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Lot 387

19th century A.D. A copper-alloy copy of the original Greek bronze Diskobolos of Myron, portraying a youthful nude male athlete poised to spin to release his discus; naturalistically modelled; on a tiered octagonal stone display base. 27 kg, 65 cm high (25 5/8 in.). French collection, 1960s-early 2000s.From an important Paris gallery, France.with Hampel Fine Art Auctions GmbH & Co KG, Munich, Germany, 12 December 2014, lot 1912. The original Greek bronze (now lost) dated to circa 460–450 B.C., but the work is known through numerous Roman copies in marble.

Lot 389

Late 19th-early 20th century A.D. A bronze study of a reclining nymph on a draped chaise longue, nude with head tilted back and lips sensuously parted, left hand stroking her luxuriant hair, right hand lifting a fold of the cloth cover, left leg bent and held beneath the right leg, cushioned headrest with tassel; hollow to the underside; unsigned. 5.4 kg, 34 cm high (13 3/8 in.). English private collection.

Lot 39

Late Period, 664-525 B.C. A bronze statuette depicting the god Osiris, modelled standing on a sub-square base, wearing a tight-fitting mummiform garment and Atef crown, stylised facial detailing, false beard, hands positioned in front of chest holding the royal crook and flail; loop at base and to reverse. See Tiribilli, E., The bronze figurines of the Petrie Museum from 2000 BC to AD 400, London, 2018, p.76, no. 94, for a comparable example, though less well preserved, with back and side suspension loops. 36.5 grams, 76 mm high (3 in.). From an old UK collection.From the private collection of Alf Baxendale (1941-2016) part 2, keen Egyptologist, member of the Egyptology Society, trustee of the Amarna Trust; thence by descent.Accompanied by a copy of his obituary published in Horizon, The Amarna Project and Amarna Trust newsletter, Issue 18, 2017, p.21, by Barry John Kemp, CBE, FBA, Professor Emeritus of Egyptology at the University of Cambridge and directing excavations at Amarna in Egypt. [No Reserve]

Lot 392

19th century A.D. A bronze figure of a satyr standing on a hexagonal base wearing a goatskin mantle tied by the forelegs around his shoulders, with poppy seed-heads and bunches of grapes by the left arm; in his raised right hand, a bunch of grapes and in his left hand a cudgel; stump of a tree by his right leg and barrel beside his left, with a lamb to the rear placing its foreleg on top; modelled after the so-called Fauno Rosso from Hadrian's Villa, now in the Capitoline Museum. 18.5 kg, 67 cm high (26 1/2 in.). From an important Paris gallery, France. Half-man, half-beast, satyrs were believed to be the children of goats and mountain nymphs. Followers of the god Dionysus, they had a reputation for drunkenness and spent their days participating in orgiastic rituals. They represented the crude and boisterous facets of the stereotypical male persona, particularly of rural man.

Lot 393

20th century A.D. A bronze figure of a centaur in animated pose with upper body turned, right arm raised, left arm bent and hand holding a cudgel supported on the shoulder; cloak draped over the left shoulder and skin of a boar folded over the left forearm; on a tiered socle base. 10.3 kg, 53 cm high (20 7/8 in.). French collection, 1960s-early 2000s.From an important Paris gallery, France. Modelled on the so-called Capitoline Centaurs, specifically the Young Centaur, which was found as one of a pair of centaurs during the excavation of Hadrian’s Villa in 1736; the Roman Old and Young centaur pair were themselves based on Hellenistic originals.

Lot 396

19th century A.D. A bronze statue modelled on the famous Farnese Hermes (now in the British Museum); the god portrayed naturalistically in the round, youthful and nude, a chlamys draped around his shoulders, winged sandals on his feet; discoid base. 16.3 kg, 82 cm high (32 1/4 in.). French collection, 1960s-early 2000s.From an important Paris gallery, France.with Marion Antique Auction, USA, 8 June 2019, lot 131. The statue copies a Roman copy of a famous type created in the school of the Greek sculptor Praxiteles in the 4th century B.C. Villa de Papiri. A similar copy exists in the collection of the British Museum, London, under accession no. 1864,1021.1.

