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Lot 111
A collection of six bronze doorstops, late 19th/early 20th century, comprising:a silvered-metal example of a stylised dolphin, with foundry initials 'CGF' to the back for Classic Garden Furniture of Shropshire,27cm wide7cm deep41cm high,a set of four, similar, smaller, andanother in the shape of a fox surrounded by foliage (6)Provenance: The collection of Charles Edwards and Julia Boston, Tile Barn, Northamptonshire.Condition ReportThe silvered example worn and patchy. All with visible wear however ready for use See additional images for details.
Lot 138
A neoclassical Siena marble and patinated bronze table lamp, late 19th/early 20th century, the Ionic capital over a stepped square base, on ball feet, 13.5cm wide13.5cm deep70cm highProvenance: The collection of Charles Edwards and Julia Boston, Tile Barn, Northamptonshire.Condition ReportMinor chips present to the marble at corners and edges, with small dings and dents to bronze. Some fine internal fissures to column and base, although these do not appear to be recent or repaired breaks, therefore the marble appears structurally stable throughout. Light surface wear. Please see additional photos. Ball feet are attached via small pilot holes to base. Passed PAT test.
Lot 255
A pair of Fabergé-style cold-painted bronze figures, dated 1912, Russian, cast and cold-painted as A A Kudinov and N N Pustynnikov, inscribed in Cyrillic on the heels and soles of the boots 'Kamer-Kazak since 1894/A. A. Kudinov/Fabergé/1912' and 'Kamer-Kazak since 1894/N. N. Pustynnikov/Fabergé/1912',7cm wide6cm deep18.5cm high (2)
Lot 374
After Max Klinger, a portrait bust of Friedrich Wilhelm Nietzsche (1844-1900), patinated bronze on a marble plinth, stamped to the reverse 'AKT.GES vorm. H.GLADENBECK u. SOHN / BERLIN - FRIEDRICHSHAGEN',with base 16cm wide10cm deep25cm highCondition ReportOverall good. Some wear and nibbles to the marble base.
Lot 670
A pair of Regency-style bronze table lamps, early 20th century, each of neoclassical column form with cast folio detail, paw feet, and a triform base,19cm wide 19cm deep 54cm high (2)Condition ReportGeneral light surface wear, tarnish, and discolouration. In need of rewiring. Some light dings and dents. One foliate mount missing above one paw foot. Generally in fair structural and cosmetic condition.
Lot 396
After Christophe Fratin, 'Charlatan Bear', patinated bronze, inscribed to the base 'FRATIN' and indistinctly numbered,13cm wide11cm deep22cm highCondition ReportSome dust and dirt, particularly to the crevices and base. Some rubbing to patina. Overall the bronze is in good and stable condition and ready for placement.
Lot 183
A pair of Empire-style gilt and patinated bronze five-light candelabra, c.1860, French, each in the form of a caryatid holding a torch aloft, on a stepped white and brocatelle marble base,32cm wide25cm deep56cm high (2) Condition ReportCandle sconces with a 2.5cm aperture. Both drilled for electrical wires and re-converted into candelabra. General knocks, wear, rubbing, dings and dents to metal. Some rubbing and wear to gilding and patination. Some tiny old chips and losses to marble. Overall appear in fair order.
Lot 596
After Isidore-Jules Bonheur 'Le Grand Jockey', patinated bronze, marked 'I BONHEUR to the base', mounted on a stone base,58cm wide16cm deep64cm highCondition ReportOverall the bronze is in good condition and structurally sound. There's some light moisture marks to the polished stone base. The reins slightly misshapen. No obvious scratches/dents. Secure to the base and lays still on a flat surface.
Lot 8
A rouge marble and patinated bronze desk stand, 19th century, fitted with two octagonal inkwells and covers, raised on a stepped marble base, 50.5cm wide30cm deep18cm highProvenance: The collection of Charles Edwards and Julia Boston, Tile Barn, Northamptonshire.Condition ReportOne liner lacking and the other damaged. Small chips present to the marble base. The bronze mounts speckled and in need of a clean. The finials to the inkwells crackled.
