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Lot 398

George III, Death of Lord Nelson, 1805, bronze medal by Thomas Webb, bust left, rev., Bellona, 54mm (BHM 577; Eimer 957; MH 507), slight verdigris, extremely fine; Duke of Wellington, Battle of Waterloo, 1815, partially gilt copper medal from Mudie`s series of National Medals issued in 1820, 41mm (BHM 871; Eimer 64b), very fine; Wellington Laudatory Medal, 1841, by Pistrucci, in bronze, rev., antique helmet over thunderbolt, the edge stamped VIS VIRTVS VERITAS and with initials W.R.H., 61mm (BHM 2011; Eimer 118), good very fine (3)

Lot 399

Victoria, The Duke of Wellington as Lord Warden of the Cinque Ports, 1839, bronze medal, by B. Wyon, bust left, view of Dover Castle, 56mm (BHM 1889; Eimer 1328), a few marks, good very fine; Foundation of the Royal Cinque Ports Yacht Club, 1872, bust of Prince Arthur left, rev., arms of the club, 45mm (BHM 2949; Eimer 1620), rim scratched, otherwise extremely fine (2)

Lot 400

Victoria, Art Union medals (3), comprising John Bacon, 1864, in silver, Sir Francis Chantrey, 1843, and Thomas Stothard, 1880, in copper, all 55mm (BHM 2797, 2227, 3080); other bronze portrait medals (7) comprising the physician John Freind by Saint-Urbain (2, MI II, 488, 28), John Milton, 1737, Sir Walter Scott, rev., the Lady of the Lake, Lord Byron, Sir John Soane, and Napoleon`s coronation celebrated in Paris, 1804 (Bramsen 358); together with white metal medal for Victoria`s visit to the City of London, 1837; and London & Westminster penny token, 1797, rev., Late Surgeon`s Hall - Old Bailey (D&H 110), Sir Walter Scott in bronze and white metal, and William Roscoe in white metal, all from the Clifford sale. very fine or better (15)

Lot 401

Victoria, Visit of the Shah of Persia to London, 1873, bronze medal, by A.B. Wyon for the Corporation of the City London, bust of Nasr-ed-Din three-quarters left, rev., Londinia standing between the arms of Persia and the City of London, 77mm (BHM 2951; Welch 13; Eimer 1623), in case of issue, extremely fine

Lot 406

Germany, Sinking of the Lusitania, 1915, bronze medal by Goetz, an original striking on a thin flan; and Goetz medals for the Baralong Murder, 1915, and Troops in Marseilles, 1914 (Kienast 138, 156, 162), good very fine or better (3)

Lot 407

India, Calcutta International Exhibition, 1883-4, copper medal, 76 mm by J.S. & A.B. Wyon (Pud.883.2.1); together with silver and bronze photographic prize medals, 63 mm and 51mm (Pud. 910.1 and 948.27.3), extremely fine (3)

Lot 409

Italy, Giampietro Zanotti (painter and writer, 1674-1765), bronze medal, 73mm,

Lot 415

Miscellaneous, medals in gold (1), silver (3) and base metal (4), including Alexander Davison`s Medal for Battle of the Nile 1798 in bronze, by C.H. Küchler, 47mm. (BHM 447; Pollard 15), George IV, 1820, official coronation medal in copper (BHM 1070), and Victoria, Diamond Jubilee, 1897, official gold medal, small size (25.5mm), 12.91g (BHM 3506), the last with minor obverse graze, otherwise nearly extremely fine, others about very fine (8)

Lot 449

Greek silver (15), comprising tetradrachms of Athens (obv. pitted), Antiochus VIII, Philip Philadelphus and Ptolemy IV; stater of Leucas and smaller silver (10); with Greek bronze (22); Roman colonial bronze (8); Byzantine bronze (11); and cast copies of Cavino sestertii (2), fair to fine, some better (58)