Lot 397

19th-20th century A.D. A bronze head of a youthful male athlete modelled naturalistically in the round in 1st-2nd century A.D. style. Cf. The Metropolitan Museum, New York, accession number 15.143, for a similar bust of 1st-2nd century A.D. date. 8.7 kg, 37 cm high (14 1/2 in.). French collection, 1960s-early 2000s.From an important Paris gallery, France.

Lot 398

20th century A.D. A hollow-formed bronze bust of a youthful clean-shaven male with short curly hair, with a subtle smiling expression; mounted on a custom-made stand. 18.4 kg total, 42 cm high including stand (16 1/2 in.). French collection, 1960s-early 2000s.From an important Paris gallery, France.

Lot 399

19th-20th century A.D. A hollow-formed bronze head of a middle-aged man with tousled hair, stern features, pursed mouth; mounted on a custom-made stand. 5.4 kg total, 39 cm high including stand (15 3/8 in.). French collection, 1960s-early 2000s.From an important Paris gallery, France.

Lot 40

Late Period, 664-525 B.C. A bronze votive figurine of Osiris, portraying the god standing, wearing a close-fitting mummiform garment and Atef crown, false beard, hands held at the centre of the chest holding the royal crook and flail; possibly from Saqqara. See Tiribilli, E., The bronze figurines of the Petrie Museum from 2000 BC to AD 400, London, 2018, p.92, no.122, for a comparable example with the same long handle of the crook. 37.1 grams, 80 mm high (3 1/8 in.). From an old UK collection.From the private collection of Alf Baxendale (1941-2016) part 2, keen Egyptologist, member of the Egyptology Society, trustee of the Amarna Trust; thence by descent.Accompanied by an identification display card.Accompanied by a copy of his obituary published in Horizon, The Amarna Project and Amarna Trust newsletter, Issue 18, 2017, p.21, by Barry John Kemp, CBE, FBA, Professor Emeritus of Egyptology at the University of Cambridge and directing excavations at Amarna in Egypt. Osiris was the foremost of the Egyptian funerary gods and ruler of the underworld. [No Reserve]

Lot 402

20th century A.D. A Greek style marble archaic kouros statue carved with braided hair held by a diadem, arms held straight at the sides, legs in advancing pose. 16.5 kg, 71 cm high (28 in.). French collection, 1960s-early 2000s.From an important Paris gallery, France. The kouros (free-standing nude male youth) first appeared in ancient Greece in the Archaic Greek period; kouros figures have been found across the Greek-speaking world, concentrated mainly in sanctuaries of Apollo. The term means ‘male youth, particularly one of noble rank’; when a pubescent boy came of age in ancient Greece, he was known as a kouros, at which point he could participate in the initiation feast of the brotherhood. The god Apollo was known as the greatest kouros. Typically life-sized, these figures were produced in marble, but have also been found in limestone, wood, bronze and terracotta. The female counterpart is the kore.

Lot 403

20th century A.D. A bronze torso of a draped Greek style female figure rendered with naturalistic detailing in the round; hollow; mounted on a custom-made display stand. 32.2 kg total, 78 cm high including stand (30 3/4 in.). French collection, 1960s-early 2000s.From an important Paris gallery, France.

Lot 425

Han Dynasty, 206 B.C-220 A.D. A gilt bronze and Khotain moonstone quality jade beaker composed of a slender U-shaped body, bulbous stem and discoid foot, the applied handle formed as the head, neck and legs of a mythical bird, likely a fenghuang, with detailing to the creature's feathers, face, beak and limbs, body formed as the handle loop, wings carved in relief in the jade; the jade vessel body carved in relief with neat rows of volute scrolls, stylised petals in relief around the lower body and foot; some restoration. 709 grams, 14.5 cm high (5 3/4 in.). Acquired from Dandelion Fine Arts, Hollywood Road, Hong Kong, 1970s.Ex Prof. David Anderson collection.UK private collection, circa 2010.Accompanied by a copy of metallurgic analytical results, written by Metallurgist Dr Peter Northover (ex Department of Materials, Materials Science-Based Archaeology Group & Department of Materials, University of Oxford). Khotain jade was available between the years 69 B.C. and 101 A.D. as a result of a military treaty. It was sourced from the White Jade River. This object is believed to be produced for a notable client. The object's original patina, prior to restoration, suggested that the vessel was part of a ritual which involved exposure to intense heat. A video of this lot is available to view on Timeline Auctions Website.]

