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Lot 49

Dogon, Mali, cast bronze helmet with four strap bands interspersed with two male and two female figural supports, braided and zigzag relief decoration to the headband and straps, surmounted by a seated bearded figure, 18cm tall

Lot 61

African bronze pendant in the form of a face with hanging loop, relief decoration to brow, ears and elaborate coiffure, 10cm

Lot 128

A cast bronze figure of an African spearman, 22cm and a brass bell with decorative loop, 15cm (2)

Lot 131

A bronze staff top in the form of a mythical bird with feather detail, 15cm and another African bronze model of a hunter with elaborate headdress, 18cm

Lot 261

WWI medal pair awarded to Lieutenant T B Beech, bronze rugby football award 1918, silver ARP badge and other badges.

Lot 284

WWI and WWII five medal group comprising WWI war medal and 1914-15 star awarded to 817 Pte J Hall K.O. SCO. BORD, George VI efficiency medal with territorial bar awarded to 3186367 Pte R J Sutherland K.O.S.B, WWI war medal awarded to 235363 Pte G Hair Sco Rif and a WWII war medal also a bronze commemorative pontification medal of 1887 for Leonis XIII

Lot 303

Victoria bronze academic award from the Department of Science and Art awarded to James A Dale, Birmingham Stage 4B, 1862 by W Wyon and a Glasgow University Athletic sports award to Alex Campbell 14th May 1927

Lot 366

Ancient Rome Constantine Dynasty bronze dupondis, two medalic first day covers, the 25th anniversary of the coronation and 150th anniversary of the Stockton and Darlington Railway 1825-1975 etc

Lot 380

Louis XV commemorative bronze medal UNC, France Charles X 5 Francs 1829 K and Louis Phillippe I 5 Francs 1843 W, United States of America Morgan Dollar 1887 AUNC and Austria Maria Theresa Thaler 1780 SFX

Lot 9

Two Green Onyx Ashtrays the first with a cold painted bronze partridge, the second ashtray depicts two cast bronze quails (WAF).

Lot 37

An Oriental Bronze Pillar Candle Stick with raised decoration in the form of ocean waves.

Lot 101

Vintage German pottery stein depicting lovers with German script to each side, the lid set with a bronze medallion depicting characters in a hostelry, approx. height 21 cms. to the top of the thumb piece.

Lot 293

Three Chinese bronze vases and Japanese bronze vase. Condition report: see terms and conditions.

Lot 378

A LARGE PATINATED BRONZE HUNTING GROUP, with green and mid-brown patina, cast as two horses and huntsmen, one dismounted, on a naturalistic oval plinth, signed. Height 46cm

Lot 380

AFTER LECORNEY, A 19th CENTURY BRONZE FIGURE OF A YOUNG GIRL STANDING WITH A BASKET OF FLOWERS, and holding small bunches of flowers in both hands, on a naturalistic base, signed Lecorney, on a stepped circular red marble stand, 56cm high

Lot 577

A 19th century Hookah pipe the brass ovoid form reservoir cast within tripod base with stylised lion perched upon the tubular pipe insert, hardwood stem with centralised knop between upper and lower disc turning, on which is seated a bronze urn form deposit, the detachable bamboo pipe is decorated with finely etched animals, Piscean subjects, figure heads and elaborate scroll work, 15½in. (39.5cm.) high. See Illustration.

Lot 578

Three Okpoho Manillas late 18th, early 19th century, two bronze, one of brass, penannular form with flared lozenge ends, forged in a style typical for Birmingham, 2¼in. (5.7cm.) diameter. (3)

