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A Peter Jackson "Tank You" card with a Victoria Cross crew gift from Jackson's fantasy sequel The Hobbit: The Battle of the Five Armies. Production crew of The Hobbit trilogy were sent "Thank You" cards by the producers, while the Continuity department received Victoria Cross medallions.The black-and-white card is printed on cardstock depicting Jackson and the Dwarves barreling down a river with a note of thanks from Jackson, Fran Walsh, Philippa Boyens, Carolynne "Caro" Cunningham, and Zane Weiner inside. The bronze medallion features a dragon icon engraved "V.C. Continuity Under Fire" and comes attached to a burgundy silk ribbon in a cardboard Jobon box.The card and gift are in excellent overall condition with some retaping to the box.Dimensions (cross in box): 5 1/2" x 4" x 2" (14 cm x 10.25 cm x 5 cm);Estimate: $600 - 800
A Klingon broadsword from the science-fiction prequel series Star Trek: Enterprise. At the end of the two-part pilot episode "Broken Bow," a Klingon broadsword hung in a place of prominence and honor above the main entrance to the Klingon High Council Chamber on Qo'noS, where Captain Archer (Scott Bakula) and crew return Klaang (Tommy Lister, Jr.) to his people.The large sword is made of silvertone metal with bronze-colored wire wrapped tightly around the grip, silvertone tape cut into a decorative pattern adhered along one side's guard and fuller strips of dark brown leather tied at both ends of the guard and the grip. The pommel has bronzetone metal in the center of either side. The sword is in good overall condition with some wear from production and age in addition to its production-made weathering, including scratches and tears in the metallic tape, areas of discoloration or small stains along the blade, and various scuffs and dents throughout.Dimensions: 54" x 12" x 2" (137.5 cm x 30.5 cm x 5.5 cm)Estimate: $1,000 - 1,500
A phaser rifle modulation adaptor from the production of Jonathan Frakes' sci-fi sequel Star Trek: First Contact. The crew of the Enterprise developed modulation adaptors to help their phaser rifles penetrate highly adaptive Borg shields. This molded resin adaptor is painted gray and bronze with a clear red window, two clear green acrylic "isolinear chips", small colored lights, and an electronics kit for illuminating them hidden by the resin. The top portion of the resin has come loose from the adaptor, which itself exhibits some scuffing and wear from use but remains in good overall condition.Dimensions: 6 1/2" x 2" x 1 1/2" (17 cm x 5.5 cm x 4 cm)Contains electronics; see electronics notice in the Buyer's GuideEstimate: $800 - 1,200
A Spartan costume from Zack Snyder's historical action epic 300. King Leonidas (Gerard Butler) led his greatly outnumbered army of elite Spartan warriors against the invading forces of King Xerxes of Persia (Rodrigo Santoro).This lot includes a helmet, gauntlets, greaves, sandals, briefs, a cape, a shield, and a spear. The helmet is made of rubber with foam padding, painted to look like weathered bronze, and includes the name of stunt performer Mike Dopud handwritten inside. The matching gauntlets and greaves are made of urethane with foam padding and leather straps; and have the names of stunt performers Cody Laudan and Ryan Watson, respectively, written inside. The sandals, briefs, and the arm straps for the cape are made of brown leather, while the cape's buckle is bronzetone fiberglass and the cape is red-dyed canvas. The bronzetone, vacuum-formed plastic shield is weathered with simulated blood spatter and battle damage; while the rear of the shield features a brown canvas backing, leather and nylon straps, and a leather-bound handgrip. The spear is made of leather-wrapped wood, production-weathered, with a urethane head and resin rear, both painted gray to appear like dark metal. The lot is in good overall condition with some wear from production and age, including tearing in the back of the helmet, the front and back of the shield loosening from each other, the buckle loosening from the cape, and scuffing throughout.Special shipping required; see notice in the Buyer's GuideEstimate: $6,000 - 8,000
