FRITSCH, KATHARINA1956 EssenTitel: Apfel (für Parkett 87). Datierung: 2009/2010. Technik: Kunstharz, farbig gefasst. Maße: 13 x 14 x 14cm. Bezeichnung: Signiert und nummeriert auf beiliegendem Zertifikat. Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 1/48. Zustand:Minimalste Verschmutzungen. Das Werk befindet sich in einem sehr guten Zustand.Das Werk ist auf der offiziellen Internetseite der Künstlerin aufgeführt (www.katharinafritsch.de).Mit beiliegendem Zertifikat. Mit Parkett-Magazin.Katharina Fritsch fertigt Skulpturen, die alltägliche Objekte nachbilden. Indem sie die Größe und Farbe dieser Objekte manipuliert und sie in unerwarteten Kombinationen arrangiert, destabilisiert sie das Vertraute, so auch in der Darstellung des hellblauen Apfels. Fritschs akribischer Herstellungsprozess, der nahezu industrielle Perfektion erreicht, umfasst Skizzen,handgefertigte Modelle, Gipsabgüsse, Bronze-, Kupfer- oder Edelstahlabgüsse und schließlich eine Beschichtung mit stark gesättigter matter Farbe, die den für sie typischen jenseitigen Effekt erzeugt. Ihre Arbeiten sind zutiefst psychologisch und voller beunruhigender religiöser und spiritueller Assoziationen. Sie werden als Versuch beschrieben, unsere größten Ängste zu visualisieren, die in Mythologie, Religion, Kulturgeschichte und Alltag verwurzelt sind. Dabei sieht sie sich selbst als Medium einer Vision, als Mittlerin einer höheren Eingebung."Their extraordinary autonomy from their surroundings strikes me as ultra-contemporary: rather than appearing like refugees from a recreation of a dance macabre or a German medieval fable, their true home seems closer to commercialized popular culture and to the disarming visual effects of film."Jessica Morgan, Parkett Nr. 87, 2009/2010.Artikel zu Werk und Künstler aus Parkett Edition Nr. 87. Katharina Fritsch Deutschland Zeitgenössische Kunst Multiples 2000er Obst Objekt Kunstharz FrüchteErläuterungen zum Katalog
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JOHNSON, RASHID1977 ChicagoTitel: I Love Music (für Parkett 90). Datierung: 2012. Technik: Bronze, goldfarben patiniert. Darstellungsmaß: 24cm. Blattmaß: 19cm. Bezeichnung: Signiert und nummeriert auf beiliegendem Zertifikat. Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 1/35. Zustand:Das Werk befindet sich in sehr gutem Zustand.Mit beiliegendem Zertifikat. Mit Parkett-Magazin."I would love nothing more than to do the Fuck You opera. That sounds interesting. I think part of what you're describing is what Rosalind Krauss named the "post-medium condition." Our not being married to any particular medium or activity leads to an artist bachelor experience. The fluency of not being definable functions as the "fuck you" to easy interpretation." Rashid Johnson in conversation with Matthew Day Jackson, Parkett Nr. 90, 2012.Artikel zu Werk und Künstler aus Parkett Edition Nr. 90. Rashid Johnson Multiples 2010er Abstrakt Skulptur Bronze FormenErläuterungen zum Katalog
MARCLAY, CHRISTIAN1955 San Rafael/KalifornienTitel: My Bad Ear (für Parkett 70). Datierung: 2004. Technik: Bronze, braun patiniert. In Pappbox. Maße: 7 x 4,5 x 2cm. Bezeichnung: Signiert, datiert, nummeriert und bezeichnet (gestempelt) verso. Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 1/60. Zustand:Das Werk befindet sich in sehr gutem Zustand.Mit Parkett-Magazin."A great deal of Marclay's output, possibly the majority of it, is visual or plastic in nature. And yet even this is as much about sound recording; perhaps more so, because it concerns the ubiquity of sound in culture. Marclay's work is about the socially inscribed 'flip side' of sound; it is about the very fact that I could use the phrase 'flip side' as unthinkingly as I just did, realizing only as I typed it that the term derives from records, and is thus infinitely apropos for use there."Philip Sherburne, Parkett Nr. 70, 2004.Artikel zu Werk und Künstler aus Parkett Edition Nr. 70. Christian Marclay USA Zeitgenössische Kunst Multiples 2000er Mensch Plastik Bronze KörperErläuterungen zum Katalog