Lot 426

Shang Dynasty, circa 13th-12th century B.C. A stone ritual 'cong' artefact of cuboidal form with cylindrical socket open at both ends, raised lip to both opening, the rectangular faces decorated with four corner panels, each divided into four horizontal panels displaying geometric motifs composed of circles and horizontal bands, possibly representing figurative zoomorphic motifs. Cf. The Metropolitan Museum, New York, accession number 02.18.316, for a similar object. 573 grams, 95 mm (3 3/4 in.). Acquired in Hong Kong, 1980s.Ex Kelvin Choi's collection, circa 2009.UK private collection. The name cong is applied to a straight tube with a circular bore and square outer section. The outer faces are often decorated with masks which may be related to the taotie motifs found on bronze vessels. Its original function is unknown. A video of this lot is available to view on Timeline Auctions Website.]

Lot 431

Northern Wei Dynasty, 386-534 A.D. A gilt-bronze figure (after the Gandharan style, or that of the neighbouring Uddiyana region), of Shakyamuni Buddha modelled with his hands clasped together in dhyana mudra and seated in the dhyanasana posture on a throne flanked by two roaring lions; robes with U-shaped folds in the Mathuran style and the head with a prominent ushnisha. See Dr. Naiki, S., Similarities and Differences in Gandharan Sculptures Among Regions, Thursday 22nd to Friday 23rd March 2018, The Geography of Gandharan Art: 2nd Workshop of the Gandhara Connections Project, Classical Art Research Centre, University of Oxford. Exhibited: Out of Uddiyana. An exhibition at Tibet House New York, From the Buckingham collections, exhibit TB006, p.160; accompanied by copies of the relevant exhibition catalogue pages. 95 grams, 70 mm (2 3/4 in.). Acquired for the ‘Buckingham Collection’ by the late Nik Douglas (1944-2012), renowned author, curator and Asian art expert; the collection formed from the early 1960s to early 1970s; displayed at the major exhibition ‘The Buddha Image: Out of Uddiyana’, Tibet House, 22 West 15th Street, New York, 16 September-20 October 2010, extended to 16 November and again to 7 January 2011; where the collection of one hundred pieces was publicly valued at US$ 15M; this piece was scheduled to be included in an exhibition titled ‘On the Silk Route; Birth of The Buddha’, to be held in London from November 2012, but sadly his death prevented this. Accompanied by copies of several press releases and articles for the exhibition, including Artnet News, This Week in New York, Huffpost, Buddhist Art News, and copies of the relevant London and Tibet House exhibition catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.10907-168639. Gandhara was a principal gateway through which Buddhism spread to China. Academic research conducted after the death of Nik Douglas (above) explains that Gandharan sculpture has been found in neighbouring regions, such as in Uddiyana. Sculpture from the Gandharan and Uddiyana regions has similar characteristics and as a result has often remained undifferentiated. As a result of this recent research however, it is becoming more feasible to identify distinctions between the sculpture of these different regions. A video of this lot is available to view on Timeline Auctions Website.]

Lot 432

20th century A.D. A gilt bronze dragon modelled in the round in a dynamic pose, standing with its head turned backwards on a sub-rectangular base. 367 grams, 89 mm (3 1/2 in.). Acquired in 2012.UK private collection.

Lot 434

Ming Dynasty, 16th-17th century A.D. A bronze figure of a seated magistrate, holding a sceptre, wearing a robe with details of lotus scrolls to the hem; cap inscribed 'Wang Ping Jiang', the reverse inscribed 'Jing Yi'; mounted on a custom-made wooden stand. 2.3 kg, 32 cm high (12 5/8 in.). Formerly in a private Dutch collection.Property of a private Rotterdam collector.This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11565-196103. [No Reserve]

Lot 46

Circa 2300-1650 B.C. A ceramic burnished ware zoomorphic jug with a piriform body, slender cylindrical neck with tapering U-section spout with integral handle to rear and perforated lug to the base of the neck at the front; decorated with a shallow incised geometric motifs composed of clusters of horizontal lines and bands of lozenges with hatched fill, chevrons along the spine of the handle; accompanied by a display stand; some restoration. Cf. Tatton-Brown, V., Ancient Cyprus, London, 1987, p.37, fig.34, for similar jug. 667 grams total, 33 cm high including stand (13 in.). Acquired in the 1990s.From a North Yorkshire private collection, UK. Red burnished ware pottery became the dominant pottery ware lasting into the Middle Bronze Age on the island of Cyprus. Vessels were handmade and covered with a slip, which was burnished and often decorated with patterns incised with a sharp cutting edge before being fired. Potters were able to produce vessels that were either mottled or painted in two colours, often red outside and black inside and on the exterior of the rim. A video of this lot is available to view on Timeline Auctions Website.]