Jabba the Hutt's throne slab gargoyle from Richard Marquand's Star Wars: Return of the Jedi. Abyssin gargoyles were embedded in Jabba's throne slab within his Tatooine palace, and were also seen on the deck of Jabba's sail barge. This lot comes from the collection of creature and make-up designer Phil Tippett, who along with Richard Edlund, Dennis Muren, and Ken Ralston received a Special Achievement Oscar for Visual Effects for his work on the film.This one-eyed, scaly gargoyle is constructed of fiberglass with a metal ring in its mouth, painted brown with a metallic finish to appear bronze, and mounted with a steel rod to a textured gray display case. It is in good overall condition with some discoloration from rust and one of its front teeth missing. Includes a letter of authenticity from Phil Tippett. Dimensions: 11 1/2" x 12" x 14" (29.25 cm x 30.5 cm x 35.75 cm)Estimate: $5,000 - 7,000
Austria,1849 Merit Cross 1st Class in bronze gilt and enamel. Some enamel damage to centre of obverse, otherwise good very fine. (1)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Bulgaria,Order of Military Merit, Commander's neck badge, in bronze-gilt and enamel. Almost extremely fine. (1)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Germany,Prussia, Military Long Service Decoration for 25 years, gilt bronze. Good very fine. (1)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Germany,Prussia, Military Long Service Decoration Cross for 25 years, 1st type, gilt bronze. Good very fine. (1)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Germany,Prussia, Centenary Medal 1897, in bronze gilt. Very fine. (1)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Germany,Prussia, Centenary Medal 1897, in bronze gilt. Good very fine. (1)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
The Balloon Society of Great Britain,A bronze-gilt medal 32mm diam, engraved on reverse (Colonel Fred Brine R.E. 4th March 1882). With a further medal engraved (General Brine R.E. 18th August 1884.). Good very fine or better. (2)Footnotes:General Brine was a noted Balloonist of the late 19th Century. His balloon named 'The Colonel' had carried out four voyages across the Channel.For further information on this lot please visit Bonhams.com
The Archive of items to the late Mr H.A.Forbes, the maker of over 700 Victoria Crosses,the archive comprises: Two Victoria Crosses in partly unfinished manufactured state, with a miniature issue. With two further unfinished medals being an Iron Cross 1914 Second Class and Polish Valour Medal (produced as trial pieces). Stalingrad Sword casket, 29cm x 41cm x 11cm, this made from walnut with elaborate worked lid with gilt metal plaque engraved (A.Forbes), this housing a presentation album with photographs and descriptions relating to Stalingrad before the war and it's part through the war and subsequent rebuilding, with photographs of the sword being presented to Joseph Stalin at the Teheran Conference, the box further housed in a decorative card box with named paper label. A bronze figure of a Scottish Infantryman 28.5cm high, a figure of a Sikh Infantry man 7.4cm high, a figure of a King's African Rifleman 9cm high. (Lot)Footnotes:The lot also includes the following additional correspondence etc:A letter from Hancocks & Co dated 7th November 1929 addressed to him at 25 Red Lion Street, Clerkenwell, this letter confirms his help with making the Victoria Cross for them for so many years, the subject matter of the letter relates to a misleading photograph printed in a newspaper.A photograph of him bedding down the 'master Victoria Cross' in the mould before casting.Two photographs of him inspecting a Stalingrad presentation album, at the Soviet Embassy in Kensington Palace Gardens.A letter from Goldsmith's Hall dated 1st October 1943 inviting him and his family and friends to attend an exhibition at Goldsmith's Hall where the sword was put on public display between the 6th and 8th October 1943.A letter from Arkadi A.Sobolev, Charge d'Affaires of the U.S.S.R. confirming the presentation of Albums on behalf of the City Council of Stalingrad to British Masters who took part in the construction and production of the Sword of Honour for Stalingrad this was to take place on Friday 2nd