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Galerie Arcimboldo
Lot 96

A RARE MAMLUK KNIFE WITH RICHLY DECORATED SCABBARD Mamluk Sultanate, 14th - 16th century. Overall length 21.5 cm, blade 11 cm. Blade of finely watered steel decorated with three embedded coral beads and the inscription "The time of the reign of Sultan Malik Zahir"; on the reverse "Fly high, bird of distress and revenge, your rigor and fairness affirm human fate". Square tapered handle of blue glass. Ivory scabbard is richly inlaid with mother of pearl, brass and stones, representing the heavens, with gilt bronze fittings with garnets and turquoise.

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Galerie Arcimboldo
Lot 113

A GILT BRONZE FIGURE OF BHAISAJYAGURU "China, 18th century. Height 18 cm. Seated with legs folded in dhyanasana with his right hand lowered in varadamudra holding the myrobalan while his left hand rests on his lap supporting the medicine bowl. Provenance: an old Czech private collection.

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Galerie Arcimboldo
Lot 114

A FINE BRONZE FIGURE OF THE BODHISATTVA PRAJNAPARAMITA Nepal, 17th-18th century. Height 16 cm.

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Galerie Arcimboldo
Lot 115

A GILT BRONZE FIGURE OF THE WHITE TARA Tibet, 18th century. Height 13.5 cm.

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Galerie Arcimboldo
Lot 116

A GILT BRONZE FIGURE OF AVALOKITESHVARA Tibet, 17th-18th century. Height 7.5 cm.

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Galerie Arcimboldo
Lot 117

A BRONZE FIGURE OF A GURU Tibet, 17th century. Height 6.5 cm.

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Galerie Arcimboldo
Lot 118

A BRONZE FIGURE OF A ELEVEN-HEADED AVALOKITESHVARA Tibeto-chinese, 18th century. Height 12.3 cm.

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Galerie Arcimboldo
Lot 130

A BRONZE STANDING FIGURE OF GUANYIN "China, Tang dynasty (618-906 AD). Height 10.5 cm. The slender figure swaying gently and with long ribbons flowing around the body, the head crowned with a headdress, the right hand held beside the body and holding a length of drapery and the left hand raised to the shoulder and holding a pot, all standing on a high double-lotus pedestal. Provenance: Collection of a Czech sinologist, purchased in Beijing in the early 1950s.

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Galerie Arcimboldo
Lot 131

A BRONZE SEATED FIGURE OF GUANYIN China, Tang dynasty (618-906 AD). Height 12 cm. Provenance: Collection of a Czech sinologist, purchased in Beijing in the early 1950s.

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Galerie Arcimboldo
Lot 132

A BRONZE FIGURE OF GUANYIN "China, Tang Dynasty (618-906 AD). Height 12.5 cm. The standing figure of the bodhisattva shown with right hand raised and holding a willow branch while dangling a small vase from the lowered left hand, the hair worn in long tresses and drawn up into a topknot behind the ribbon-tied fillet, all standing on a lotus pedestal. Provenance: Collection of a Czech sinologist, purchased in Beijing in the early 1950s.

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Galerie Arcimboldo
Lot 133

A SMALL GILT BRONZE FIGURE OF SEATED BUDDHA China, Northern Wei dynasty (386-534 AD). Height 5.5 cm. Provenance: Collection of a Czech sinologist, purchased in Beijing in the early 1950s.

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Galerie Arcimboldo
Lot 134

A SMALL GILT BRONZE FIGURE OF MANJUSRI SEATED ATOP A LION China, Northern Wei dynasty (386-534 AD). Height 5.5 cm. Provenance: Collection of a Czech sinologist, purchased in Beijing in the early 1950s.

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Galerie Arcimboldo
Lot 135

A SMALL GILT BRONZE FIGURE OF STANDING BUDDHA China, Northern Wei dynasty (386-534 AD). Height 8 cm. Provenance: Collection of a Czech sinologist, purchased in Beijing in the early 1950s.