Lot 55

Early 5th century B.C. A spectacular bronze hydria composed of a tapering body, broad shoulder and waisted neck, the everted rim decorated with egg-and-dart motifs, three round-section handles and tiered, ogival foot; professionally restored. Cf. The British Museum, museum number 1875,1110.1, for a similar example dated 350-300 B.C., published in Walters, H.B., Catalogue of the bronzes in the British Museum, Greek, Etruscan and Roman, London, 1899, no.312; cf. The Metropolitan Museum, accession number 06.1078, for similar vessel dated 5th century B.C., from Galaxidi; cf. Diehl, E., Die Hydria. Formgeschichte und Verwendung im Kult des Altertums, (1964) 31 f.; Taf. 9 B 110; cf. also Mitten D. G. and Doeringer S.F., Master Bronzes from the Classical World, Mainz, 1967, pp. 108-109, no.108, for a similar example in the Fogg Art Museum, Cambridge, Massachusetts. 4.7 kg, 39.5 cm (14 in.). Acquired circa 1989-1990.Private collection of N.A., Niedersachsen.Accompanied by an original French cultural passport number 226773 dated 3 June 2021.Accompanied by an academic report by Dr Raffaele D'Amato.This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11306-190969. Whilst such vessels were originally produced for holding water, hydriai were often re-purposed. From the 5th century B.C. onwards, they also had a funerary function, used in the cult of the dead and the underworld. Appearing as grave deposits, they were sometimes used as funerary urns, receptacles for the ashes of the deceased (see the MET hydria from Galaxidi, found with the bones still inside). Hydriai were also commonly associated with rituals relating to the cults of the gods. They have been found in temples and public buildings and have been recorded as prizes in athletic games. It has also been suggested that the more lavish examples were gifted to brides. [No Reserve] [For this specific lot, 5% import VAT is applicable on the hammer price] A video of this lot is available to view on Timeline Auctions Website.]

Lot 99

3rd century A.D. A bronze figure or gaming piece of a nude female in crouching pose with hands placed on the hips, possibly giving birth; the hair shown drawn up in a bun, segmented armband to each upper arm. Cf. Rolland H., Bronze Antiques de Haute Provence, Paris, 1965, p.102, no.188, for similar nude male figure. 30.4 grams, 28 mm high (1 1/8 in.). Private Swiss collection, acquired 2002. The dice features six attitudes on which it could land when rolled, one of which includes the figure's head. The earliest concrete historical evidence of games played with dice originated from ancient Egypt, circa 3000 B.C., although it is generally believed by historians that dice pre-dated the ancient Egyptian civilisation. The Romans played two games using dice: Tali and Tesserae. The former originated in Greece and features four animal bones. The aim was to roll in such a way that each die displayed a different number-the higher the combined number, the greater the score. The latter was played using three dice, the goal being to roll triple six, or to achieve the highest combined numbers out of the contestants; it was a game of chance and the most common street and tavern gambling game in ancient Rome. ‘Dogs’ referred to poor scores and ‘Venus’ to high ones. Roman players rolled dice from a special cup called a fritillium onto wood, bronze, or marble boards, depending on their class and wealth. Roman elites boasted ornate boards inscribed with their names. The gambling which ensued from dice games caused extreme social issues in Roman society, leading the government to eventually outlaw dice games, although these laws were largely ignored. [For this specific lot, 5% import VAT is applicable on the hammer price] A video of this lot is available to view on Timeline Auctions Website.]