Lot 612

A fine quality French Sevres style gilt bronze table casket mid-19th century, believed to have been purchased at the 1851 Great Exhibition by the current vendor`s great grandfather, the rectangular casket with outset columns to the corners surmounted by turned finials, set with six Sevres style gilded and hand painted porcelain panels depicting putti in various playful poses, the shallow pagoda style cover with scroll mounts to the corners, centred with a similar oval panel, the whole with finely engraved floral and foliate decoration, set upon an integral conforming shaped and stepped plinth base with similarly engraved border, the interior lined in the original fine dark blue silk velvet, 9½ x 8in. (24 x 20.25cm.), 4¾in. (12cm.) high, complete with original key, on an ebonised and red velvet base beneath a glass dome (cracked). * The casket contains the original purchaser`s `Exhibition Admission Card 1851` in a gilt lettered morocco leather wallet with emerald green silk lining, containing two `Season Ticket of Admission to the Exhibition of the Works of Industry of All Nations 1851`, No.350 (Henry Baker) and No.4407 (in pink card - Caroline M. Baker). Henry Baker was the son of Sir Robert Baker and the architect and surveyor of St. Pancras Station and the adjoining Baker Street. See Illustration.

Lot 627

A bronze figural table lamp c.1900, modelled as a classical maiden holding a flaming torch in one hand, the other held aloft to support a six light `lantern`, containing a removable cut glass hexagonal candle holder with swing handle, standing on a stepped square plinth with foliate border, 12in. (30.5cm.) high. See Illustration.

Lot 635

after Gaspard Marsy (French, 1624-1681) `Boreas abducting Oreithyia`, a well cast 19th century bronze figural group, with mid-brown to golden brown patination, on a square naturalistic base, with impressed mark `768`, the underside signed `DeFreville`, 21¼in. (54cm.) high. * In Greek mythology, Boreas was the North Wind, the personification of Winter, typically signified by his puffed out cheeks to symbolise the wind. He fell in love with Oreithyia, the daughter of King Erechtheus of Athens, and carried her away against her will to be his bride, the pair reigning as King and Queen of the Winds. The original set of four monumental marble groups of mythical abductions by Marsy, designed for the corners of the never-built garden by Charles LeBrun at Versailles, were later reduced and cast as bronzes upon Louis XVI`s order, two of which are held in the Getty Museum`s collection. Good quality later copies of this particular group are scarce. See Illustration.

Lot 640

A cast bronze sculpture after Antoine Louis Barye (French, 1796-1875) modelled as a recumbent lion on a naturalistic base, 7¼in. (18.5cm.) long.

Lot 657

A French stained ivory and gilt metal needle case late 19th century, of cylindrical form, stained to mimic bronze, with gilt metal husk borders, 9.3cm. long; together with a turned bone needle case; two carved ivory crochet hooks and a bone handled button hook. (5) See Illustration.

Lot 99

A LARGE JAPANESE BRONZE JARDINIERE, c. 1900, of circular lobed form applied with birds on a flowering branch, bears raised seal mark to base, height 26cm, diameter 28cm

Lot 49

A pair of late 19th century French Art Nouveau spelter vases of tapering three handle form, relief decorated with fairies among rushes, bronze patinated, signed J Garnier, 30.5cm high

Lot 57

A Chinese Qing Dynasty bronze scroll weight in the form of a seated crane, 11cm long

Lot 58

A 19th century Chinese bronze jardiniere of typical form decorated with a three toed dragon wandering amongst clouds, 21cm high

Lot 59

A large Chinese bronze vase of baluster form, the rim decorated with Greek key pattern, the neck with applied cranes flying amongst clouds, the lower portion with applied lion dogs and pups amongst flowering foliage, incised in sections and applied crabs swimming to the flared foot, signed cartouche to underside, 50cm high

Lot 196

A Pair of Chinese Green Porcelain Lidded Vessels with Bronze Bases and Finials, 20th Century. Dimensions: h: 22 1/2 x dia: 12 in.

Lot 233

Artist Unknown (20th Century)Classical Torso,Bronze,Unsigned.Dimensions: h: 29 1/2 x w: 21 x d: 14 in.

Lot 241

A Japanese Bronze Vase, Meiji Period. Dimensions: h: 13 x dia: 6 3/8 in.

