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Lot 266
Boxing Frazer Clarke signed 12x8 inch colour photo. Frazer Clarke (born 7 August 1991) is a British professional boxer. He won bronze in Tokyo at the 2020 Summer Olympics. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Lot 777
Edgar Degas was a French artist known for his contributions to the Impressionist movement. He was born on July 19, 1834, in Paris, France, and died on September 27, 1917, in the same city.Degas initially studied law but decided to pursue his passion for art and enrolled at the École des Beaux-Arts in Paris. He developed a diverse range of artistic skills, including painting, drawing, sculpture, and printmaking. While he is often associated with the Impressionist movement, Degas considered himself a realist and preferred to be known as such.Degas's subject matter primarily focused on scenes of modern life, particularly depicting the world of ballet dancers, horse racing, and everyday people in urban environments. He captured the fleeting moments and movement of his subjects, often emphasizing the effects of light and shadow.One of Degas's most iconic subjects was ballet dancers. He explored their grace, poise, and the rigorous training they undergo. Degas's fascination with the human figure and his ability to capture subtle gestures and expressions made his depictions of dancers incredibly popular.Degas's artistic style was characterized by his experimental techniques and innovative use of materials. He explored various mediums, including oil painting, pastels, and monotypes, and he often combined different techniques to create dynamic and textured surfaces.While Degas shared some techniques and subject matter with the Impressionists, he also had his own unique approach. He preferred indoor settings, where he could control the lighting and composition, and he meticulously planned his artworks, sometimes making numerous sketches and studies before executing the final piece.In addition to his paintings, Degas also made significant contributions to sculpture. His sculptures, often cast in bronze, depicted dancers, horses, and other subjects, and he explored movement and form in three-dimensional space.Degas's work was not always appreciated during his lifetime, as he did not adhere strictly to the techniques and principles of the Impressionist movement. However, his art gained recognition in later years, and he became widely celebrated as one of the key figures of Impressionism.Today, Edgar Degas's artworks are highly regarded and can be found in major museums and collections around the world. His influence on the art world, particularly in his exploration of movement, composition, and the human figure, continues to inspire artists to this day.Measures 30 x 22.
Lot 148
Elizabeth Catlett was an African American sculptor, printmaker, and civil rights activist. She was born on April 15, 1915, in Washington, D.C., and became one of the most celebrated artists of the 20th century.Catlett's work explored themes of race, gender, and social justice, often focusing on the experiences and struggles of African Americans and women. Her sculptures and prints were characterized by a strong sense of realism, with a focus on representing the strength, dignity, and resilience of her subjects.Catlett was deeply committed to using art as a means of activism and social change. She actively participated in the civil rights movement and advocated for equality and justice through her artwork. Her sculptures and prints depicted powerful and iconic figures, capturing the spirit and struggles of African Americans and inspiring hope and empowerment.Catlett's preferred mediums included stone, wood, and bronze for sculpture, and linoleum block prints for her graphic works. She possessed great technical skill and a keen eye for capturing the human form in her sculptures, as well as a bold and expressive approach to printmaking.Throughout her career, Catlett received numerous awards and honors for her contributions to art and activism. She also taught at various institutions, including Dillard University in New Orleans and the National Autonomous University of Mexico, where she lived for many years.Elizabeth Catlett's artwork continues to inspire and resonate with audiences worldwide. Her commitment to social justice and her powerful portrayal of African American experiences have left a lasting impact on the art world, making her a highly respected figure and a trailblazer for artists of color.Measures 11 x 10.1.
Lot 837
Tiffany Studios was a renowned American decorative arts firm known for its production of stained glass windows, lamps, and other decorative objects. It was founded by Louis Comfort Tiffany in 1902 and operated until 1932. Tiffany Studios gained international acclaim for its innovative designs, exceptional craftsmanship, and use of opalescent glass.Louis Comfort Tiffany, the son of Charles Lewis Tiffany, the founder of Tiffany & Co. jewelry company, was a highly influential artist and designer. He was particularly known for his work in the Art Nouveau and Art Deco styles. Under his direction, Tiffany Studios produced a wide range of decorative items, including lamps, vases, mosaics, jewelry, and even architectural elements.One of the most iconic and sought-after creations of Tiffany Studios is the Tiffany lamp. These lamps featured intricate leaded glass shades with colorful and nature-inspired motifs. The designs often incorporated elements such as flowers, dragonflies, and geometric patterns. The lamp bases were typically made of bronze and elaborately decorated.Tiffany Studios also produced beautiful stained glass windows for private residences, public buildings, and churches. These windows were characterized by their vibrant colors, intricate details, and innovative use of glass. The windows often depicted nature scenes, biblical stories, and symbolic imagery.The craftsmanship and artistic quality of Tiffany Studios' creations set them apart. Each piece was meticulously handmade, with great attention to detail. The firm employed skilled artisans and craftsmen who worked collaboratively to bring Tiffany's designs to life.Today, original Tiffany Studios pieces are highly sought after by collectors and art enthusiasts. They are considered important examples of American decorative arts and are featured in museums and private collections around the world. The legacy of Tiffany Studios continues to influence and inspire artists and designers today.Measures 6. 8 x .25.Glass.
