We found 389642 price guide item(s) matching your search
There are 389642 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
389642 item(s)/page
Lot 491
J D Guirande Thyrsus Dancer a large silvered bronze model of a dancing woman, holding a Thrysus branch, on flaring, veined black marble base, signed in the cast in the dress, 67cm. high Provenance Art Deco & Design, Woolley and Walls Auctioneer's 21st March 2018, lot 147. Private collection.
Lot 519
A Gallia electroplated ice bucket, flaring cylindrical form with ribbed band decoration and two loop handles, a Gallia twin-handled electroplated footed bowl and a Mappin & Webb electroplated footed bowl the design attributed to Keith Murray, a pair of C & C Holmgren cast iron candle holders, circular form, a C & C Holmgren Pumpkin candle holder, a Liberty pewter tray and an Art Nouveau bronze paper-knife by Bertin, stamped marks, 20.5cm. high (8) Literature Everyday Things Exhibition, 1936, Royal Institute of British Architects, page 37 catalogue number D108 for a similar bowl illustrated as part of a cocktail set.
Lot 6
A 19th century gilt-bronze lamp base, supported by a robed Classical female figure, standing on ormolu and alabaster stepped base, overall height 60cmOld conversion to electricity but missing light fitting from the top, gilt patina is good and bright with no damage or repairs, the bottom section of alabaster has 1 old crack
Lot 468
After Henri Coutheillas (French, 1862-1927), an Art Nouveau bronze figural table lamp, modelled as a butterfly winged nymph entwined in a foliate stem, the stem extending to support an opaque glass foliate shade, set to a shaped marble base, signed in the casting, 55cm high (at fault) CR: Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.The base is fractured (see pictures). The broken area remains attached by the felt to the base, and will require repair. The figure is loose in the base, owing partly to the large fracture which runs beneath it, and requires tightening. The glass shade shows no visible chips, cracks or losses, but is slightly wobbly, and may require tightening.
Lot 473
A Japanese bronze lamp base, Meiji period (1868-1912), of baluster form and relief decorated with birds perched upon branches, 39cm high overall Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Lot 539
A 19th century bronze patinated wall clock, in the baroque style, the 'C' scroll case cast in relief with cherub and human masks along with a pair of dolphins, enclosing the 17cm gilt metal dial applied with enamelled batons, fitted with a later quartz movement, 55cm long Your attention is drawn to our important notice regarding the Trevanion sale of clocks, watches & timepieces found in our Terms & Conditions, please read this prior to bidding.
Lot 125
LIANE KATSUKI (Entre Rios, Brazil, present)."Triade of Amon", 2004.Bronze sculpture in 4 parts with reddish-brown patina and polished gloss. Marble base.Signed.Measurements: 29 x 19 x 10 cm (sculpture); 5 x 18 x 14 cm (pedestal).Sculptor and jewelry designer, Liane Katsuki began her training studying Fine Arts in Salvador de Bahia, to later expand it in France, at the Schools of Fine Arts in Paris and Toulouse. Currently based in Spain, throughout her career she has held more than two hundred solo and group exhibitions, and her work has been recognized with the De Beers Diamond, Tahitian Pearls, Public Sculpture, Caja de Madrid, Fumcisa and Majadahonda awards. She has also collaborated with important designers, among them Pierre Cardin. She is currently president of the Spanish Association of Author Jewelry, and a member of the artistic group ProArte. Liane Katsuki's pieces are characterized by their modular personality: two or three elements make up each of the units created by the artist: elements that integrate, relate and complement each other in an exceptional way, making the most of shapes and materials.
Lot 29
MANUEL MARÍN (Cieza, Murcia, 1942 - Málaga, 2007).Untitled, c. 70's.Polychrome iron.Signed with die.Measurements: 17 x 27 x 15 cm.It is worth mentioning the work of Manuel Marín, which shows his clear link with the avant-garde currents, the application and development of them in his own production through a unique and personal language.Manuel Marín started in the world of bullfighting at the age of ten, and made his first bullfight at the age of sixteen. However, at the age of twenty he traveled to London and began working in an art gallery, entering definitively into the world of sculpture. There he met the British artist Henry Moore, who hired him as an assistant in the realization of his bronze sculptures. In 1964 he moved to New York, where he worked as an art restorer until he opened his own gallery, The American Indian Art Gallery, which counted among its clients Warhol, Basquiat, De Kooning, Keith Haring and others. Attracted to mobile sculptures, he began creating his own works in 1969, and the following year held his first exhibition at the Alan Brown Gallery in Scardele, New York. Since then he has shown his work in various New York venues, as well as in Canada, Italy, Mexico, China, Puerto Rico, Japan and Spain. He currently has public monuments in various parts of the United States and Spain, and is represented in Spanish and foreign collections, having achieved critical and public recognition for his artistic production.
Lot 57
JOAN RIPOLLÉS (Castellón, 1932)."The flower".Oil on canvas.Signed in the lower left corner.Measurements: 130 x 97 cm.Known by his second surname or as "the Blessed Ripo", Joan García Ripollés discovered his passion for painting when, being still very young and in the middle of the postwar period, he entered to work in an industrial painting workshop. From then on he dedicated himself to painting at night, and later he took drawing classes at the Ribalta Institute in Castellón. After his debut in a collective exhibition held in 1951 at the Caja de Ahorros de Castellón, in 1954 there was a turning point in his career, as a result of a trip to Paris where he established contact with the artistic circles of the city. He remained in the French capital until 1963, and during these years he made twelve paintings for the church of Saint-Paul de Trigan in the Commune des Chaulegnes. However, he could not leave industrial painting until 1958, when he joined the Drouand David gallery in Paris, one of the most prestigious in the world. He organized his first major solo exhibition at MACBA in 1962, and in 1967 he traveled to New York, where he exhibited and sold his entire collection to The William Haber Art Collection. That same year, the New York dealer Leon Amiel, of the Larrouse Gallery, acquires all his work, something that will be repeated on his trip to Japan. From that moment on, he began a brilliant international career that has taken his work all over the world. In 1977 he moved to Holland, where he made the engravings for the book in homage to Josep Plà. Between 1986 and 1987 he devoted himself to sculpture, creating sixty-two works in ceramic and bronze that were exhibited at the 1988 edition of ARCO. He has organized solo exhibitions not only in Spain, Paris and New York, but also in Mexico, Holland, Belgium, Italy, Switzerland, Sweden, several American cities, Germany and Japan. He is currently an exclusive artist of The William Haber Art in New York and the Galerie Drouand in Paris. In 2000 he was awarded the Arts Prize of the Valencian Community. Ripollés is, today, one of the most international Spanish artists, and also one of the most complete, as he has worked brilliantly in painting, sculpture and engraving. After a first stage of correct figuration in which he recreates the landscape of his land, his work is leaning first towards a dramatic expressionism, and then towards a simplified painting based on the imaginative and poetic recreation of reality. Within this lyrical, ironic world and a certain eroticism, a work is developed whose roots hide a deep admiration for Picasso and Chagall. Ripollés is represented in the IVAM, the MOMA in New York, the Museum of the University of Alicante, the Museum of Fine Arts in Seville and the MACBA.
Loading...-
389642 item(s)/page