Lot 475
A Louis XVI-style kingwood, tulipwood and satinwood parquetry bouillotte table, late 19th/early 20th century, French, the circular marble top with a pierced brass gallery, above candle slides and drawers, on tapering square supports terminating in bronze sabots, 63cm diameter 77cm highCondition ReportGallery slightly misshapen. Some scratches and wear to marble top. General knocks, wear, splits, scratches, and fading to timber with minor cosmetic repairs. One drawer sticks a little with general wear to drawer interiors. General knocks and wear to supports commensurate with age and use. Wobbles a tiny bit on a flat surface, but the joints are generally sound and solid. Overall, the piece is in fair order and ready for use.
Lot 432
Jean-François-Théodore Gechter (French, 1795-1844), a draught horse in full harness, patinated bronze, on a naturalistic base signed and dated 'TH Gechter 1841',22cm wide8.5cm deep20cm highProvenance: From the Collection of Nigell and Heather D’Oyly.Condition ReportThe felt to the base slightly pulled. Patina rubbed in areas, in particular to the back legs and rear, neck and underbody. A small bolt to the right of the rear. Knocks and scratches associated with use.
Lot 17
A patinated bronze 'Palmer' table lamp by Charles Edwards, of recent manufacture, after a Regency design, the plain stem supporting twin branches,38cm wide14cm deep48cm highProvenance: The collection of Charles Edwards and Julia Boston, Tile Barn, Northamptonshire.Condition ReportThe lamp is in good secondhand condition. Lacking glass shades.Failed PAT test
Lot 452
A Napoleon II ormolu and patinated bronze mantel clock, c.1820, French, the silvered dial with Roman numerals, the ormolu-mounted case surmounted by a gilt Medici lion, raised on scroll bracket feet,47cm wide19cm deep63cm highCondition ReportRe-gilded. Movement not tested. Overall good cosmetic condition.
Lot 281
A French Empire gilt-bronze bust of the Apollo Belvedere, first quarter of the 19th century, on a modern green marble plinth,with base 17cm wide14cm deep25cm highProvenance: Sotheby’s, 'Paintings, Furniture and Works of Art from the Collection of Gianni Versace, Villa Fontanelle, Moltrasio', 19 March 2009, lot 529.Condition ReportSome very minor surface dirt. Good quality casting. Some very minor damage to edge of the bust at the front as visible from photograph. In overall good condition.
Lot 59
Japanese bronze oval tray, Nogawa, oval with applied and engraved decoration of herons and fish in a pool, 24cm. Condition report:The tray doesn't quite sit flat - rocks slightly, a couple of small dents visible, surface wear and stains, no visible losses.Additional images have been uploaded to the lot page on our website for you to view.
Lot 387
Joe Descomps, an Art Deco patinated bronze sculpture of a dancer, circa 1930, the female nude draped in a green patinated sash around her waist, gilt patina, on a stepped onyx base with signature (the base currently in sections), overall height 48cm.Condition report:The bronze element is in very good condition, nice original patina with just slight surface wear and rubbing through being handled. One or two small blemishes in tone to the gilt. The sections of the base have all remained fairly free of any significant chips, just some to the corners, but they obviously need re-setting. The figure is currently standing off-straight - the bolt and thread need tightening once the bas sections have been attended to. Foundry button inset to the underside of the base section.
Lot 60
Asian bronze figure, Samurai, unsigned, on a circular wooden plinth, overall 25cm and another bronze figure of a Sepak Takraw player, unsigned, circular wooden plinth, overall 21cm.Qty: 2Condition report:Samurai - generally good. a few droplets of paint by his left shoulder. Slightly copper tone to the bronze.Ball player - patina rubbed, especiallt chest, abdomen and shoulders. Left cheek may be corroded and blacked over.
Lot 122
Pte. A Mitchell 9770. Northants Regiment, Pte. F E Mitchell 3088 Machine Gun Corps, medals and related items, Pte. A Mitchell 9770, Northants Regiment, died 24th October 1918 of influenza in Germany whilst a prisoner of war, taken after the battle of Mons and sent to Marl to work on a farm, awarded British War Medal, Victory Medal, 1914 Star and a bronze Memorial Plaque with scroll, buried at Cologne Southern Cemetery XVI.B.38, two photographic postcards; Pte. F E Mitchell 3088, Machine Gun Corps, died 24th/29th April 1916 aged 19 awarded British War Medal, Victory Medal and a bronze Memorial Plaque with scroll, Imperial War Graves Commission dated 30th August 1928 relating to Loos Memorial M.R.19, Part IX (Millward-Peacey), Certified Copy of an Entry of Birth for Frederick born 28th June 1896, dated 24th June 1909; copies taken from "Those That Didn't" by Peter Inns 2011; scroll giving a list of war graves, portrait.