Lot 921
Giambologna, whose real name was Jean Boulogne (1529-1608), was a Flemish-Italian sculptor known for his remarkable skill in creating dynamic and intricate sculptures. One of his notable works is the "Medici Walking Horse," also known as the "Florentine Horse and Rider" or "Equestrian Monument of Cosimo I."The "Medici Walking Horse" is a bronze sculpture created by Giambologna between 1570 and 1580. It was commissioned by Cosimo I de' Medici, the Grand Duke of Tuscany, to commemorate his achievements and celebrate the Medici family's power and influence.The sculpture depicts a powerful, muscular horse captured in mid-stride, with its front legs in the air and its hind legs extended. The horse exudes a sense of energy and movement, its mane flowing, and its tail lifted. It stands on an oval base adorned with reliefs representing military triumphs.Originally, the horse was intended to have an equestrian rider, but due to financial constraints, Giambologna left the sculpture unfinished in terms of the rider. Nevertheless, the "Medici Walking Horse" remains a masterpiece in its own right, showcasing Giambologna's skill in capturing the dynamic anatomy and naturalistic details of the horse.The sculpture is celebrated for its exquisite craftsmanship and attention to detail, with every muscle and sinew meticulously rendered. It is considered a prime example of Mannerist sculpture, characterized by its elongated proportions, complex poses, and intricate surface textures.The "Medici Walking Horse" is housed in the Museo Nazionale del Bargello in Florence, Italy, where it continues to be admired for its artistic and historical significance. It stands as a testament to Giambologna's mastery of sculpture and his contributions to the Renaissance and Mannerist art movements.Bonded bronze, sculpture.Measures 10.5 x 9.5 x 3.5.Hand patinated.
Lot 820
During Roman times, coins played a crucial role in the economy and everyday life of the Roman Empire. The Romans developed a sophisticated system of coinage that served as a medium of exchange, a symbol of power and authority, and a means of propaganda.Roman coins were made primarily of precious metals such as gold, silver, and bronze. They featured various designs and inscriptions that reflected the political, cultural, and religious aspects of Roman society. The obverse side of the coin typically displayed the portrait of the ruling emperor or an influential figure, while the reverse side depicted various symbols, gods, or important events.The Roman coinage system went through several changes over time, reflecting shifts in political power and economic conditions. Different denominations of coins were issued, ranging from the gold aureus and silver denarius to the smaller bronze coins like the sestertius, dupondius, and as. These coins were used not only for commerce but also for paying taxes, rewarding soldiers, and promoting political messages.Collecting and studying Roman coins, known as numismatics, provides valuable insights into the history, art, and culture of the Roman Empire. These coins are valuable artifacts that have survived for centuries, serving as tangible reminders of the ancient world and the economic system that shaped it.Measures 30mm.Modern.
Lot 771
Charles Marion Russell (1864-1926) was an American artist and sculptor known for his depictions of the American West. He is considered one of the greatest Western artists and is often referred to as "the cowboy artist." Russell was born in St. Louis, Missouri, and spent much of his childhood on the frontier of Montana. He developed a deep fascination and love for the American West and its people, particularly the cowboys, Native Americans, and wildlife that inhabited the region. His firsthand experiences and observations of the Western way of life greatly influenced his artwork. Russell's artistic career began as a self-taught painter, and he later studied at the St. Louis School of Fine Arts. His paintings captured the rugged and often romanticized aspects of the Western frontier, depicting scenes of cowboys, Native Americans, buffalo hunts, and dramatic landscapes. He had a keen eye for detail and a skill for capturing the essence of his subjects, whether it was the action of a horse, the expression of a Native American warrior, or the vastness of the Western plains. In addition to his paintings, Russell also produced a significant body of sculptural work, creating bronze sculptures that depicted Western themes. His sculptures were highly regarded for their realism and attention to detail. Russell's artwork gained recognition and popularity during his lifetime, and he became one of the most successful Western artists of his time. His paintings and sculptures captured the imagination of the public and helped shape the popular image of the American West. Today, Charles M. Russell's artwork is celebrated for its historical and artistic significance. His depictions of the American West continue to inspire and captivate viewers, providing a glimpse into a bygone era and preserving the spirit and beauty of the Western frontier. Many of his works can be found in museums and private collections throughout the United States.Measures 14 x 29.
