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Lot 3
An early 19th century ormolu and bronze figural eight day mantel clock with French movement signed 'Leon, Paris', striking on a single bell, the 3 1/2 inch dial with ring of Roman numerals within a laurel leaf surround surmounted by a gilt figure of Hercules on a Triumphant rectangular base on short claw feet to the front, 48cm high
Lot 6
A 19th century French bronze ormolu and marble figural eight day mantel clock the 3 3/4 inch convex white enamel dial with inner ring of Roman numerals, outer ring of Arabic numerals, the drum movement striking on a single bell, signed 'D E Niere a Paris 1664' the drum case with mid brown patinated bronze Cupid mount seated on gilt bronze clouds and a stepped white marble base on ormolu scrolling front and rear feet, united by a pierced front apron, 26cm high
Lot 49
A pair of Victorian brass Gothic Revival short table candlesticks with trefoil galleries to the circular drip-pans, on a diagonally cut column and circular spreading foot,15.5cm high, along with a matched Victorian bronze agate cabochon decorated desk set comprising of inkwell, pen tray and pair of candlesticks (one nozzle replaced) (6)
Lot 40
A creamware Sleeping Boy, c.1815, the child asleep with a comfort blanket on a rectangular base, impressed in upper case 'F WEDGWOOD', chips, 12.2cm WS This model, which was popular throughout the late 18th and 19th centuries, was taken from originals by Duquesnoy and reproduced also in bronze, see lot 242. This example has an unusual sea-green glaze. The most likely candidate for the impressed mark is that of Francis Wedgwood (1800-1888) 'Master Potter of Etruria' who joined the firm in 1827. The rarity of the mark and stylistic grounds suggest a date not long after this. CONDITION REPORT: FROM THE WILFRED J SAINSBURY COLLECTION.
Lot 114
A miniature Continental ivory box, 17th/18th century, with extensive bronze mounts, clasp, hinges and lock, of square shape, 4cm high 6.2cm wide EW Provenance: The Maria Baer Collection. CONDITION REPORT: FROM THE EVA WEININGER COLLECTION. 2.5cm split to base, top with old splits. Some discolouration, possible new piece below lock plate front, the paper lined.
Lot 206
A miscellaneous group of Grand Tour souvenir antiquities, including: a terracotta figure of a dancing female with swirling drapery, a rhyton-style pottery horned animal, a small bronze pedestal lamp with two nozzles, and a bronze nude standing female figure, holding a heavy strigil and plaque, 13.5cm high (4) CONDITION REPORT: Female figure - both arms detached, leg detached and rear fixed Horned animal - wear and rubbing Lamp - NOMF Figure - tenons beneath feet
Lot 436
A French bronze mantel clock, 19th century, set with porcelain panels and painted cherub dial on shaped giltwood base, under a glass dome, dial inscribed 'Ellis, Exeter', back of dial stamped 'Japy Frères', 45cm high CONDITION REPORT: Glass dome - some damage. Dial slight wear to gilt. Loss of tiny red cabochons on edge of dial. Some wear to gilding on metal and on wooden base.
Lot 457
An exceptional pair of gilt-bronze wall lights, modelled as winged caryatids holding milk glass shades with frilled edges, 47cm high (2) Wall lights of this large size are unusual and suggest that they may have been made for one of the numerous 19th century exhibitions. The most likely are the 1851 London 'Crystal Palace' or the 1867 Paris 'Universal', both of which depict, in their respective catalogues, comparable pieces. At the time, designers drew upon Greek mythology very strongly and the Nymph, which forms the body of each bracket, is probably Amphitrite, consort of Posiedon, God of the Sea. They could be either French or English, but the former is more likely. The brackets were originally made for gas and the tap bears the influence of the designer, Dr Christopher Dresser, which would confirm a later date of the 1860s. The milk glass shades are in art nouveau style and contemporary with the electricity conversion, around 1900. They were probably blown in Stourbridge by Thomas Webb.
Lot 586
A walnut and gilt bronze mounted credenza, late 19th century, the serpentine front over a glazed cupboard flanked with open shelves each side, velvet lined, 141.5cm wide 37cm deep 99.5cm high CONDITION REPORT: Splits to veneer - sections of veneer have been re-glued to edges. Velvet faded and torn. Additional images available on request.
Lot 634
A French inlaid walnut and ebonised jardinière, late 19th century, of kidney shape, the lift-off lid with an inset porcelain plaque, over gilt bronze mounts and an undertier CONDITION REPORT: Warped top. Veneer lifted on one side, fading to surface, water damage to ebonised moulding. One ring handle missing from galvanised line. Ill fitting lid. 51.5cm across, 36cm deep.
Lot 245
Three Japanese Bronze Vases Three Japanese Bronze Vases Comprising a large champlevÈ vase previously mounted as a lamp with two drilled holes to the base, and two small bronze vases. {Tallest: 12 3/4 inches (32.4 cm) excluding stand} [Dents, nicks, soiling, abrasions, small losses, overall wear, drilled holes] Starting Price: $180
Lot 246
Three Japanese Bronze Animal Studies Three Japanese Bronze Animal Studies Including two upright carp with open mouths, and a standing heron. {Tallest: 9 1/2 inches (24.1 cm)} [Possible repairs to one fish with visible glue residue near the base, the bird with a loosened leg, all with small nicks, abrasions, overall wear and slight corrosion] Starting Price: $180
Lot 290
A Large Collection of Chinese Bronze Coins, Qing Dynasty A Large Collection of Chinese Bronze Coins Comprising approximately 435 coins from various reign periods during the Qing Dynasty including Kangxi, Yongzheng and Qianlong. Qing Dynasty Provenance: Private Collection, San Francisco. Starting Price: $900
Lot 291
A Set of Bronze Figures of the Eight Immortals A Set of Bronze Figures of the Eight Immortals All shown standing upon circular bases, each accompanied by their characteristic attributes. {Tallest: 2 1/2 inches (6.3 cm)} [Soiling, wear, small nicks, some lacking base plugs] Starting Price: $200
![Patinated Bronze of a Greco Roman Soldier Patinated Bronze of a Greco Roman Soldier {Height 8 7/8 inches} [repair at base] S](http://lot-images.atgmedia.com/SR/35844/2903535/602-201481910246_468x382.jpg)
Lot 676
A GREAT WAR CASUALTY GROUP TO SAPPER W.E. WILKINS, ROYAL ENGINEERS comprising the British War Medal 1914-20 and Victory Medal (both 160464 Spr. W.E. Wilkins. R.E.), officially impressed, and a Memorial Plaque (Willie Edmund Wilkins), all mounted in a display case; together with the scroll accompanying the plaque; a portrait postcard of Sapper Wilkins in battledress uniform, by Osborne & Fisher of Cornhill, Bridgwater; a gilt metal `Royal Engineers` miniature locket-style photograph frame, containing a female portrait; and a bronze medal marked `S.M.E. Chatham` to the obverse and impressed `291 Party / Best Shot / W. Wilkins` to the reverse. Note: 160464 Sapper Willie Wilkins, 91st Field Coy Royal Engineers, the son of William & Eliza Wilkins of the Enmore Inn, Enmore, Bridgwater, died on 22nd March 1918, at the age of 22. He is buried with honour at the Faubourg d`Amiens Cemetery, Arras.
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389642 item(s)/page