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Lot 265

2nd-1st millennium B.C. A bronze figure of a deity or worshipper wearing a flat headdress with long pony tail to the rear of the head, small ears, mask-like face and large nose; arms bent to the side and hands holding flat objects, possibly stylised flowers; long tapering gown from under which protrude small feet. 48 grams, 10 cm (4 in.). Important London collection, acquired before 1980. With TimeLine Auctions 20 February 2018, lot 711. Private collection of Professor Kenneth Graham, London, UK. Accompanied by a copy of the relevant TimeLine catalogue pages and invoice.

Lot 267

Circa 8th-7th century B.C. A bronze openwork master of animals sceptre head element, formed in the round as two slender beasts standing on their hind paws, facing each other with roaring mouths, gripping each other's forepaws, their long curled tails forming two small attachment loops (now occluded), cylindrical socket throughout the whole; accompanied by a custom-made display stand. Cf. The Metropolitan Museum, accession number 30.97.9, for similar. 91 grams, 87 mm (205 grams total, 11 cm high including stand) (3 3/8 in. (4 3/8 in.)). Ex private French collection, Paris. Acquired on the French art market in 2013. Private Germany collection. For this specific lot, 5% import VAT is applicable on the hammer price [A video of this lot is available to view on Timeline Auctions Website.]

Lot 271

2nd millennium B.C. A sheet-bronze cup with discoid base, applied strap handle with stag-head detailing, antlers conjoined above the head to form a ring. See Moorey, P.R.S., Ancient Bronzes From Luristan, London, 1974. 142 grams, 14 cm (5 1/2 in.). London Mayfair, UK, collection, formed 1970s-1980s. Ex property of a London gentleman. Private collection of Professor Kenneth Graham, London, UK.

Lot 276

13th-6th century B.C. A bronze staff finial with a tapering C-section body and coiled finial, quincunx of punched ring-and-dot motifs to the upper body and incised band of chevrons leading to the terminal on one face, repeated on the second face with the addition of ring-and-dot fill; rivet holes to join two halves of the body, lip to lower edge. 557 grams, 62 cm (24 3/8 in.). UK private collection before 2000. UK art market. Property of a London gentleman. [No Reserve]

Lot 319

Circa 2nd century A.D. or later. A bronze Buddha ??kyamuni figure modelled in the round standing bare-footed on an architectural plinth, wearing a shin-length garment, ushnisha to head, hands in the abhayamudr? of fearlessness; pierced lug to reverse; ‘Buckingham Collection’ label to verso. Cf. The Zhiguan Museum of Fine Art, Treasures of Himalayan Art, Sakyamuni, Gandhara, bronze, 4th-5th century, height 44 cm, ZG 1 001, for similar. Tibet House, An Exhibition at Tibet House New York from the Buckingham Collections, New York, cat.no.GMB027, p.131. 1.1 kg, 27.5 cm high (10 7/8 in.). Dr Paul Singer, New Jersey, USA, 1995. ‘Buckingham Collection’, the late Nik Douglas (1944-2012), renowned author, curator and Asian art expert. Accompanied by a copy of the relevant ‘Out of Uddiyana’ exhibition catalogue pages: Exhibition catalogue cat.no.GMB027, p.131; and no.237, p.71. Accompanied by a copy of Nik Douglas' catalogue page #075 with provenance and price of US$220,000.00. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11375-191880. [No Reserve] [A video of this lot is available to view on Timeline Auctions Website.]

Lot 320

2nd-3rd century A.D. or later. A bronze figure of Buddha Sakyamuni modelled in the round standing bare-footed on a double lotus flower podium, wearing a robe, ushnisha to the head, stylised facial features and hands in the mudra of fearlessness; pierced lug to reverse. Tibet House, An Exhibition at Tibet House New York from the Buckingham Collections, New York, cat.no.GMB033, p.133 and no.234. 1.72 kg, 29.5 cm high (11 5/8 in.). Japanese private collection, 1971. Acquired through K. Takegami, Tokyo, Japan. ‘Buckingham Collection’, the late Nik Douglas (1944-2012), renowned author, curator and Asian art expert. Accompanied by a copy of the relevant ‘Out of Uddiyana’ exhibition catalogue pages: Exhibition catalogue cat.no.GMB033, p.133; and no.234, p.71. Accompanied by a copy of Nik Douglas' catalogue page #093 with provenance and price of US$180,000.00. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11376-191878. [No Reserve] [A video of this lot is available to view on Timeline Auctions Website.]

Lot 322

Circa 3rd century A.D. or later. A bronze shrine or altar featuring Buddha Sakyamuni seated cross-legged on a throne supported by two stylised lions sporting long manes, lotus petals below, hands seemingly held in dharmacakra-pravartana mudr?, flaming aureole behind his head, animals and mythical creatures adorning the trilobate hollow-formed backing; pierced suspension lug to reverse; ‘Buckingham Collection’ label to verso. Tibet House, An Exhibition at Tibet House New York from the Buckingham Collections, New York, cat.no.GMB028, p.131. 1.88 kg, 20 cm high (7 7/8 in.). Miangul Aukun Wali, London, UK, 1975 ‘Buckingham Collection’, the late Nik Douglas (1944-2012), renowned author, curator and Asian art expert. Accompanied by a copy of the relevant ‘Out of Uddiyana’ exhibition catalogue pages: Exhibition catalogue cat.no.GMB028, p.131. Accompanied by a copy of Nik Douglas' catalogue page #076 with provenance and price of US$360,000.00. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11378-191879. [No Reserve] [A video of this lot is available to view on Timeline Auctions Website.]

