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FERDINAND BARBEDIENNE (1810-1892), A BRONZE FIGURE, 'APOLLO BELVEDERE', AFTER THE ANTIQUE standing in a cloak with a quiver upon his back, his arm outstretched grasping a baton, beside a tree stump with an entwined serpent, on a circular base, signed F. BARBEDIENNE. FONDEUR. and with the Collas Reduction seal. 44cm high
A 19TH CENTURY BRONZE FIGURE OF HERCULES, FRENCH OR ITALIAN partially draped in the lion skin, standing contrapposto against a tree trunk, holding his club in one hand, apples from the garden of Hesperides in the other, on a naturalistic base. 56.5cm highFor another version of this unusual adaptation of the iconic Farnese Hercules, where the hero is partially draped and wears a highly expressive lion's mask, while holding the apples of the Hesperides in his left hand as opposed to behind his back, please see Christie's Paris, French Taste Including "Le Pavillon De Ribourg", 13 April 2017, lot 150
AN ITALIAN ALABASTER AND ORMOLU-MOUNTED BUST OF MARIE-ANTOINETTE late 19th/early 20th Century, looking slightly to dexter, her hair adorned with flowers and her shoulders cast in gilt-bronze, signed on the shoulder Verona, mounted on a breccia marble spreading socle. 29cm highSome surface marks and wear but generally in good condition.
FRANZ XAVIER BERGMANN (AUSTRIAN, 1861-1936), A VIENNESE COLD-PAINTED BRONZE FIGURE OF A HUNTER depicting an Arab hunter on his way back home from a hunting session, on his shoulders, he is carrying a small antelope, holding its hind legs with one hand, his other hand is leaning on a rifle which is slung across his back, traditional Orientalist clothing adorns the body, stamped B in a vase mark, GESCHUTZ and number. 32cm high overallIn very good condition without damage.
AN AUSTRIAN COLD-PAINTED BRONZE WALL HANGING GROUP OF PHEASANTS, EARLY 20TH CENTURY indistinctly numbered, depicting a cock and hen pheasant perched on a leafy branch, clip verso for wall hanging. 23cm highIndistinct impressed and incised marks. Some age-related surface wear but generally in good condition.
A FRENCH GILT-BRONZE MANTEL CLOCK, CARLHIAN & CORBIERE, THIRD QUARTER OF THE 19TH CENTURY modelled with a putto holding a porcelain plaque of a cherub, eight-day movement by Carlhian & Corbiere of Paris, the white enamel dial with Roman numerals, on velvet-covered giltwood shaped plinth. 26cm high overall
Three Kunst and Ambiente bronze sculptures, after Milo, all on marble plinths to include: Swimmer with Goggles, Abstract Nude Lady and Bronze figure of a crouched man with outstretched hands. (3) (B.P. 21% + VAT) No obvious damage. Nude lady - 29cm high approx. Swimmer - 18cm high 32cm wide approx. Crouched man - 16cm high 15cm wide approx.
Tray of assorted items to include: a hand made lace fan with mother of pearl spokes, tortoiseshell snuff box, carved bone snuff box, papier mache pin box, jewellery box containing silver plated brandy label, pewter and bronze duck trinket box, 19th Century and other animal figures; Staffordshire miniature poodle, papier mache pot lid with painted portrait, metal enamel container containing small glass dishes with enamel rims etc.(B.P. 21% + VAT)
Kammerherrenschlüssel und FreimaurerzeichenÖsterreich und Deutsch, 18. JahrhundertL. 6,7/18,3 cmKammerherrenschlüssel aus vergoldeter Bronze mit dem Monogramm Kaiserin Maria Theresia von Österreich (1717-1780) und Franz I Stephan von Lothringen (1708-1765) unter der kaiserlichen Krone. Altersspuren.Stuttgarter Privatsammlung.Erworben von 1922/23, mit alten Aufzeichnungen in Kopie.