Lot 256A

Two boxes of Art reference books and gallery exhibition catalogues, including Antique Collectors' Club Pictorial Dictionary of British 18th Century Furniture Design, and 19th Century volume; Christopher Payne, Animals in Bronze, ACC; Arts Council 'Seligman Collection of Oriental Art', 1966; Valavanis/ Kourkoumelis, Drinking Vessels; large number of Spink catalogues from 1980s and '90s; Goldmark Gallery catalogues; Jeremy Barlow related catalogues; etc.Qty: 2 boxes

Lot 259

A 19th century gilt spelter and onyx figural mantel clock, the case mounted with female farmer feeding a goat, French cylinder striking movement signed S. Marti et Cie, Medaille de Bronze no. 2065, white circular dial with Roman numerals, width 35cm, height 36cm.Condition report:The clock is not in working order at the present time.

Lot 260

17th century bronze mortar, bell form, cast with two portraits of King Charles II, 11.5cm.

Lot 261

Art Deco style dancer, after a sculpture by Demetre Chiparus, late 20th century, patinated bronze, raised on a black turned base, foundry mark and bearing signature, overall height 45cm.Condition report:Very good condition. Good patination. No evidence of damage or repair. Secure on base.

Lot 262

Art Deco style patinated bronze sculpture, after Ferdinand Preiss, late 20th century, the nude female in gilt patination, standing on a crashing wave with bird, turned bnlack marble base, foundry mark, bears signature, overall height 25cm.Condition report:Very good condition. Good patination. No evidence of damage or repair. Secure on base. Would benefit from gentle clean to remove dust.

Lot 187

VARIOUS MIXED COLLECTABLES to include De La Poer bronze effect sculptures - pheasant, 11.5cms H and spaniel, 9cms H, an aneroid wall barometer in mahogany case, 12.5cms diameter, a pair of turned beech candlesticks, 18cms H, EPBM boot form pin cushion ETC

Lot 207

19TH CENTURY METALWARE, A COLLECTION - including a heavy circular brass two-handled skillet, 30.5cms diameter, two brass clockwork roasting jacks, two brass saucepans, a copper haystack one gallon measure, 32cms H, early bronze saucepan, the handle cast in relief 'T.P.B..Walter III', one of the three tapering feet absent, 16.5cms diameter

Lot 253

DAVID HUGHES COLD CAST BRONZE (RESIN) PAPERWEIGHTS (2) - Grouse, 10cms H and fish with tackle, 5cms H, 13 x 6.5cms (boxed)

Lot 105

A wool-work picture of a fishing fly hook, 10.5 x 14.5cm, in maple frame, other wooden items, a bronze pulley and miscellaneous items.

Lot 109

A Pair of Highly Polished Bronze Figures of African Tribespeople, 20cms High

Lot 169

A Collection of Three Bronze Medals for Royal Horticultural Society, The Smallholder Championship Medallion and WAAF Athletics Championships 1948 Medley Relay

Lot 172

Three Bronze Shooting Medals for the Astor County Cup

Lot 173

Two Bronze Medals, Edward VII London County Council Punctual Attendance, 1905-6 and 1909-10

Lot 174

Two Bronze Medals for The Royal Academy of Music, Pianoforte 1907 and Violin 1928

Lot 180

A Green Patinated Bronze Study of the Flying Horse of Gansu, 20cms Long

Lot 275

A Large 20th Century Chinese Gilt Bronze Study of Buddha on Lotus Throne, Xuande Mark to Base, Xuande Mark to Base, 37cm high

Lot 281

A Collection of Costume Jewellery to Comprise Rhiannon Silver Brooch in the Form of Bronze Age Scroll, Cameo Brooch etc

Lot 460

A Collection of Various Modern Pocket Watches Together with Two American Bronze Metal Belt Buckles to Include 1993 Smith & Wesson Example

Lot 9

A Pair of Cast Bronze Book Ends, Decorated in relief with The Thinker, After Rodin, 12cms High

Lot 307

An ancient Chinese bronze coin/token, possibly Xin Dynasty.

Lot 93

A cast bronze figure of a stag on black marble base (height 41cm)

Lot 729

A Plymouth white-glazed figure group, c.1770, modelled with two putti and a goat raised on a tall scrolled base, the putti with floral diadems and a basket of grapes, some old restoration, 14.5cm.Provenance: the John Buckingham Collection.The original source for the model is a bronze group by Jacques Sarazzin of c.1640 in the Louvre. The same group was produced at both Longton Hall and Vauxhall and it is possible that the Plymouth example copied these rather than the original bronze.

