear
THREE GERMAN BADGES TO INCLUDE, a 'Radio & Air Gunners' badge in a bi-metal finish of silver and black, makers mark looks to be scratched off, a silver coloured general assault badge, no makers marks, the eagle looks to the left on the assault badge, also included is a WW2 era Luftwaffe pilots badge, in two part construction in silver and bronze, makers mark to the reverse not readable, both parts loose in construction, all pieces believed to be possible reproductions
WWII SUDETENLAND MEDAL AND BRONZE COLOURED FAITHFUL SERVICE MEDAL, the Sudetenland medal was also known as the first October commemorative medal and was awarded for participation in the occupation of Sudetenland in October 1938 and Czechoslovakia in March 1939, the faithful cross was given to German Civilians who were employed by the German government
Fullt title: A Chinese blue and white gilt-bronze mounted vase transformed into a ewer for the Ottoman market, JiajingDescription: H.: 30 cm (incl. the gilt bronze mount) Condition: (UV-checked)- Some normal wear to the bronze mount.- A vertical hairline of ca. 5 cm extending upwards from the base rim and a horizontal glaze line of ca. 4 cm close to the above-mentioned hairline.- A baking flaw above the base rim. ______________)- ___________- ___ 5 _______________ 4 ___________- _________
Fullt title: A Chinese gilt bronze-mounted Longquan celadon censer in the shape of a luduan, MingDescription: H.: 20 cm - L.: 15,5 cm (incl. stand)H.: 17,5 - L.: 15,5 cm (the censer) Condition: (UV-checked)- The head with a few hairlines on the inside, with related retouching and overspraying on the outside.- The body generally in good condition, with three tight glaze lines to the two feet and under the bronze mount.- The bronze mount and stand with normal superficial wear. ______________)- ______________________- _________________________- _________________
Fullt title: A Chinese monochrome blue 'yenyen' vase, QianlongDescription: H.: 39 cm Condition: (UV-checked)- The rim reduced.- The rim with a bronze mount, which shows minor superficial wear.- Some normal wear and superficial scratches throughout. ______________)- ______- ___________- _______
Fullt title: A Chinese flambŽ-glazed vase with gilt bronze mounts, 19th C.Description: H.: 39,5 cm (incl. mount)H.: 36 cm (the porcelain) Condition: (UV-checked)- The rim and foot rim with a bronze mount, which shows minor superficial wear.- A few superficial chips under the mount on the rim. ______________)- ___________- _____________
Fullt title: A Chinese flambŽ-glazed bottle vase mounted as a lamp, 19th C.Description: H.: 44 cm (incl. mount and stand)H.: 32 cm (the vase) Condition: (UV-checked)- The rim with a bronze mount, which shows minor superficial wear.- The rim probably reduced.- The vase with a drilled hole to the base. ______________)- _______________- ________- ____
Fullt title: An English bronze 80 mm cannon monogrammed CR for Charles II of England (1630-1685), dated 1665Description: L.: 130 cm - Dia.: 23 cm (the cannon)Dim.: 135 x 71 x 62 cm (the cannon incl. wooden mount) Presented on a later custom-made wooden base. Inscribed:CAROLUS II - MAG. BRITFRA.- ET HIB REXANNO REGNI SUI XXXV DN GEORGIU LEGGE BARODE DARTMOUTHREI TORMENT RIA BELLICAEPRAEFECTUS GENERALISF.C. Provenance: - An important Belgian private collection.- Acquired from a fisherman in 1966, as one of two fished up examples from the North Sea. Ref.: (all references below are graceously offered to the buyer on behalf of the seller)- Valentin Vermeersch, Gids Gruuthuse, Brugse Stedelijke Musea 1969, p. 96. (see added images)- Exhibition catalogue Britannica te Brugge, 1966, p. 65, no. 32. The example in the collection of the Bruges' Gruuthuse Museum, is the second example dug up by the aforementioned fisherman in 1966. (see added images)- A correspondence letter with conservator A. Janssens de Bisthoven, dated 1967.
Fullt title: A rare bronze 'lavabo' water bowl with women's heads on the handles, Flanders, 1st half 15th C.Description: L.: 31 cm - H.: 15,5 cm (the lavabo)H.: 31 cm (incl. upright handle)Our water bowl has an almost convex shape and a high outstanding collar. The handle attachments are female busts. The ends of the spouts are animal heads, obviously worn from frequent use.The water bowl belongs to the same type as the one that appears in a niche on the outer panels of 'The Adoration of the Mystic Lamb' by Hubert and Jan van Eyck, finished around 1432. (see added image 8) An interesting detail is that this water bowl has a conical lid. Another nearly identical water bowl can be seen on the central panel of the MŽrode altarpiece, made by Robert Campin between 1427 and 1432 and depicting the 'Annunciation'. (see added image 9) Like on the Ghent altarpiece, the water bowl hangs in a mural niche. The big difference is that the ends of the spouts are still fairly unused, and likely more pronounced than they originally were on our present examples.