Lot 190
§ § James Osborne (English, 1940-1992), a bronze model of a racehorse with jockey modelled at full gallop, signed in the bronze and numbered 19/30, on green marble plinth, 38cm long, 12cm deep, 29cm high Honest untouched condition, rather dirty and dusty but underneath that a good rich chocolate brown patination.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 135
Robert Bousquet (French 1894-1917), a Art Deco bronze model of a roaring lion crouched upon a naturalistic rock plinth, signed in the rock, 45cm long, 29cm high Honest untouched condition, the gilt patination now a little matted, dirty and rubbed, plinth looks to be in good order.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 45
After Edme Dumont (French, 1722-1775), a cast bronze figure of the Milo of Croton ripping apart a tree stump, on integral naturalistic base, 22cm wide, 19cm deep, 39cm high A mid brown patination rubbed in areas to a more golden finish, rather dirty and dusty in the crevices but overall fair to good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 152
Lucien Charles Edouard Alliot (French, 1877-1967), an Art Deco bronze model of a running gazelle leaping over swaying grasses, signed in the bronze, on black marble plinth, 52cm wide, 11cm deep, 40cm high Honest untouched condition, the bronze of a dark blackish brown tone with some oxidisation spotting particularly showing on the flanks, minor chipping around the base.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 68
A 19th century French bronze and ormolu mantel clock surmounted with a figure of Apollo holding a lyre, with silvered Roman dial and architectural plinth, eight day countwheel movement striking upon a bell, 34cm wide, 13cm deep, 47cm high Looks to be in good clean condition, the ormolu of even slightly matted tone with very few signs of any oxidisation, equally dial in good clean order, naturalistic bronze a little dusty, movement looks complete but lacking pendulum so not tested for timekeeping.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 141
After Emmanuel Villanis (1858-1914), an early 20th century bronze bust, 'Cendrilion', depicting a young lady, on named castellated integral plinth and green marble base plinth, 26cm wide, 17cm deep, 45cm high Honest untouched condition, a rich caramel brown patination throughout, scattered white splash marks all over that do seem to rub away, apparently unsigned.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 134
An early 20th century French gilt bronze model of a roaring bull, with ivory horns, on alabaster plinth, 32cm long, 19cm high. CITES Submission reference 81HV4RL1 Original golden patination now a little rubbed in some places going down to the bare bronze and equally a little dirty and dusty in the crevices, both horns with some degree of chipping, base with a number of scattered small dents and nicks.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 160
René André Varnier (19th/20th century), a French Art Deco patinated bronze figure of a nude juggler standing with a ball in each hand, signed in the bronze, on rouge marble plinth, 23cm wide, 18cm deep, 64cm high Honest untouched condition, an even light green patination throughout just with some slight oxidisation in places and a little light rubbing particularly on the back of the leg, plinth looks to be in good order.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 168
A. J. Scotte, French 1867-1925), an Art Nouveau silvered bronze figure of a bather in diaphonous dress, standing upon a naturalistic base with rose blossoms, signed in the bronze, 50cm high In honest condition, the silvering now has a slightly dull tone and is rubbed on much of the extremities with the bronze below now showing through, otherwise good order.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 157
J. Brault, a French Art Deco patinated bronze model of a seagull in flight, signed in the bronze, stamped bronze, on variegated marble plinth, 49cm wide, 26cm deep, 60cm high Stamped ‘BRONZE’ in the casting, good original condition with original vari-coloured patination still present, some oxidisation spotting and a little rubbing to the raised extremities.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 7
Ten glass slides of Egyptian mummy bandages, a bronze Phallus charm and a display box of three Egyptian faience amulets, the faience amulets in the form of Bes, Anubis and a scarab beetle, glass slides 10.5 x 8cm.Provenance: A piece of linen on card and one of the glass slides inscribed found 1910 by J. E. Quibell.The bronze winged phallus with label ‘from Pompeii purchased Naples 1868 by Sir Lauder Brunton, presented 3 September 1915.James Edward Quibell (1867-1935) was a British Egyptologist. Fragmentary pieces of fabric between laminated glass slides some of the paper surrounds coming apart.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 70
