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Lot 1250
A Japanese Bronze Model Of A Tiger - 'Signed' Meiji Period 1868-1912. The Patinated Bronze Tiger With Glossy Stripes, Striding Forward With Ferocious Expression And Outstretched Tail. Length 20'' (50 cm) Height 9'' (22.5 cm) All aspects of condition excellent, but please note there is one glass eye missing.
Lot 50A
Breitling Superb Ocean Heritage 46 Gents Stainless Steel Automatic Chronometer Wrist Watch. Ref No A17320, With Attached Breitling Ocean Classic Bracelet, 24 mm, Super Ocean 46, Features Water Resistant 660 Feet, Bronze Dial, Just / Date Display. Luminous Markers, Silver Markers, Classic Chronometer Movement. With Sales Receipt Dated 2/21/2011. With Box and Booklet / Paper. Just Serviced.
Lot 500
Twenty Noteworthy Audio Cassettes, to include, Metallica - Ride The Lightning (MFN TMFN 27), Motorhead - Iron Fist )Bronze, BRNAC 539), Magnum - Sleepwalking (MFN TMFN 143), The Damned - Anything (MCA MCGC 6015), Judas Priest - Stained Class (CBS 4032075), ACDC - Let There Be Rock (Atlantic K450366), and more by Scorpions, Bob Geldof, U2, Sting, Dire Straits, Eagles and John Lennon,
Lot 213
19th CENTURY MALAY BRONZE KETTLEwith a fold over lizard decorated handle with grotesque figures to the hinges, above a circular lid with a mythical beast, above a wide rim decorated with two warriors holding swords and animals, the spout with a mythical beast above a circular foot with scroll decoration, 37.5cm high
Lot 206
Kaws (American 1974-), 'Here Today (Bronze)', 2022, bronze sculpture, engraved with the artists signature and edition number, from an edition of 250; 4.8 x 14.2 x 6cm4.8 x 14.2 x 6cmIn excellent conditionNo chips or cracks to the sculptureStored inside its original packagingNo apparent issues.
Lot 88
Lucio Fontana (1899-1968), Concetto Spaziale, Natura , 1967, 2 sculptures en laiton poli, signées et numérotées 329/500, 26x20x20 cmProvenance: acquis par un diplomate suisse dans une galerie bruxelloise entre 1970 et 1974 et resté dans la famille jusqu'à ce jour.L''uvre est enregistrée auprès de la Fondation Lucio Fontana (Milan le 18 avril 2023) Je veux ouvrir l'espace, créer une nouvelle dimension, me lier au cosmos Lucio FontanaLes premières entailles et perforations apparaissent dans les peintures de Lucio Fontana vers 1957. Il détourne un moyen traditionnel d'expression artistique, la toile, en la perforant créant ainsi une ouverture vers une nouvelle dimension. L'absence et le vide se transforment en une porte vers l'infini. Très vite, à la fin des années 1950 émerge la série « Natura », composée de sculptures en terre cuite et en bronze influencées par cette imagination cosmique. De « Natura » découlent les sculptures sphériques Concetto Spaziale . Editées en 500 exemplaires, coulées par l'artiste Berrocal à Vérone en Italie, ces sculptures allient minimalisme et raffinement. Mes entailles sont par-dessus tout une expression philosophique, un acte de foi dans l'infini, une affirmation de spiritualité . Le milieu du XXe s. est marqué par l'ère nucléaire des années 1940 et 1950 et le début des voyages dans l'espace. La conquête de l'espace en 1960 ouvre la porte à un nouvel imaginaire, une fascination et une réflexion philosophique ayant influencé de nombreux artistes. Dans ce contexte, Lucio Fontana a révolutionné les recherches artistiques durant les premières années de l'après-guerre. Le thème du cosmos est souvent conjugué, de façon dialectique, à celui de la dématérialisation de l''uvre. Fort probablement, sans le Spatialisme de Fontana l'art n'aurait pas évolué vers l'installation, qui investit l'espace concret, puis vers la performance qui s'exprime à son tour dans l'espace réel. Lucio Fontana est reconnu aujourd'hui comme l'un des artistes majeurs de l'art moderne. Son travail est exposé à New York, Milan, Zürich, Londres, Berlin et Rome... et fait partie des collections du Museum of Modern Art, du Guggenheim Museum, de l'Art Institute of Chicago, du Museo Reina Sofía, la Galleria National d'Art Moderne et Contemporain de Rome, etc.