TURRELL, JAMES1943 Los AngelesTitel: Carn (für Parkett 25). Untertitel: Vorzugsausgabe. Datierung: 1967/1990. Technik: Aquatinta. Zerkall Bütten, in Parkett-Ausgabe eingebundenMaße: 19 x 15 x 25,5 x 21cm. Bezeichnung: Signiert, betitelt und nummeriert. Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 1/40. Zustand:Das Werk befindet sich in einem sehr guten Zustand.Bei der Arbeit handelt es sich um eine von 4 Aquatinta-Radierungen (Sqat, Juke, Carn, Alta) von denen jeweils eine in die Parkett-Ausgabe eingebunden ist.Mit Parkett-Magazin."Turrell treats light as substance. Instead of stone, wood, clay or bronze, he 'molds' light - artificial or natural - whose density displays a barely visible but fluctuating, palpable presence: palpable through perception. The visitor who exposes himself to this perception is inevitably and bluntly confronted with himself." Jean-Christophe Ammann, Parkett Nr. 25, 1990.Artikel zu Werk und Künstler aus Parkett Edition Nr. 25. James Turrell USA Landart Lichtkunst Nachkriegskunst Grafik 1990er Abstrakt Druckgrafik Aquatinta auf Zerkall MonochromErläuterungen zum Katalog
FÖRG, GÜNTHER1952 Füssen - 2013 Freiburg i. BrsgTitel: Four Bronze Reliefs (für Parkett 26). Datierung: 1990. Technik: Bronze, braun patiniert. Maße: 25,5 x 22 x 4cm. Bezeichnung: Signiert und nummeriert (gestempelt). Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 12/20. Zustand:Verso Gipsreste in den Vertiefungen (herstellungsbedingt). Das Multiple befindet sich in sehr gutem Zustand.Mit Parkett-Magazin."Förg redirects painting by painting picture surfaces like a house painter, by composing rooms like a workman, by taking photographs à la Titian and painting photographs à la Godard. Förg opens a space and invites us to take a walk in it, with his eyes." Wilfried Dickhoff, Parkett Nr. 26, 1990.Artikel zu Werk und Künstler aus Parkett Edition Nr. 26. Günther Förg Deutschland Abstraktion Nachkriegskunst Multiples 1990er Abstrakt Plastik Bronze FormenErläuterungen zum Katalog
PARTY, NICOLAS1980 LausanneTitel: Cat's Head (für Parkett 100/101). Datierung: 2017. Technik: Bronze, dunkelbraun patiniert. Maße: 7 x 4 x 5cm. Bezeichnung: Monogrammiert und nummeriert (gestempelt) an der Unterseite. Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: III/XII. Zustand:Das Multiple befindet sich in sehr gutem Zustand.Aus der Auflage von 12 APs, außerhalb der Auflage von 25 arabisch nummerierten Exemplaren.Mit Parkett-Magazin."I think time and its consequences. are the main subjects in art in general, but I also think these concerns are why people are willing to look at art so much. It's more complex, more elastic, bigger than the time we live in." Nicolas Party, Parkett Nr. 100/101, 2017.Artikel zu Werk und Künstler aus Parkett Edition Nr. 100/101. Nicolas Party Schweiz Zeitgenössische Kunst Multiples 2010er Kopf Plastik Bronze KatzenErläuterungen zum Katalog
Two Persian brass trays, 19th century. Each with calligraphy filled cartouches, diameters 31.5cm and 30.5cm, a Persian brass plate 19th century, with pierced brass rim, diameter 19.5cm, a Persian polished bronze dish, early 19th century, with acanthus leaf filled border, diameter 21.5cm and two small Cairoware dishes, early 20th century, each with silver and copper decorated flags, diameter 10cm. (6)
A Persian polished bronze huqqa base, 19th century. Height 23.5cm, width 10cm and a Persian brass powder flask, 19th century, height 12.5cm, width 10.5cm, depth 3cm. (2) Maurice Jenkins (1933-2022). North Cornwall collector. Maurice was a lifetime collector and started in the 1950s. He opened a shop in Liskeard in the 1970s called Canon Hill Antiques. He visited a number of Middle Eastern countries in his lifetime including Egypt in the late 1970's when his interest in Islamic and Asian antiques began. He was a man with an eye for quality and a love of antiques, history and travel who purchased privately and at auction over the decades. Over a lifetime of purchasing privately and at auction, he created an eclectic ensemble of collections reflecting his interests. He died a few weeks before his 90th birthday and was still buying until that time.