Lot 197

**A FINE PAIR OF 50 BORE FLINTLOCK PISTOLS SIGNED GIO. BOTTI, CIRCA 1730 each with two-stage sighted barrel, fluted breech stamped by the barrelsmith `Lazarino Cominazzo` divided by stamped marks and formed with a raised moulding at the back, plain tang fitted with folding back-sight, signed rounded lock, chiselled with scrolling monsterhead tendrils against a punched ground in the Brescian manner on the tails, cocks and steels, blued triggers, moulded figured walnut full stocks carved with scrolls about the ramrod-pipe (one fore-end replaced), gilt-bronze mounts cast and chased with scrolling monsterhead tendrils en suite with the locks, comprising solid side-plates, trigger-guards, trigger-plates, and spurred pommels, ramrod-pipes and one fore-end cap, original ramrods with gilt-brass tips, and remaining in fine, virtually unused condition throughout 21.7 cm; 8 ½ in barrels (2) Provenance The Gewehrkammer of Ernst August I, Grand Duke of Saxe-Weimar (1688-1748), Schloss Ettersburg, Saxony Wilhelm Ernst, Grand Duke of Saxe-Weimar-Eisenach (1876-1923), sold E. Kahlert & Sohn, Berlin, circa 1923 George F. Harding Jr., Chicago, acquired by August 1927 Transferred to the Art Institute of Chicago, 1982, inv. no. 1982.2385 A considerable number of firearms signed Gio Botti and decorated in this manner are associated with this gunroom which was dispersed in the early 20th Century. It has been suggested that this group was assembled from Brescian parts by the court gunmaker Johan Martin Laun, recorded 1728-69. Another pair, decorated with the arms and cypher of Ernst August I, Grand Duke of Saxe-Weimar (1688-1748) were sold in these rooms, 9 December 2009, lot 277. For a discussion of this group see Hayward 1963, pp. 134-5.

Lot 217

A BRONZE SALUTING CANNON, EARLY 19TH CENTURY with tapering barrel formed in five stages, with raised astragal mouldings, a pair of plain trunnions, the vent with rectangular recess for an ignition device, pierced globose cascable (small dents), on a later stepped wooden naval carriage with four trucks 36.2 cm; 14 1/4 in barrel 2 cm; 3/4 in bore

Lot 317

**A FINE GERMAN BRONZE SALUTING CANNON DATED 1714 with tapering multi-stage barrel formed with raised astragal mouldings, strongly moulded muzzle, cast with bands of elaborate scrollwork behind the muzzle, of the first reinforce and the chase, the latter incorporating the crowned coat-of-arms of the Duchy of Wurttemberg enclosed by foliage and the former with a scrolling panel with the abbreviated inscription and the date `17 E.L.H.Z.W.14` for Eberhard Louis Herzog von Wurttemberg, raised collar-shaped vent, a pair of dolphin lifting handles, a pair of long plain trunnions, and globose cascable moulded en suite, with the muzzle and drawn-out to a pierced button chiselled with acanthus: on a later finely constructed iron-clad field carriage painted in polychrome and fitted with a pair of spoked wheels 67.3 cm; 26 1/2 in barrel 2.5 cm; 1 in bore Eberhard Ludwig, tenth Duke of Württemberg (1676-1733), was the only son of Wilhelm Ludwig of Württemberg (1647-1677) and succeeded to the dukedom when under a year old. During the years of his minority, the duchy was ruled by a regent, his uncle Friedrich Karl. In 1693, when Eberhard Ludwig was sixteen, the Holy Roman Emperor Leopold I proclaimed him duke in order to secure the duchy`s support for the Empire: strategically situated on the right bank of the Rhine, Württemberg represented a significant bastion for the Empire against the aggressive encroachments of Louis XIV`s France. Often popularly represented as a spendthrift and proto-absolutist ruler unduly influenced by his mistress and her family, the duke was typical of many of his peers - the rulers of the German princely states - in seeking to establish and increase the status of his duchy through overt magnificence, military expenditure and diplomatic manoeuvring. His uncle had created a standing army from Württemberg`s militia in the early 1690s and the duke capitalised on that initiative by increasing the size of the army: both men also raised regiments of Württembergers for the specific purpose of hiring them as mercenaries to other states. Although loyally allied to the Empire and the anti-French `Grand Alliance` during the War of the League of Augsburg (1688-97), the duke was ambivalent in his allegiance during the War of the Spanish Succession (1702-14) and periodically flirted with the idea of a French alliance in the hope of increasing his status; his appointment as Imperial Field Marshal in 1712 was made in order to secure his loyalty to the Empire. The ending of the war with France in 1714 left Württemberg in considerable debt and the duke without his desired enhanced political status. In the same year, though, hostilities between Venice and the Ottoman Empire began; Venice had hired Württemberger soldiers during an earlier war with the Turks and so, in October 1714, the Serene Republic approached the duke for a large contingent of men. In the event, the duke was out-manoeuvred by the Viennese court, his personal negotiations with Venice failed and the Württemberger soldiers ended up in Imperial service at far lower rates of pay than the Venetians would have paid. It is possible that this gun was cast in 1714 as part of the duke`s attempts to provide appropriately equipped forces for Venice. A colourful figure with considerable, if poorly focussed, ambition, Eberhard Ludwig failed in his principal aim: the establishment of absolute rule in a duchy with a fully funded army and genuine status within the Holy Roman Empire. The cultural achievements of his reign - the building of Schloss Ludwigsburg, for example - must be regarded as outweighing the military and political ones. See Wilson 1995.

