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Lot 32
Barry Stein (American, 20th/21st c). Bronze sculpture titled "Descending Monarch" depicting an elk walking along a rocky outcropping, 2000. Edition 1/25. Signed, numbered, and editioned along the base of the bronze. With a certificate of authenticity.Height: 16 1/2 in x width: 15 in x depth: 11 in.Condition:The bronze has no major chips, losses, or cracks. Dust accrued in recessed areas. Wear to base underside.
Lot 51
Dan Johnson (1918-1979) for Brown Jordan, United States. Set of four "Sol Y Luna" armless patio dining chairs. Cast aluminum with a textured finish. Each marked along the frame. Originally dubbed "Gazelle," the original production in 1954 only produced around 150 pieces. Now produced in cast aluminum rather than bronze and wood, the "Sol Y Luna" takes a new approach to Johnson's timeless Mid-century design.Each, height: 34 in x width: 20 in x depth: 22 in.Condition:All items are structurally sound and stable. There is some wear throughout including areas where the finish has rubbed away and the silver aluminum is visible (mostly along high touch points). One of the chairs is lacking the original sticker along the back of the seat. Some light dirt/dust gathered in the recessed areas.
Lot 38
George Spaventa (American, 1918-1978). Cast bronze figure with a gold patina in the form of a feminine figure, 1962. Stamped CAF and numbered 2/6 along the base; incised signature along the other side of the base. Attached to a polished black stone base.Provenance: Distinguished Corporate Collection, Minnesota.(Incl stand) Height: 14 in x width: 4 1/2 in x depth: 4 1/2 in.Condition:No bends, breaks, losses, or restorations. Natural patina throughout. Some dirt/dust gathered in the recessed areas. Some light wear to the underside.
Lot 34
After Sirio Tofanari (Italian, 1886-1969). Large cast bronze panther sculpture. Depicting the snarling big cat sitting and looking downwards. Incised signature along the base. Brown and verdigris patination throughout.Provenance: Private Minnesota CollectionLot Essay:Sirio Tofanari was born into a family of sculptors and artists. He attended the Florence Academy of Art from 1902-1907. At the age of 18 he fell in love and eloped to Paris before moving to London. While there he devoted himself to the study of animals, visiting the zoo and Natural History Museum often. Throughout the first two decades of the 20th century he exhibited his work around Europe including the 1909 Venice Biennale.Sadly, his home, studio, and its contents in Milan were destroyed during an Allied bombing raid in 1942 during World War II. He spent much of the remainder of his life creating reliefs of religious scenes, but animals remained ever in his focus.Height: 24 in x width: 14 1/2 in x depth: 24 1/2 in.Condition:There are no major dents, breaks, losses, or restorations. Wear and weathering throughout and signs of exposure to the elements. Verdigris patination throughout. Some accretions along the lower areas of the sculpture. Some dirt/dust collected in the recessed areas of the work. Dirt/dust collected along the underside and interior of the work.
Lot 50
Dan Johnson (1918-1979) for Brown Jordan, United States. Pair of two "Sol Y Luna" armless patio dining chairs and one square table, lacking the glass top. Cast aluminum with a textured finish. One chair and table marked with labels along the frame. Originally dubbed "Gazelle," the original production in 1954 only produced around 150 pieces. Now produced in cast aluminum rather than bronze and wood, the "Sol Y Luna" takes a new approach to Johnson's timeless Mid-century design.(Table) height: 28 3/4 in x width: 24 3/4 in x depth: 24 3/4 in. (Chairs, each) height: 34 in x width: 20 in x depth: 22 in.Condition:All items are structurally sound and stable. There is some wear throughout including areas where the finish has rubbed away and the silver aluminum is visible (mostly along high touch points). One of the chairs is lacking the original sticker along the back of the seat. Some light dirt/dust gathered in the recessed areas. As stated in the listing, the table is lacking the original plate glass top.
Lot 37
George Spaventa (American, 1918-1978). Cast bronze figure with a black patina in the form of a reclining feminine figure, 1962. Stamped CAF and numbered 5/6 along the base; incised signature along the other side of the base. Attached to a polished black stone base.Provenance: Distinguished Corporate Collection, Minnesota.(Incl stand) Height: 5 1/2 in x width: 5 in x depth: 12 3/4 in.Condition:No bends, breaks, losses, or restorations. Natural patina throughout. Some dirt/dust gathered in the recessed areas. Some light wear to the underside.
Lot 31
Barry Stein (American, 20th/21st c). Bronze sculpture titlled "Pride of AFrica" depicting the head of an elephant with its trunk raised, 2004. Edition 1/300. Signed, dated, and editioned along the base of the bronze. With a certificate of authenticity.Height: 13 in x width: 8 1/2 in x depth: 9 1/2 in.Condition:The bronze has no major chips, losses, or cracks. Dust accrued in recessed areas. Wear to base underside.