Lot 487

Sestertii (15), of Hadrian, Antoninus Pius (4), Faustina I (2), Marcus Aurelius, Lucius Verus, Lucilla, Commodus, Severus Alexander (2), Philip I (rev., stag) and Otacilia Severa; other Roman bronzes (14) including dupondius of Antonia (damaged), as of Antoninus Pius, rev., Britannia; Alexandrian billon tetradrachm of Salonina; and Artuqid bronze dirhams (3), fair to fine, some better (32)

Lot 490

‡ Miscellaneous, ancient coins (about 130), mainly Roman bronze, including antoninianus of Carausius, quinarius of Allectus, and an Antioch AE 20mm of Tancred, poor to fine (about 130)

Lot 491

Miscellaneous, Roman bronze issues (79), late 3rd and 4th century AD, mainly very fine, a few better (79)

Lot 13

Victoria, an assembled ‘set’ of fifteen coins from gold five-pounds to bronze farthing, 1887, including both types of sixpence, from currency, the five-pounds with minor flaws, the gold very fine to extremely fine, others mixed grades, many cleaned, uncased (15)

Lot 6

ROBERT LENKIEWICZ `Karen Bronze Shawl` Ltd Edition print No 54/500 with Certificate

Lot 51

ROBERT LENKIEWICZ (1941-2002) `Karen in Bronze Shawl` Ltd Edition print No 264/500

Lot 420

19th century bronze bowl of spherical form on tripod supports depicting panels of figures reserved on a key fret ground incised good luck characters, wooden stand, 15cm, measurement is without the stand

Lot 422

Pair of bronze vases tapering at rim and foot relief decorated with Kwannon by a waterfall and a rabbit surveying the moon to the other side, 20.5cm

Lot 426

Three small Chinese bronze dishes, a near pair with twin handle and another with faux mask handles

Lot 436

Antique bronze flattened dish with chi lung handles and embossed gourd and foliage decoration on tripod supports

Lot 462

Two early Chinese bronze candle prickets on flaring foot with chi-lung decoration, the waisted support with simple rib decoration, 15cm

Lot 512

19th century Chinese bronze model of a kylin, 8.5cm

Lot 515

Japanese bronze vase with relief decoration of birds and flowers in different metals, and another similar, (2)

Lot 626

19th century French bronze circular jardiniere with twin cherub moulded panels to side raised on bun feet, pressed "F Duquesnoy Paris 1892" , 13.5cm high

Lot 695

Chiurazzi, Naples, pair of Italian bronze models of boys, one holding a swan, the other holding a dolphin on socle bases, height 24cm

Lot 698

Bronze model of a recumbent dragon on plinth base, 13cm x 8.5cm

Lot 10

A MINIATURE WHITE-METAL CRICKET BAT, the handle enclosing an extendable pen, 2.3/4in. (7cm) long; a miniature ivory cricket bat, 3.1/2in. (8.8cm) long, a yellow-metal cricket medal; two bronze examples; a Robertson`s Golly Cricket lapel badge; and a commemorative 20 cents Sir Donald Bradman coin (7)