Lot 318

**A BRONZE MODEL OF ANDREA DEL VERROCCHIO`S COLLEONI MONUMENT, PROBABLY LATE 19TH CENTURY dark patinated equestrian figure on plinth base 53cm ; 20 7/8 in high

Lot 319

**HANS MÜLLER (AUSTRIAN 1873-1937): KNIGHT OF VERONA Austrian part patinated bronze figure, early 20th century, inscribed in the bronze H. Muller Red, with Viennese foundry stamp, on a Verde Antico veneered trapezoid base 28 cm; 11 in high excluding Verde Antico veneered trapezoid base

Lot 320

**ANDRE CESAR VERMARE (FRENCH 1869-1949): JEANNE D`ARC DEBOUT PORTANT SON ETANDARD French patinated bronze figure, circa 1910, modelled as the young woman about to plant the banner, signed in the bronze, underside inscribed 9-9-09. 29 38.5 cm; 15 1/8 in high

Lot 126

AN EDWARD VII SILVER VASE WITH LION MASK HANDLES, THE FOOT ENGRAVED PRESENTED BY BRITISH CYCLE & MOTOR CYCLE MFRS UNION/NATIONAL RALLY LILLISHALL 1937, CHESTER 1936, 3OZS 10DWTS, ONE SILVER AND TWO BRONZE MOTOR CYCLING PRIZE MEDALS, CASED, A SIMILAR GILTMETAL AND ENAMEL SHIELD, ALSO ENGRAVED LILLISHALL 1937, CASED, SEVERAL EPNS TROPHY CUPS AND MUGS AND AN INTERESTING ALBUM OF SNAPSHOT PHOTOGRAPHS OF VARIOUS MOTOR CYCLE TOURS MADE BY THE RECIPIENT E W DAKIN IN THE 1930S

Lot 374

A GILT BRASS AND CONTINENTAL PORCELAIN OIL LAMP BASE PROBABLY FRENCH, THE TWO HANDLED VASE PAINTED WITH A SPANIEL AND BIRD AND A FRENCH MINIATURE BRONZE SCULPTURE OF A NEWBORN CHILD LYING ON THE BACK OF A STORK, ON OVAL BASE, BOTH LATE 19TH C

Lot 385

CAMPAIGN MEDALS. INDIA GENERAL SERVICE MEDAL, ONE CLASP, NORTH WEST FRONTIER, 1930-31, 4685797 PTE A TURTON KOYLI, 1939-45 STAR AND WAR MEDAL WITH ONE SILVER AND TWO CASED BRONZE SHOOTING MEDALS NAMED TO THE SAME AND A SILVER AND ENAMEL RAOB JEWEL ENGRAVED ALFRED TURTON