A Persian bronze vase, 18th/19th century. Height 25.5cm, diameter 15cm. Maurice Jenkins (1933-2022). North Cornwall collector. Maurice was a lifetime collector and started in the 1950s. He opened a shop in Liskeard in the 1970s called Canon Hill Antiques. He visited a number of Middle Eastern countries in his lifetime including Egypt in the late 1970's when his interest in Islamic and Asian antiques began. He was a man with an eye for quality and a love of antiques, history and travel who purchased privately and at auction over the decades. Over a lifetime of purchasing privately and at auction, he created an eclectic ensemble of collections reflecting his interests. He died a few weeks before his 90th birthday and was still buying until that time.
A Persian polished bronze salver, 19th century. The central medallion filled with birds and tendrils within ten roundels enclosing figures and animals and a meandering vine and leaf outer border, on four bun feet, height 2cm, diameter 25.5cm. Maurice Jenkins (1933-2022). North Cornwall collector. Maurice was a lifetime collector and started in the 1950s. He opened a shop in Liskeard in the 1970s called Canon Hill Antiques. He visited a number of Middle Eastern countries in his lifetime including Egypt in the late 1970's when his interest in Islamic and Asian antiques began. He was a man with an eye for quality and a love of antiques, history and travel who purchased privately and at auction over the decades. Over a lifetime of purchasing privately and at auction, he created an eclectic ensemble of collections reflecting his interests. He died a few weeks before his 90th birthday and was still buying until that time.
An Indian bronze vase, 18th/19th century. With three panels each decorated with an immortal amongst foliage, on mask decorated splay feet, height 30.5cm, width 13.5cm. Maurice Jenkins (1933-2022). North Cornwall collector. Maurice was a lifetime collector and started in the 1950s. He opened a shop in Liskeard in the 1970s called Canon Hill Antiques. He visited a number of Middle Eastern countries in his lifetime including Egypt in the late 1970's when his interest in Islamic and Asian antiques began. He was a man with an eye for quality and a love of antiques, history and travel who purchased privately and at auction over the decades. Over a lifetime of purchasing privately and at auction, he created an eclectic ensemble of collections reflecting his interests. He died a few weeks before his 90th birthday and was still buying until that time.
An Ashanti bronze kuduo 'gold dust pot', Ghana, 18th/19th century. Of squat bulbous form, the body engraved with geometric motifs and flowerheads, on three stile feet, height 8cm, diameter 11cm.Private West Cornwall collection from late 1970's to present day. Items were purchased on worldwide travels from antique markets and private sources.