Lot 730

A Plymouth figure group, c.1770, modelled with two putti and a goat, the putti wearing floral diadems and carrying a basket of grapes, raised on a tall scrolled base with puce detailing, restoration to the goat's leash and horns, 14.5cm.Provenance: the John Buckingham Collection.The original source for the model is a bronze group by Jacques Sarazzin of c.1640 in the Louvre. The same group was produced at both Longton Hall and Vauxhall and it is possible that the Plymouth example copied these rather than the original bronze.

Lot 292

After Giambologna, Italian, 1529-1608, a bronze figure emblematic of Architecture, late 19th century, represented as a divine nude lady seated on a plinth holding the tools of the profession, on square base, approx. 36cm highNote: The original marble sculpture by Italian artist Jean de Boulogne 'Giambologna', was originally created for the Boboli Gardens and currently resides in the Bargello National Museum, Florence.Provenance: The Property of John Kenworthy-Browne FSA

Lot 293

A North Italian bronze door knocker or finial, probably 17th century, cast as a female bust with scrolling acanthus leaf base, mounted to a black painted wood stand, the bronze 10.5cm highProvenance: The Property of John Kenworthy-Browne FSA

Lot 294

An Italian bronze model of John the Evangelist, late 18th century, depicted contrapposto holding a book, an eagle at his side, on a later wood plinth, the bronze - 18cm highProvenance: The Property of John Kenworthy-Browne FSA

Lot 297

A pair of Neapolitan bronze figures of The Venus of Capua and The Antinous Farnese, after the Antique, late 19th century, on stepped circular bases with cast signature F. Coppola, Venus - 64cm high, Antinous - 62.5cm (2)Note: The Venus of Capua is a sculpture made during the reign of the Roman Emperor Hadrian, 117 to 138 AD, and is presumed to be a copy of a original lost Aphrodite attributed to Lysippus, who was one of the preeminent sculptors of Classical Greece. The Antinous Farnese is marble sculpture of Antinous, the lover of the Hadrian, that was sculpted between 130 and 137 AD. It is currently part of the Farnese Collection in the Naples National Archaeological Museum.Provenance: The Property of John Kenworthy-Browne FSA

Lot 298

A bronze figure of the Titeux Dancer, late 19th century, on a circular black slate and marble plinth base, figure - 20.3cm high, 25.1cm high totalNote: This a bronze replica of a terracotta statuette made in Athens around 375-350 BC. The subject may be a dancer, bride, or nymph and its function and meaning are still debated today. 'Titeux' is the name of the sculpture's first owner after its discovery in 1846 at the Acropolis.It is currently held in the Musée du Louvre, Paris.Provenance: The Property of John Kenworthy-Browne FSA

Lot 301

A gilt-bronze mounted black and white Granito marble plinth, first half 19th century, of square-section form, with continuous stiff-leaf and ball borders, 8cm high, 19cm square; together with a specimen marble pedestal, late 19th century, of square-section form, 8.5cm high, 6cm square at base (2)Provenance: The Property of John Kenworthy-Browne FSACondition Report: The smaller pedestal has a broken and repaired corner with clearly visible crack lines and adhesive residue, otherwise the marble has some scratches and small nicks to the edges and corners. The larger base with a small loss to one corner just above the bronze mount, and various small nicks and nibbles to the corners and edges, the bronze generally tarnished with a small area of verdigris to one corner, the underside roughly finished with several cracks through the sealant. 

Lot 302

A French bronze model of a recumbent sphinx, 19th century, with decorative breastplate, atop a rectangular slate base, 21.6cm long, 10.5cm highProvenance: The Property of John Kenworthy-Browne FSA

Lot 305

A pair of French Louis XVI style rouge marble urn lamps, late 19th century, the marble bodies with gilt-bronze mounts cast as rams heads with floral swags, atop acanthus leaf and laurel wreath socles and marble plinth bases with concave corners, 29.5cm high exc. fitments (2)Provenance: The Property of John Kenworthy-Browne FSAIt is the buyers responsibility to ensure electrical items are professionally rewired for use.Condition Report: The gilt-bronze mounts with some tarnishing. The top edges of the marble bodies with very minor nibbles. Minor scratches and small gouge visible above the floral mount on the base of marble body of one lamp. The bases with chips to edges and corners including a large chip to lower edge on one. There are later rubber feet attached to one of the lamps. One of the fitments has been replaced with a silver-coloured example rather than the gilt-coloured example on the other lamp. The silver-coloured fitment is slightly loose. 