Lot 342

A Large Chinese Imperial Lapis Lazuli Boulder Carving, incised with a poem, Qing Dynasty, 18th century, with a later gilt bronze stand, 23cm (26cm including the stand).One side depicts a Luohan sitting amongst rocks with a squirrel on his lap, and with a gnarled tree clinging to a ledge across from a waterfall. The summit beneath clouds inscribed with a poem in five lines, the characters gilded. The reverse with a large knotty pine tree and water cascading from rocks also beneath clouds. The stone flecked and speckled with gold. The ormolu stand well cast with three fruiting leafy pomegranate branches.The poem reads:`Yu Ti Luo Han Zan,Wan Wu Wo Bei He Shu He Qin,Shou Fu Shan Wu Xi Qi Xing Xun,Xun Ze Bu Rao Xi Ze Wu You,Yu Zhu Zhong Sheng Fo Tu You You.`which can be translated as: `Imperial inscription in praise of the Luohan,The ten thousand things are complete in me; all comers are like the family,In my hand I hold a squirrel; I rejoice that it is good-natured.Being good-natured, it is not disturbed; being joyful it has no regrets,And together with all sentient beings, we wander in the land of Buddha.`ProvenanceThe Hon. Mrs Mary Anna Marten OBE, Crichel House, Dorset. Purchased prior to 1953.Catalogue NoteIn China, lapis lazuli is known as qing jin shi (blue-gold stone). Although lapis beads have been excavated which date to the Han dynasty, there are no records of the use of lapis before the Qing dynasty. Cf. Ming Wilson, The Colour of Stones, Transactions of the Oriental Ceramics Society 1997-98, vol.62. p.34.Cf. Zhongguo yuqi quanji, vol. 6, Shijiazhuang, for another lapis lazuli carved boulder in the Palace Museum, Beijing, 1993, pls. 262 and 263. and another in the Le Shou Tan, (Hall of Joyful Longevity). See also Sotheby`s Paris, 18th December 2009, lot 206 for a smaller example.With thanks to Professor Roderick Whitfield and Ching-Yi Huang of SOAS their help in cataloguing this lot.

Lot 121

A tray with a pair of blue and white plates, and a pair of bronze dragons, etc

Lot 8

A small Chinese gilt bronze seal, surmounted by a Buddhist lion dog with his puppy, 18th century, surface and gilt wear, 5.7cm. Provenance: Sackville, 5th Earl of Yarborough.

Lot 16

A Chinese mottled jade blade or ge, with a meridian ridge running along the length of the blade, well worked on either side and with one drilled fastening hole, the greyish stone mottled with brown inclusions, Shang dynasty c.1600 - 1100BC, 25.5cm. Provenance: Sackville, 5th Earl of Yarborough. Jade blades of this type were ceremonial reproductions of bronze ge blades, used as infantry weapons in the Shang and Western Zhou dynasties.

Lot 30

A Chinese gilt bronze plaque, formed as a tiger devouring a deer, Ordos, Warring States period - Western Han, 11.8cm. Provenance: Sackville, 5th Earl of Yarborough. Cf. G. Fahr-Becker, The Art of East Asia, p.59 for a related figure.

Lot 84

A Chinese gilt bronze figure of Amitabha Buddha seated in dhyanasana, his hand is dhyanamudra before a detachable flaming aureole and raised on a high tapering rectangular base, incised or stamped with five characters, 18th century, 20.6cm. (2)

Lot 85

A good Chinese gilt bronze figure of a boddhisatva, seated on a lotus throne, with elaborate jewelled headdress and necklace inset with coral and turquoise, 18th century, the contents of her hands lacking, 19.5cm.

Lot 86

A fine and large rare gilt copper figure of Aksobhya, seated in dhyanasana, a vajra lying in front of him on his lotus throne, his hands in bhumisparsa and dhyanamudra, his hair with blue pigment and his lips and the flowerhead he touches with his right hand with red pigment, 15th/16th century, 36cm. The detail of Aksobhya`s middle finger touching a flower is unusual on figures of this type, but is a detail echoed in a similar bronze in the collection of the Palace Museum, Beijing, illustrated in The Complete Collection of the Treasures of the Palace Museum, vol. 60, Buddhist Statues of Tibet, no. 153.

Lot 88

A fine small gilt bronze figure of Manjushri, seated in dhyanasana, his right hand holding a raised khadga, his left holding a pustaka to his chest, a Padma at his left shoulder, traces of blue pigment in his hair, 17th/18th century, 10.25cm.

Lot 89

A Tibetan gilt bronze figure of Amitayus, seated in dhyanasana on a lotus throne, his hands in dhyanamudra, holding a kalasa, traces of blue pigment in his hair, 17th/18th century, 16cm.