Emile Louis Picault (French, 1833-1915), an early 20th century bronze, 'Opus Improbum Omnia Vincit', depicting a blacksmith working at an anvil, signed in the bronze, 21cm wide, 16cm deep, 53cm high Overall in good condition with a rich mid chocolate brown patination but rather dusty in the crevices, a possible old repair to the hammer handle, visible just above the blacksmiths hand. There is a notable blemish to the patina, in the casting, above his left buttock. Some minor wear to patina in areas.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 139
Gilbert Bayes (English, 1872-1953), a bronze figure 'The Goose Girl', the naked maiden standing above three geese, signed and dated 1942 and titled to the base, 21cm wide, 17cm deep, 64cm high Honest untouched condition, a rather dark blackish brown patination shading to a light matted green, some scattered dirt marks but overall looks to be in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 99
Raingo Freres, Paris, a Louis XV style bronze ormolu and white marble mantel timepiece surmounted with a reclining muse reading a scroll, over the architectural case, enamelled Arabic dial and eight day countwheel movement, 52cm wide, 19cm deep, 39cm high Honest untouched condition, the bronze figure to the top is not fixed in place and is a little dusty but otherwise fair, some scattered tiny nicks around the edges of the white marble, movement looks complete but lacks a pendulum and has not been tested.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 46
After Jacques Bousseau (1681-1740), a French bronze figure of Ulysses bending his bow, leaning against a tree stump, a helmet at his feet, on integral rectangular base, 21cm wide, 19cm deep, 47cm high A mid to dark brown patination now extensively rubbed away from polishing to the extremities, also very dirty with various other dirt spots, dust, etc. Apparently unsigned.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 196
§ § James Osborne (English, 1940-1992), a bronze model of a prowling lion, signed in the bronze and numbered 2/10, 49cm long, 18.5cm high Dark olive brown patination with some tiny areas of verdigris in places, good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 151
Manner of Giacomo Merculiano (Italian, 1859-1935), a bronze model of a crouching tiger, on naturalistic rock plinth. 36cm long,18cm wide, 23cm high PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 122
After François Auguste Hippolyte Peyrol (1856-1926), a bronze model, 'Lion in Majesty' standing upon a rocky mound, signed in the bronze, 51cm wide, 17cm deep, 50.5cm high An even mid to dark greenish patination throughout which looks to be in good order but sits beneath a rather dusty dirty smattering of white drops and other dirt that does seem to wipe away so overall good condition once cleaned.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 193
§ § James Osborne (English, 1940-1992), a bronze model of a standing horse, signed in the bronze and numbered 2/10, on green marble plinth, 45cm long, 26cm high Honest untouched condition, a rather dark blackish patination throughout, dirty and dusty across the base but no real faults noted.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 106
Jules Moignez (French, 1835-1894), a bronze model of a cock pheasant startled by a lizard, on naturalistic signed base and oak plinth, 55cm wide, 21cm deep, 31cm high Slightly neglected condition and now rather dirty and dusty, beneath that a fairly even mid chocolate brown patination with just a little light rubbing on the raised upper extremities, plinth possibly later but certainly of some age.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 92
Jean Bulio (French, 1827-1911), a 19th century French bronze 'Enfant Charmeur' modelled as Cupid playing a violin whilst seated upon a rouge marble column, applied with ormolu roses and bronze lovebirds, 27cm wide, 89cm high A striking bronze in honest slightly neglected condition, patination varies from a coppery brown on his chest to a mid chocolate brown elsewhere, bow to the violin bent out of shape with strings a little loose, otherwise a little dusty with some oxidisation spots, roses to the plinth with wear to the gilding, bronze birds at the base are loose but should fix in place without difficulty, title plaque to the base of the work.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 147
Josef Lorenzl (Austrian, 1892-1950), an Art Deco bronze and ivory figure of a lady wearing a stylish trouser suit, signed in the bronze, on green onyx plinth, 7cm wide, 7.5cm deep, 23.5cm high CITES Submission reference 5SZM3HBR Honest untouched condition, much of the original vari-coloured patination has been rubbed away from the polishing of the extremities, hairline cracks running through the side of her neck and across the top of her head, clear signature, very minor chipping to the bottom corners of the plinth,PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 103
After Pierre-Jules Mene (French, 1810-1879), a bronze group 'L’ Accolade' on naturalistic oval base, signed in the bronze, 58cm long, 24cm deep, 40cm high A rich chocolate brown patination throughout sitting beneath a rather dirty dusty layer of dirt, which does appear to rub away but maybe somewhat lost to the back, has probably at time been left outside, near a fountain or something similar.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 109