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Galerie Arcimboldo
Lot 136

A BRONZE MIRROR WITH FOUR AUSPICIOUS BEASTS China, Tang dynasty (618-906 AD). Diameter 15.5 cm.

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Galerie Arcimboldo
Lot 137

A BRONZE MIRROR WITH A FIGURAL SCENE China, Sung dynasty (960-1279 AD). Diameter 10 cm.

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Galerie Arcimboldo
Lot 138

A BRONZE MIRROR China, Ming dynasty (1368-1644). Diameter 8 cm.

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Galerie Arcimboldo
Lot 139

A BRONZE FIGURE OF AMITAYUS China, Yuan dynasty (1279-1368). Height 12 cm. Bronze with traces of gilt on a lacquer base.

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Galerie Arcimboldo
Lot 142

A GOLD-SPLASHED BRONZE TRIPOD CENSER China, Xuande mark, 18th century. Diameter 14 cm.

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Galerie Arcimboldo
Lot 145

A BRONZE FIGURE OF A DRAGON China, Qing dynasty. Length 30 cm.

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Galerie Arcimboldo
Lot 197

A CARVED HARDWOOD CIRCULAR TABLE China, c. 1900. 55 x 51 cm. Polished lacquered hardwood table with bronze mounts.

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Galerie Arcimboldo
Lot 227

A LARGE CELADON-GLAZED ORMOLU-MOUNTED VASE China, Qing dynasty, 18th century. Height 42 cm. 19th century French gilt bronze mounting in the form of a lizard surrounds the neck of the vase.

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Galerie Arcimboldo
Lot 240

A PORCELAIN TRIVET WITH EUROPEAN BRONZE MOUNTING China, Qing dynasty, c. 1900. 33.5 x 27 cm. Overglaze painting depicting three Taoist Immortals - Yangcheng, Zhangxian, and Shoulao with a peach, representing happiness, prosperity and a long life.

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Tajan
Lot 27

ÉCOLE ORIENTALISTE (XXe siècle) LE MÉHARISTE THE CAMEL DRIVER Épreuve en bronze à patine sombre et ivoirine représentant un méhariste chevauchant un chameau galopant. Il repose sur un socle en marbre noir. Haut. 28 cm (HEIGHT. 11 in.)

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Tajan
Lot 54

ÉCOLE AUTRICHIENNE (XIXe-XXe siècle) GUERRIER SUR SON TAPIS DE PRIÈRE WARRIOR PRAYING Bronze de Vienne patine polychrome représentant un guerrier agenouillé, les mains implorant sur un tapis. Son livre de prière, son bâton et ses babouches posées autour de lui. (Petits manques à la polychromie). Haut. 13 cm- Larg. 12,5 cm - Long. 16 cm (Dim. 5.5 x 5 x 6.5 in.)

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Tajan
Lot 60

JEAN-BAPTISTE BELLOC (1863-1919) CAVALIER ARABE BRANDISSANT UN éTENDARD ARAB HORSEMAN WITH A FLAG Exceptionnelle épreuve en bronze à patine dorée, inscrite sur la terrasse et portant le cachet Collin. Haut. 87 cm - Long 67 cm (34 x 26 in.)

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Tajan
Lot 79

A. HANNE (XIXe-XXe siècle) ORIENTAL AU TURBAN ORIENTAL Épreuve en bronze à patine médaille inscrite au dos, reposant sur un socle en marbre. Haut. 40 cm (HEIGHT.15 in.)

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Tajan
Lot 81

BERGMAN (éCOLE AUTRICHIENNE XIXe-XXe siècle) - LES JOUEURS DE DéS - LES MUSICIENS THE DICE PLAYERS MUSICIANS Deux épreuves en bronze polychrome, représentant l’un un groupe de trois enfants jouant aux dés, et l’autre un groupe d’enfants musiciens sur un tapis frangé. Marqués "B" sous le tapis. Haut : 3 cm Larg : 7,5 cm Long 5,5 cm (Dim 1.2 x 3 x 2.2 in.)

