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Medals, Matrimonial Groups: Lt. Cdr. John D. Stott, RNVR/RNR Grp. of 5 & Mrs A. Stott (née Robinson), WVS, Lt. Cdr. John D. Stott: 1939-1945 Star, Atlantic Star, Defence Medal, 1939-1945 War Medal, pin-mounted for wear on original ribbons; RNVR Decoration, EIIR, 1962; Royal Life Saving Society Bronze medal, boxed & certificate en suite (Mount St. Mary's, Sheffiled, 1939); a pair of Merchant Navy 1st Officer's (Cdr.) epaulettes; original letters and documents, some copied research; Mrs Althea Stott (née Robinson): WVS Long Service Medal, boxed, with award letter dated January 1944; original documents in maiden name from Buenos Aries, Argentina and Montevideo, Uruguay, where she grew up, including two passports with photographs, 1932 and 1942John Stott (b. July 1924) and Althea Robinson (b. December 1924( were both born in Lancashire, but Althea grew up in Argentina and then Uruguay. The British Consular records from 1941-45 show that they were married in Rio de Janeiro, Brazil, most likely at the end of the Second World War in 1945. Provenance: By direct family descent; then purchased by the present vendor.
Medals, WW1 Trio (W.O. Royal Munster Fusiliers), Territorial Medal 5th Lincs. R.G., group of four, 1914-1915 Star (7878 L.Sjt. W. Drury, R.Mun.Fus) - entered F&F 24.03.1915; British War Medal (7878 W.O. Cl. 2. W. Drury, R.MUN.FUS); Victory Medal (7878 W.O. Cl. 2 W[illiam] Drury, R.MUN.FUS); Territory Efficeny Medal, GVR (4795288 W.O.Cl.II W. Drury, 5-Linc. R.), all medals pin-mounted for wear on original watered silk ribbons; silver 5th Lincolnshire Regiment Football Medal (CSM W. Drury), Chester 1924; Territorial Army Rifle Association bronze medallion; 10th Lincolnshire Regimental bronze medallion; Warrant Scroll as W.O.Cl.2. w.e.f. 29.06.1923, dated 4th Aug. 1923; Territorial Lincolnshire Rifle Association 'Champion' gold thread cloth badges, 1931, 1933, 1935, 1937 (4); CSM sleeve rank gold thread cloth crown; Medal Index Card confirming service numbers, ranks, regiments, dates, medal entitlement
Medals, WW1, Great War Memorial Plaque & Medals - Pte. Richard Dewhurst, Liverpool Regiment, British War Medal (50189 Pte. R.T. Dewhurst, L'Pool R), contained in original buff envelopes; Victory Medal (50189 Pte. R.T. Dewhurst, L'Pool R), named boxes of issue - watered silk ribbons en suite; Great War bronze memorial plaque, Richard Thomas Dewhurst, original card envelope with condolence slip from Buckingham Palace, registered envelope addressed to Mrs E[lizabeth] Dewhurst, Blackburn (casualty's mother); copied research, including Mic, cwgc cert., cemetry details, memorial scrollRichard Thomas Dewhurst was born in Blackburn, Lancashire, the son of Richard and Elizbaeth Dewhurst. He served with the 19th Battalion, Liverpool Regiment and died of wounds in Flanders on 22nd November 1917 and is buried in the Nine Elms British Cemetry, Poperinge, Belgium.
Base metal UK uncirculated crown coins including: 1951 (1 boxed, 1 in packet), two 1953 in plastic box, another in pocket, 1960 one boxed another in wallet, two 1965 in wallets, another loose, EF, two 1972 in wallets, discoloured, another EFm, eight 1977 all in boxes, Gilbraltar Crowns, boxed, 1967, 1971, also ten unc. 1973 Common Market 50p coins, all in wallets but discoloured, 1971 decimal set with three additional bronze coins (qty)
Coins: Small collection of mostly British coins from mid 1700s to early decimal, one small (17mm) Roman bronze, stated to be Claudius II (VF), a few George II or III halfpennies (mostly poor to VG) and George IV/William IV farthings, also QV 1858 penny, Anne 1711 sixpence (fair), seven late QV crowns (1889-95), mostly VG, 1929 KGV 'wreath' crown (obverse GF, reverse near VF), a few KGV 50% silver florins (poor/fair), remainder early decimal 5p, 10p, 50p to 1979, these EF or UNC (Scores)
A collection of British copper and bronze coins, including: Victoria, penny, 1855, ornamental trident (S 3948); farthing, 1878 (S 3958); half-farthing, 1844 (S 3951), all extremely fine or nearly so; and others, George III to George V, including Soho Mint issues, various grades from fair to very fine.