Lot 329

Early 8th century B.C. A Urartian or Assyrian broad hammered bronze helmet of conical form with high pointed apex, the front with a raised linear motif comprising two encircling ribs above the brim; to the front an incised image of winged sun; pierced holes to the sides for fastening rings for supporting cheek-pieces. Cf. Calmeyer, P., Datierbare Bronzen aus Luristan und Kirmanshah, Berlin, 1969, p.89; Borchardt, J., Homerische Helme: Helmenformen der Ág?is in ihren Beziehungen zu orientalischen und europäischen Helmen in der Bronze-und frühen Eisenzeit, Mainz, 1972, fig.12; Born H., Seidl U., Schutzwaffen aus Assyrien und Urartu, Sammlung Axel Guttmann IV, Mainz, 1995, fig.27, p.28; Christie’s, The art of the warfare, the Axel Guttmann collection, Part II, Wednesday 28 April 2004, London, 2004 nos.39, 46; Dezs?, T., Oriental influence in the Aegean and Eastern Mediterranean Helmet Traditions in the 9th-7th centuries B.C.: The Pattern of Orientalization, (British Archaeological Reports, S691), Oxford, 1998; other parallel in Gorelik, M., Weapons of Ancient East, IV millennium BC-IV century BC, Saint Petersburg (2003) in Russian, pl.LXI, no.86, from the surroundings of Karmin Blur (Teishebaini). 681 grams, 26 cm high (10 1/4 in.). Acquired 1960s-1990s. Late Alison Barker collection, a retired London barrister. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11385-190448. The shape of the helmet is typical of the neo-Assyrian period. Considering the similarity of the winged symbol with that of the helmet in the British Museum, published by Barnett and Calmeyer, which was found in Luristan but with all probability was produced in Urartu or Assyria. The winged sun is clearly visible on some Assyrian helmets in the Guttmann collection (Born, Seidl, 1995, pl.V), on the Assyrian helmets of the Giancarlo Ligabue collection in Venice and on helmets in private collection in Teheran (Born, Seidl, 1995, fig.40; Dezs?, 1998, III.10-13). It was the symbol of royalty for the Assyrian rulers (‘his own self, the Sun’, i.e., ‘His Majesty’), and appears in reliefs with them (Born, Seidl, 1995, fig.33). The winged sun symbol was connected with Shamash, the solar deity, god of justice and equity, judge of both gods and men. In the ‘Forum of the gods’ of Ashur he was venerated in a twin temple with his mother, the moon-goddess Sin, under the rule of Assur, the supreme god of the Assyrian pantheon.

Lot 330

8th century B.C. An Assyrian or Levantine domed bronze helmet of ovoid shape with slightly pointed top and integral cheek-pieces; chased low-relief decoration to both front and back depicting a pair of opposing ibexes flanking a small palm tree; the edge with regularly disposed holes for fastening of the leather lining. Cf. Barron, A.E., Late Assyrian Arms and Armour, Art versus Artefact, Toronto, 2010; Borchardt, J., Homerische Helme: Helmenformen der Ág?is in ihren Beziehungen zu orientalischen und europäischen Helmen in der Bronze-und frühen Eisenzeit, Mainz, 1972, p.99 and pls.31, 32, 3; Gorelik, M., Weapons of Ancient East, IV millennium BC-IV century BC, Saint Petersburg (2003) in Russian; Dezs?, T., The Assyrian Army, I. The structure of the Neo-Assyrian army as reconstructed from the Assyrian Palace Reliefs and Cuneiform Sources, 2. Cavalry and Chariotry, Budapest, 2012; similar helmets in Gorelik, 2003, pl.LXI, nos.45, 48, 78. 458 grams, 23 cm high (9 in.). Acquired 1960s-1990s. Late Alison Barker collection, a retired London barrister. Accompanied by an academic report by Dr. Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11386-190447. This rare and wonderful helmet is an unusual (probably early) example of conical strap-helmet, linked with similar Greek strap helmets, but until now in the Near East, known only from the Assyrian reliefs. It is shown together with the crested helmets, on the reliefs of Tiglapilaser III and Sennacherib.