Sammlung von 18 antiken SchlüsselnByzantinisch, Römisch u.a. bis ca. 10./12. Jh. n. Chr.L. 2,5/20 cmBronze und Eisen. Verschiedene Formen, u.a. Ringschlüssel. Auf einen Präsentierrahmen montiert. Altersspuren, Oxidationspuren.Stuttgarter Privatsammlung.Erworben in den 1990er Jahren, mit alten Aufzeichnungen in Kopie
Meit, Conrad (nach)Worms ca. 1470/85 - 1550/51H. 34,5/35,5 cmAdam und Eva. Anfang 19. Jahrhundert. Bronze, dunkel patiniert. Etwas berieben.Privatsammlung Niederlande. Aus dem Nachlass einer renommierten Kunsthändlerin. Zwischen 1980 - 2010 erworbenDer in Worms geborene Conrad Meit stand Anfang des 16. Jahrhunderts im Dienste des sächsischen Kurfürsten Friedrich III, um 1505/06-09 arbeitete er in Cranachs Werkstatt an einer monumentalen Madonna für die kurfürstliche Schloßkirche. Später arbeitete er für den niederländischen Hof. Die Figuren Adam und Eva fertigte Meit um 1510 aus Buchsbaum. Sie befinden sich heute in Gotha, Schloßmuseum Friedrichstein. Lit. Eikelmann, Renate (hrsg.), Conrad Meit Bildhauer der Renaissance, München 2006, Kat.Nr. 1
Schöne Barock-Boden-StanduhrHofuhrmacher (Johann) Paul(l)us Graf(f), München, 3. Viertel 18. Jh.H. ca. 277 cmAuf Zifferblatt signiert: Paulus Graf in München. Schlankes, zweiteiliges Nussbaum- und Nussbaum-Maser-Holzgehäuse mit aufwendig geschnitztem Zierrat. Bronze-Zifferblatt mit feuervergoldetem Ziffernring, römischen Ziffern, arabischer Minuterie, Datum, Sternzeichendarstellung, kleine Sekunde, Mondphase, Augenwender und feingeschnittenen Eisenzeigern. Massives Ankerwerk mit 1/4-Stundenschlag auf zwei Glocken und circa 4 Wochen Laufdauer. Gewichtsantrieb und Federaufhängung des Pendels. Rest., Altersschäden, erg. Gangfähigkeit nicht geprüft.Privatsammlung Baden-WürttembergJohann Paul(l)us Graf(f) wanderte im Jahr 1756 von Augsburg nach München zu. Als Nachfolger von Matthias Golling war er seit September 1772 Hofurmacher unter Max III Joseph von Bayern (1745-1777), Zunftmeister wurde er im Jahr 1781. Lit. Josef M. Stadl, Münchner Uhrmacher aus fünf Jahrhunderten - dort erwähnt ein signiertes Standuhr-Werk mit Mondphase und 4/4-Schlag.
ROBERT CLATWORTHY R.A. [1928-2015]. Standing Figure 1V, 1984; bronze, edition of 9, 2/9; with foundry stamp - A&A; signed. 59 cm high. Provenance: The artist; private collection, UK. Literature: 'Robert Clatworthy', 2012, Sansom, p.135, pl. RC132 [this cast illustrated]. another cast sold at Lyon & Turnbull auction, 30 April 2021, lot , lot 177 for over £5000. [very good condition]. Buyers premuim 20% + VAT is payable. ARR 4%
ROBERT CLATWORTHY R.A. [1928-2015]. Torso, 2002. bronze, edition of 9, 1/9; signed. 38 cm high. Provenance: The artist; private collection, UK Literature: 'Robert Clatworthy', 2012, Sansom, p.149, pl. RC155 [this cast illustrated]. [very good condition]. Buyers premium of 20% + VAT is payable.
GEOFFREY CLARKE R.A. [1924-2014]. Nature and Time, 1999. bronze, edition of 42, cast by Nautilus Foundry. 8 cm high. Provenance: the artist; private collection, UK. Literature: 'Geoffrey Clarke', catalogue raisonne, Judith Legrove, Lund Humphries, p. 291 [illustrated]. [very good condition]. Buyers premium 20% + vat payable.
GEOFFREY CLARKE R.A. [1924-2014]. Pyramus and Thisbe, 1985. bronze, edition of 38. 9 cm high. Provenance: the artist; private collection, UK. Literature: 'Geoffrey Clarke', catalogue raisonne, Judith Legrove, Lund Humphries, p. 291 [illustrated].. [very good condition]. Buyers premium 20% + vat payable. ARR 4%.
