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Lot 269
Title: Albert-Ernest Carrier-Belleuse (1824-1887): Four putti making merry, gilt bronze on a vert de mer marble baseDescription:H 59,5 - 52,5 cm (with and without base) This French gilt bronze group of bacchic putti cast by Raingo Freres from the model by Albert-Ernest Carrier-Belleuse, last quarter of the 19th C. The sculpture marked 'Unisfrance' and with the numbers '36', '12' and '10370'. Ref.: - Christie's, London, Sept. 22, 2011, lot 56, for a similar group. (sold GBP 6.875, link).
Lot 377
Title: Two French gilt and patinated bronze mantel clocks crowned with 'Geografia' and a young bohemian, 19th C.Description:H 40,2 - L 31 - D 11 cm (the 'Geografia' clock) H 37,5 - L 28 - D 9,5 cm (the 'bohemian' clock) The 'bohemian' clock: the work marked 'Medaille d'argent Paris 1823'. The 'Geografia' clock: the (non-matching) work numbered '172'.
Lot 258
Title: Auguste Puttemans (1866-1922): The bather, brown patinated bronze, bronze foundry J. Petermann-BrusselsDescription:H 51,7 cm The bronze inscribed 'Fonderie natle des bronzes J. Petermann St. Gilles Bruxelles'. Auguste Puttemans studied at the Academy of Fine Arts in Brussels (1877-1878 and 1886-1891). He was a pupil of Charles Van der Stappen. He is known to have been a freemason.
Lot 260
Title: Augustin Courtet (1821-1891): A faun jumping rope, patinated bronzeDescription:H 34,7 cm The sculpture with the number '15' and marked 'Fdu Par Vor Thiebaut', referring to Victor Thiebaut who ran the family foundry in the third quarter of the 19th C. Ref.: - P. Kjellberg, Les bronzes du XIXe siecle, Paris, 1989, p. 227.
Lot 1017
Full title: Emile Picault (1833-1915): 'Le souvenir', brown patinated bronzeDescription:H 46,5 cmThe bronze sculpture marked 'Jollet and Cie - Bronze Paris - Anche Mon (Ancienne Maison) Colin and Cie'. The text on the stele reads: 'La gratitude est la memoire du coeur'. With a dedication: 'A J. Zell President de la Chambre Syndicale - ses Collaborateurs et Amis - 1914-1919'. Ref.: - P. Kjellberg, Les bronzes du XIXe siecle, Paris, 1989, pp. 542-544.
Lot 179
Title: Hata Zoroku IV (1896-1984): A Japanese ochre patinated bronze gourd vase, Showa, 20th C.Description:H 27 cm This Showa period vase comes with its original tomobako (the wooden storage box). The Zoroku name has been used by six generations of Kyoto bronze artists. The line began in the late Edo with the first Zoroku (died in 1890), who brought the family to fame with his modified Ryubundo and Ko-do techniques. He is known to have worked for both the Edo shogun and the emperor. It is unknown when the second Zoroku (born 1820) passed away, however the third generation lived ca. 1855-1932. With the fourth generation styles seem to have changed to greener patinas and splashed gold techniques, with heavy Chinese influence from the 1950’s through the 1980’s. As a family of eminent metal artists famous for their lost wax casting, the Hata family was patronized by the Imperial Household Agency.
Lot 1024
Full title: Claude Michel (Clodion, 1738-1814, after), 'Bacchanal', brown patinated bronze on a black marble base, dated 1762, 19th C.Description:H 44,7 - 40 cm (with and without base)The bronze cast naturalistically executed in full round, marked on the base 'Clodion 1762', executed in the second half of the 19th C.
Lot 1028
Full title: Charles Cumberworth (1811-1852): Kneeling lady with her faithful friend, patinated bronze on a black marble base, third quarter 19th C.Description:H 42 - 38,5 cm (with and without the base)The sculpture marked 'Cie anonyme des bronzes Bruxelles'. This 'Compagnie' was active from 1859 until 1878 (link).
Lot 1029
Full title: Three various bronze sculptures after the antique on a marble base, a.o. Germany, first half 20th C.Description:H 38 - 30 cm (the tallest and the smallest sculpture) 'The orator' marked 'Martin u. Piltzing Berlin Hofbildgiesser'. 'The spear thrower' signed 'Schrimpf' (Georg Schrimpf, 1889-1938), dated '1910' and marked with the 'Schumacher' foundry mark. This sculpture was used as a prize for 'Concours special de la race ovine Boulonnaise - Amiens 1928 - Prix d'ensemble'. 'The guard' unmarked and unsigned.
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