Lot 392
Charles Marion Russell (1864-1926) was an American artist and sculptor known for his depictions of the American West. He is considered one of the greatest Western artists and is often referred to as "the cowboy artist."Russell was born in St. Louis, Missouri, and spent much of his childhood on the frontier of Montana. He developed a deep fascination and love for the American West and its people, particularly the cowboys, Native Americans, and wildlife that inhabited the region. His firsthand experiences and observations of the Western way of life greatly influenced his artwork.Russell's artistic career began as a self-taught painter, and he later studied at the St. Louis School of Fine Arts. His paintings captured the rugged and often romanticized aspects of the Western frontier, depicting scenes of cowboys, Native Americans, buffalo hunts, and dramatic landscapes. He had a keen eye for detail and a skill for capturing the essence of his subjects, whether it was the action of a horse, the expression of a Native American warrior, or the vastness of the Western plains.In addition to his paintings, Russell also produced a significant body of sculptural work, creating bronze sculptures that depicted Western themes. His sculptures were highly regarded for their realism and attention to detail.Russell's artwork gained recognition and popularity during his lifetime, and he became one of the most successful Western artists of his time. His paintings and sculptures captured the imagination of the public and helped shape the popular image of the American West.Today, Charles M. Russell's artwork is celebrated for its historical and artistic significance. His depictions of the American West continue to inspire and captivate viewers, providing a glimpse into a bygone era and preserving the spirit and beauty of the Western frontier. Many of his works can be found in museums and private collections throughout the United States.Measures 16 x 24.
Lot 197
Ed Mell is an American contemporary artist known for his distinctive style of Southwestern landscape paintings and sculptures. Born in 1942 in Los Angeles, California, Mell developed a passion for art from an early age. He studied at the Art Center College of Design in Pasadena and later worked as an illustrator and graphic designer.Mell's artistic focus shifted to fine art, particularly the depiction of the American Southwest, after he moved to Arizona in the early 1970s. His paintings often feature dramatic desert landscapes, rugged mountains, canyons, and iconic saguaro cacti, capturing the essence and spirit of the region. He employs bold colors, strong geometric shapes, and a unique blend of realism and abstraction to create visually striking and emotionally evocative artworks.In addition to his paintings, Ed Mell is also recognized for his sculptures. He began sculpting in the 1980s, primarily working with bronze. His sculptures, like his paintings, reflect the spirit of the Southwest, often depicting animals, Native American themes, and abstract geometric forms.Ed Mell's artworks have been exhibited in numerous galleries and museums across the United States, and he has received various awards and honors for his contributions to the art world. His works are sought after by collectors and art enthusiasts, and his distinctive style has made a significant impact on the contemporary Southwestern art scene.Measures 20 x 20.5.
Lot 85
Luca Madrassi (1848 Tricesimo - 1919 Paris), Premier chagrin / Der erste Kummer Rechts unten signiert mit "L. Madrassi" sowie links unten mit Schild "PREMIER CHAGRIN" versehen. Holz min. best., ansonsten guter Zustand. Frankreich, um 1900. Bronze Régule, montiert auf Holzsockel. H x Ø ca. 78 x 28 cm. DL
Lot 3000
HENRI PICARD "Paar Leuchter im Louis XV-Stil" Frankreich, 1831-1864, Bronze, vergoldet, profilierter und reliefierter Fuß mit dreiseitig geschweiftem Schaft und Tülle aus gewundenen Rocaillen mit Kartuschen, auf Bodenkante Namenspunze "H. Picard", H: 25 cm. Min. Altersspuren.| HENRI PICARD "Pair of Louis XV style candlesticks".France, 1831-1864, bronze, gilt, profiled and reliefed base with three-sided curved shaft and spout of sinuous rocailles with cartouches, on base edge name hallmark "H. Picard", h: 25 cm. Min. signs of age.