Paul Philippe (1870-1930), a late Victorian cold painted bronze figure of a classical woman standing with arms outstretched, on Sienna marble plinth, signed, 14.5cm wide, 8.5cm deep, 23cm high Honest untouched condition, the original golden patination now partially rubbed away, uncoloured areas of bronze now with a very dark blackish patination, original plinth with tiny chipping around the lower edges of the plinth, at one point she was holding something in her left hand but this is now missing.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 98
Gotthilf Jaeger (German, 1871-1933), a pair of bronze figures of Roman soldiers, one holding a baton, the other with arm outstretched, probably at one time blowing a horn, on oval marble socles, 23cm wide, 13cm deep, 44cm high Both in honest untouched condition, of a dark chocolate brown patination with some verdigris marks and otherwise rather dirty and dusty, soldier with baton once had something in his right hand, the other once held something in his right hand that may well of been a horn that he was blowing, original marble socles in fair order but the lower black slate sections with some damage on the shield holding soldier.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 162
Marcel Bouraine (French, 1886-1948), an Art Deco bronze group, 'Les Joyeuses de Flutes', on rectangular plinth with further black marble base, 81cm wide, 17cm deep, 43cm high In honest untouched condition, an original greenish brown patination has now been rubbed away on many of the extremities of the figures and they are now a light chocolate brown tone and looking a little matted and dusty, apparently unsigned, marble plinth with various small chips around the base and corners.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 187
Jim Gilmore (American, b.1950), 'The Fishing Hole', modelled with a mother bear and three cubs upon a rocky outcrop, signed in the bronze and numbered 16/30, on original black marble base and wooden plinth, 64cm long, 42cm wide, 71cm highThe original two and a half life-size bronze is installed in a park by the Arkansas River, in Tulsa, Oklahoma Honest untouched condition, now a little dusty, beneath that a blackish patination to the bears, and vari-coloured patination to the rocks, extensive green verdigris around where the water has been running, powered by an electric pump which will require testing and possibly re-wiringPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 121
After Pierre-Jules Mene (1810-1879), a bronze mode of a racehorse with jockey up, signed in the bronze, on marble base, 39cm wide, 12cm deep, 34cm high Overall with very dark blackish patination, a fairly crude casting probably of Chinese origin.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 199
§ § Ivor Roberts-Jones (British, 1916-1996), a cast bronze of Sir Winston Churchill, a maquette for the monument in Parliament Square, raised on a Portland stone plinth, inscribed ‘’Churchill’’, number 62 from an edition limited to 500, 50.8cm high (excluding the base). Literature: P. Cannon-Brookes, Ivor Roberts-Jones, London, 1983, pp. 51-59Note: In 1970 the Royal Fine Arts Commission (members included Henry Moore and John Piper) approached nine sculptors to compete for the Parliament Square Winston Churchill Monument commission. Two of these, Ivor Roberts-Jones and Oscar Nemon, were shortlisted and invited to submit revised proposals. By November 1970, the Commission had selected Roberts-Jones as the sculptor. However, Lady Churchill was determined that it shouldn't be Oscar Nemon who won the commission and due to her reservations, the Commission agreed to look at two larger maquettes by both sculptors. Kyffin Williams, a staunch supporter of Roberts-Jones, arranged a private view of Roberts-Jones' maquettes in his own studio for Lady Churchill and in 1971 he was finally announced as the chosen sculptor.The finished statue was unveiled in Parliament Square in 1973 by Lady Churchill, with a speech given by Queen Elizabeth II.The present work was cast by the Meridian Foundry from a maquette produced at the same time as the Parliament Square monumental work. Roberts-Jones retained the first 100 casts for his own clients with the remainder being offered to the subscribers of The Collected works by Winston Churchill by the Library of Imperial History, London.With its enigmatic expression and mass, the statue brilliantly portrays Churchill's grit and greatness or, in the words of a reporter for The Times, his "Bulldog resolution and defiance." PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 81
After Guillaume Coustou (1677-1746), a bronze Marli horse group with rearing horse and groom, on naturalistic signed base, 53cm long, 20cm deep, 56cm high Overall with an even chocolate brown patination however this is rather dirty and dusty particularly across the base where there are a number of verdigris splash marks.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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