Lot 52
Dan Johnson (1918-1979) for Brown Jordan, United States. Set of four "Sol Y Luna" lounge chairs with arms. Cast aluminum with a textured finish. Three marked with labels along the frame. Originally dubbed "Gazelle," the original production in 1954 only produced around 150 pieces. Now produced in cast aluminum rather than bronze and wood, the "Sol Y Luna" takes a new approach to Johnson's timeless Mid-century design.Each, height: 27 in x width: 28 in x depth: 24 in.Condition:All items are structurally sound and stable. There is some wear throughout including areas where the finish has rubbed away and the silver aluminum is visible (mostly along high touch points). One of the chairs is lacking the original sticker along the frame. Some light dirt/dust gathered in the recessed areas.
Lot 36
Miriam Shelton (American, b. 1926). Bronze statue of a kneeling boy. Incised initials and "3-6" along the back of the figure. Incised signature, 3-6, and 66-67 along the underside of the wooden base.(Incl base) Height: 11 1/2 in x width: 7 in x depth: 8 1/2 in.Condition:There are no bends, breaks, or losses to the bronze. Patina throughout. Light wear to the wooden base. There are four felt tabs affixed along the underside.
Lot 30
Barry Stein (American, 20th/21st c). Bronze sculpture titled "Racing the Wind" depicting a galloping horse, 2002. Incised signature, date, and numbered 1/35 along the base of the bronze. With a certificate of authenticity.Height: 27 in x width: 32 in x depth: 15 in.Condition:The bronze has no major chips, losses, or cracks. Dust accrued in recessed areas. Wear to base underside.
Lot 33
Loet Vanderveen (Dutch, 1921-2015). Bronze camel sculpture. Incised signature and numbered 37/250 along the camel's belly. The camel elegantly kneels down, one leg extended and the neck arched gracefully upwards.Height: 8 in x width: 2 1/2 in x depth: 9 1/2 in.Condition:There are no bends, breaks, losses, or signs of restoration. There are areas of high polish, throughout, in particular along the tail and ears. There are two minute scuffs along one side across the high points of the stomach and shoulder. There are minute scratches throughout. There is wear along the feet as expected from age and use.
Lot 322
signed in Cyrillic ‘Lep. E. Naps’ (on the base of the bronze)bronze, casting, patina, white marble baseH. 22 cm, base 40 ? 25 cm19th centuryThis sculpture was made after the famous painting by Viktor Vasnetsov ‘A Vityaz at the crossroads’, inspired by the Russian bylina ‘Ilya Muromets and the Thieves’.
Lot 18
▲Jean Phillipe RichardDraped female bronze signed Richard and dated ’02 and numbered III/IV together with indistinct foundry stamp on stone base 190cm high overall, the bronze 172cm highJean-Philippe Richard is a French sculptor, born in Paris in 1947 and has been working as a sculptor for over 3 decades. A self-taught artist, Jean-Philippe Richard sculpts without relying on a model, this allows him to sculpt freely and even get away from the restrictions of reality. This artist is an accomplished technician whose first bronze pieces were cast in an artisan foundry that he created in the Provencal village where he has been living since mid-70s. Garden Ornament, Garden Statue, Sculpture
Lot 3
AFTER FRANCESCO FANELLI (1590-1653), A BRONZE FIGURE OF A REARING HORSE ITALIAN, 18TH CENTURY Now set on an 18th century Italian waisted plinth, inset with marble to the top, the sides with painted faux lapis panels 23cm high overall, the base 18 x 15.5cm Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. The bronze in generally good condition- under strong light some signs of repatination. The base with losses, splits and repairs Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 397
AFTER PAUL DUBOIS (FRENCH, 1829-1905), A BARBEDIENNE BRONZE FIGURE L'ETUDE ET LA MÉDITATION LATE 19TH CENTURY OR EARLY 20TH CENTURY The figure emblematic of study and meditation, set on variegated green marble base, signed to cast and inscribed 'BRONZE F. Barbedienne Fondeur Paris' 50cm high overall, base 23.5 x 20.5cm This is one of the allegorical corner figures from the tomb of General de Lamoriciere erected in 1879 in the left transept of the Saint Pierre Saint Paul cathedral in Nantes. Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Wear to patina with paler areas visible to extremities and exposed parts such as head, fingers, cloth edges. Base formerly with title or artist plaque now absent. Surface dirt and dust Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 23
A BRONZE HORSE HEAD IN THE 16TH CENTURY PADUAN STYLE, POSSIBLY LATE 18TH OR EARLY 19TH CENTURY Set onto a rouge griotte marble plinth base bronze 8cm high, 10.5cm high overall, base 12.5cm wide Condition Report: The bronze with some rubbing to patina at margins from handling and age/use. Marble with twin diagonal vein streaks, some edge nibbles. Baize to underside with illegible printed numbers and "BHT" Condition Report Disclaimer
Lot 507
