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ALFRED LÖRCHERSitzende 1923/24Bronze, dunkel patiniert, auf Marmorsockel. Nicht signiert. Höhe ca. 12,5 cm (Sockel 4,5 x 14 x 8,5 cm). Vgl. Grüterich P 94.3.(Leichte Oxidationsspuren.)Provenienz: Galerie Valentin, Stuttgart; Privatbesitz. Mit einem Zertifikat der Galerie Valentien, Stuttgart, datiert 06.12.2000.
PAUL WUNDERLICHKleine Nike 1975Bronze, bräunlich patiniert, teilweise poliert, Flügel teils grünlich patiniert; auf schwarzem, geädertem Marmorsockel. Signiert. Ex. 860/1000. Mit Gießerstempel 'cerapersa venturi' (Venturi Arte, Bolgna). Höhe 46,5 cm (mit Sockel 59 cm). Spielmann 24.(Leichte Altersspuren, stellenweise leicht fleckig. Sockel gering bestoßen.)Provenienz: Sammlung Fritz und Renate Gruber.
ARNO BREKERSalvador Dalí 1974/75Bronze, auf Marmorsockel. Mit dem Namenszug und der Datierung. Ex. 117/999. Gießerstempel Venturi Arte. Höhe ca. 21 cm (inkl. Sockel ca. 29 cm).(Fleckig, stellenweise Grünspan, rückseitig in den Haaren weißer Farbfleck, kleine Bestoßungen. Marmorsockel restauriert (gebrochen und geklebt). Schnurrbart etwas verbogen und wohl ebenfalls restauriert.)Provenienz: Sammlung Fritz und Renate Gruber.
LUDWIG GIESSelbstbildnis 1956 / Gerhard Hauptmann 1957 / Kölner Dom 19653 Bronze- bzw. Eisenguss-Plaketten, patiniert. Teils monogrammiert bzw. mit Prägung 'Nachlass Ludwig Gies'. Von ca. 11 x 11 bis 15,5 x 14,5 cm. Dazu 4 weitere Plaketten bzw. Medaillen: 75 Jahre Kölner Werkschulen, 1953 von Heribert Calleen. 17 x 12,4 cm / Bildnis Ludwig Gies von Hans Karl Burgeff. 14 x 10 cm. / Orgel / Harfe. 9,5-10,5 x 9,5-10,5 cm.(Unterschiedliche, meist leichte bis mäßige Alters- und Oxidationsspuren.)
Hylton Stockwell, (d. 2018) - Limited edition bronze - Dancing Man, signed, dated 1999 and numbered 4/10 to circular base, 25cm highHylton Stockwell worked as an assistant to Henry Moore in the mid 1960s and worked independently as a sculptor upon completing his post-graduate studies at the Royal College of Art. His commissions include the 8 metre high British Airways figure at Heathrow Airport.
Chinese Qing Dynasty cast bronze figure of Weituo [Wei Tuo] 19th century, the Buddhist Guardian figure standing in full armour, hands clasped in anjali blessing, unidentified archaistic four-character mark to rear of robes, on a table base, 23cm highWeituo / Wei Tuo, also known as Skanda, is a Mahayana bodhisattva, one of the 24 Celestial Guardian Deotoes, recorded in the Golden Light Sutra.
Chinese bronze figure of Songzi Guanyin with child, holding a ruyi sceptre in her right hand and pouring water from a bottle in her left, her hair neatly coiffed and covered with a long cowl sheltering the Amitabha crown, wearing a fine robe, a small infant beside her, a dragon at her feet, four-character seal mark of Qianlong, (1736-1795), late Qing Dynasty, 22.5cm highSongzi Guanyin, or the 'Bringer of Sons,' demonstrates the importance of male children within Confucian family structure. They ensured not only the continuity of family and clan, but that there would be uninterrupted generations to carry on the rituals of ancestral worship. The Child-Giving Guanyin was prayed to by worshipers for healthy children and intelligent male heirs.
Jon Buck (b. 1951) - 'Simply a Pig', a limited edition (3/6) bronze sleeping pig, 1984, incised signature and number beneath, 49cm long a 14cm highSee https://jonbucksculpture.com/wp-content/uploads/2013/03/making-a-point.pdf (page 5) for a matching example.Jon Buck studied at Nottingham and Manchester Art Schools. He was a Fellow in Sculpture at Cheltenham College of Art and is a Member of the Royal West of England Academy and a Fellow of the Royal Society of British Sculptors. Buck has completed many public commissions including for Canary Wharf in London, West Quay Centre, Southampton and Portishead Quays.

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389650 item(s)/page