Lot 313

A Charles II silver medal, obverse with bust laureate bust inscribed CAROLVS. SECVNDVS. DEI. GRATIA. MAG. BRIT. FRAN. ET. HIBER. REX, reverse with Britannia seated on the seashore, inscribed FAVENTE DEO. Ex. BRITANNIA. Edge. CAROLVS * SECVNDVS * PACIS * ET * IMPERII * RESTITVTOR * AVGVSTVS., 56mm; together with other various silver, white metal, and bronze commemorative medallions, including: a silver medal, James III, The Old Pretender, Appeal Against the House of Hanover 1721, by O. Hamerani, draped and cuirassed bust right, VNICA SALVS around, reverse with Hanoverian horse trampling upon the lion and unicorn, view of London beyond, 49mm; together with a bronze version of the same medal, 1721, 49mm; and others (lot)Provenance: The Property of John Kenworthy-Browne FSA

Lot 314

A collection of bronze commemorative medallions, to include: Alexander Pope, by J. A. Dassier, 1741, 54mm; Charles James Fox, 1800, 52mm; The Death of Charles James Fox 1806, by T. Webb, 53mm; The Assassination of Spencer Perceval, by William Turnpenny, bust of Spencer Perceval left, reverse with Britannia standing upon a sarcophagus and in a state of grief, 48mm; Robert Walpole, Earl of Orford, 1744, by A. Dassier, 54mm; John Campbell, 2nd Duke of Argyle, 1st Duke of Greenwich, 1743, 54mm; The Duke of Wellington, obverse inscribed ART COMES DE WELLINGTON, 53mm; The Duke of Marlborough, Carolus Spencer, 1742, 54mm; Abraham de Moivre, mathematician, by J. A. Dassier, 1741; and others (approx. 25)Provenance: The Property of John Kenworthy-Browne FSA

Lot 315

A collection of bronze medallions, to include: a Napoleon I example, obverse with profile bust of Napoleon, reverse with double profile deity busts and inscribed ROME PARIS, 1809 to exergue, 40mm; a medallion commemorating the execution of Louis XVI, 21 January 1793, with conjoined profile busts of Louis XVI and Marie Antoinette, reverse with execution scene, 50mm; a single bust medallion of General Lafayette, 47mm; another commemorating the execution of Marie Antoinette, obverse with bust, reverse with execution scene, 47mm; an Italian commemorative medallion by Nicola Cerbara, obverse with profile bust of Michelangelo, dated in exergue 1828, reverse with Michelangelo's image of the Prophet Zacharias on the Sistine Chapel Ceiling, 56mm; a bronze Papal medallion, obverse with profile portrait of Pius XI, reverse with Papal arms, 65mm; an example with bust of Antonio Canova to obverse, reverse inscribed COLLEGIUM ARTIFICUM A DIVO LUCA IN FURNERE D.D. and dated 1822, 52mm; and six others (13)Provenance: The Property of John Kenworthy-Browne FSA

Lot 316

A collection of bronze commemorative medallions, comprising: Robert Stephenson, by L. C. Wyon, 1850, reverse with Menai Strait Bridge, Wales, 57mm; Inigo Jones, Art Union of London 1849, reverse with Banqueting House Whitehall 1616, 54mm; Sir John Soane 1834 medal, by W. Wyon, reverse inscribed A TRIBUTE OF RESPECT FROM THE BRITISH ARCHITECTS around façade of the Bank of England, 57mm; Sir C. Barry R.A. Architect, Art Union of London 1862, reverse with view of Houses of Parliament, 59mm; Sir Walter Scott Bart, W. Bain and B.R. Faulkner, reverse with scene from Lady in the Lake, 49mm; together with three white metal medallions, comprising: one commemorating the opening of the Liverpool and Manchester Railway, September 15th 1830, obverse with George Stephenson Esq. Engineer, reverse with Bridge at Newton, 45mm; and two others (8)Provenance: The Property of John Kenworthy-Browne FSA.