Lot 332

8th century B.C. A hammered discoid shield raised from a single copper-alloy sheet, displaying a central conoid boss surrounded by five concentric stepped tiers; two pairs of circular piercings to the perimeter; accompanied by a custom-made display stand. Cf. Christie's, The Axel Guttmann Collection of Ancient Arms and Armour, part 1, London, 2002, p.22, no.16; Overlaet, B., ‘The chronology of the Iron Age in the Pusht-I Kuh, Luristan’ in Iranica Antiqua, vol.XL, 2005, pl.13, no.14, for the recent find of a similar shield; Ayazi, S., Disc-Headed Bronze Pins from Luristan: A Symbol of Ancient Iran’s Past, Tübingen, 2008; Moshtagh Khorasani, M., ‘Bronze and iron weapons from Luristan’ in Antiguo Oriente: Cuadernos del Centro de Estudios de Historia del Antiguo Oriente, 7, 2009, pp.185-216, for discussion on the production of such weapons; a similar round bronze shield - datable to the 8th century B.C., was part of the famous Axel Guttmann collection. 1.35 kg total, 54.5 cm high including stand (21 1/2 in.). UK private collection before 2000. UK art market. Property of a London gentleman. Accompanied by an academic report by military specialist Dr. Raffaele D'Amato. These kind of shields, of small dimensions, were used by infantry or horse-archers of Luristan and neighbouring cultures (Elamites, Zagros Tribesmen, like Hurrians, Lullubians, Kutians, and Kassites, Assyrians), as well as by Urartu, West-Iranian and Northern Caucasian civilizations around the Caspian Sea. The rich and noble aristocrats of the Luristan, Elamites, Hurrians, Lullubians, Kutians, and Cassites, went to battle splendidly equipped and used magnificent defensive equipment made from bronze. [No Reserve]

Lot 335

8th-7th century B.C. A copper-alloy sword with a massive double-edged blade, triple-ridged on both sides with pronounced mid-rib; the blade separated from the hilt by a crescentic blade mount, rectangular openwork handle with offset indentations and a double pommel disc, the cap loose but secured with a later copper wire. See Gorelik, M., Weapons of Ancient East, IV millennium BC-IV century BC, Saint Petersburg (2003) in Russian, pl.XIV, no.38; Khorasani, M.M., Arms and Armour from Iran. The Bronze Age to the End of the Qajar Period, Tübingen, 2006; Khorasani, M.M., ‘Bronze and iron weapons from Luristan’ in Antiguo Oriente: Cuadernos del Centro de Estudios de Historia del Antiguo Oriente 7, 2009, for discussion. 850 grams, 57.5 cm (22 5/8 in.). Acquired 1980-2015. Ex Abelita family collection. Accompanied by an archaeological report by military specialist Dr. Raffaele D'Amato.

Lot 337

13th-6th century B.C. A bronze axehead with ribbed openwork socket terminating in a butt formed of four cones, the blade expanding from the mouth of a growling lion with a flowing mane; mounted on a custom-made display stand. Cf. Godard, F., The Art of Iran, London, 1965, item 99, for comparable; Moorey, P.R.S., Catalogue of the ancient Persian Bronzes in the Ashmolean Museum, Oxford, 1971, Pl.2, nos.14-16, items 51-52; cf. also Musée Cernuschi, Bronzes de Luristan, énigmes de l'Iran Ancien, IIIe-Ier millenaire av. J.C., Paris, 2008, p.44, fig.1,3; p.97, no.45, for similar types; cf. also The Metropolitan Museum, accession numbers 32.161.2 and 32.161.3, for comparable examples. 550 grams, 26.5 cm (1.36 kg total, 16 cm high including stand) (10 1/2 in. (6 1/4 in.)). Acquired before 1983. Ex London gallery, 1990s. It is difficult to know whether this type of axe, given its high decoration in some specimens, was used as a real weapon or was just a symbol of rank and prestige, employed for ceremonial or cult purposes. Considering, however, that the concept of parade weapons did not exist in the surrounding areas, these axes were most probably used for both military and ceremonial purposes. It is interesting that a lion’s head motif appears as a decorative feature on many axe-heads, such as our specimen. The lion’s open jaws form the base of the axe head, and the blade is attached to this; the lion is a symbol intended to give the weapon the strength of the most powerful beasts of the animal kingdom. [A video of this lot is available to view on Timeline Auctions Website.]

Lot 338

Late 2nd-early 1st millennium B.C. A substantial bronze halberd-shaped axehead with long, narrow, subtriangular blade projecting from a flange, cutaway section at the base and a knob formed as a griffin head at the top of the flange, the shaft with five projecting ribs; accompanied by a custom-made display stand. Cf. Muscarella, O.W., Bronze and Iron Ancient Near Eastern Artifacts in the Metropolitan Museum of Art, New York, 1988, p.98, fig.161. 540 grams, 31.5 cm long (872 grams total, 38 cm high including stand) (12 3/8 in. (15 in.)). Acquired in Iran 1967. Property of a central London gentleman. This axe type is known from an example excavated in Marlik by Dr. Negahban in grave 26, and another from Kurvin. Various examples, held in in private collections, also have an animal head added to the outside of the blade. The cutaway and knob were intended to hold organic thongs that helped secure the blade to the shaft.