Lot 91

A rare Tibetan or Bhutanese gilt bronze figure of a Lama, seated on a lotus throne in dhyanasana, his hands in dharmacakra, wearing a long pleated robe, bracelets, anklets and a five leaf crown, the base sealed and engraved with a triple-whorl, 16th/17th century, 13.5cm. The unusual iconography of this figure makes certain identification difficult. The characterful face combined with the robes suggest a portrait figure of a monk, but the crown, bracelets and position of the hands are attributes of Maitreya. Cf. Arts of Asia, September-October 2009, where this piece is discussed on p.10.

Lot 92

A fine Chinese gilt bronze model of a Buddhist acolyte, standing with his hands held together and leaning slightly forwards, his hair tied in three top knots and wearing a large earring, his robes are elaborately decorated with lotus on a matted ground and with traces of original pigment to his head, late Ming dynasty, 17th century, 31cm. (2) Cf. d`Argence, Chinese Korean and Japanese Sculpture, The Avery Brundage Collection, no.115, pp.294-5 for a related Qing example and Spink & Son Ltd., The Minor Arts of China IV, pp.58-59, nos.67 & 68 for related examples.

Lot 93

A large Japanese gilt bronze figure of Buddha, seated on a lotus throne, his hands held together in his lap, the edges of his robes incised with a foliate scroll, 18th century, 45cm. (2)

Lot 96

A Tibetan gilt bronze repousse figure of the Bodhisattva Padmapani, standing in tribanga, wearing a dhoti with sashes and jewellery, surrounded by a pierced flame aureole, traces of red pigment, 16th/17th century, mounted on a gilt rectangular stand, 52.5cm. (2) Provenance: Sotheby`s, London, 4th July 1983, lot 81.

Lot 99

A pair of Chinese gilt bronze and cloisonne enamel bowls and covers, with onion-shaped finials and widely flaring rims, decorated with lotus and strapwork reserved on a rich turquoise ground, unmarked, 17th/18th century, 15.5cm. (4) Cf. Chinese Cloisonne, The Clague Collection, p.94, Pl.40 and Sotheby`s London, 4 Nov 2009, Lot 152 for a similar Qianlong examples.

Lot 108

A pair of Chinese cloisonne and gilt bronze models of lion dogs, with removable heads, each standing four square, baring their teeth and with their tails raised, and with floral appliques to their chests, their coats decorated with simulated hair in shades of blue and turquoise, 18th/19th century, 15cm long. (4) Cf. The International Exhibition of Chinese Art, Royal Academy of Arts 1935-36, p.176, No. 1861 for similar examples.

Lot 114

A Thai Sukothai style bronze figure of Buddha walking, his hands in abhaya and varada mudra, raised on an octagonal stepped base, 16th/17th century, 39cm. Provenance: an English private collection.

Lot 115

A Khmer Lopburi bronze figure of Uma, standing wearing a sampot and decorated with pendants, bracelets and armlets, 12th/13th century, 16.5cm. Provenance: an English private collection.

Lot 116

A Thai Ayutthaya bronze figure of Buddha, standing in samabhanga, crowned and wearing a samghati, his hands in abhaya and varada mudra, 16th/17th century, 23.8cm. Provenance: an English private collection.

Lot 119

A large Thai Ayutthaya style bronze figure of Buddha Sakyamuni, standing in samabhanga and dressed in a samghati and sampot, his right hand in abhaymudra, wearing armlets and a necklace, 17th century, Ketumala finial missing, 104cm. Provenance: an English private collection. Cf. Christie`s, Amsterdam, Important Buddhist Art, 19th November 1997, lot 111.

Lot 120

A Thai Mon-Dvravati bronze figure of Buddha, standing in samapada with his hands raised in vitarka mudra, supported on a circular double lotus base, c.10th century, damage to the fingers, 17.5cm. (2) Provenance: an English private collection.

