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Lot 61

JACK VETTRIANO, 'THE LETTER', an open edition print, double mounted and framed in a bronze effect frame, 70cm x 54cm

Lot 112

A bronze and iron miners lamp, numbered 416, 23cm high.

Lot 207

A PAIR OF BRONZE GRYPHON SPILL VASES on rectangular veined marble bases, 14cms wide

Lot 121

Reproduction bronze Buddha, Thai Lanna style, 21.5cm high and an Eastern bone-handled knife in white metal sheath with applied stylised flower decoration, 21cm long (2)

Lot 752

Modern revived Georgian style bronze-finish chest of drawers by 'And So To Bed, London', of serpentine form with three short and three long drawers, width 123cm

Lot 150

A Tibetan bronze buddha, 20th century, seated on a double lotus throne with his leg crossed, his robe engraved with flowers, 14.5cm high

Lot 154

A bronze greyhound, after P J Mene, 13cm high

Lot 189

A Franklin Mint cold painted bronze figure of a Native American, 'The Spirit of the Raven', 27cm high

Lot 347

A bronze bust of Adolf Hitler, 16.5cm high, and another of a German soldier, inscribed 'Zun Erinerung an die 8 (M.G.) J.R. 15 vom 1.2.24 - 15.9.1934. 22cm high

Lot 349

Two pairs of bronze partridges, after J Moigniez, 23cm long x 19cm high..

Lot 72

Eight Japanese cold painted bronze miniature figures, including a frog in a jam jar with fly, a Geisha girl on bench, and a mouse in a slipper, tallest 4.5cm

Lot 111

A Chinese bronze patinated white metal censer late 19th / early 20th century, with diaper ground and beast handles, twin phoenix decoration to both sides, stylized cloud feet, cast three character mark to base, 6in. (15cm.) wide.

Lot 179

Two rummage boxes to include an Oriental bronze and enamelled box, Coronation cup with Vale Guernsey stamp, etc, etc.

Lot 44

to include a Ronson table lighter; novelty money box OXO cube souvenir; 1970's Casper pull toy; semaphore cards; bronze scottie dog & onyx pin tray; smallest bible in the world; boxed Crescent toys milk bar; AVO valve tester; boxed minirobot; mirror; novelty female bottle opener; Jolly N bank; car horn; scales etc etc.

Lot 581

Two Middle Eastern bronze urns.

Lot 629

A pair of 19th century steel Adam style fire dogs, plus a painted metal pedestal urn & bronze dolphin doorknocker (4)

Lot 646

Three mother of pearl religious Jerusalem souvenir pendants together with a bronze crucifix. (4)

Lot 675

A c1997 bronze, silver & gold John Paul II Vatican souvenir coin set.

Lot 699

A bronze circular snuff box the observe with a portrait of Bonaparte, cast from a medallion.

Lot 544

Cased set of 5 vintage buttons with 5 matching miniature buttons, 3 retracting rolled gold pencils and a pen & bronze plaque by J Delpech relating to the departmental competition of the flemish breed 1910

Lot 545

Bronze pestle & mortar

Lot 209

Large modern bronze effect mantle clock of classical style

Lot 247

Bronze effect paraffin lamp with decorative floral painted shade

Lot 281

A contemporary bronze Art Deco style table lamp formed as a young lady raised on a polished stone base.

Lot 247

An art deco cold painted bronze and onyx figure group, modelled as two spaniel puppies playing around an onyx bowl, 12 cm diameter x 8 cm high

Lot 220

A pair of bronze 19th Century pierced candlesticks, with dentil sconces, 16 cm high

Lot 243

A 19th Century Vienna cold painted bronze, model of a fox standing, 19 cm long

Lot 123

A late Meiji period Japanese bronze mirror, with decorative back of canes in blossoming tree, showing signs of once being silver plated, 35cm x 24cm, in lacquered fitted case, AF

Lot 108

A pair of 19th century French bronze candelabra, modelled with cherubs holding aloft lilies, 23in.