Fullt title: A Chinese blue and white 'Bleu de Hue' vase for the Vietnamese market, Tho mark, 18/19th C.Description: H.: 22,5 cm Provenance: A Scandinavian private collection. Condition: (UV-checked)- The rim with a bronze mount, which shows superficial wear and some dents.- Some burst glaze bubbles throughout. ______________)- ________________- _______
Fullt title: A pair of Chinese blue and white 'Bleu de Hue' plates for the Vietnamese market, Ngoan Ngoc mark, 19th C.Description: Dia.: 16,5 cm Condition: (UV-checked)- Both plates with a bronze mount to the rim, which shows minor superficial wear.- One plate with a hairline of ca. 3 cm under the bronze mount.- The second with a small superficial chip under the bronze mount. ______________)- _________________- _____________________3___- ___________________
Fullt title: A Chinese 'Bleu de Hue' plate and a bowl for the Vietnamese market, Ngoan Ngoc and Noi Phu marks, 19th C.Description: Dia.: 18 cm (the plate)Dia.: 12,5 cm - H.: 6 cm (the bowl) Condition: (UV-checked)- The plate excellent, with a negligible baking flaw on the front.- The bowl excellent. The bronze mount on the rim with minor superficial wear. ______________)- _________- _______________
Fullt title: A Chinese blue and white 'Bleu de Hue' bowl for the Vietnamese market, Thieu Tri mark, 19th C.Description: Dia.: 15,5 cm - H.: 7 cm Condition: (UV-checked)- The rim with a bronze mount, which shows minor superficial wear.- A few small superficial chips and burst glaze bubbles visible under the mount.- One baking flaw to the base. ______________)- _______________- _______________- _______
Fullt title: A Chinese blue and white 'Bleu de Hue' bowl for the Vietnamese court in Hu_, Thieu Tri and Minh Mang mark ____, 19th C.Description: Dia.: 12 cm - H.: 6 cm Ref.: - This object is very unusual, rare and repeatedly discussed in Vietnamese art circles and publications. Never before has any porcelain object in Asian art history named two succeeding emperors combined in one base mark. The four-character mark is read from right to left. Crown prince/king Thi_u Tr_ (1841) ranges before his father's name Minh M_ng. Therefore the earliest dating for this bowl would be the time of Thi_u Tr_ 's regency. Perhaps commissioned to commemorate the transition of the emperors in 1841.- Only two such bowls are recorded within Vietnam: One in the possession of Nguyen Xuan Hoa in Hu_, another in the collection of Ph_m Hy Tng (HCM Saigon). See C_ V_t G_m S_ Vi_t Nam __t Lˆm T_i Trung Hoa Nhˆ xu_t b_n:V_n H—a Sˆi G˜n 2006, p. 318.Provenance: - The collection of Dr. Claus Vollers, German ambassador in Vietnam 1981-84.- The collection of Thomas Ulbrich, Studio Tho, Hanoi-Berlin, acquired from the above. Condition: (UV-checked)- The rim with a bronze mount, which shows minor superficial wear.- A hairline of ca. 4 cm and a star-shaped hairline of ca. 5 cm to the rim.- A hairline of ca. 4 mm and a section with some short tension lines and glaze lines to the base rim. ______________)- ______________- _______4______- __________5_______- _______4_____________________
Fullt title: A Chinese silver-mounted blue and white 'Bleu de Hue' bowl and cover for the Vietnamese market, 19th C.Description: Dia.: 22,5 cm - H.: 13,5 cm Condition: (UV-checked)- Both cover and box with a bronze mount, which shows minor superficial wear.- The cover with a tight hairline of ca. 12 cm in the middle and a few glaze lines throughout.- The box with some superficial crazing and a few hairlines throughout in the middle, the longest one of ca. 18 cm. ______________)- ____________________- __________ 12 _____________- ___________________ 18 ___
Fullt title: A Chinese blue and white 'Bleu de Hue' dish for the Vietnamese market, Than Hoa Nian Zhi ____ mark, ca. 1840Description: Dia.: 18 cm Provenance:- The collection of Thomas Ulbrich, Studio Tho, Hanoi-Berlin. Condition: (UV-checked)- The rim with a bronze mount, which shows minor superficial wear.- A few small superficial chips visible under the mount.- A short hairline of ca. 5 mm to the rim. ______________)- _______________- ____________- _________ 5 ___
Fullt title: A Chinese blue and white 'Bleu de Hue' dish for the Vietnamese market, Ph‡c mark, 19th C.Description: Dia.: 16 cm Provenance:- The collection of Thomas Ulbrich, Studio Tho, Hanoi-Berlin. Condition: (UV-checked)- The rim with a bronze mount, which shows minor superficial wear.- A section retouched of ca. 15 x 3 cm to the rim, with related overspraying. ______________)- _______________- _________________ 15 x 3 ___