A small collection of numismia, including: a bronze coin of Sinjar, c. 1200, fair; France: silver gross d'argent, c.1400, fair; Flanders: Charles the Bold, silver double-patard, 15th Century, good fine; Poland: Zigmund III, silver three grosz, near very fine; England: Salisbury halfpenny token, Thomas Cutler Junior, 1666, good fine; four other 17th Century Wiltshire tokens; George III, evasion halfpenny, 'George Rules', rev. 'North Wales', fair; and a Victorian model one penny, good very fine. [13]
An interesting group of five medals to Victor George Alma Seager, R.N.V.R., who served with Carnac Battery of the Royal Naval Siege Guns near Nieuport: British War Medal 1914-20, Victory Medal (L.Z.4610 V. G. A. SEAGER. A.B. R.N.V.R.); Defence Medal; Special Constabulary Long Service Medal, George VI (VICTOR G. SEAGER); French Croix de Guerre, with bronze star; together with a small quantity of ephemera and research, including a XVth Corps card signed by General Du Cane citing the recipient's 'Good and Valuable Service and Devotion to Duty', two similar cards from 36th Army Group Artillery Lourde (French Heavy Artillery), and a collection of photographs including the recipient in uniform wearing his Croix De Guerre, and studies of the Naval gun emplacements in Belgium. Medals good very fine or better. During the Great War the Royal Navy - specifically the Dover Patrol - established heavy artillery positions at the Northern extremity of the Western Front. Working closely with the French, and at times under their control, the officers and men of the Royal Naval Siege Guns fought a gruelling campaign under intense and sustained bombardments and gas attacks. Carnac battery was particularly celebrated for its endurance and effectiveness, being cited in French Army Corps orders. The recipient himself appears to have made a significant contribution to this, being the specific subject of a similar order for "readiness and calmness under fire" and receiving the Croix De Guerre; and he was furthermore commended by the British Army after they had taken over his part of the line.
A Japanese dagger (tanto), blade 10.75 in., hira-zukuri with horimono: goma hashi to one side and suken to the other; copper habaki with nekogaki, gilt bronze openwork tsuba with relief decoration of an eagle, tape wrapped same grip; associated saya lacquered in imitation of cherry bark, horn kurigata; kogatana with inscription to the blade, the shakudo kozuka with gilt highlighted horse in relief.
Elizabeth I, Assistance to the United Provices 1586, bronze medal, 30mm (E 52), good very fine;l Marriage of Charles I and Henrietta Maria 1625, cast silver medal, 23mm (E 105Ab), fair; Pharmaceutical Society of London, silver prize medal, bust of Galen, rev. SOC: PHARM: LOND: DONAVIT., edge engraved to Henry Sutherin 1843, associated case, edge bruise, otherwise nearly extremely fine; Ireland, Free State: Tailteann Games, silver prize medal 1932, bust of the goddess Tailte, reverse engraved 'Second Prize Music', cased, extremely fine. [4]
Commemorative Medals: James Sadler First English Aeronaut, 1811, reverse with ascending balloon basket, white metal 53mm (E 1020), good fine or better; Diamond Jubilee of Queen Victoria, 1897, reverse with Royal arms and fifty shields identifying British colonies and protectorates, white metal 76mm (E 1816); France, Napoleon Bonaparte, tomb of General Desaix, bronze 27mm, very fine; and a French Medal top box, with relief scene possibly after a woodcut, showing the French Guard surrendering at Versailles, 76mm. [4]
A small collection of medallions, comprising: Liverpool, 700th Anniversary of the Foundation, bronze, 64 mm; Coronation of George V 1911, reverse with bust of Queen Mary, bronze, 51mm; the same type in silver, 31mm; George V, Silver Jubilee 1935, conjoined busts surrounded by Commonwealth countries in panels, reverse with figure of the Mother Country with Commonwealth subjects, bronze, 51mm; Abdication of Edward VIII 1936, bronze, 51 mm; Coronation of George VI 1937; conjoined busts of George VI and Queen Elizabeth, bronze, 51mm (E 1898a; 1922a; 1922b; 2030; 2040a; 2047a). The first three good very fine or better, the last three cased together under the title 'THE THREE BRITISH KINGS OF 1936' and about as struck. [6]
Ω A Louis XV gilt-bronze mounted rosewood serpentine commode , circa 1750, the mottled grey marble top above two short and two long banded drawers within keeled corners, surmounted by acanthus and cabochon cast mounts, 84cm high, 113cm wide, 57cm deep Cites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/citesPlease note: The provenance for this lot should read ‘Property from the estate of Philippa Bradstock of Longbottom House, Biddesden
A French patinated bronze model of a maiden, circa 1900, portrayed nude and kneeling with her head thrown back, holding her hair in her raised left hand, on an integrally cast rectangular base, indistinctly signed in the maquette A Gesmalelli (?), stamped CIRE PERDU PARIS, 46cm high, 39cm longPlease Note: This is the work of Amadeo Gennarelli, Italian, 1881-1943
A pair of late George III or Regency Bluejohn and fluorspar urns, early 19th century, each with knopped finial to a domed cover, the bodies with Bluejohn filled stop-fluting, with waisted bronze stems and square section marmo nero Belgio socles, 24cm high overallPlease note: The provenance for this lot should read ‘Property from the estate of Philippa Bradstock of Longbottom House, Biddesden
A pair of Austrian cold painted bronze models of pheasants, early 20th century, a cock and hen, naturalistically cast and decorated , the former 14.5cm high, 15cm long overallPlease note: The provenance for this lot should read ‘Property from the estate of Philippa Bradstock of Longbottom House, Biddesden
Theodore Ullman, (Austrian, fl. early 20th century), a pair of bronze bookends in the form of Bison , circa 1920, each cast as set to charge, on integral rectangular bases inscribed in the maquette, TH ULLMANN and with foundry stamps, on verde antico marble plinths, 16cm high, 18cm longPlease note: The provenance for this lot should read ‘Property from the estate of Philippa Bradstock of Longbottom House, Biddesden
A large parcel gilt bronze statue of Shakyamuni, Nepal 20th Century, modelled seated in dhyanasana on a double-lotus base, the right hand raised in abhaya mudra, the left hand avakasha mudra, wearing long flowing robes with decorated hems, the face in a contemplative expression flanked by elongated ears with pendulous earlobes below tightly-coiled hair rising to a high unisha, 59.5cm high.