Lot 119

A Flemish bronze mortar, by Jan van den Ghein II, Malines, dated 1559, the upper band inscribed 'IAN VAN DEN GHEIN ME FECIT MCCCCCLIX', above bands of chimeras with vases and fleur de lys, height 8in.Compare a similar larger mortar sold by Christie's, Amsterdam, 21-22 September 2010 sale , lot 205

Lot 121

A pair of early 19th century bronze candlesticks, with cherub stems and diapered bases, the underside with cast iron loading with an indistinct makers mark, 10in.

Lot 125

A Lorenzl Art Deco bronzed figure of a nude dancing girl, signed in the bronze, on green onyx plinth, height 11in.

Lot 126

Max Le Verrier. A pair of green patinated bronze bookends, modelled as seated medieval maidens reading books, on marble plinths, width 6in. height 6.75in.

Lot 127

Salvatore Melani. A 1930's gilt bronze figure of a dancer, modelled poised on one leg, raised on a stepped oval antic-verdi marble base, signed 'S.Melani' to bronze plinth, height 19in.

Lot 128

Marcel Bouraine. An Art Deco patinated bronze figure of a dancer, modelled poised on one leg and balancing a ball on the back of each hand, raised on a black marble plinth, signed 'M. Bouraine' and stamped 'Bronze', height 19.25in.

Lot 129

Marcel Courbier (1898-1976). A 1920's bronze figure group 'La Jeune Fille au Chevreau', modelled as kneeling feeding a lamb, raised on a marble base signed 'Courbier' and inscribed 'F.Barbedienne, fondeur, Paris', height 11.75in. length 16.25in.

Lot 130

Limousin, Paris. A 1920's silvered bronze figure group of dancers, the male and female figures raised on a veined black marble base, signed 'Limousin, Paris', height 17.5in.

Lot 131

D.H. Chiparus. An Art Deco patinated bronze figure of a girl feeding goats, in stylised dress, on a signed veined marble base, height 14in. length 22.75in.

Lot 133

Max Le Verrier. A bronze study of a horse at full gallop, raised on a pink granite base signed 'M. Le Verrier', height 10.5in. length 22.5in.

Lot 135

Lucien Gibert. A patinated bronze model of a seagull flying over a wave, signed Trebig, height 17in.

Lot 136

A Renaissance bronze candelabrum modelled as a cherub, height 9.25in.

Lot 137

Felix Maurice Charpentier (1858-1924)bronze'La Muse'signed in the bronze with foundry stampH.3ft 3in., on a green serpentine pedestal H.3ft 4in.

Lot 138

After Giambologna. A pair of good mid 19th century French bronze figures of Mercury and Fortuna, each raised on a Sienna marble plinth with bronze putti, height 32.5in.

Lot 139

Jean Francois Theodore Gechter (1796-1844). A second quarter of the 19th century French bronze figure of an angel, modelled as a seated, playing a horn, signed 'T.H.Gechter' to base, height 13.75in.

Lot 141

Pierre-Jules Mène (1810-1879). A 19th century French bronze figure of a falconer, in Middle Eastern costume holding his hand aloft, with a hare at his feet, signed 'P.J. Mene' to the naturalistic base, height 25in.

Lot 142

After Giambologna. A 19th century French bronze group 'Rape of the Sabine Women', on a naturalistic base and mounted on a rouge marble base, height 24.75in.

Lot 143

A Victorian bronze group of Ariadne reclining upon a leopard, on a Sienna marble plinth, height 7in.

Lot 145

Victor Joseph Ghislain Demanet (1895-1964). A bronze head study of a young man, signed in the bronze, on black marble plinth, 14in.