Lot 339

6th-5th century B.C. The front of a scale armour coat composed of over five hundred overlapping bronze scales, each mounted onto a custom-made stand for purposes of display; the scales show to have formed different series, some having holes only in the upper part, some with three holes in the upper part and two holes to the left, and some showing three upper holes and one central hole. Cf. similar scales from Egypt, dated circa 590 B.C., in the Metropolitan Museum, discovered in the palace of Apries, accession no.09.183.7a–v; Chernenko, E.V., The Scythians 700-300 BC, Hong Kong, 1998, pp.7ff., pl.D & E; ???????? ?.?., ‘Elements of Scythian tradition in the complex of armament of the Altai forest-steppes population, in the 6th-3rd centuries B.C.’, in Russian Academy of science, The war and the military in the Scythian-Sarmatian world, Proceedings of International Scientific Conference in tribute to the memory of A.I. Melyukova (Kagal’nik, 26-29 April 2014), in Russian, pp.119-126 and pp.162-171, pl.3, p.126, fig.2, p.165. 9.6 kg total, 79 cm high including stand (31 in.). Acquired 1971-1972. From the collection of the vendor's father. Property of a London, UK, collector. Accompanied by an academic expertise by military specialist Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11389-192359. The favourite armour of the Scythian noblemen was a protection composed of scales, usually protecting the torso, sometimes the entire body (kataphraktoi). The Scythians found the most efficient method of arranging the overlapping ‘fish-scales’ as a corselet made of a number of bronze and iron plates, able to protect against sword and spear thrusts. The scales were fixed to an organic backing in such a way that the edges were overlapping in a similar way to rooftiles creating a complete protection for the wearer. Our scales correspond well to bronze scales found in May 1961 in an accidentally destroyed burial in a barrow, near the village of Nadezhda Sovetsky district. They were discovered together with iron scales, a Greek Corinthian helmet, fragments of an amphora, five arrowheads and fragments of an iron sword. Most of these bronze scales were oblong in shape, with a sub-rectangular upper end and a rounded lower end, but slightly bigger than our scales.

Lot 340

1700-1350 B.C. A bronze spearhead composed of an elongated leaf-shaped blade, tapering round-section socket leading to a D-section tapering midrib to both faces. Cf. Bruno, A., Spears in context: typology, life-cycles and social meanings in Bronze Age Italy, Manchester, 2012, pl.21, no. L51; 27, no.2. 676 grams, 43.5 cm long (17 in.). Private collection, acquired in the 1970s-1980s; thence by descent. Private collection since 1998. Type LS7 of the Bruno classification of the Middle Bronze Age Italic spearheads, to which this head belongs, is represented by large spearheads, characterised by a narrow blade with small holes at its base, polygonal midrib and a short socket. For this specific lot, 5% import VAT is applicable on the hammer price

Lot 345

1st century B.C.-1st century A.D. A discoid gladiatorial or cavalry shield with shallow domed central panel, adorned with a circular boss bearing a stylised Medusa head in raised relief, snake heads emerging from her hair, their tails spiralling at ear height; two flat-section rectangular straps running parallel on the reverse, a perspex cylinder fixed between the straps, serving as a display base. Cf. the British Museum, museum number 1756,0101.970, for a very similar style gorgoneion; Antonucci, C., L’esercito di Cesare 54-44 a.C., Concorezzo, 1996; D’Amato, R., Arms and Armour of the Imperial Roman Soldier, London, 2009; Mattesini, S., Gladiatori, San Egidio alla Vibrata, 2009; D'Amato, R., Negin A., Decorated Roman Armour, London, 2017. 1.4 kg total, 35.5 cm diameter (14 in.). Ex N.K., Paris-Geneva (1910-1996); thence by descent. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11392-189855. The typology of round Roman shields of embossed bronze, could be related to various categories of warriors. The round parma, that according to Livy (XXI,4-5), was the main shield of the Roman cavalry since the 3rd century B.C., and continued to be the typical shield of the cavalryman in the late Consular Age, as mentioned by Sallustius (Hist., IV,4). This shield, which was about 80 cm in diameter, is depicted on a monument from Via Latina, probably the grave of a Roman cavalry officer (monument now in Hever Castle, England), showing the typical weaponry of a cavalry officer. Many officers used the parma from horseback alternating with the round clypeus. An original specimen from the Castra Caecilia shows a diameter of 42 cm (Antonucci, 1996, p.31 and plate D2). The shields decorated with the head of Medusa, following the Hellenistic and Etruscan models (D’Amato-Negin, 2017, fig.13), are visible on Roman monuments until the 3rd century A.D. Other specimens of embossed Roman shields have been found in gladiatorial context. A splendid embossed example was found in the gladiatorial barracks at Pompeii (Mattesini, S., 2009, p.178). The classes gladiatoriae of the Hoplomachi were part of the fighting categories of the Parmularii, who used a small round shield. A small round shield (Parma Equestris) was used also by the classes of the Equites (cavalrymen), and some of their shields with embossed decoration were well represented on the lost frescoes from the podium of the amphitheatre of Pompeii. For this specific lot, 5% import VAT is applicable on the hammer price

Lot 355

10th century A.D. A double-edged cutting sword of Petersen Type U with a shallow-fullered broad blade and round tip; boat-shaped lower guard and a large pommel, originally divided in three parts and with traces of silver inlay. Cf. Petersen, J., De Norske Vikingsverd, Oslo, 1919; Petersen, J., De Norske Vikingsverd, Saint Petersburg, 2005; Peirce, I., Swords of the Viking Age, Suffolk, 2002, p.110; the main reference example is a sword published by Petersen (p.182, fig.122) from Seim, Ardal; another interesting and important specimen is published by Peirce, the British Museum 1915.5-4.1, found in the river Lea riverbed, near Edmonton, Middlesex. 874 grams, 92 cm (31/4 in.). Acquired 1971-1972. From the collection of the vendor's father. Property of a London, UK, collector. Accompanied by an academic expertise by military specialist Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11396-192363. Petersen Type U swords were used predominantly during the 10th and 11th centuries. Examples of this sword type have been found across northern Europe and a great number of them are decorated with some form of inlay or overlay using silver, copper and bronze. The gently tapering blade of this sword with tapering fuller seems to correspond to the type 3 individuated by Geibig, and so dated to the 10th century, when taking the dating opinions of Petersen concerning this category into consideration.