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Tajan
Lot 98

éDOUARD DROUOT (1859-1945) CARAVANE DANS LE DéSERT CARAVAN IN THE DESERT Épreuve en bronze à double patine verte et mordorée inscrite sur la terrasse. Cachet de fondeur Etling. HAUT.35 cm - LONG. 84 cm (Height.13 3/4 in. -Long. 33 1/16 in.)

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Tajan
Lot 115

D’APRÈS MARCEL DEBUT (1865-1933) LE BUVEUR D’EAU THE WATER DRINKER Épreuve en bronze à double patine inscrite sur la terrasse, et portant un cachet. Porte la mention Prix de Rome. (Petit accident). Haut. 38,5 cm (HEIGHT. 15 in.)

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Tajan
Lot 117

ANTOINE BOFILL (1875-1921) "ARABE EN PRIÈRE" "ARAB PRAYING" Épreuve en bronze à patine médaille inscrite sur la terrasse. Haut. 33,5 cm (height. 13 in.)

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Tajan
Lot 126

FERNANDEZ ARMAN (1928-2005) LUTH HOMMAGE A OUM KALSOUM OUM KALSOUM LUTH Sculpture composée de deux éléments. Un élément en bronze argenté dans lequel est inclu un luth découpé en marqueterie, accompagné d’un luth en marqueterie de nacre. Œuvre originale à 8 exemplaires, et 4 épreuves d’artiste. Signée et numérotée sur le socle. Haut 87 cm (HEIGHT.34 in.)

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Tajan
Lot 174

ÉCOLE ORIENTALISTE (début du XIXE siècle) CAVALIER GREC À PIED GREEK HORSEMAN ON FOOT Fonte d`édition ancienne en étain patiné et bronze doré, à contre-socle à décor de rinceaux et cuirs découpés et socle rectangulaire à pans coupés en marbre noir. Mention "Brevet" estampée sur la base. (Un étrier manquant et un pied du socle à refixer). Philhellénisme, vers 1900. HAUT. 28,5 cm (Height 11 IN.)

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Tajan
Lot 232

NéCESSAIRE DE CALLIGRAPHIE OTTOMAN comprenant : une écritoire portative (divit) en bronze à décor ciselé du sceau de Salomon et de l`arbre de vie ; une paire de ciseaux (kakma) damasquinée d`or et d`argent ; un petit couteau (kalamtras) à manche en corail et ivoire incrusté de petits cabochons de turquoise et de nacre ; un repose-plume (maqta) en écaille de tortue ; un polissoir en coquillage (muhre) sculpté du verset du Coran (61, 13 : nasr min Allah wa fath qarib) ; un polissoir à manche en ivoire et embout en argent et aventurine. Turquie, XIXe siècle. A 19th century ottoman set of utensils for a scribe.

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Chiswick Auctions
Lot 23

An early 20th Century bronze and brass study of a Thai Buddha in lotus position holding a `singing` bowl, on triangular base with pierced leaf decoration, incense holders to rear.Approx. 55cm

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Chiswick Auctions
Lot 226

An Austrian cold painted bronze of a kingfisher.

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Chiswick Auctions
Lot 230

A collection of four cold cast bronze figurines of American Indians, three of which are by Buck McCain and one by Jim Porter; all come with Franklin Mint certificates of authenticity. The subjects are: "Prayer to the Healing Spirit" with horse-rider holding skull; "Indian Hunter", warrior with bow and arrow; Indian with mountain lion holding a tomahawk aloft and "Soaring Spirit", Indian with eagles, all provided with wooden dishes (certificates held in reception).Heights from 34.5 to 54cm

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Chiswick Auctions
Lot 301

A pair of 19th Century brass `onion` stem vases, a brass and bronze study of a blacksmith, and a taxidermy hoof with horseshoe.

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Chiswick Auctions
Lot 326

A 19th Century style hand painted crackle glazed tile depicting birds and insects with a cast bronze frame.