REG BUTLER [1913-81]. Girl, c.1961. bronze, edition of 8, 2/8; signed + Valsuani Foundry stamp. 36 cm high. Provenance: The artist; Pierre Matisse Gallery, New York [1962]; private collection, USA; private collection, UK.Illustrated in book 'Reg Butler' by Margaret Garlake.Reg Butler was a massive international artist during the 1950s and 1960s and was particularly popular in the USA. Hanover Gallery used to sell his sculpture for huge amounts of money, but after they closed c.1970 he changed style and produced painted bronze nudes which were less popular. The Tate Gallery and Museum of Modern Art [New York] have good collections of his work.[very good condition]. Buyers premium of 20% + VAT is payable on hammer price of all lots in this auction. Artists Resale Rights [ARR] of 4% are payable on the hammer price of all lots selling for the UK £ equivalent of 1000 euros or more. Bidding via The-Saleroom.com incurs a fee of 4.95% + VAT on hammer price.
OLIFFE RICHMOND [1919-1977] Pilot; Marathon; Standing Group, 1966. The complete set of three lithographs, each printed in bronze ink on handmade Barcham Green Crisbrook paper, each signed, dated '66 and numbered from the edition of 250 in pencil, published and printed at Curwen Studio, London. 64.5 x 51cm sheet [unframed] [3]. Provenance: aquired directly from the Curwen Gallery. Collection: Tate Gallery [Very good condition.] Buyers premium of 20% + VAT is payable on hammer price of all lots in this auction. Artists Resale Rights [ARR] of 4% are payable on the hammer price of all lots selling for the UK £ equivalent of 1000 euros or more. Bidding via The-Saleroom.com incurs a fee of 4.95% + VAT on hammer price. This lot is stored in London and can be collected or shipped from there.
KEITH VAUGHAN [1912-77]. Male Torso, [conceived c.1950s]. bronze, edition of 9 [+ 4 artist's casts - this is one of those]; studio stamp initials on the base. 21 cm high, excluding the base. Provenance: Peter Adam collection [friend of Vaughan and big collector of his work - also an executor of Vaughan's estate and biographer]; private collection, UK. Exhibited: 'Keith Vaughan', one-man exhibition, Osborne Samuel Gallery, London [this cast].Thanks to Vaughan expert Gerard Hastings for his help in cataloguing this lot. This Vaughan sculpture rarely appears on the market and we can only find 3 casts in past auctions: they sold at hammer prices between £10,000 and £15,000 - the most recent was in Bonhams, 21 June 2023, lot 17 [£10,000 hammer price].[very good condition - some dust in crevices]. Buyers premium of 20% + VAT is payable. ARR 4%. [stored in London]..
ROBERT CLATWORTHY R.A. [1928-2015]. Head II, 2004. bronze, edition of 9, 1/9. signed. 32 cm high. Provenance: the artist; private collection, UK. Literature: 'Robert Clatworthy', 2012, Sansom, pl. RC158 [this cast illustrated]. Clatworthy is the greatest sculptor of abstract Heads. Hard to photograph as they are so complex.[very good condition]. Buyers premium of 20% + VAT is payable. ARR 4%
SPINDELTASCHENUHR MIT RAHMENParis um 1800 Vergoldetes Spindelwerk mit Schlüsselaufzug. Emailziffernblatt, bez.: Breguet à Paris. Glattes Metallgehäuse. Dazu passender Rahmen aus vergoldeter Bronze, Schildpatt und Holz im französischen Empirestil. D. 5,6cm, Rahmen 11x10cm. Werk läuft an Druckstellen, Ziffernblatt min besch., Minutenzeiger ergänzt.
CARRIER-BELLEUSE, ALBERT-ERNESTAnizy-le-Château 1824 - Sèvres 1887 "LISEUSE" (Originaltitel). Patinierte Bronze, Hände und Gesicht aus Bein geschnitzt. Marmorosckel. Auf der Plinthe signiert, sowie Messingplakette auf dem Sockel: "Liseuse par Carrier-Belleuse. Grand prix du salon". H.62cm. Rechte Hand min. besch.

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389642 item(s)/page