Lot 3001
PRÄCHTIGER TAFELAUFSATZ Ende 19.Jh., Bronze/Messing, kurzem Stand, der ovaloide Korpus, vegetabil ornamentierter, HxL: 24/54 cm. Alters-und Gebrauchsspuren. | MAGNIFICENT CENTREPIECEEnd of the 19th century, bronze/brass, short stand, the ovaloid corpus decorated with vegetal ornaments, HxL: 24/54 cm. Signs of age and use.
Lot 832
PALLENBERG, JOSEPH FRANZ (1882-1945), "Röhrender Hirsch", Galvanoplastik in bronzeart patiniert, auf der naturalistisch gestalteten Plinthe montiert, diese im Guss signiert und datiert „Jos. Pallenberg / 1905“. HxBxT: 52/35/60 cm, Gewicht 16 Kg, Leichte Alters- und Gebrauchsspuren.| PALLENBERG, JOSEPH FRANZ (1882-1945), "Roaring Stag", Galvanoplastic in bronze patina, mounted on the naturalistically designed plinth, which is signed and dated in the casting "Jos. Pallenberg / 1905". HxWxD: 52/35/60 cm, slight signs of age and wear.
Lot 834
FAHRNER, DAVID (1895-1962) "Speerwerfer" Bronze, dunkel patiniert, seitlich sig., Marmorsockel mit einer Widmungsinschrift, H: 35 cm. (mit Sockel) Leichte Altersspuren.| FAHRNER, DAVID (1895-1962) "Javelin thrower".Bronze, dark patinated, sig. on the side, marble base with a dedication inscription, h: 35 cm. (with base) Slight signs of age.
Lot 837
EISENBERGER, LUDWIG (1895-1920) "Fechter mit Degen" Bronze, sig., bez. "Mens sana in corpore sano", H: 27 cm. (mit Sockel) Leichte Altersspuren.| EISENBERGER, LUDWIG (1895-1920) "Fencer with Epee".Bronze, sig., inscribed "Mens sana in corpore sano", h: 27 cm. (with base) Slight signs of age.
Lot 838
STERBENDER GALLIER Anfang 20.Jh., unsigniert, Bronze patiniert, Darstellung eines niedergestreckten unbekleideten, jungen Mannes, um den Hals ein Seilfragment geschlungen, H: 13 cm. (mit Sockel) Altersspuren.| DYING GALLANTEarly 20th century, unsigned, patinated bronze, depicting a prostrate unclothed young man, a rope fragment wrapped around his neck, h: 13 cm. (with base) signs of age.
Lot 839
FERRARI, PAOLO (XIX-XX) "La Liberté" Dunkelbraun patinierte Bronze, auf naturalistischem Sockel sign., Marmorsockel, H: ca. 50 cm. (mit Sockel) Normale Altersspuren.| FERRARI, PAOLO (XIX-XX) "La Liberté".Dark brown patinated bronze, signed on naturalistic base, marble base, h: approx. 50 cm. (with base) Normal signs of age.
Lot 840
NARZISS VON POMPEIJ Wohl Italien, um 1900, Bronze, der Gott Dionysos mit dem Ziegenfell über seiner Schulter, wie er mit erhobenem Zeigefinger mit seinem nicht dargestellten Panther spricht, H: 27 cm. Leichte Altersspuren. | NARCISSUS OF POMPEIIProbably Italy, c. 1900, bronze, the god Dionysus with the goatskin over his shoulder, as he speaks with raised forefinger to his panther, not depicted, h: 27 cm. Slight signs of age.
Lot 841
BRONZE NACH ANTIKEM VORBILD "Sonnenanbeter" Um 1900, patiniert, stehender nackter Jüngling mit erhobenen, ausgebreiteten Armen, H: 31 cm. Min. Altersspuren.| BRONZE AFTER ANTIQUE MODEL "Sun Worshipper". Around 1900, patinated, standing naked youth with raised, outstretched arms, h: 31 cm. Min. signs of age.
Lot 842
FONDERIA SOMMER "Götterbote Hermes auf einem Felsen sitzend" Italien, Neapel, Ende 19.Jh., Bronze patiniert, nach Vorbild des antiken Hermes-Lysipp von 340 v. Chr., bez."Fonderia Sommer Napoli", H: 20 cm. Altersspuren, korrodiert.| FONDERIA SUMMER "Hermes, messenger of the gods, sitting on a rock".Italy, Naples, end of the 19th century, patinated bronze, modelled on the ancient Hermes-Lysipp from 340 BC, inscribed "Fonderia Sommer Napoli", h: 20 cm. Signs of age, corroded.
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