Lot 366

15th-9th century B.C. An entire Late Bronze Age founder's hoard comprising: a complete looped palstave axe, with a fragment of another; with five complete or almost so socketted axes, some showing linear ornament to the sockets, with fragments of three others; with a small socketted gouge and together with three pieces of copper 'bun' ingot and a conical waste casting sprue. See Evans, J., The Ancient Bronze Implements, Weapons and Ornaments of Great Britain and Ireland, London, 1881, figures 102, 112, 114, 116 and 205, for very similar examples of these types. 3.4 kg total, 3.5-11.5 cm (1 3/8 - 4 1/2 in.). Found whilst searching with a metal detector near Dunstable, Bedfordshire, UK. Acquired from a Cambridgeshire antiques shop circa 1995. Private collection of a Suffolk, UK, gentleman. [15, No Reserve]

Lot 367

14th-mid 12th century B.C. A substantial bronze palstave axehead from the Manston hoard pit deposit, triangular flanges rise from the butt to the stop bar; a hollow to both faces below the septum; narrow body expanding to a wide triangular blade with slight flare at the tips. See Evans, J., The Ancient Bronze Implements, Weapons and Ornaments of Great Britain and Ireland, London, 1881, pp.76-84 and figs.56-68, for similar types; Rowlands, M.J., The Production and Distribution of Metalwork in the Middle Bronze Age in Southern Britain, Oxford, 1976. The British Museum's Portable Antiquities Scheme, reference PAS KENT-495597, for this find. 505 grams, 17 cm (6 3/4 in.). Found near Manston, Kent, UK, 2016. Accompanied by copies of the British Museum's Portable Antiquities Scheme (PAS) report number KENT-495597. Accompanied by Treasure Act documentation under Treasure Reference 2016 T618. At Manston was found a hoard of ten copper-alloy palstave axeheads, in one spot, described as 'one hole' and therefore possibly a pit deposit from the Middle-Late Bronze Age. A similar hoard of palstaves was also found in the immediate vicinity by the same finder at a later date, see PAS KENT-593613. These palstaves are comparable to those placed within Rowlands 'class 3 group 1', characterised by a U-shaped septum profile, low triangular or slightly convex flanges, a straight sided triangular or crinoline blade and a triangular depression or ribbed motif beneath the stop bar (Rowlands 1976, pp.32-33). Group 1 and 2 within class 3 are divided based on blade width, being 7-8cm and 5-6cm respectively, placing the above axes between the two, but probably within group 1.

Lot 368

2nd-mid 1st millennium B.C. A bronze spearhead composed of a waisted leaf-shaped blade with raised midrib and lateral steps to both faces, tapering tubular socket pierced twice for attachment to a shaft; accompanied by a custom-made display stand. 297 grams total, 22cm including stand (8 5/8 in.). Private collection, acquired in the 1970s-1980s; thence by descent. Private collection, since 1998. For this specific lot, 5% import VAT is applicable on the hammer price

Lot 369

2nd millennium B.C. A bronze ring composed of a coiled hoop and two large spiraling coiled wire plaques. 38.14 grams, 79 mm overall, 19.90 mm internal diameter (approximate size British U, USA 10, Europe 22.52, Japan 21) (3 1/8 in.). From a European collection, before 1990. Ex private collection, Vienna, Austria, acquired in 1990. Private Swiss collection, acquired 2001. For this specific lot, 5% import VAT is applicable on the hammer price

Lot 370

2nd millennium B.C. A bronze ring composed of a coiled hoop and two large spiral coiled plaques. 30.68 grams, 73 mm overall, 20.05 mm internal diameter (approximate size British T 1/2, USA 9 3/4, Europe 21.89, Japan 21) (2 7/8 in.). From a European collection, before 1990. Ex private collection, Vienna, Austria, acquired in 1990. Private swiss collection, acquired 2001. For this specific lot, 5% import VAT is applicable on the hammer price

Lot 371

11th century B.C. A bronze fibula of Posamenteriefibel lacework type with large spiral disc extending to a shank and finial spring returning to form the pin; applied wire-coil lateral decorations attached with thick rectangular bands. Cf. Beck, H. et al., Fibel und Fibeltracht, Berlin, 2000, p.37-9; Museum für Vor- und Frühgeschichte, Berlin accession no.II. 10421. 232 grams, 21 cm (8 1/4 in.). Private collection formed since 1970. Property of a gentleman from Vienna, Austria. [No Reserve] For this specific lot, 5% import VAT is applicable on the hammer price

Lot 372

1st millennium B.C. A matching pair of penannular bronze bracelets each with coiled terminals. 65 grams total, 56-58 mm (2 1/4 in.). Acquired 1971-1972. From the collection of the vendor's father. Property of a London, UK, collector. [2, No Reserve]