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Chiswick Auctions
Lot 345

A pair of fine continental bronze cast Jugendstil period two branch candelabra, raised on circular bases, embossed with Art Nouveau maidens, supported by two Assyrian busts, possibly Austrian, circa 1900. (2)

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Chiswick Auctions
Lot 357

A late 19th Century Chinese bronze koro, the top set with a lion dog, together with another koro with inlaid decoration on wooden stand. (2)

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Chiswick Auctions
Lot 358

An antique Chinese bronze pi mirror on wooden stand, together with two others smaller. (3)

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Chiswick Auctions
Lot 408

A 19th Century Chinese bronze censer, modelled as a fruit, together with three hardwood carvings. (4)

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Chiswick Auctions
Lot 463

A bronze figure of Atlas on a tripartite base (now fitted for use as lamp).

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Chiswick Auctions
Lot 465

A pair of cold cast bronze figural book-ends after Michael Angelo. (2)

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Chiswick Auctions
Lot 468

A French Empire style parcel gilt bronze architectural monument clock.

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Chiswick Auctions
Lot 470

A pair of bronze figure of Greek philosophers, each in a gilt metal and marble circular temple. (2)

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Chiswick Auctions
Lot 552

An early 20th Century American bronze finish cash register by "National" Registered No. 1276218337, with deep cast floriate design to front, sides and back, the ornate pediment cast with the text "Amount Purchased".

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Chiswick Auctions
Lot 571

An impressive Japanese Meiji bronze floor standing torchère, the sectional body decorated with pictoral cartouches, floral motifs and banding and raised on a married mahogany plinth (once a part of shaving stand) (AF: construction adaptations to bayonet fixings and top section missing).

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Dreweatts London
Lot 14

* Cartier, Santos, a midi two colour wristwatch, circa 1994, ref. 65718, no. 187901, the two piece screwed case with bronze effect dial, raised Roman numerals, blued steel hands and date aperture, 6 jewel Cartier quartz movement, cal. 87, the case 42mm including lugs, on a block link bracelet with fold over clasp, in a Cartier box with guarantee and booklet

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Cottees Auctions Limited
Lot 202

A cold painted small bronze model of a Dalmatian.

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Cottees Auctions Limited
Lot 212

A novelty cold painted bronze model of a Crocodile inn the style of Bergman with detachable lid enclosing a naked female figure, marks to base.

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Cottees Auctions Limited
Lot 94

A Chinese bronze model of a Crane standing on an exotic Turtle like beast together with a bronze See-saw model and a small Chinese Elephant.

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Whyte's
Lot 107

Hans Blank (b.1952) BOAT BENEATH AN ARCHWAY bronze signed at top 21.5 by 18 by 22in., 53.75 by 45 by 55cm. P

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Whyte's
Lot 109

Sandra Bell (b.1954) LOVE WINGS bronze 70.5 by 16 by 14in., 176.25 by 40 by 35cm. P Dimensions of base, 1 by 14 by 14ins.

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Whyte's
Lot 113

John Behan RHA (b.1938) WOMAN WITH SHORT HAIR bronze on black marble base indistinctly signed and numbered; bears number [33] on label beneath base 18.5 by 9 by 7.5in., 46.25 by 22.5 by 18.75cm. P Dimensions of base, 6 by 6 by 6ins.

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Whyte's
Lot 114

John Behan RHA (b.1938) HEAD OF A WOMAN bronze on black marble base indistinctly signed and numbered; bears number [34] on label beneath base 19 by 7.5 by 10in., 47.5 by 18.75 by 25cm. P Dimensions of base, 6 by 6 by 6ins.