Lot 126

A rare Thai bronze figure of the Emaciated Buddha, Ratanakosin, seated in dhyanasana with hands in dhyana mudra and wearing a long dhoti and sash, his hair formed as spiky curls and with a domed usnisa finial, raised on a base decorated in relief with birds and animals in a rocky landscape frieze, late 19th/early 20th century, 89cm. Provenance: by repute, commissioned by King Chulalongkorn (Rama V), Thailand, Prince Damrong Rajanubhab,Thailand, Dr Johan Moger, Netherlands, Jean Thomassen, Netherlands, Purchased, Sotheby`s, New York, 26th March 1998, lot 211. Images of the Emaciated Buddha are unusual in Thai tradition, but depict Prince Siddhartha in his ascetic period. Despite his father`s attempts to deny the existence of the sick, aged and suffering, Siddharta`s discovery of their struggles led him to a life of denial, where he allowed himself just one grain of rice a day in order to purify his body and rid himself of earthly temptations. After reaching near starvation, he realised that he should follow a middle path, exercising moderation away from the extremes of self-indulgence and self-mortification. Thereafter, aged 35, he reached Enlightenment to become Gautama Buddha.

Lot 128

A Thai Chienseng bronze figure of Buddha, seated on a lotus plinth with mother of pearl inset eyes, 17th/18th century, 23cm. Provenance: an English private collection.

Lot 129

An Indian bronze Hanuman group, seated in flowing robes, holding his hands in namaskara mudra, his secondary hands in parasu, the tail detachable, probably 16th century, 14.2cm. (2) Provenance: an English private collection.

Lot 130

A Burmese bronze figure of Buddha, seated in dhyanasana on a lotus base, his hands in bhumisparsa and dhyana mudra, 18th century, 20.7cm. Provenance: an English private collection. Cf. Sotheby`s, London, South East Asian Art, 23rd November 1987, lot 202 for a similar figure.

Lot 153

A massive and rare pair of Chinese bronze ornamental sculptures, in Venetian style based on candelabra or andirons. Each cast with male and female satyrs surmounted by urns decorated with four winged herms, the triform bases heavily cast with baroque scrolls and each with oval cartouches, three inscribed with two Chinese characters `ge deng`, c.1860s, 76cm. (2) `Ge-Deng` is the personalised name for Gordon in Chinese, and also relates to the Gordon Clan heraldic device, where `ge` means spear or lance and `deng`, to mount or enter. Cf. Oriental Art, Spring 1988, Vol XXXIV No.1, pp.4-19 where Dr Eldon E Worrall argues a strong case that the bronzes originate in Southern China, c.1860s, probably in Canton or Macao, and as a gift to General Gordon from an Oriental rather than a European. The evidence for this relies on a combination of factors, including the examination of stylistic and technical details, chemical analysis, and the link to China through Nils Anderson-Westergren. A number of Chinese objects, including Gordon`s seal, have identical calligraphy and are now housed in the Royal Engineers Museum at Brompton Barracks, Chatham, Kent. Provenance: discovered inside a dumb waiter in the house of a Liverpool merchant and formerly in store at a shop premises in Park Road, Liverpool where they were owned by the grandson of Nils Anderson-Westergren, (a seaman believed to be in China just prior to 1864). Previously on loan and exhibited at the National Museums and Galleries on Merseyside, (formerly Liverpool Museum). Charles Gordon (Chinese Gordon) General Charles George Gordon died at the siege to Khartoum in 1885. Previously he served in China, arriving at Tianjin in 1860; he was present at the occupation of Beijing and the destruction of the Summer Palace. The British forces occupied northern China until April 1862, then under General William Staveley, withdrew to Shanghai to protect the European settlement from the rebel Taiping army. In 1863, he took command of the `Ever Victorious Army`. Later, the Emperor promoted Gordon to the rank of titu, meaning: `Chief commander of one province`s military`, one of the highest grades in the Chinese army, and decorated him with the Yellow Jacket, and raised him Qing`s Viscount of second class. The British Army promoted Gordon to Lieutenant-Colonel and he was made a Companion of the Bath. He also gained the popular nickname `Chinese Gordon`.