Lot 376

1st century B.C.-1st century A.D. A substantial bronze harness fitting composed of circular body with deliberate asymmetrical central openwork La Tène oval and tear-shapes forming three 'hidden faces' comprising of a human face and two side profile puffin-like faces, red enamelled border, strap arm to each side composed of two circular arms with a round-section bar between. Cf. The Trustees of The British Museum., Later Prehistoric Antiquities Of The British Isles, London, 1953, pl. XI, for comparable forms; cf. Jope, E.M., Early Celtic Art In The British Isles, Oxford, 2000, pl.276, for similar types; and Hammond, A., Benet's Artefacts of England and the United Kingdom, 4th edition, 2021, p.122-124, for several much smaller examples. Hammond, Brett, British Artefacts Volume 4 - The Celtic Iron Age, Greenlight publishing, 2022, (forthcoming) for this example. 51.2 grams, 71 mm (2 3/4 in.). Found whilst searching with a metal detector near Kirkby Lonsdale, Cumbria, UK, on Tuesday 10th May 2022. Accompanied by a copy of the book British Artefacts Volume 4 - The Celtic Iron Age, when published. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11403-190465. The Brigantes were a tribe, or perhaps more accurately a loose confederation of related tribes, of British Celts inhabiting most of the area between the Humber and the Tyne. The name of the tribe originates from the Celtic goddess Brigantia.

Lot 377

1st century B.C.-1st century A.D. A bronze bowl mount comprising a D-shaped plaque with curved outer face and recess to the reverse, three holes for attachment rivets, two horns forming the loop to the upper edge and raised facing mask with centre-parted hair and lentoid eyes. 76 grams, 54 mm (2 in.). Found near Aylesford, Kent, 1976. Ex UK collection. Property of a Portsmouth, UK gentleman. Accompanied by an old ticket including provenance.

Lot 378

6th-7th century A.D. A bronze bowl mount, discoid with exterior rim, reserved comma-leaf ornament on an enamelled field comprising a central roundel with reserved triskele, six surrounding roundels of which three are formed with two reserved crescents forming an 'S'-shaped motif, two with two crescent hooks each pierced at the centre by a pellet, one roundel with three radiating pierced hooks; the reverse with solder scar where it was attached. Cf. Bruce-Mitford, R., The Corpus of Late Celtic Hanging Bowls, Oxford, 2005, item 88. 13.4 grams, 40 mm wide (1 1/2 in.). Found South East England. Acquired on the UK art market, circa 2012. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11404-193157. The disc was placed at the centre of the base of a bronze hanging bowl. Such mounts are found on hanging bowls mainly in 6th-7th century Anglo-Saxon princely or royal burials. They probably formed part of the so-called 'economy of prestige' in which decorative high-status tableware and feasting equipment circulated among the leading families of the various British and Anglo-Saxon kingdoms. A number of these items have been found in 7th century burial mounds such as Sutton Hoo (Suffolk), Prittlewell (Essex) and Benty Grange (Derbyshire). The decoration and manufacturing techniques suggest an origin among the late Romano-British groups of western and northern Britain. The layout of the elements of the design is parallel to the great hanging bowl from Mound 1 at Sutton Hoo although the design there is more elaborate in its enamelled motifs. For this specific lot, 5% import VAT is applicable on the hammer price

Lot 379

6th century A.D. A matched pair of bronze small-long brooches, each with a rectangular headplate, shallow bow and pelta-shaped foot with punched detailing; mounted on a Hattatt display stand with text: 'Anglo-Saxon / Small Long brooches / Identical pair / 6th cent: A.D. / Square-headed type / Found at Lakenheath, Suffolk'. Hattatt, R., Iron Age and Roman Brooches, Oxford, 1985, item 677 (this pair). 130 grams total, brooches: 62-64 mm (2 3/8 - 2 1/2 in.). Ex Richard Hattatt (d.1992) collection (featured in his book). With Christie's, London, 7 July 1993, lot 72 (part). With Bernard Quaritch, London W1. Ex Martin Schoyen collection. Accompanied by a copy of the Christie's invoice. Accompanied by copies of the relevant Christie's catalogue pages.

Lot 381

9th-12th century A.D. A matched pair of bronze tortoise brooches, each a domed and slightly keeled body with stepped flange rim, dense pattern of low-relief moulded detail including facing figures with pellet eyes; transverse mounting bar and catch to the reverse with loop for attachment of a swag of beads; chain loop to one and short chain to the other. Cf. Sedov, B.B., Finno-Ugri i Balti v Epokhi Srednevekovija, Moscow, 1987, pl.ZII (33). 160 grams total, 9.5-13.5 cm (3 3/4 - 5 1/4 in.). Ex private German collection, 1980s. [2]

Lot 383

7th century A.D. A bronze hollow-formed disc-shaped brooch with a central dot around which are four S-shaped birds with large eyes, curved beaks and bodies formed from interlaced lines; the outer sidewall with line decoration and remains of safety chain fixing hole; remains of a pin hinge and catchplate to the reverse. Cf. MacGregor, A. et al., A Summary Catalogue of the Continental Archaeological Collections (Roman Iron Age, Migration Period, Early Medieval), Oxford, 1997, item 2.2; cf. Metropolitan Museum of Art, accession number 53.48.6. 17.4 grams, 35 mm (1 3/8 in.). UK gallery, acquired in the 2000s. Property of an English gentleman. This Scandinavian Vendel period brooch precedes the Viking Era both in history and art style, as we can observe the use of box and disc brooches in both eras. There were lively contacts with continental Europe, and the Scandinavians continued to export iron, fur and slaves; in return they acquired art and innovations, such as the stirrup. Some of the riches were probably acquired through the control of mining districts and the production of iron. The rulers had troops of mounted elite warriors with costly armour, since their graves were found with stirrups and saddle ornaments of birds of prey in gilded bronze with encrusted garnets. The geometric and interlaced patter was popular especially in Scandinavia, although we can find ornaments with similar motif among continental Germanic people. Abstractly designed small brooches like this were fashionable until larger and more massive Viking oval and drum brooches replaced them.