February 1944 at 13 Kensington Palace Gardens London W8.London County Council School of Arts and Crafts Prospectus and Timetable of the Session 1938-1939 where he is noted a member of staff with the School of Silversmith's Work and Allied Crafts.A copy of the Bronze Cross where on page 6 there are photographs of Forbes melting the bronze and in turn moulding his 751st VC with the finished product being shown.A copy of the script for the BBC Home Service & Programme for the Forces for the 15th June 1940, 7-7.30pm 'In Town Tonight' where he is quoted as having made over 600 for the Great War. With two letters from the BBC confirming arrangements for another broadcast dated 18th December 1944, and another one dated 15th September 1945 relating to a broadcast of a youth programme to be transmitted to India. Two family photographs, a number of newspaper cuttings relating to his work with VCs and the Stalingrad sword.A total of 18 Stalingrad albums were produced and designed by craftsmen in Stalingrad and were sent by the City Council and given to the British craftsmen who made the Sword of Honour.Alec Forbes was the grandson of a Colour Sergeant of the Black Watch who had helped capture the cannon at the Crimea, from which the metal was used to manufacture the Victoria Crosses. An article produced for the 20th January 1945 stated that every VC made since the Boer War had passed through his hands. These were made by the foundry Messrs R.Owen Ltd in Clerkenwell for Hancocks. In addition he was engaged in the gold work for the Field Marshal's batons for General Montgomery and Alexander, and of the Stalingrad sword amongst other many fine objects.Please see the website for further images of this lot.For further information on this lot please visit Bonhams.com
Indian Army, Late Victorian Headdress Badges,17th Bengal Infantry unmarked silver pagri badge, 13th Madras Infantry heavy gauge die-cast bronze helmet badge, 7th Madras Infantry gilding metal with yellow cloth centre backing, 56th Bengal Native infantry, large size thin gauge sheet brass numerals,56', typical 'Indian' style pierced brass fasteners (raised in 1824, mutinied at Cawnpore in 1857), Bombay Pioneers gilding metal, 2 x 9th Madras Infantry, gilding metal, very good condition. (7)For further information on this lot please visit Bonhams.com
The Kings and Queen's of England,c.1830, by E.Thomason and J.Marrian (after John Dassier), a collection of 34 bronze medallions 40mm diam., each obverse with the portrait of a British Sovereign, R.Memorial scene, birth, coronation and death dates in exergue (Eimer:1236). In felt lined wooden case (damaged and incomplete). Some with evidence of cleaning with residue remaining, otherwise on the whole good very fine or better. (34 out of 35)For further information on this lot please visit Bonhams.com
Austria,Order of the Iron Crown, First Class set of insignia, Military Division, comprising sash badge and breast star, in bronze gilt, silver-gilt and enamel. With sash. A good tailor's copy. Good very fine. (2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Austria,Order of the Iron Crown, Second Class neck badge, 6.6cm x 3.4cm, in bronze-gilt and enamel. Toning in places, otherwise extremely fine. (1)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Austria,Order of the Iron Crown, Second Class neck badge, 6.4cm x 3.2cm, in bronze gilt and enamel. Some very light enamel damage to a couple of the leaves, otherwise very fine. (1)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
‡ Michael Ayrton (1921-1975) Minotaur Sleeping Bronze on a wooden base, conceived and cast in 1972 in an edition of nine 11.3 x 23cm Provenance: The artist's estate; Christie's, King Street, Post-War and Contemporary British Paintings and Watercolours and Twentieth Century British Sculpture, 26 March, 1993, lot 151, where purchased by the present private collector Literature: Justine Hopkins, Michael Ayrton: A Biography (Andre Deutsch, 1994), p.360; Jacob E. Nyenhuis, Myth and Creative Process: Michael Ayrton and the Myth of Daedalus, the Maze Maker (Detroit, Wayne State University Press, 2003), p.286, no. 757, fig. 228 We are grateful to the Ayrton Estate for confirming the authenticity of this work.