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Whyte's
Lot 115

John Coen (b.1941) FIVE FIGURES bronze 6 by 4.25 by 3.25in., 15 by 10.625 by 8.125cm. P The Collection of Jim O`Driscoll SC

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Whyte's
Lot 116

Edward Delaney RHA (1930-2009) WARRIOR, c.1960s bronze 17.5 by 7 by 6in., 43.75 by 17.5 by 15cm. P Warrior is a typical mid-career bronze by Edward Delaney. Inspired by Irish mythology, and in particular the heroics of Cúchulainn, the sculpture is a highly modernist work which captures Delaney`s pursuit of a pure sculptural expression in the shape of a surreal and almost abstract figure. This is what the art historian Dr Róisín Kennedy described, in her essay on the artist for his 2004 RHA retrospective, as the sculptor`s persistent search for the vital form". Warrior was first exhibited at a one man exhibition in the Building Centre, Baggot Street in 1960 and at a further exhibition in the David Hendriks gallery in 1966. It has since been included in many group shows and exhibitions."

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Whyte's
Lot 120

George Barry Laffan (1918-1988) HEAD OF A WOMAN limestone 15.75 by 10.5 by 7.5in., 39.375 by 26.25 by 18.75cm. P Family of the artist;Thence by descent Born in Australia to Irish parents George Laffan returned to the family home in Rathmines, Dublin at the age of 15. He attended the National College of Art, Dublin from 1939-1945 at night where he studied under Laurence Campbell RHA (1911-1964). He exhibited with the RHA from 1943 to 1945 and at the Oireachtas in 1948. The human figure was his main focus but he diversified in his choice of materials, experimenting with wax, clay, bronze, stone, wood and plaster. As a painter he concentrated on portraits by commission and of family members, as well as landscapes and still lifes. Examples of woodcuts by Laffan also exist. His work was included in the Institute of the Sculptors of Ireland exhibitions in 1955 and 1956. In the 1960s the female form in various guises and poses dominated. In 1972, The Kenny Gallery in Galway hosted a group show which included Laffan and his son, Justin, John Behan and Stepinac McNamee. The same year he exhibited at the IELA, where the Times commented on his highly competent ballerinas" which had a "flavour of the old-fashioned salon about them". Laffan was treasurer with Independent Artists and exhibited with them in Trinity College, Dublin in 1973 and Project Arts Centre, 1975. Heads - executed in a variety of materials - became the artist`s focus for a ten year period from 1974-1984. He showed at the Oireachtas in 1978 a 2.4m high bog oak piece called Maighdean Dubh. In 1984 he retuned to Australia where he made landscape and portrait sketches. Female torsos in bog oak and walnut feature in his final years. He died in Dublin in 1988 aged 70. "

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Whyte's
Lot 121

George Barry Laffan (1918-1988) PETER" [KING GEORGE VI]" wood 17 by 8.5 by 7in., 42.5 by 21.25 by 17.5cm. P Family of the artist;Thence by descent RHA, Dublin, 1943, catalogue no. 357 as Peter [£33-0-0] Born in Australia to Irish parents George Laffan returned to the family home in Rathmines, Dublin at the age of 15. He attended the National College of Art, Dublin from 1939-1945 at night where he studied under Laurence Campbell RHA (1911-1964). He exhibited with the RHA from 1943 to 1945 and at the Oireachtas in 1948. The human figure was his main focus but he diversified in his choice of materials, experimenting with wax, clay, bronze, stone, wood and plaster. As a painter he concentrated on portraits by commission and of family members, as well as landscapes and still lifes. Examples of woodcuts by Laffan also exist. His work was included in the Institute of the Sculptors of Ireland exhibitions in 1955 and 1956. In the 1960s the female form in various guises and poses dominated. In 1972, The Kenny Gallery in Galway hosted a group show which included Laffan and his son, Justin, John Behan and Stepinac McNamee. The same year he exhibited at the IELA, where the Times commented on his highly competent ballerinas" which had a "flavour of the old-fashioned salon about them". Laffan was treasurer with Independent Artists and exhibited with them in Trinity College, Dublin in 1973 and Project Arts Centre, 1975. Heads - executed in a variety of materials - became the artist`s focus for a ten year period from 1974-1984. He showed at the Oireachtas in 1978 a 2.4m high bog oak piece called Maighdean Dubh. In 1984 he retuned to Australia where he made landscape and portrait sketches. Female torsos in bog oak and walnut feature in his final years. He died in Dublin in 1988 aged 70. "

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