Lot 317

A collection of bronze medallions, to include: one with conjoined busts of Marie Alexandrowna and Alfred, Duke of Edinburgh by Christian Schnitzspahn to obverse, reverse with an angel with wings spread and supporting a crowned shield of arms, with date 23 January 1874, 63mm; another with Frederick, Duke of York and Albany, 1827, obverse with bare head bust, reverse with legend and date in 23 lines, 60mm; a bronze medallion commemorating the visit of King George IV to Southampton, 1823, 52mm; a medallion with bust of His Royal Highness George Prince of Wales, reverse with George seated on a throne, 1821 in exergue, 48mm; and other bronze medallions and a gilt metal medallion (lot)Provenance: The Property of John Kenworthy-Browne FSA

Lot 318

A Great Exhibition of 1851 bronze prize medal, by W. and L. C. Wyon, obverse with conjoined heads of Queen Victoria and Prince Albert, trident and dolphins in field, reverse with Britannia bestowing a wreath to Industry while Africa, Asia, Europe and America look on, legend around, edge inscription PRIZE MEDAL OF THE EXHIBITION / G.A. ARROWSMITH CLASS XXII, 76mmProvenance: The Property of John Kenworthy-Browne FSA

Lot 319

A Queen Victoria 1887 Golden Jubilee bronze medallion, by J. E. Boehm and F. Leighton, obverse with crowned and veiled bust of Victoria, reverse with enthroned figure of Empire facing, Mercury and Time at her feet, around her the figures of Science, Letters, Art, Industry and Agriculture, two cherubs above, in Royal Mint case, 77mm; together with a Crystal Palace medallion, obverse with bust of Paxton, by L. C. Wyon, reverse with view of The Crystal Palace, inscribed CRYSTAL PALACE OPENED MDCCCLIV, signed PINCHES, 62mm; a Great Exhibition Exhibitor medallion, 1851, with profile bust of Prince Albert, 44mm; a bronze medal for Handel Festival Crystal Palace, 1857, 42mm; a white metal Universal Exhibition of London 1862 medallion, 49mm; a white metal medallion with profile bust of Victoria inscribed VICTORIA: IMPX. REGA., reverse with crown and crest, inscribed G. LOOS / D. BERLIN in exergue, 55mm; and other white metal coins and medallions (lot)Provenance: The Property of John Kenworthy-Browne FSA

Lot 320

Five Victorian bronze and silver medallions, all in fitted cases, comprising: two silver National Rifle Association medallions, each obverse with a 14th century archer and 19th century rifleman flanked by dates 1300, 1500 and 1860, inscribed WATERLOW & SONS. LIM. above SIT PERPETUUM in exergue, each reverse inscribed N.R.A. ASHBURTON SHIELD, both engraved CHARTERHOUSE H.C. HOLLEBONE and one dated 1895, 57mm; two 1837-1897 Victoria Diamond Jubilee bronze medallions, each obverse with old head Victoria and inscribed VICTORIA ANNVM REGNI SEXAGESIMVM FELICITER CLAVDIT XX IVN MDCCCXCVII, each reverse depicts young head portrait with 1837 below, inscribed LONGITVDO DIERVM IN DEXTERA EIVS ET IN SINISTRA GLORIA, 55mm; and a bronze Great Exhibition medallion, designed by W. Wyon, obverse with a bust of Prince Albert, reverse with globe surmounted by a dove with outstretched wings, and inscribed EXHIBITION OF THE WORKS OF INDUSTRY OF ALL NATIONS MDCCCLI, engraved to edge UNITED KINGDOM. CLASS 29. NO.165, 44mm diameter (5)

Lot 326

A pair of French bronze models of Cupid and a Young Girl, possibly Psyche, in the manner of Louis-Simon Boizot, second half 19th century, Cupid looking over at the girl, about to withdraw an arrow from his bow (lacking), the girl's arms held up in playful defence, a basket of fruit beside her, each on a circular gilt bronze base, 37cm high (2) Provenance: Works of Art from the Schroder Collection.Condition Report: Both figures with scuff/scratches to the patinated surface in areas of overall. The young girl has a horizontal horn area to the top of her left thigh. Cupid is missing his bow. The gilding to the bases is almost completely worn away. 

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