Lot 227

Bronze and gilt sculpture `Dancer` inscribed `Bizach`, 36cm

Lot 229

Bronze figure of an Egyptian Lady, 45cm

Lot 230

After P.J.Mene bronze sculpture of a dog, 26cm and two other dog sculptures (3)

Lot 234

Pair of 19/20th century Chinese bronze vases with character marks to bases, 38cm high

Lot 244

Pair of Japanese bronze Meiji bottle vases, 25cm tall

Lot 264

A Chinese bronze? Decorated paper knife, 29cm

Lot 265

A bronze religious figure of a Lady, `Shawl` inscribed D Alonso on marble base, 47cm tall

Lot 131

Miscellaneous items, to include two vases, a plate, cup and saucer, a Buddha, and a Japanese bronze small elephant

Lot 289

A collection of Asian items, including two plates, a black and white vase, a cloisonné vase, and a bronze bowl

Lot 3

A 19thC Grand Tour type bronze, Spinario pulling a thorn, on a rectangular stepped base and marble plinth, 29cm high overall

Lot 25

An Art Deco style bronze figure of a lady, on a hexagonal base, 60cm high.

Lot 495

A Continental bronze casket, decorated in rococo style with figures, fruit etc., 13cm wide

Lot 504

A small bronze box, made in the form of a packing crate marked `Fragile`, 7cm wide

Lot 506

A small bronze ornament, in the form of a griffin type animal, on an oval base, 10cm wide

Lot 641

A First World War bronze death plaque, awarded to a Walter Townshend, with original card, folder or cover.

Lot 40

Mysia, Pergamum (c.330-284 BC), AR Diobol, 1.26g, head of young Herakles right wearing lion's skin, rev. epam, cultus-statue of Athena facing, holding spear and shield (BMC 8), very fine, Ephesos (c.305-288 BC), bronze, 15mm., bee, e-, rev. stag kneeling left, head right, astragalos on right, magistrate itiaio (BMC 51), dark green patina, very fine (2) Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.

Lot 97

Kingdom of Syria, Antiochos VI (144-142 BC), AR Drachm, 3.97g, Antioch, 143/2 BC, diademed and radiate bust right, rev. Apollo seated left on omphalos, holding arrow and bow, date op and ta in ex. (Seleucid Coins 2002), flan crack, some surface erosion, about very fine, with bronze coins (2), of Antiochos I, diademed head right, rev. Apollo seated on omphalos, good fine, and Antiochos IV, radiate head right, rev. Nike driving biga left, good fine (3) Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.

Lot 215

Miscellaneous Roman coins (33), comprising a pierced Quinarius of Eganatuleius, a bronze of Augustus from Antioch, an As of Agrippa, a Ssestertius of Tiberius with empty triumphal car, a Denarius (broken) of Nero with a fine portrait, Denarii (3, one broken) and Asses (2) of Vespasian, Titus, Domitian, Nerva, a Sestertius of Trajan, Asses of Hadrian (3), Sestertii (2) and an As of Faustina Snr., a Denarius and Sestertius of Marcus Aurelius, a Sestertius of Julia Mamaea, an As of Gordian III, a Centenionalis of Theodosius I, together with a billon Tetradrachm and Drachms (2) of Hadrian, a bronze of Larissa, a large and smaller bronze of Ptolemaic Egypt, and a large Byzantine anonymous Follis, fair to good fine, the Nero very fine (33) Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.

Lot 233

Roman bronze coins (43), 3rd and 4th centuries, including Folles of Diocletian, Maximian, Severus II, Maximinus II, mixed condition, most fine to very fine (43) Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.

Lot 443

Italy, Rome, Benedict XIII (1724-30), bronze medal, 1725, by Hamerani, 37mm., bust left, rev. benedixit filys in te, ceremony of closing of the Holy Door, 1725 incuse in exergue (Lincoln 1720), extremely fine Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.

Lot 721

Anne, Union of England and Scotland 1707, bronze medal by J Croker and S Bull, draped bust left, rev. two genii supporting crowned shield (E.425; MI ii, 296/113), good very fine Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.

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