Fullt title: A Chinese blue and white 'Bleu de Hue' bowl for the Vietnamese market, Nha Ngoc mark, 19th C.Description: Dia.: 17,5 cm - H.: 8,5 cm Condition: (UV-checked)- The rim with a bronze mount, which shows minor superficial wear.- Some wear to the glaze. ______________)- ______________- _______
Fullt title: A Chinese blue and white 'Bleu de Hue' bowl for the Vietnamese market, Minh Mang Nian Zhi ____ mark, ca. 1830-40Description: Dia.: 14,5 cm - H.: 6 cm Provenance:- The collection of Thomas Ulbrich, Studio Tho, Hanoi-Berlin. Condition: (UV-checked)- The rim with a bronze mount, which shows minor superficial wear.- A hairline of ca. 3 mm under the mount.- A few typical minor baking spots on the inside and to the base. ______________)- _____________- _______3______- _______________
Fullt title: A Chinese blue and white 'Bleu de Hue' bowl for the Vietnamese market, Gia L_c __ mark, ca. 1820-40Description: Dia.: 15 cm - H.: 6,7 cm Provenance:- The collection of Thomas Ulbrich, Studio Tho, Hanoi-Berlin. Condition: (UV-checked)- The rim with a bronze mount, which shows minor superficial wear.- A hairline of ca. 7 cm extending downwards from the rim, with related overspraying. ______________)- ______________- _________7______UV_____________
Fullt title: A Chinese blue and white 'Bleu de Hue' dish for the Vietnamese market, Nh_t mark, Minh M_ng, ca. 1820-40Description: Dia.: 14 cm Provenance:- The collection of Thomas Ulbrich, Studio Tho, Hanoi-Berlin. Condition: (UV-checked)- The rim with a bronze mount, which shows minor superficial wear.- A circular impact line of ca. 23 mm to the base rim. ______________)- _______________- ____________ 23 ___
Fullt title: A Chinese blue and white 'Bleu de Hue' dish for the Vietnamese market, Nâ„¢i phu thi trung mark, 19th C.Description: Dia.: 13,5 cm Provenance:- The collection of Thomas Ulbrich, Studio Tho, Hanoi-Berlin. Condition: (UV-checked)- The rim with a bronze mount, which shows minor superficial wear.- Two hairlines of ca. 5 mm and 20 mm under the mount.- A glaze line of ca. 23 mm under the rim on the outside, invisible on the inside. ______________)- _______________- __________ 5 ___ 20 ___- ___________ 23 ______
Fullt title: A Chinese blue and white 'Bleu de Hue' water pipe for the Vietnamese market, Tho mark, 19th C.Description: L.: 12,5 cm - H.: 10,5 cm (the pipe)H.: 16,5 cm (incl. the handle) Condition: (UV-checked)- Excellent, with some normal superficial wear to the bronze mount. ______________)- _________________
Fullt title: A Chinese blue and white 'Bleu de Hue' dish for the Vietnamese market, Shu Dai Liu Xiang mark ____, 19th C.Description: Dia.: 15,5 cm The design is known as 'Seven wild geese overlooking rocks and sea'.Provenance:- The collection of Thomas Ulbrich, Studio Tho, Hanoi-Berlin. Condition: (UV-checked)- The rim with a bronze mount, which shows minor superficial wear.- Five short hairlines of ca. 5 - 10 mm to the rim.- A section retouched of ca. 10 x 4 cm to the rim, with related overspraying. ______________)- _______________- _________ 5 - 10 ___- _________________ 10 x 4 ___
Fullt title: A Chinese blue and white 'Bleu de Hue' bowl for the Vietnamese market, reign of Tu Duc, late 19th C.Description: Dia.: 18,5 cm - H.: 7 cm Condition: (UV-checked)- The rim with a bronze mount, which shows minor superficial wear.- Four hairlines of ca. 7 cm to the rim.- A glazeline of ca. 3 cm to the bottom due to baking. ______________)- ______________- ______ 7 ______- ____________ 3 _________
Fullt title: A pair of Vietnamese Bat Trang stoneware bottle vases with clouds, 19th C.Description: H.: 20 cm Condition: (UV-checked)- Both vases with some baking flaws throughout.- Both vases with a metal mount to the rim, which shows minor superficial wear and a small superficial dent.- One vase with two chips and three short hairlines just under the bronze mount.- Another vase with a glazeline of ca. 5 cm running horizontally around the neck. ______________)- ___________- ______________________- ____________________- _________________________5___
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350105 item(s)/page