Lot 200

A large Japanese bronze model of an elephant, signed Seiya saku, Meiji period, with ivory inset tusks, the bull charging with its trunk aloft, cast three character seal mark, height 40.5cm, length 63cm

Lot 201

A rare and large Chinese archaic bronze ritual drinking vessel, Hu, Warring States period 5th-3rd century B.C., carved in relief with three registers of ancestral figure scenes of sacrifice, worship and hunting, taotie mask ring handles, brown patina with areas of malachite and cuprite encrustation, approx. 50cm high, repairsLiterature:see Jessica Rawson, Chinese Bronzes: Art and Ritual, British Museum Press, 1987, Fig. 28e with an illustration of a smaller bronze Hu vessel in the Palace Museum Beijing decorated with similar figure scenes.A bronze fanghu (square wine vessel) decorated in the same style but with an inlay technique around the decoration is in the Rietberg Museum, accession no. RCH9A and is illustrated in the Museum Rietberg Zurich Museum Guide, Zurich, 2000, p. 75, fig. 59.A fanghu of this type and style with pictorial decoration in flat relief restricted to three horizontal registers, now without any of the background inlay material remaining, in the National Palace Museum, is illustrated in Catalogue of the Special Exhibition of Shang and Chou Dynasty Bronze Wine Vessels, National Palace Museum, Taipei, 1989, p. 217, plate 77. A third, smaller fanghu decorated in the same technique with silhouetted figures and animals in flat relief shown in various hunting scenes, also now lacking the inlay material which filled the background, in the Freer Gallery of Art, is illustrated by Lawton in Chinese Art of the Warring States Period, Change and Continuity 480-222 B.C., Washington D.C., 1982, p. 33, no. 5The decoration is similar to scenes carved on to later Eastern Han dynasty stone tomb reliefs such as The Wu Family Ancestral Shrine found on the north of Wuzhai Mountain in Zhifang Township, Jiaxiang County of Shandong Province, China.Provenance: the estate of the late Jean-Claude Jean-Claude (1926-2016).Jean-Claude Lepileur was a man of great learning. Born in Lisieux in France, he became a buyer and seller of antiques and formed a partnership with Mrs Senta Christian in a joint antiques venture, travelling to and from England from their early base in Deauville in Normandy. Mr Lepileur was a self-taught historian, chemist and restorer, with a particular love of all things Asian, especially pieces of art from China. And more specifically ancient Chinese bronze artefacts, which he collected avidly all his life.Mr Lepileur and Mrs Christian moved their business to Finchley in London in the 1950s and they continued to operate as a partnership until 1996, when Mrs Christian passed away. Jean-Claude had a very discerning eye for art and at one point even managed to identify two original Rembrandt sketches for sale on a stall on Portobello Market and was able to purchase them for a few pounds. They were later fully authenticated by the Victoria and Albert Museum. Mr Lepileur was also a frequent visitor to the British Museum in those days as he was always keen to compare his latest Chinese bronze acquisitions with those in the collection of the museum. During his life he amassed a collection of some eighty bronzes and a number of ceramics, pictures and scrolls. He also collected over 60 reference books, many of them very detailed, which he used to assist him with his research. Mr Lepileur was still buying and selling up until his death in December last year, aged 90. The collection is presented complete, with no omissions and is a great tribute to his skill in identifying, researching and collecting some wonderful pieces of Chinese art.

Lot 202

A Chinese bronze quadruped ritual food vessel, Fangding, Western Zhou dynasty or later, cast in relief with a band of opposing kui, dragons, between raised corner flanges, on four kui-form flat profile scrolled legs, eleven character inscription to interior, 22.7cm high, 17.5cm wide, repairs and lacking patinaLiterature:A similar bronze fang ding dating to the Western Zhou dynasty and standing on zoomorphic flate profile feet is in Shaanxi Provincial Museum, Xian.Provenance: the estate of the late Jean-Claude Jean-Claude (1926-2016).Jean-Claude Lepileur was a man of great learning. Born in Lisieux in France, he became a buyer and seller of antiques and formed a partnership with Mrs Senta Christian in a joint antiques venture, travelling to and from England from their early base in Deauville in Normandy. Mr Lepileur was a self-taught historian, chemist and restorer, with a particular love of all things Asian, especially pieces of art from China. And more specifically ancient Chinese bronze artefacts, which he collected avidly all his life.Mr Lepileur and Mrs Christian moved their business to Finchley in London in the 1950s and they continued to operate as a partnership until 1996, when Mrs Christian passed away. Jean-Claude had a very discerning eye for art and at one point even managed to identify two original Rembrandt sketches for sale on a stall on Portobello Market and was able to purchase them for a few pounds. They were later fully authenticated by the Victoria and Albert Museum. Mr Lepileur was also a frequent visitor to the British Museum in those days as he was always keen to compare his latest Chinese bronze acquisitions with those in the collection of the museum. During his life he amassed a collection of some eighty bronzes and a number of ceramics, pictures and scrolls. He also collected over 60 reference books, many of them very detailed, which he used to assist him with his research. Mr Lepileur was still buying and selling up until his death in December last year, aged 90. The collection is presented complete, with no omissions and is a great tribute to his skill in identifying, researching and collecting some wonderful pieces of Chinese art.