Lot 55
Cartel d'applique d'époque Louis XV, en bronze finement ciselé et doré à décor d'une divinité et de deux amours dans des nuées, fleurs et rocailles cadran émaillé signé Gibault à Paris, marque au C couronné, 85x37 cmUn cartel identique reproduit dans: Kjellberg, Pierre, Encyclopédie de la pendule française du Moyen Age au XXe siècle, 1997, p. 101, ill. GUn cartel similaire vendu chez Christie's, Londres, 1er décembre 2005, lot n°139
Lot 57
Bureau à cylindre d'époque Louis XVI estampillé J. STOCKEL, en acajou et placage d'acajou, ornementation en bronze ciselé et doré, ouvrant par la cylindre, gradin ouvrant par trois tiroirs et plateau en marbre gris ceint d'une lingotière ajourée, ceinture ouvrant par trois tiroirs, pieds cannelés, 107x88x52 cmJoseph Stockel (1743-1802), reçu maître en 1775
Lot 58
Pendule portique d'époque Directoire, en bronze richement ciselé doré et patiné et marbre blanc et gris, cariatides à décor retour d'Egypte, sphinges ailés, fleurs, rinceaux, lauriers, cadran circulaire émaillé et sommé d'un aigle aux ailes déployées, base agrémentée de scènes animées avec des putti, 63x49x13 cm
Lot 35
REMBRANDT BUGATTI (1884-1916)Deux léopards marchant circa 1912 signé, numéroté A2 et porte le cachet du fondeur Cire Perdue, AA. Hebrard, Fonte Albino Palazzolo bronze signed, numbered A2 and with the foundry mark, Cire Perdue, AA. Hebrard, Fonte Albino Palazzolo bronze23 x 93 x 11 cm. 9 1/16 x 36 5/8 x 4 5/16 in.Réalisé circa 1912.Footnotes:Nous remercions Véronique Fromanger d'avoir confirmé l'authenticité de cette Å“uvre; un certificat de Véronique Fromanger sera remis à l'acquéreur. ProvenanceGalerie Antoine Hébrard, ParisCollection Madame Gervais, Paris (acquis en 1925)Puis par descendance au propriétaire actuelBibliographieVéronique Fromanger, Rembrandt Bugatti Répertoire Monographique, Paris 2010, no. 305, p. 366, un autre exemple illustré en couleursRembrandt Annibale Bugatti (16 octobre 1884 à Milan - 8 janvier 1916 à Paris) est le plus grand sculpteur animalier. Il est le frère cadet du non moins célèbre Ettore Bugatti, fondateur de la marque automobile italienne Bugatti en 1909. La rencontre décisive et révélatrice de ce jeune sculpteur se fera au jardin des plantes près duquel Rembrandt Bugatti vit. La Ménagerie du Jardin des Plantes devient son laboratoire et sa principale source d'inspiration avant de partir pour le plus important zoo du monde de l'époque le Jardin zoologique d'Anvers ou Michel l'Hoest mettra un atelier à sa disposition en 1906 en Belgique. Pour la première fois, il peut contempler les animaux sauvages de près. Sa rencontre avec les lions, les lionnes, les panthères, les léopards, les jaguars, les loups, les vautours, les éléphants... va le bouleverser et guider son destin dans une trajectoire foudroyante. Au regard de cette étude quotidienne du comportement animalier, de leur environnement, de leur beauté, en ressortiront des chefs d'Å“uvres encore admirés de nos jours. Louis Vauxcelles en 1906 a tout de suite repéré ce talent et en a rapidement fait l'éloge. Le destin de ce grand sculpteur est lié également à un homme : Adrien Hébrard. Adrien-Aurélien Hébrard, grand collectionneur d'art. Il décide en 1902 de créer tout d'abord une fonderie implantée rue Victor-Duruy, très vite renommée pour la qualité de ses bronzes puis ouvrira la maison d'édition qui lui permettra d'éditer et de diffuser certaines sculptures. Enfin, la galerie installée rue Cambon puis rue Royale a contribué à l'ascension de nombreux sculpteurs grâce à l'exposition des sculptures en vue de leur vente c'est de la que vient directement notre sculpture. La renommée de cette fonderie devient virale et les plus grands artistes passent par cette maison tel que Degas, Guino, Bourdelle, Pompon... Antoine Hébrard était un collectionneur visionnaire qui s'est entouré du meilleur chef de fonderie, Albino Palazzolo. Formé chez Valsuani, ce fondeur milanais est considéré comme le plus respectueux de l'intention de l'artiste et a su donner de l'intensité aux Å“uvres notamment de Bugatti tout au long de sa collaboration avec Hébrard. A l'instar de la majorité des bronzes de Bugatti, les Deux Léopards marchant sont spectaculaires de par la qualité de sa fonte et de sa patine exceptionnelle. Tout le talent de Rembrandt Bugatti est représenté dans cette Å“uvre vivace, élégante et dynamique de ces animaux qu'il n' a