A FRENCH ANIMALIER BRONZE OF AN OSTRICH LATE 19TH CENTURY Well modelled in the manner of Barye, and depicted standing on a naturalistic base 21cm high, base 18.2cm wide Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Generally structurally good- paler patination to raised and exposed edges and surface from handling/dusting Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 213
A MATCHED SET OF FOUR TWIN BRANCH WALL LIGHTS 19TH CENTURY AND LATER Two ormolu, painted bronze, and gilt metal, and two giltwood and composition to match, the bronze examples stamped to reverse C.L and formerly with green leaves 61.5cm high, 43cm wide, the other pair 62.5cm high, 43.5cm wide Provenance: Property from Clipsham House, Rutland Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. All have been later drilled and fitted for electrical use- which will require replacing and refitting Metal pair- as per cataloguing- later decorated- not professionally and with amateurish brushstrokes. Some loose elements and small repairs to fixing points Wooden pair- breaks, amateur repairs and with losses to carved elements ELECTRICAL GOODS. These are sold as decorative items only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 485
AFTER THE ANTIQUE, A LARGE PATINATED PLASTER FIGURE OF EPHEBE OF MARATHON 20TH CENTURY Black painted 'bronzed' surface with detailed eyes 131cm high, the base 35 x 33.5cm This figure of Ephebe, sometimes called " Marathon Boy", is a Greek bronze sculpture found in the Aegean Sea in the bay of Marathon in 1925. The figure dates to around 340-330 BC and is now held in the collections of the National Archaeological Museum of Athens.
Lot 431
AFTER FRANCISQUE JOSEPH DURET (1804-1865), A LARGE BRONZE FIGURE 'JEUNE PÊCHEUR NAPOLITAIN DANSANT LA TARENTELLE' FRENCH, MID 19TH CENTURY The larger cast model with Neapolitan boy playing castanets, on square base with naturalistic seashells, cast by Delafontaine and signed to the cast "Delafontaine" and "F Duret" 89.5cm high, base 28 x 27.5cm Francisque Duret was the son and pupil of Francois Joseph Duret the elder (1732-1816). He enrolled at the Ecole des Beaux Arts in 1818 and won the Prix de Rome in 1823. He exhibited at the Salon from 1831 to 1863 and is perhaps known today for his bronzes illustrating Neapolitan life. "Jeune pêcheur dansant la tarentelle" was exhibited at the Salon of 1833 ( now in Musée du Louvre). Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Some wear and scratches to surface from handling- slightly paler areas to exposed edges from handling and dusting- for further information please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 62
A PAIR OF FRENCH GILT BRONZE THREE LIGHT CANDLESTICKS 18TH CENTURY AND LATER The mid 18th century bases with associated slightly later tops with scrolling floral branches and flame finials 38.5cm high, bases 14.5cm diameter Condition Report: The bases with rubbed gilding and old polish deposits, the nozzles with inset later sections to allow screw threading of tops. The tops with better state of gilding but drilled for electricity Condition Report Disclaimer
Lot 24
AFTER THE ANTIQUE, A LARGE GRAND TOUR BRONZE FIGURE OF THE PRAYING BOY 19TH CENTURY The figure with arms upraised, on plinth base 141cm high, base 32 x 32.5cm The original Hellenistic bronze this figure is based upon was discovered in part in the 15th century in excavations on the island of Rhodes. Over the course of 500 years it has undergone numerous repairs and restorations including being reunited with its left leg in the 16th century and with arms added in the 17th century. Passing through various collections it is now held in the Altes Museum, Berlin. It has been suggested that this might be the statue of a praying boy described in Pliny's Natural History as 'Adorans' and attributed to Boidas, one of the sons of the sculptor Lysippos. Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. The whole with surface wear and verdigris from outdoor exposure- some surface scuffs and marks from handling notably to belly- some looseness around casting joints such as upper arms. Base with dirt and weathering Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 489
AFTER GIAMBOLOGNA (1529-1608), A GOOD LIFESIZE BRONZE FIGURE OF MERCURY 19TH CENTURY Depicted wearing a winged petasos and sandals, and holding his caduceus, held aloft on the breath of Zephyr, verdigris patinated surface 184cm high overall, base 38cm diameter Giambologna's original bronze was first installed at the Villa Medici in Rome in1580, positioned at the order of Ferdinando de Medici on a fountain which formed a focal point on the formal staircase between the sumptuous gardens and the loggia entrance to the Villa. In 1780 the Mercury was moved to the Uffizi Museum, and then finally in 1865, to the Museo Nazionale del Bargello, Florence. Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. With verdigris weathered surface mostly from manufacture to suggest greater antiquity. Wing to right foot with remedial repair- possibly also same to right wing of helmet, Caduceus slightly bent Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
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