Vanguards By Lledo and Corgi Ford Cars (17), all boxed/cased, Corgi, Sierras BA1002 Moondust Silver, VA10000 Nouveau Red, Capri VA13300 Vista Orange, Cortina VA04109 Aquatic Jade, Consuls VA05510 Copper Brown, Escorts, VA09500 Dragoon Red, VA09505 Le Mans Green, Zodiac VA06104 Pompadour Blue, Lledo, Capri VA03406 Aqua Blue & Ermine White, Consul VA05505 Pearl Grey/Ruby Red, Granadas, VA05202 Onyx Green, VA05201 Roman Bronze, Cortinas VA07303 100th Anniversary model, VA04103 35th Anniversary Lagoon Blue, VA07300 Goodwood Green, VA04100 Ermine white/black, VA07301 Ambassador blue, G-E, packaging VG-E, (17)
A Pair of Gauge 1 wooden-bodied Coaches by Milbro (2), comprising 12-wheel Pullman Car 'Bessborough' in traditional umber/cream livery, with cast bronze bogie frames, overall length 27", G-VG, appears to have some old retouching to umber areas but all transfers intact, together with a L&NWR Dining Saloon on 4-wheel bogies, 22" long overall, solebar marked 'Tare 10-4-0' G, some minor scratches to sides with some old retouching, buffers missing at one end, roof appears repainted at some time, neither coach with interior detailing (2)
Star Wars 1990s Merchandise Collectibles and Memorabilia (50+), various items, boxed/packaged items Attack of the Clones pewter & bronze chess set, PC Mouse, Darth Maul Rubiks Cube, Anakin Skywalker action figure, tooth brushes (2), key rings (6), Tiger Electronics Electronic R2 D2 pet, Roseart stampers (3), Finger Forces action figures (2), metal Darth Vader figure, book and cassette, kite, Mug, unpackaged, 1983 Return of the Jedi pop up book, Tazos, rucksacks, books, ephemera, clock, figures, and other items, F-E, packaging F-VG, (50+) in two boxes
WWI Era and Later Britain's Corgi and Other Military Figures (10), all boxed, bronze resin limited edition figure of an Anzac, Silent Soldiers by Gibson Importing Co, Lest We Forget with certificate 1229/5000, 24cm high, Britain's, WWII Leaders 00288 Omar Bradley, 00286 Douglas Macarthur, 17275 Gerd Von Rundstedt, Corgi Forward March, 1:32 scale CC59162 T E Lawrence 1918, CC59185 Gurkha Rifleman 1915, CC59158 Mine Detector El Alamein, CC5918 Desert Storm Staffordshire Regiment, CC59147 SAS trooper Gulf 1991, Second To None Models, limited edition metal figure British soldier holding his son, Homecoming, limited edition 011/200, G-E, boxes F-E, (10)
Vanguards By Lledo Jaguars and Daimlers (20), all boxed/cased, Daimler Sovereigns, VA08801 Old English White, VA08800 Jaguar Dark Blue, Jaguars, XK120s, VA05904 pale green, VA05905 Lavender Grey, VA05902 Suede Green, VA05901 Black, MKII, VA08402 Primrose, VA08403 Carmen red, XJRs, VA09100 Pacific, VA09103 Ebony, E -Types, VA04902 red Anniversary model, VA04905 Cotswold Blue, VA04907 Bronze, VA04903 Opalescent Silver Grey, VA49000 cream, XJ6s, VA08602 Series I with horsebox, VA08608 pale primrose, VA09101 British Racing Green, VA08605 Sable, VA08600 Regency Red, G-E, packaging VG-E, (20)
Maurice Guiraud-Rivière (French, 1881-1947),'La Comète' (The Comet), a silvered-bronze figure, modelled as a lady flying over scrolled clouds, signed 'Guiraud-Riviere' and stamped 'Etling Paris', raised on a black marble plinth,58cm wide 14cm deep51cm highCondition ReportSome rubbing to the edges and extremities. The rubbing to the silvering is more pronounced towards the bottom of the hair (top of the sculpture) as well as the edges of the clouds with some scratches occurring throughout the entire figurine. Some slight tarnish to the bottom of the foot and some minor build-up in the recesses. Silver ring to the main body of the figure. Overall good. The base is without any perceived chips or damages. However, with some scratches in front of the bottom clouds. With some spots of tarnish on the front face of the cloud base. With remnants of polish to some of the deeper recesses. Additional images of the more pronounced losses to the silvering added.Base plinth with plastic button protectors.