étudié qu'en cage , leur rendant cette liberté sauvage apparente. Bugatti est le seul sculpteur de l'époque à savoir retranscrire un mouvement aussi parfait et une attitude animale tant étudiée. Bugatti modèle la surface en volume en laissant apparaître la musculature, les os, les renflements du corps des deux félins. Ce bronze inédit est sans conteste une des plus belles Å“uvres de l'artiste et la plus représentative de cette collaboration avec la fonderie.Rembrandt Annibale Bugatti (October 16, 1884 in Milan - January 8, 1916 in Paris) was the greatest animal sculptor. He was the younger brother of the equally famous Ettore Bugatti, founder of the Italian automobile company Bugatti in 1909. The decisive encounter that revealed the young sculptor took place in the Jardin des Plantes, at the Natural History Museum Paris, next to where Rembrandt Bugatti lived. There, the menagerie became his laboratory and main source of inspiration until he traveled, in 1906, to the largest zoo in the world at the time, the Antwerp Zoological Gardens, in Belgium, where Michel l'Hoest provided him with a studio. For the first time, he was able to observe wild animals up close. His encounter with lions, lionesses, panthers, leopards, jaguars, wolves, vultures, elephants... would change his life and guide his destiny along a lightning trajectory. The masterpieces admired to this day, are the result of his daily study of animal behavior, of their environment, of their beauty. In 1906, Louis Vauxcelles had recognized his talent and made his appreciation widely known. The fate of the great sculptor was also linked to one man, the art collector Adrien Hébrard. In 1902, he opened a foundry on rue Victor Duruy, which would soon be famous for the quality of its bronzes. He then decided to become an editor of bronzes which enabled him to reproduce and distribute certain sculptures. Indeed, the gallery installed rue Cambon, and later rue Royale, contributed to the rise of many artists whose sculptures were on display for sale, just as was this sculpture. The reputation of the foundry spread like wild fire and the greatest artists such as Degas, Guino, Bourdelle, Pompon sought its expertise. Antoine Hébrard was a visionary collector who chose the best foundry master, Albino Palazzolo. Trained at Valsuani, the Milanese foundryman was considered to be the most respectful of the artist's intentions and was able to render the intensity emanating from Bugatti's works, among others, during his collaboration with Hébrard. The Deux Léopards marchant are spectacular for their cast quality and exceptional patina, as were most of the bronzes produced by the animal sculptor. The full spectrum of Rembrandt Bugatti's talent is represented in this lively, elegant and dynamic work. Though he had only studied animals in cages, they seem to come to life as if in the wild. Bugatti was the only sculptor of his time who was able to capture with such perfection the movement and attitude of the animal he rendered. Bugatti modeled the surface in volume, revealing the musculature, the bones and shapes of the two felines. This unique bronze is without a doubt one of the artist's most beautiful pieces and the most representative of his collaboration with the Hébrard foundry.For further information on this lot please visit Bonhams.com
Lot 97
CESAR (César Baldaccini dit) (1921-1998)La grande aile 1991 signé sur la terrasse, numéroté 6/8 à la base et porte le cachet du fondeur Bocquel Fondeurbronzesigned and numbered 6/8 on the base and with the foundry mark Bocquel Fondeurbronze 146 x 180 x 25 cm.57 1/2 x 70 7/8 x 9 13/16 in. Réalisé en 1991. Le fer soudé, dont est issue cette Å“uvre, a été réalisé en 1959.Footnotes:Cette Å“uvre est répertoriée sous le n° 268 auprès des archives de Madame Denyse Durand-Ruel.ProvenanceCollection particulière, FranceVente : Thierry de Maigret, Paris Collection d'un grand amateur - tableaux modernes et sculptures - mobilier - arts d'Asie, 20 octobre 2014, lot 14Acquis dans cette vente par le propriétaire actuel Bibliographie Denyse Durand-Ruel, César, Catalogue Raisonné, 1947-1964, VOL I, Paris 1994, p. 240, un autre exemple illustré en couleursThis lot is subject to the following lot symbols: AR WAR Goods subject to Artists Resale Right Additional Premium.W Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Lot 51