Lot 385

11th century A.D. A bronze stirrup mount of Williams's Class A Type 16, composed of a rectangular plaque with high-relief tendril and scroll ornament, facing beast head above with everted ears, pierced lug above; ledge to the reverse. Cf. Williams, D., Late Saxon Stirrup-Strap Mounts, A Classification and catalogue, York, 1997, p.78-79, items 360-363, for type. 29 grams, 53 mm long (2 in.). Found whilst searching with a metal detector near Hayle, Cornwall, UK. This form of stirrup mount is among the rarer types, and the present piece is in exceptional condition presenting a deep carved design.

Lot 386

11th century A.D. A bronze stirrup mount of Williams's Class A Type 16, composed of a rectangular plaque with high-relief tendril and scroll ornament, facing beast head above with everted ears, pierced lug above; ledge to the reverse. Cf. Williams, D., Late Saxon Stirrup-Strap Mounts, A Classification and catalogue, York, 1997, p.78-79, items 360-363, for type. 27 grams, 52 mm high (2 in.). Found whilst searching with a metal detector near York, North Yorkshire, UK, in 2021. This form of stirrup mount is among the rarer types, with only a handful published.

Lot 389

9th-10th century A.D. A bronze trefoil brooch with frond detailing to each of the three radiating arms, bilinear frame and central triangular panel; remains of catch and pin-lug to the reverse; mounted on a custom-made stand. Cf. Hammond B. M., British Artefacts Volume 2 - Middle Saxon and Viking, Witham, 2010, p.44, item 1.1.5-b; and cf. Hammond, A.B., Benet's Artefacts of England & the united Kingdom, Fourth Edition, 2021, p.500, VO7-0201, valued at £400-£600. 23.65 grams total, brooch: 34 mm (1 3/8 in.). Found near Aylsham, Norwich, Norfolk, 1980s. Accompanied by a copy of a Norfolk Museum Services record slip.

Lot 390

8th-10th century A.D. A gaming piece comprising a D-shaped lead block and inset fragment of Irish Insular Style gilt-bronze metalwork representing the stylised head of a serpent in profile with gaping mouth and large lentoid eye. Cf. Hammond, B., British Artefacts vol.2 - Middle Saxon & Viking, Witham, 2010, item 1.14-j, for type. 62 grams, 36.5 mm (1 1/2 in.). Found North Yorkshire, UK, 1970's. Ex UK collection. Property of a Portsmouth, UK gentleman. The inset metalwork is probably a fragment of an ecclesiastical item of late 7th or 8th century date.

Lot 445

Germany, Upper Rhine, Strasbourg, circa 1540 A.D. An embroidered pillow or cushion displaying the story of Esther, here kneeling crowned before the king, banner above bearing German text 'Die Künc(g)in Ester'; polychrome corded hem; bronze-coloured reverse. 1.1 kg, 54 x 48 cm (21 1/4 x 19 in.). Private collection, Paris, 2021. Ex central London gallery. Esther was a young Jewish woman who lived during the Persian diaspora. She found favour with the king, became queen, and risked her life to save the Jewish people when a court official persuaded the king to authorise an empire-wide pogrom. [No Reserve]

Lot 45

Late Period, 664-332 B.C. A bronze statuette of the god Amun-Re, modelled in the round in a striding pose on an integral rectangular base, wearing a short kilt and headdress with socket for ostrich plumes, arms held by his sides with hands made into gripping fists, stylised facial features and false beard; accompanied by a custom-made display stand with Bonhams lot number to underside. Cf. The Metropolitan Museum, accession number 04.2.451, for similar. 281 grams, 14.8 cm high (5 3/4 in.). Acquired in the 1970s. From the private collection of Gottfried and Helga Hertel, Cologne, Germany. With Bonhams, London, 3 July 2019, lot 274 (part). Accompanied by a copy of the relevant Bonhams catalogue pages. Accompanied by a recent dealer's certificate of authenticity and invoice with provenance. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11291-191831. [A video of this lot is available to view on Timeline Auctions Website.]

Lot 469

Netherlands, 19th century A.D. or earlier. A bronze figure of the Virgin Mary standing crowned, cradling the infant Christ in her left arm whilst placing his hand on the globe in her right hand; detailing to Mary's hair, face and robes; framed by an integral flaming aureole. 528 grams, 15.5 cm high (6 1/8 in.). Private collection, Auvergne, Central France, 2016. Ex central London gallery. [No Reserve]

Lot 48

Late Period-Ptolemaic Period, 664-30 B.C. A bronze statuette of the god Horus in falcon form, standing on a sub-rectangular base, semi-naturalistic detailing to the face, wings and enlarged legs and feet. 48 grams, 40 mm height (1 1/2 in.). From an earlier 20th century collection. Acquired 1999-2002 from Rupert Wace. Property of a South Oxfordshire private collector. [A video of this lot is available to view on Timeline Auctions Website.]