Lot 204

A Chinese archaic bronze ritual drinking vessel, Hu, Late Spring & Autumn period/Eastern Zhou dynasty, 6th century B.C., of pear form, cast in low relief to the upper body with mythical horned beasts each with vacant raised bosses, between two bands of coiled interlocking dragons and leiwen, applied with three ring handles, silvery-grey patina with some occasional thin patches of malachite and cuprite encrustation, 31cmProvenance: Delehar Antiques with receipt dated 13th April 1965 and described as an 'Antique bronze Hu'. Literature: Compare a similar shape bronze Hu vessel in the Freer Gallery of Art, The Smithsonian Institution, Washington D.C., accession no. F1924.12a-b which has an upper band of stylised birds rather than horned beasts with similar raised bosses with remnants of turquoise inlay.Provenance: the estate of the late Jean-Claude Jean-Claude (1926-2016).Jean-Claude Lepileur was a man of great learning. Born in Lisieux in France, he became a buyer and seller of antiques and formed a partnership with Mrs Senta Christian in a joint antiques venture, travelling to and from England from their early base in Deauville in Normandy. Mr Lepileur was a self-taught historian, chemist and restorer, with a particular love of all things Asian, especially pieces of art from China. And more specifically ancient Chinese bronze artefacts, which he collected avidly all his life.Mr Lepileur and Mrs Christian moved their business to Finchley in London in the 1950s and they continued to operate as a partnership until 1996, when Mrs Christian passed away. Jean-Claude had a very discerning eye for art and at one point even managed to identify two original Rembrandt sketches for sale on a stall on Portobello Market and was able to purchase them for a few pounds. They were later fully authenticated by the Victoria and Albert Museum. Mr Lepileur was also a frequent visitor to the British Museum in those days as he was always keen to compare his latest Chinese bronze acquisitions with those in the collection of the museum. During his life he amassed a collection of some eighty bronzes and a number of ceramics, pictures and scrolls. He also collected over 60 reference books, many of them very detailed, which he used to assist him with his research. Mr Lepileur was still buying and selling up until his death in December last year, aged 90. The collection is presented complete, with no omissions and is a great tribute to his skill in identifying, researching and collecting some wonderful pieces of Chinese art.

Lot 205

A Chinese archaic bronze tripod ritual food vessel, Ding, Western Zhou dynasty, 11th-8th century B.C., cast in low relief with a band of quatrefoils and roundels, the rim set with a pair of high looped handles, olive-brown patina with heavy malachite green and cuprite encrustation, 22cm high, 19cm wide, slight faultsProvenance: the estate of the late Jean-Claude Jean-Claude (1926-2016).Jean-Claude Lepileur was a man of great learning. Born in Lisieux in France, he became a buyer and seller of antiques and formed a partnership with Mrs Senta Christian in a joint antiques venture, travelling to and from England from their early base in Deauville in Normandy. Mr Lepileur was a self-taught historian, chemist and restorer, with a particular love of all things Asian, especially pieces of art from China. And more specifically ancient Chinese bronze artefacts, which he collected avidly all his life.Mr Lepileur and Mrs Christian moved their business to Finchley in London in the 1950s and they continued to operate as a partnership until 1996, when Mrs Christian passed away. Jean-Claude had a very discerning eye for art and at one point even managed to identify two original Rembrandt sketches for sale on a stall on Portobello Market and was able to purchase them for a few pounds. They were later fully authenticated by the Victoria and Albert Museum. Mr Lepileur was also a frequent visitor to the British Museum in those days as he was always keen to compare his latest Chinese bronze acquisitions with those in the collection of the museum. During his life he amassed a collection of some eighty bronzes and a number of ceramics, pictures and scrolls. He also collected over 60 reference books, many of them very detailed, which he used to assist him with his research. Mr Lepileur was still buying and selling up until his death in December last year, aged 90. The collection is presented complete, with no omissions and is a great tribute to his skill in identifying, researching and collecting some wonderful pieces of Chinese art.