A French Art Deco bronze-mounted onyx clock garniture, centred with a gilt square dial with Arabic numerals, striking the half hours, the sides and top mounted with stylised flowers, raised on four columns, 25cm wide 12.5cm deep46.5cm high,together with a pair of en suite mounts with urn-shaped and floral decoration, raised on ring-turned and bronze mounts,44cm high (3)Condition ReportCracked top of the clock. Nibbles to the base of the plinth and to the pair of mounted plinths.
After Henri Fugère (French, 1872-1944),an Art Deco gilt-bronze figure, 'Female Warrior', 1930s, modelled as a nude warrior with a spear and shield, on a Portoro marble base, incised 'Fugère' to the base, 51cm highCondition ReportWith some chips to the plinth. The bronze with some spotting and wear throughout. The spear bent.
Josef Lorenzl (Austrian, 1892-1950),'Scarf Dancer', c.1930, an Art Deco cold-painted bronze figure of a dancer, modelled with a scarf draped around her waist, raised on a green onyx plinth, signed 'Lorenzl' in the cast,31.5cm highCondition ReportGlue remnants to the base of the plinth, the base has been split and now reset. New baize to the base. Rubbing to body and scarf. With some notable scratches to the arms. Additional images uploaded.
Ralph Hurst (American, 1918-2003), 'Goose', onyx, signed 'Ralph Hurst' and numbered '9282', on a revolving marble plinth, 31cm wide 15cm deep 21.5cm high Ralph Hurst was born in Decatur, Indiana, USA, and attended Indiana University. In 1953, he moved to Miami, Florida, where he was discovered and lured to Florida State University to become a member of the art faculty for twenty-seven years. Professor Emeritus Hurst fondly remembered his teaching experience in ceramics, constructive design, woodworking, synthetics, supervising art education majors and teaching elementary art education teachers on campus, as well as several years of in-service art classes to teachers in kindergarten and elementary classes in Dade, Palm Beach and Escambia counties. A highlight of his Florida State University career was receiving three faculty grants, one of which provided the opportunity to have a studio in Florence, Italy, carving in alabaster and marble. In 2002, Florida State University honoured Hurst with a retrospective in the Museum of Fine Arts, showing examples of his award-winning works in wood, marble, alabaster, bronze, steatite, ceramics, paint, and synthetics. Considered preeminent amongst sculptors in the US, and best known for his elegant and sensuous alabaster carvings of figures and birds, Hurst's strength as a sculptor was the strong repetition of rhythmic carving and graceful lines reminiscent of the classics. Hurst was quoted as saying 'In the hours of creativity, when I engage in shaping boulders into form and the form becomes alive and a thing of beauty, my spirit soars'. Condition ReportSome minor scuffing and scratches to the body of the goose. Some spotting along the back and tails. The plinth is mounted on a revolving plinth - to allow the sculpture to be rotated.
A French Art Deco gilt-bronze mantel clock, by Henri Germain Étienne Dieupart for Simonet Frères, signed and stamped 'Dieupart' and Simonet Frères', with a dodecagon-shaped dial, with painted panels containing the Arabic numerals, mounted with a pierced cover depicting two seated nude females flanking a central satyr, top-hinged, enclosing an eight-day movement, raised on a stepped rectangular case,24cm wide11.5cm deep28cm high Condition ReportSome discolouration to the hands and numerals. With key - some chips to winding holes. Winds and runs.Strikes the hour and the half. Single chime in half hour.
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389642 item(s)/page