Lot 78

4th-2nd century B.C. A life-size terracotta head of a youthful woman, modelled with semi-naturalistic facial features, hair pulled back from her face in textured layers, held by a fillet, button-shaped earrings in her ears; hollow-formed, hole to the top of head; mounted on a custom-made display base. Cf. The British Museum, museum number 1873, 0820.125, for a similar face in bronze; Torelli, M., Gli Etruschi, Monza, 2000, pp.378-379,588; the Fordham University Library collection, inventory nos.10.003, 10.008, 10.010. 2.5 kg total, 31.5 cm high including stand (12 3/8 in.). Private collection. With Galerie Serodine, Ascona, Switzerland, early 1990s. Ex collection of Dr. E.N., acquired in 1995. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11298-189874. Votive offerings in the form of heads are typical dedications from the Etruscan sanctuaries of central Italy, which became widespread mainly from the 4th to 3rd centuries B.C. This lovely bust, of natural pink terracotta, is an excellent example of the awakening sophistication of Italic artists, who over the following two centuries, fused native traditions with imported ones and gave birth to the multifaceted art of late Roman Res Publica. One cannot exclude the possibility that the sculptured head adorned a temple or funerary sculpture, and was pertinent to a full size statue. Some forerunners of this coroplastic can be seen in the famous statues from the Necropolis of the Pedata (Chianciano), from which emerges the image of the Mater Matuta. The material employed here (pink clay) is more similar however to the one used for the votive heads from the Nemi Sanctuary (Torelli, 2000, p.126), and points towards a votive or funerary function of the head. For this specific lot, 5% import VAT is applicable on the hammer price [A video of this lot is available to view on Timeline Auctions Website.]

Lot 328

Deborah Stern MRSS (British b. 1938), Mother and Child, c. 1995, a bronze sculpture, signed D. Stern and numbered 1/9, 27cm wide

Lot 329

Deborah Stern MRSS (British b. 1938), Happy Landings, c. 1997, a bronze sculpture, signed D.S. and numbered 1/9, 27cm wide

Lot 333

Louis Chalon (French, 1866-1940), Le Mer' a Patinated cast bronze, on a marble base, 74cm high, signed 'Chalon'

Lot 58

A pair of late Meiji period Japanese bronze vases, each with two panels with raised birds in natural surroundings, on circular bases, both 34cm high (2)

Lot 59

A pair of bronze far eastern candlesticks, both twin handled, raised on three scrolling feet, on circular bases, 21cm high, together with a fair of cast metal animal sculptures, depicting flamingos standing on turtles, 25cm high (4)

Lot 64

A Nepalese bronze buddha figurine, 14.5cm high, together with a root carving of a frog and a Chinese bowl with animal and flower decoration, heavily crazed and with some minor chips to the base, 20.5cm wide AF (3)

Lot 171

Two Royal Crown Derby bone china paperweights, comprising the 'Bronze Winged Parrot', 16cm high and 'Lorikeet' limited edition no. 499 of 2500, both marked to the undersides and with gold stoppers (2)

Lot 277

A 19th century Grand Tour cast bronze vessel, with three figures around the body, 7cm H x 11cm W, together with a cast metal tray, raised on two feet, 24cm in length (2)

Lot 295

After C. Mirval, a bronze of a nude, female, arms raised to flick her hair, signed to the base, 26cm x 25cm

Lot 305

An early 19th century gilt bronze carriage clock, engraved Perigal & Duterrau, Bond Street, London, Roman Numerals on a gilt face, column corners mounted with finials, raised on four pad feet, foliate-scroll engraving throughout, with an engraved carrying handle, some wear to the gilt work 12cm H x 8cm W

Lot 314

An African Bronze three sided dagger, the blade with scrolling snakes, the cross-guard in the form of a mythical animals head, 15cm in length (tip of the blade broken) AF

Lot 315

A late 19th/early 20th century bronze inkwell, in the form of a Bull Dog, possibly French, lift up head, with a 'Bonham's' sticker to the underside, 10cm high

Lot 316

A Bronze bell in the form of a hand bell, 9.5cm high

Lot 317

A bronze African Benin style bronze figurine, the base slightly damaged, 18cm high, together with an assortment of small bronze animals, two further figurines and an offering bowl (qty)

Lot 115

Selection of bronze effect animal statues including Frith Sculpture & Countrylife designs and Border Fine Arts Lurcher DG35B (damaged)

Lot 129

Carl Sorensen Art Deco bronze footed bowl approx. 26cm diameter

Lot 130

Josef Lorenzl cold painted bronze of lady dancing approx. 18cm tall

Lot 134

Pair of bronze seated greyhound figures after Barrie on marble bases, height 19.5cm

Lot 135

Bronze model of a greyhound on a naturalistic base after Mene width 27cm , height 26cm

Lot 136

Pair of seated bronze greyhounds on circular bases after Barye, height 17cm

Lot 137

Bronze figure of a seated greyhound after Barrie on marble base, height 19.5cm

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