Lot 206

A large Chinese archaic bronze ritual food vessel, Ding, Western Zhou dynasty, 10th century B.C., cast in relief with a band of kui dragons, the rim set with a pair of high looped handles, the body bulging above the three tapering feet, three character inscription to the interior, olive green and grey patina with patches of cuprite and malachite encrustation, 19cm high, 20cm wideCompare a similar ritual bronze ding sold by Christie's, Hong Kong, 'Important Chinese Ceramics and Works of Art', 1 December 2010, Lot 3217 and another example in the British Museum, London, accession no. 1957,0715.1. Provenance: the estate of the late Jean-Claude Jean-Claude (1926-2016).Jean-Claude Lepileur was a man of great learning. Born in Lisieux in France, he became a buyer and seller of antiques and formed a partnership with Mrs Senta Christian in a joint antiques venture, travelling to and from England from their early base in Deauville in Normandy. Mr Lepileur was a self-taught historian, chemist and restorer, with a particular love of all things Asian, especially pieces of art from China. And more specifically ancient Chinese bronze artefacts, which he collected avidly all his life.Mr Lepileur and Mrs Christian moved their business to Finchley in London in the 1950s and they continued to operate as a partnership until 1996, when Mrs Christian passed away. Jean-Claude had a very discerning eye for art and at one point even managed to identify two original Rembrandt sketches for sale on a stall on Portobello Market and was able to purchase them for a few pounds. They were later fully authenticated by the Victoria and Albert Museum. Mr Lepileur was also a frequent visitor to the British Museum in those days as he was always keen to compare his latest Chinese bronze acquisitions with those in the collection of the museum. During his life he amassed a collection of some eighty bronzes and a number of ceramics, pictures and scrolls. He also collected over 60 reference books, many of them very detailed, which he used to assist him with his research. Mr Lepileur was still buying and selling up until his death in December last year, aged 90. The collection is presented complete, with no omissions and is a great tribute to his skill in identifying, researching and collecting some wonderful pieces of Chinese art.

Lot 207

A Chinese archaic bronze tripod wine-warming vessel, Jiao Dou, Eastern Han dynasty, 1st-3rd century A.D., applied with a long dragon-headed handle, on three zoomorphic feet, grey-brown patina with a thin malachite encrustation all over, 13.5cm high, 32cm longCompare a similar bronze vessel in the Art Galley New South Wales, Australia, accession number 8.1980. Provenance: the estate of the late Jean-Claude Jean-Claude (1926-2016).Jean-Claude Lepileur was a man of great learning. Born in Lisieux in France, he became a buyer and seller of antiques and formed a partnership with Mrs Senta Christian in a joint antiques venture, travelling to and from England from their early base in Deauville in Normandy. Mr Lepileur was a self-taught historian, chemist and restorer, with a particular love of all things Asian, especially pieces of art from China. And more specifically ancient Chinese bronze artefacts, which he collected avidly all his life.Mr Lepileur and Mrs Christian moved their business to Finchley in London in the 1950s and they continued to operate as a partnership until 1996, when Mrs Christian passed away. Jean-Claude had a very discerning eye for art and at one point even managed to identify two original Rembrandt sketches for sale on a stall on Portobello Market and was able to purchase them for a few pounds. They were later fully authenticated by the Victoria and Albert Museum. Mr Lepileur was also a frequent visitor to the British Museum in those days as he was always keen to compare his latest Chinese bronze acquisitions with those in the collection of the museum. During his life he amassed a collection of some eighty bronzes and a number of ceramics, pictures and scrolls. He also collected over 60 reference books, many of them very detailed, which he used to assist him with his research. Mr Lepileur was still buying and selling up until his death in December last year, aged 90. The collection is presented complete, with no omissions and is a great tribute to his skill in identifying, researching and collecting some wonderful pieces of Chinese art.