‡ Lynn Chadwick CBE, RA (1914-2003) Sitting Woman III Numbered and dated c30 7/9 1986 Bronze 14.5cm high Provenance: Christie's, King Street, British & Irish Traditionalist & Modernist Paintings, Watercolours, Drawings & Sculpture, 13 November 1987, lot 218; Christie's, King Street, Modern British and Irish Paintings, Watercolours, Drawings and Sculpture, 25 September 1992, lot 101, where purchased by the present private collector Literature: Dennis Farr & Eva Chadwick, Lynn Chadwick: Sculptor, With a Complete Illustrated Catalogue 1947-2005 (Aldershot, 2006), no. C30, p. 364 We are grateful to to Sarah Chadwick for confirming the authenticity of this work.
‡ Henry Moore OM, CH (1898-1986) Maquette for Seated Torso Bronze on a marble base, conceived in 1954, cast in 1956, in an edition of 9 13.8 x 14.7cm (figure) Provenance: Faustus Fine Art, London, where purchased by the present private collector Literature: W. Grohmann, The Art of Henry Moore, (London, 1960), no. 178 (larger version illustrated); R. Melville, Henry Moore Sculpture and Drawings 1921-1969 (London, 1970), no. 468 (larger version illustrated); A. Bowness (ed)., Henry Moore, Complete Sculpture 1949-54, vol. 2 (London, 1986), p. 52, no. 361 (another cast illustrated)
‡ Henry Moore OM, CH (1898-1986) Upright Connected Forms Signed and numbered 3/7 (on the side of the integral bronze base) and stamped with the foundry mark MORRIS SINGER FOUNDERS LONDON (at the base) Patinated bronze on a wooded base, conceived in 1979 20.5cm high (excluding wooden base) Provenance: By descent from present owner's father Literature: A. Bowness (ed.), Henry Moore, Sculpture and Drawings: 1974-80, vol. 5 (London, 1983), pp. 46, 184, no. 782 (another cast illustrated); Hatfield, Hatfield House, Moore at Hatfield, exh. cat. 2011, p. 50 (another cast illustrated)
‡ Henry Moore OM, CH (1898-1986) Hand Relief No. 1 Bronze, with green patination, conceived in 1952 and cast in 1956 in an edition of nine plus one artist's proof 33.5 x 35 cm This work is registered with the Henry Moore Foundation, no. LH 354 Provenance: Either Laing Gallery, Toronto or Marlborough Gallery, Montreal; where purchased by Benjamin Luxenberg Q.C., Toronto; by descent to Leon Root, New York Literature: Alan Bowness, ed., Henry Moore, Complete Sculpture, 1949-54, vol. 2, (Lund Humphries, London), no. 354 (another cast illustrated but incorrectly labelled as no. 355) According to Moore the present work is a 'study for the hands on a larger work, actually of the King and Queen, 1952/53. When I was making the large version of the King and Queen, and getting to working on the hands in detail, I got a little stuck with them, and contrary to any previous practice, I felt I needed to have a model of a real hand. And so I asked my wife to come into the studio and hold her hand in the position I required - she posed for about a quarter of an hour and then said she couldn't stay any longer as the lunch she was cooking needed her attention. I then asked Mary, my daughter who was six years old, to come and hold her hand in the position I wanted, and in this way I was helped in completing the hands of the full-size sculpture.' (Henry Moore, letter to Allan D. Emil, 21 October 1966, reprinted in Alan Wilkinson (ed.), Henry Moore: Writings and Conversations, Aldershot 2002, p.283)
‡ Ann Christopher RA (b.1947) Bronze no 4, 1975-76, patinated bronze on wooden base stamped AC 7/9 23cm. high Provenance: Purchased by Dame Elisabeth Frink from the artist directly; By descent to Lin Jammet; The Estate of Dame Elisabeth Frink & Lin Jammet We are grateful to Ann Christopher for her assistance cataloguing this work.
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350105 item(s)/page