Lot 158

A very large Chinese landscape painting of the Yihe Yuan Summer Palace. Illustrating views including the camel hump bridge, pavilions on the Wanshou hill and with the famous bronze bull in the right foreground. Ink and colour on paper, 18th/early 19th century, 164cm high, 285cm wide. Provenance: by repute, brought back from Beijing in 1861 by a member of the Castle family, listed as an officer of the Royal Engineers Corps, who was present at the sacking of the Palace. Previously on loan and exhibited at the National Museums and Galleries on Merseyside, (formerly Liverpool Museum). Cf. Illustrated by William Watson and Chuimei Ho, The Arts of China after 1860, p.218, pl. 274. `The Summer Palace or Yihe Yuan literally `Gardens of Nurtured Harmony` is a palace in Beijing. The Summer Palace is mainly dominated by Longevity Hill and the Kunming Lake. It covers an expanse of 2.9 square kilometres, three quarters of which is water. Kunming Lake was entirely man made and the excavated soil was used to build Longevity Hill. The Summer Palace started out life as the Garden of Clear Ripples in 1750. Artisans reproduced the architecture styles of various palaces in China. Kunming Lake was created by extending an existing body of water to imitate the West Lake in Hangzhou. The palace complex suffered two major attacks. The first during the Anglo-French allied invasion of 1860 (when the Old Summer Palace was destroyed), and during the Boxer Rebellion in an attack by the eight allied powers in 1900. The garden survived and was rebuilt in 1886 and 1902. In 1888, it was given the current name, Yihe Yuan. It served as a summer resort for Empress Dowager Cixi, who diverted 30 million taels of silver, said to be originally designated for the Chinese navy, into the reconstruction and enlargement of the Palace. In December 1998, UNESCO included the Summer Palace on its World Heritage list. It declared the Summer Palace `a masterpiece of Chinese landscape garden design`. It is a popular tourist destination but also serves as a recreational park.

Lot 177

A good Chinese bronze model, probably of LÆ’ Dongbin, standing with his right hand held before him and his left hidden in his sleeve, he wears flowing robes with floral decorated borders, late Ming dynasty, 17th century, 27.4cm. Cf. Rose Kerr, Later Chinese Bronzes, Nos. 64 & 65 for a related figures.

Lot 209

A Chinese pale celadon jade vase, of archaic bronze form, with a straight neck and flanges to the rectangular section body, crisply carved with debased taotie, 18th century, 8.1cm.

Lot 244

A massive Chinese bronze Buddhist lion dog, forming an incense burner, the body boldly cast and seated on its haunches and with a hinged head, the left front paw rests on a puppy, 16th/17th century, some damage to the detachable tail, 76cm long and 49cm high.

Lot 248

A Chinese gilt bronze belt hook, the terminal modelled as a dragon`s head, Ming dynasty 1368-1644, old wear to the gilding, 11.5cm. Provenance: the Ernest Ohly collection.

Lot 249

Two brass/bronze halberd finials, one supporting a conch, the other with a vase of fruit, their bases incised with columns of calligraphy, 67.5cm. (2)

Lot 250

A Chinese gilt bronze belthook, inset with malachite, the terminal crisply cast as a dragon`s head, Ming dynasty, 11cm.

Lot 252

A rare Chinese gilt bronze official seal, dated the 14th year of the 5th month of Qianlong (corresponding to 1750), incised with Chinese and Manchu characters, 10.5cm. By repute, this is the seal of the Qing official in charge of the garrison troops opening up wastelands to grow grain, from the Ministry of Works and Ministry of Rites and Ceremonies.

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