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§ Salvador Dali, (Spanish, 1904-1989), Hommage a Terpsichore (La Danse), 1977, the two-piece bronze with green and burnished bronze patina, signed Dali and numbered 230/350 to base, foundry stamp Jemelton 1984, with certificate of authenticity 70½cm (27in) Literature: Dali in the Third Dimension: The Stratton Foundation Collection Terpsichore is the mythological muse of dance. Her name comes from the Greek "delight in dance". Dali conceived the idea for this sculpture in 1977 and it was first cast using the lost wax process in 1984. The lost wax process involves creating a wax model of the sculpture which is then encased in a fireproof mould, heated until the wax melts and is then poured out ("lost"). The mould is then refilled with bronze or metal for the final casting. Salvador Dali is one of the best known of all the surrealist artists, known particularly for his paintings. However he created a considerable number of sculptures, which can be viewed at the Dali Universe at County Hall in Westminster, including a cast of Homage to Terpsichore. In Dali's creation, he sees Terpsichore as a dual or reflected image; one soft and classical in contrast to the other hardened and statuesque. There are no features in their faces as the significance to Dali was in their figures. The dancer of smooth soft lines representing grace and the unconscious, with the other "half" of Terpsichore angular and cubist in feel, representing the chaotic rhythms of modern life. The poet and critic André Breton explained in The Surrealist Manifesto of 1924, that surrealism was a means of reuniting the conscious and unconscious so the world of dream and fantasy would be joined to the everyday rational world. Thus Dali, with his sculpture of Terpsichore, reflects the very essence of surrealism.
Count Michael d'Aguilar (British, 1924-2011) A large portfolio of watercolours of landscapes, both England and Europe watercolour, various sizes Other Notes: Michael d’Aguilar was born in 1922 in London to Spanish parents and he was the brother of artist Paul D’Aguilar. He studied at The Royal Academy Schools from 1948 - 1953 where he won numerous awards, including the Leverhulme Scholarship. He was a winner of the Royal Drawing Society’s Gold, Silver, and Bronze medals and the Armitage and Silver Medal at the Royal Academy. D'Aguiler held successful one-man shows at the Temple Gallery in 1961, the New Grafton Gallery in 1971, the Southwell Brown Gallery in 1974, the Bruton Street Gallery in 1995 and his work was represented in the Bradford City Art Gallery. All unframed and with some creases and tears.
A modern silver pill box Of circular form, with The Prince of Wales's feathers applied in silver-gilt, by C J Vander Ltd., London 1981, together with, a Victorian padlock and matched key, stamped with the crown VR and patent, together with, a copper decorative cross, possibly Russian, the front with a crowned monogram, the reverse with worn Cyrillic writing, a Welsh bronze medal, celebrating the centenary of a school, depicting a robed Gentleman to one side and Welsh script to the reverse, a novelty miniature revolver, in white metal, engraved with a stags head (5) weight of weighable silver 1.5 troy oz
Two Mali bronze elongated figures similar to Giacometti the tallest measures 73cm high All lots in this Tribal and African Art Sale are sold subject to V.A.T. Therefore £100 hammer price will have Buyers premium on top and also an extra £20 in V.A.T. Condition report: see terms and conditions
Three figural gold weights, also one other bronze figure of a gagged and bound male, the tallest figure measures 17cm high All lots in this Tribal and African Art Sale are sold subject to V.A.T. Therefore £100 hammer price will have Buyers premium on top and also an extra £20 in V.A.T. Condition report: see terms and conditions
*Arthur Brown. A bronze and enamel medal awarded to the driver at the Kent & Sussex Light Car Club Meeting at The Lewes Speed Trials, inscribed verso, 'Handicap Class Fourth - A. Baron - 13-5-33', the medal comes with its original spring clip and lined presentation box, a photocopy of the car and driver comes its sale (1)
*A Squirrel Mascot by Maxime LeVerrier. A well-crafted and rare bronze mascot in a semi-cubist style, the animal holding a nut to his mouth, embossed 'M. LeVerrier' to the side of the octagonal base and possessing a delightful patina, circa 1925, mounted on a radiator cap, 4 3/4 ins (12 cm) high (1)
*Mr & Mrs Maymore. A pair of character mascots for mounting on 'his' and 'hers' motor-cars, both mascots are well-detailed in solid bronze and both with an excellent patina that only age can impose, both mounted on turned wooden bases, 3 1/4 ins (8 cm) high Mr Maymore (with his pipe, which is often missing) was the first to be created by May & Padmore Ltd of Birmingham, as a Christmas gift in 1923, and named after the founder of the company. Mrs Maymore was similarly produced for Christmas 1925. Both scripted under their bases. Both mascots are rare in the market today, particularly as a pair. (2)
*A Falcon semi-lightweight touring gentleman's bicycle dating from the 1970s, retaining its original light bronze finish the 21-inch frame numbered M9K25791, all of the chromium-plating bright parts are in very good condition with no signs of corrosion, the Shimano 10-speed gearing and controls are in fine fettle, the side-pull braking on the 27-inch rims has hardly been used (1)
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