After Henri Etienne Dumaige (French, 1830-1888), a pair of silvered bronze and ormolu figure groups of diaphanous dancers playing musical instruments and with arms outstretched, signed 'Dumaige sculp' to the circular ormolu bases standing on stepped rouge marble socles with gilt metal circular foot, 41cm high overall
A selection of objects of virtu and works of art to include three brass stacking wool weights, a cast iron paperweight with crowned lion, a cannonball, a micro mosaic of flowers, 7.5cm, a pair of Edwardian opera glasses, a spinning top, a guinea scale, staybusk, a vernacular ladle, 51cm, a brass slip top spoon, 17cm, a fossilized ammonite, 9cm, a bronze needle, 11cm, two watch keys, three enamel patch boxes, one marked 'a pinch of this deserves a kiss', one marked 'within you'll see what's dear to me', a tortoiseshell penknife and a mother of pearl penknife, two desk seals, a white metal S decanter label, a carved bone scoop and a cased cigarette holder and a circular brass paperweight and silver pepperette, also a 'Fairy Ball', three small Victorian coins cast together, dated 1855 showing Britannia and motto 'Victoria Regina' (Qty)
A French black marble mantle clock, 19th century, of breakfront rectangular form with 4.5'' black dial with gilt Roman numerals and variegated marble centre and borders, the eight day movement by Vincenti striking on a bell, the case surmounted by a bronze group of a mother and three children, marked Coinchon and raised on winged paw feet, 50 cm high, 45cm wide, 22cm deep
ARR Ifor Freeman (20th Century Cumbrian) - Brown patinated plaster sculpture - Portrait bust, thought to be Pan, 53cm high, unsigned, Patination wear Provenance: Sold under instruction of the artist's widow, removed from the artist's studio in Askham, CumbriaNote: Ifor Freeman trained at the Liverpool College of Art where he studied sculpture under Ernest Gardner and Karl Vogal. He was awarded a scholarship to the Royal Academy of Arts School of Sculpture where he won the Bronze medal for Scultpture and the Lanseer Prize for Design. During this period his tutors were Siegfried Charoux A.R.A and Maurice Lambert R.A. On returning to Liverpool, he joined the staff at the College of Art teaching students before being appointed Senior Lecturer in Sculpture and Ceramics at the Liverpool Institution of Higher Education. He has exhibited widely at the Royal Academy, Imperial Institute, Senate House, University of Liverpool, Bluecoat Gallery, Liverpool, Walker Art Gallery and many more. Commissions large work have principally come from three architectural practices - Bradshaw, Rouse and Harker, Liverpool and London; Jones, Andrews and Associates, Haverfordwest; and TRIAD Group of Architects, London. Commissions for smaller works include the University of Liverpool and the National Library of Wales.
ARR Ifor Freeman (20th Century Cumbrian) - Green patinated plaster sculpture - Portrait bust of a young woman, on figured veneered plinth, 44cm high, unsigned, Chip to hairline Provenance: Sold under instruction of the artist's widow, removed from the artist's studio in Askham, CumbriaNote: Ifor Freeman trained at the Liverpool College of Art where he studied sculpture under Ernest Gardner and Karl Vogal. He was awarded a scholarship to the Royal Academy of Arts School of Sculpture where he won the Bronze medal for Scultpture and the Lanseer Prize for Design. During this period his tutors were Siegfried Charoux A.R.A and Maurice Lambert R.A. On returning to Liverpool, he joined the staff at the College of Art teaching students before being appointed Senior Lecturer in Sculpture and Ceramics at the Liverpool Institution of Higher Education. He has exhibited widely at the Royal Academy, Imperial Institute, Senate House, University of Liverpool, Bluecoat Gallery, Liverpool, Walker Art Gallery and many more. Commissions large work have principally come from three architectural practices - Bradshaw, Rouse and Harker, Liverpool and London; Jones, Andrews and Associates, Haverfordwest; and TRIAD Group of Architects, London. Commissions for smaller works include the University of Liverpool and the National Library of Wales.

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389642 item(s)/page