IGOR MITORAJ (1944-2014)Torso Italico 1987 signé, numéroté 3/6 et porte le cachet du fondeur Fonderia Artistica Mariani, Pietrasanta sur la basebronze signed, numbered 3/6 and with the Foundry mark Fonderia Artistica Mariani, Pietrasanta on the basebronze80 x 47 x 20 cm.31 1/2 x 18 1/2 x 7 7/8 in. Réalisé en 1987.Footnotes:Cette Å“uvre est accompagné d'un certificat signé de l'artiste. Cette Å“uvre est répertoriée dans les archives Mitoraj.ProvenanceTornabuoni Arte, MilanCollection particulière, ItaliePuis par descendance au propriétaire actuelThis lot is subject to the following lot symbols: AR WAR Goods subject to Artists Resale Right Additional Premium.W Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Lot 98
ARMAN (1928-2005)Mandoline 2003 signé, numéroté II/IV à la basebronze et verre de Murano sur socle en marbresigned, numbered II/IV at the basebronze and Murano glass on a marble base60 x 23.5 x 17.5 cm. 23 5/8 x 9 1/4 x 6 7/8 in. Hauteur avec le socle : 64.5 cm.Height with the base : 25 3/16 in. Réalisé en 2003.Footnotes:Cette Å“uvre est accompagnée d'un certificat de la Fonderia Artistica F.lli Bonvicini signé de l'artiste.ProvenanceCollection particulière, ItalieThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 58
KENGIRO AZUMA (1926-2016)Mu-61 1961 signé, titré and daté 61bronze sur socle en métalsigned, titled and dated 61 bronze on a metal base 34 x 39.5 x 12 cm. 13 3/8 x 15 9/16 x 4 3/4 in. Cette Å“uvre est unique.Footnotes:ProvenanceGalleria L'Obelisco, RomeCollection Irene Brin et Gaspero del Corso, RomeAcquis auprès de celle-ci par le propriétaire actuel ExpositionRome, Galleria L'Obelisco, Stanza delle Sculture, 1961, n.p, illustré en noir et blancFor further information on this lot please visit Bonhams.com
Lot 71
MIMMO PALADINO (N. 1948)Sans titre 2001 signé, daté 2001 et numéroté 6/6 à la basebronzesigned, dated 2001 and numbered 6/6 on the basebronze 85 x 47 x 11 cm.33 7/16 x 18 1/2 x 4 5/16 in.Footnotes:Cette Å“uvre est accompagnée d'un certificat signé de l'artiste.L'authenticité de cette Å“uvre nous a été confirmée par le Studio Mimmo Paladino.ProvenanceGalleria Emilio Mazzoli, ModèneGalleria Fabjbasaglia, RiminiTornabuoni Arte, MilanCollection particulière, ItalieAcquis auprès de celle-ci par le propriétaire actuelExpositionPrato, Centro per l'arte contemporanea Luigi Pecci, Paladino, 2002, p.137, illustré en noir et blanc (daté 2002)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 280
* MATÉO MORNAR (FRENCH, 1946-), BRONZE FIGURAL SCULPTURE LATE 20TH CENTURY titled INSOLITE, signed MORNAR, numbered 3/8, dated 1998 and with foundry stampNote: 'Born in Croatia in 1946, Matéo Mornar emigrated to France with his family at the age of ten. They settled in Paris. The young boy liked to spend time in the Louvre, especially in the sections dedicated to sculpture. At 18 he entered the École supérieure des arts modernes (ESAM Paris) school of modern art, where he studied design, graphic design, interior decoration and sculpture techniques. He graduated amongst the top of his class and joined a branch of the Publicis group. He worked for 3 years dedicated to developing scale model which are displayed at trade fair and the moved on to work as a freelancer. For many years, he worked in the area of publishing, graphic creation and interior decoration. An assignment took him to the French Riviera in 1977 where he decided to settle.At the end of the eighties, he envisioned and conceptualized his first sculptures after a meeting with the artist Antoniucci Volti at Villefranche-sur-Mer.In 1995, Mornar decided to devote himself entirely to sculpture and began to exhibit in the French Riviera (Cannes, Nice, Monaco...) his early works of bronze women.In 1997, he opened a school of sculpture in Nice wishing to introduce to people the difficult art of sculpture and to inspire them.'34cm high, 25kg
Lot 282
