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Lot 1
Peck (C. Wilson). English Copper, Tin and Bronze Coins in the British Museum, 1558-1958, 2nd ed., pub. 1964, together with Collingwood (R.G. and Wright, R.P.), The Roman Inscriptions of Britain, vol. 1 only (Inscriptions on Stone), OUP, 1965, b & w illusts., both orig. cloth gilt, a little rubbed, thick 4to, plus others similar (a carton)
Lot 659
The Primrose League, decorative gilt metal and enamel badge with Special Service bars, 1887, 1888; another, silver and gilt metal; Glasgow Corporation, set of three Coronation medals, 1911, silver, copper and bronze, all in cases of issue, all extremely fine; sundry coins, badges, etc., including some in silver, varied state. (Lot)
Lot 1
A late 19th Century mantel clock supporting a bronze figure of a girl, "Curieuse", seated on a tree stump encrusted with flowers and a dragonfly by Louis Moreau, 59cm (23.25") high, the clock with rouge marble top and ormolu female caryatids to the corners terminating in scroll supports, the sides with pierced ormolu shell and foliate rectangular panels, the front fitted a circular enamel dial with Arabic numerals and painted swags of flowers, fitted an eight-day movement striking on a bell, the dial signed G Camelin, 19.5cm (7.75") high
Lot 1
An Empire bronze and ormolu mounted mantel clock of Classical design, the arch top with swan and laurel application, the centre with a bronze group of Susannah and the Elders, on a shaped base with mask head to the front, the pillar supports applied a sea god, sea goddesses, a trident etc to the sides, the raised on a marble base, the six gilded feet with egg and dart moulding, fitted a drum shaped movement to the arch and having a plain white enamel dial with Roman numerals and Arabic quarters within a chased and engraved ormolu bezel, fitted an eight-day thread suspension movement striking on two bells by Recordon, London, 56cm (22") high
Lot 1
A Victorian engraved bronze sundial, third quarter 19th century, inscribed for 'ELLIOTT BROS. LONDON', the shaped gnomon above a foliate incised eight point compass star, surrounded by foliate and other borders and the Roman dial, 27cm high, 53.5cm square; on a square section stone base, previously the upper section of a plinth, now missing, 47cm high overall
Lot 1
A pair of lead models of greyhounds, late 20th century, cast after the model of the bitch Eos, by John Francis (1760-1861), portrayed standing, with raised, alert heads, the tails curling back to the legs, 80cm high, 102cm long. The original bronze model of Eos, Prince Albert's favourite greyhound, was exhibited at the Royal Academy by Francis in 1848. Albert had brought Eos with him from Germany in 1840 when he married Queen Victoria. He commissioned models for both the Italian Gardens at Osborne House and also for Windsor Castle. The Queen also commissioned a portrait oil of the hound from Sir Edwin Landseer (1803-1873) as a gift for the Prince, now in the Queen's Collection at Buckingham Palace.
Lot 1
A bronze model of youth, possibly personifying Chastity, probably North European, second half 17th century, cast standing in the nude, his weight on his left foot, his right foot resting on a boar's head, drapery hanging over his outstretched right arm and the tree stump behind him, 36cm high, (the upper neck with fracture crack, the phallus later pierced for a fig leaf, now lacking) It has been suggested that this could be the work of Francesco Fanelli, but elements of the work suggest North European manufacture. It was perhaps produced by an Italian sculptor working at one of the northern courts.
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