Lot 211

A Chinese archaic bronze tripod food vessel, Ding, probably Warring States period, 5th-2nd century B.C., cast in relief with unusual goldfish shaped creatures amid leiwen to the frieze and bands of tight scrolls to the lower register and high squared loop handles, on three zoomorphic feet, silvery-grey patina with patches of malachite and cuprite encrustation, 14.5cm wide, 9.5cm high, solder repairProvenance: the estate of the late Jean-Claude Jean-Claude (1926-2016).Jean-Claude Lepileur was a man of great learning. Born in Lisieux in France, he became a buyer and seller of antiques and formed a partnership with Mrs Senta Christian in a joint antiques venture, travelling to and from England from their early base in Deauville in Normandy. Mr Lepileur was a self-taught historian, chemist and restorer, with a particular love of all things Asian, especially pieces of art from China. And more specifically ancient Chinese bronze artefacts, which he collected avidly all his life.Mr Lepileur and Mrs Christian moved their business to Finchley in London in the 1950s and they continued to operate as a partnership until 1996, when Mrs Christian passed away. Jean-Claude had a very discerning eye for art and at one point even managed to identify two original Rembrandt sketches for sale on a stall on Portobello Market and was able to purchase them for a few pounds. They were later fully authenticated by the Victoria and Albert Museum. Mr Lepileur was also a frequent visitor to the British Museum in those days as he was always keen to compare his latest Chinese bronze acquisitions with those in the collection of the museum. During his life he amassed a collection of some eighty bronzes and a number of ceramics, pictures and scrolls. He also collected over 60 reference books, many of them very detailed, which he used to assist him with his research. Mr Lepileur was still buying and selling up until his death in December last year, aged 90. The collection is presented complete, with no omissions and is a great tribute to his skill in identifying, researching and collecting some wonderful pieces of Chinese art.

Lot 212

A Chinese archaic bronze model of a horse and carriage, Han dynasty, 2nd century B.C.-2nd century A.D., brown patina heavily encrusted with malachite deposits, 12.5cm long, lossesProvenance: the estate of the late Jean-Claude Jean-Claude (1926-2016).Jean-Claude Lepileur was a man of great learning. Born in Lisieux in France, he became a buyer and seller of antiques and formed a partnership with Mrs Senta Christian in a joint antiques venture, travelling to and from England from their early base in Deauville in Normandy. Mr Lepileur was a self-taught historian, chemist and restorer, with a particular love of all things Asian, especially pieces of art from China. And more specifically ancient Chinese bronze artefacts, which he collected avidly all his life.Mr Lepileur and Mrs Christian moved their business to Finchley in London in the 1950s and they continued to operate as a partnership until 1996, when Mrs Christian passed away. Jean-Claude had a very discerning eye for art and at one point even managed to identify two original Rembrandt sketches for sale on a stall on Portobello Market and was able to purchase them for a few pounds. They were later fully authenticated by the Victoria and Albert Museum. Mr Lepileur was also a frequent visitor to the British Museum in those days as he was always keen to compare his latest Chinese bronze acquisitions with those in the collection of the museum. During his life he amassed a collection of some eighty bronzes and a number of ceramics, pictures and scrolls. He also collected over 60 reference books, many of them very detailed, which he used to assist him with his research. Mr Lepileur was still buying and selling up until his death in December last year, aged 90. The collection is presented complete, with no omissions and is a great tribute to his skill in identifying, researching and collecting some wonderful pieces of Chinese art.