* MATÉO MORNAR (FRENCH, 1946-), BRONZE FIGURAL SCULPTURE EARLY 21ST CENTURY titled JUEX COQUINS, signed MORNAR, numbered 1/8, dated 2001 and with foundry stampNote: 'Born in Croatia in 1946, Matéo Mornar emigrated to France with his family at the age of ten. They settled in Paris. The young boy liked to spend time in the Louvre, especially in the sections dedicated to sculpture. At 18 he entered the École supérieure des arts modernes (ESAM Paris) school of modern art, where he studied design, graphic design, interior decoration and sculpture techniques. He graduated amongst the top of his class and joined a branch of the Publicis group. He worked for 3 years dedicated to developing scale model which are displayed at trade fair and the moved on to work as a freelancer. For many years, he worked in the area of publishing, graphic creation and interior decoration. An assignment took him to the French Riviera in 1977 where he decided to settle.At the end of the eighties, he envisioned and conceptualized his first sculptures after a meeting with the artist Antoniucci Volti at Villefranche-sur-Mer.In 1995, Mornar decided to devote himself entirely to sculpture and began to exhibit in the French Riviera (Cannes, Nice, Monaco...) his early works of bronze women.In 1997, he opened a school of sculpture in Nice wishing to introduce to people the difficult art of sculpture and to inspire them.'34cm high, 7.2kg
Lot 2
A bronze figure of Krishna South India, 17th/ 18th Centuryon a square stepped base, in a dancing posture on a lotus, holding in the right hand a ball of butter, the left stretched out to the side, depicted naked and adorned with jewels 15.4 cm. highFootnotes:ProvenanceChristie's Paris, Art d'Asie, 8 June 2010, lot 395.Private US collection. According to ancient epics, Krishna was brought up by foster parents who were cow-herders, leading to the association of the deity with cows, milkmaids and, as demonstrated in the present lot, butter, which he would steal from his neighbours.For a similar example sold at Christie's and dated to the 17th Century, see Indian and Southeast Asian Art, 16 September 2008, lot 428. A similar depiction is also in the Los Angeles County Museum of Art, California, (Inv. No. M.87.124) (see P. Pratapaditya, Indian Sculpture, Volume 2, Los Angeles, 1988, p. 223, cat. 116).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 9
Tiffany Studios'Bookmark' pattern desk clock, circa 1910Polished gilt bronze, arched form cast with foliate panels, movement with Arabic numerals.14.2 cm high, 11.4 cm wideStamped Tiffany Studios New York 1857, dial marked Tiffany & Co New York.For further information on this lot please visit Bonhams.com
Lot 104
Claire Jeanne Roberte Colinet'Dance of Carthage', circa 1920Patinated bronze, modelled with a bare-breasted woman dancing with a snake entwined around her arms, marble base.29.6 cm highSigned in the bronze 'Cl JR Colinet'.Footnotes:LiteratureBrian Catley, Art Deco and other figures, Antique Collectors' Club, 2003, p. 120 for a similar modelThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 98
H. RicalPair of Art Deco 'dog' bookends, circa 1930Patinated bronze, each cast from a model as a stretching 'Borzoi' hound, integral bronze base.14.5 cm high, 24.2 cm longSigned in the bronze on the edge of the base H. Rical, 5 and 6.(2)Footnotes:ProvenanceChristie's, South Kensington, London, Art Nouveau & Art Deco, 7th November 2007, lot 281For further information on this lot please visit Bonhams.com
Lot 177
Antoine Poncet'Gazaile', second half 20th CenturyPatinated bronze, marble base. 52.5 cm highFootnotes:ProvenanceGalerie Berès, ParisAcquired from the above by the present ownerThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 100
Demetre H. Chiparus'Beneath the Umbrella', circa 1920Gilt bronze and ivory group, cast and carved from a model as three young girls huddled beneath a shared umbrella, on integral bronze base, mounted on an onyx and gilt bronze plinth.22 cm high; plinth 16 cm wide and 12 cm deepSigned in the bronze Chiparus, 3850.Ivory registration number: 6EK8YB7E.This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the UK, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
Lot 102
Aurore OnuHoop dancer, circa 1925Cold-painted bronze, onyx ball with hole for electrical cable, marble plinth.46.5 cm highFootnotes:LiteratureBrian Catley, Art Deco and other figures, Antique Collectors' Club, 2003, p. 252 for a similar model by Mme. Aurore OnuThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 447
λ LUCY BOYDELL (BRITISH 20TH CENTURY)PIG SEEING THE WIND Bronze on stone plinth Signed to the belly and indistinctly numbered and dated 12 x 21cm (4½ x 8¼ in.)Provenance:The Bruton Street GalleryJean Marsden, Private Collection (acquired from the above on 8 January 1998)Sold by the executors of the estate of Jean Marsden
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