Lot 213

A small Chinese archaic bronze ritual wine vessel, You, Western Zhou dynasty, 10th century B.C., of oval section, cast in relief with taotie masks and coiled kui dragons, the swing handle with prominent bovine mask terminals, olive-brown patina with malachite and cuprite encrustation, 13cm high, lacking coverA similar larger ritual bronze You vessel is in the Metropolitan Museum of Art, New York, accession Number: 49.135.7a, b. Provenance: the estate of the late Jean-Claude Jean-Claude (1926-2016).Jean-Claude Lepileur was a man of great learning. Born in Lisieux in France, he became a buyer and seller of antiques and formed a partnership with Mrs Senta Christian in a joint antiques venture, travelling to and from England from their early base in Deauville in Normandy. Mr Lepileur was a self-taught historian, chemist and restorer, with a particular love of all things Asian, especially pieces of art from China. And more specifically ancient Chinese bronze artefacts, which he collected avidly all his life.Mr Lepileur and Mrs Christian moved their business to Finchley in London in the 1950s and they continued to operate as a partnership until 1996, when Mrs Christian passed away. Jean-Claude had a very discerning eye for art and at one point even managed to identify two original Rembrandt sketches for sale on a stall on Portobello Market and was able to purchase them for a few pounds. They were later fully authenticated by the Victoria and Albert Museum. Mr Lepileur was also a frequent visitor to the British Museum in those days as he was always keen to compare his latest Chinese bronze acquisitions with those in the collection of the museum. During his life he amassed a collection of some eighty bronzes and a number of ceramics, pictures and scrolls. He also collected over 60 reference books, many of them very detailed, which he used to assist him with his research. Mr Lepileur was still buying and selling up until his death in December last year, aged 90. The collection is presented complete, with no omissions and is a great tribute to his skill in identifying, researching and collecting some wonderful pieces of Chinese art.

Lot 214

A Chinese stone tomb relief, probably Han dynasty, 1st-2nd century A.D. carved in low relief to the frieze with stylised birds, the two lower registers with figures making offerings, three inscriptions to the lower band, 47.5cm x 88cm, repairedProvenance: the estate of the late Jean-Claude Jean-Claude (1926-2016).Jean-Claude Lepileur was a man of great learning. Born in Lisieux in France, he became a buyer and seller of antiques and formed a partnership with Mrs Senta Christian in a joint antiques venture, travelling to and from England from their early base in Deauville in Normandy. Mr Lepileur was a self-taught historian, chemist and restorer, with a particular love of all things Asian, especially pieces of art from China. And more specifically ancient Chinese bronze artefacts, which he collected avidly all his life.Mr Lepileur and Mrs Christian moved their business to Finchley in London in the 1950s and they continued to operate as a partnership until 1996, when Mrs Christian passed away. Jean-Claude had a very discerning eye for art and at one point even managed to identify two original Rembrandt sketches for sale on a stall on Portobello Market and was able to purchase them for a few pounds. They were later fully authenticated by the Victoria and Albert Museum. Mr Lepileur was also a frequent visitor to the British Museum in those days as he was always keen to compare his latest Chinese bronze acquisitions with those in the collection of the museum. During his life he amassed a collection of some eighty bronzes and a number of ceramics, pictures and scrolls. He also collected over 60 reference books, many of them very detailed, which he used to assist him with his research. Mr Lepileur was still buying and selling up until his death in December last year, aged 90. The collection is presented complete, with no omissions and is a great tribute to his skill in identifying, researching and collecting some wonderful pieces of Chinese art.

Lot 222A

A Chinese bronze ceremonial Buddhist ritual bell, Ghanta, Zhengde mark and probably of the period (1506-21), the copper bronze handle of the bell cast with the face of Buddha wearing an eight-foliate crown, supporting a band of lotus petals and surmounted by a vajra-form finial, attached to a domed-shaped bell cast in relief with lotus petals each containing a Sanskrit mantra, above a band of Buddhist symbols interspersed by masks and beaded swags, the borders with vajra symbols, the interior of the bell cast in relief with the vertical six character mark 'Da Ming Zhengde Nianzhi', 19cm highCompare a similar ghanta but with a Xuande mark sold by Christie's, Convention Hall, Hong Kong, 'The Perfect Countenance - Fine Buddhist Works of Art', 31 May 2017, Lot 2809.

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