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impianto squadrato lavorato a rilievo con palmette continue, terminali con figure di aquile a tutto tondo; usure e bruniture, graffi, alcune mancanze e parti da fissareAlt. cm 34,2, larg. cm 25,5, prof. cm 16 A PAIR OF GILT AND DARK PATINA BRONZE FIREDOGS; WEAR, SCRATCHES, SOME LOSSES, SOME PARTS TO BE FIXED (2)
di gusto settecentesco, in forma di tralcio floreale, a tre luci, complete di paralume in tessuto rosso; usure, bruniture nella doratura, graffi, elettrificate, non funzionantiAlt. c 51,5, larg. cm 36A PAIR OF GILT BRONZE SCONCES, 19TH CENTURY; WEAR, BURNISHING, SCRATCHES, ELECTRIFIED, NOT WORKING (2)
a forma di cetra ornata da teste rapaci, elementi naturalistici e cimato da nodo d'amore, quadrante in smalto; usure, parti da fissare, meccanismo non funzionante, chiave di carica mancante Alt. cm 84, larg. cm 37A GILT BRONZE CARTEL CLOCK, FRANCE, LATE 19TH CENTURY; WEAR, BURNISHING, PARTS TO BE FIXED, NOT WORKING, MISSING KEY
modello raffigurante riduzione del monumento equestre di Verrocchio a Bartolomeo Colleoni oggi a Campo San Zanipolo a Venezia; usure, graffi, sbeccature nel marmo, alcune parti da fissareAlt. cm 59, larg. cm 53, prof. cm 32A PATINATED BRONZE GROUP, 19TH CENTURY; WEAR, SCRATCHES, CHIPPED MARBLE, SOME PARTS TO BE FIXED
Gustav Gurschner (1873-1971), a Jugendstil patinated bronze double inkwell and pen tray c.1905, Signed Gurschner, stamped K.K. Kunst Erzgieserei Wien Cast with twin inkwells with hinged covers enclosing glass reservoirs, with pen tray, decorated with stylised motifs 35.5 cm wide, 15.7 cm deepThere are some scratches on the main pen tray - internal and external. Hinges good. Light natural wear, some old marks, and rubbing to high points.One glass liner/reservoir has been broken and glued together. The other is in good condition.
Gustav Gurschner (1873-1971), a pair of Jugendstil patinated bronze figural bookends c.1905, Signed Gurschner, Vienna Cast with bare-breasted maidens each holding a document, raised on shaped and weighted bases decorated with ball finials and stylised motifs 29 cm high (2)Natural wear in keeping with age and use. There are some old marks, with some losses to colour in places on the figures and with rubbing to high points in general. Wear to underside of the bases.
Georges Charles Coudray (act.1883-1932), a patinated bronze figure‘The Egyptian Harpist’, c.1900, signed Coudray, Foundry seal for Société des bronzes de ParisModelled and cast as a young woman playing a full length harp with an Egyptian mask terminal, integral base53 cm highAll strings of the harp are present but a little bent and the front one has become unattached from the bottom. There are some scratches and scuffs on her arms, back and harp, along with some olds marks, stains and dirt in general.
Louis Majorelle (1859-1926), an Art Nouveau small carved walnut buffet c.1900 Panelled back with shelf, the top supported on openwork supports carved with chicory and with frieze drawer, two-tiers below, plinth base, sinuous plant form bronze handles 139 cm high, 120 cm wide, 42 cm deep Purchased: Christie's London, 21st November 2012, sale 4326 lot 556It is probable that the surfaces have been refreshed and that the piece has undergone some conservation at some point. Overall there are some old marks, wear and scratches in keeping with light use. There are a few indentations to the top that are fairly new and a group of scratches on the top shelf, left side that are also fairly recent. Some age separation to joints and some lifting of the veneer on the undershelf in keeping with age. There is a split on the under shelf. There are new screws used for the top shelf and possibly later added/or replaced struts (these are not brand new) at the back to give stability to the superstructure. Some attention given to the base. Natural wear to handles.
Petitot, a French Art Deco bronze and glass chandelier c.1930, stamped Petitot 1266 The bronze frame enclosing three lights in the upper column and four in the bowl, incorporating vertical and horizontal glass rods, and frosted glass panels and flanges, loop for hanging at the top 63 cm wide. 70 cm approximate dropGlass generally good, but with some occasional nicks and chips to edges - not seen when put together. The vertical glass rods have chips on the ends, but as they slot in from the top they may have been made that way as they are not uniform in length and you can't see the ends. The bronze has some old marks and aging, parts have been lacquered and this is patchy in places. Overall good condition.Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
19th century Parianware figurine signed G.Cocser?, figure of a lady holding a rose, together with composition study of The Three Graces, a composition bust of Beethoven, a pottery bronze effect Grecian figure holding a jug and a composition study of a lion (5) Condition ReportIn the order as catalogued. Parianware figure is dusty, has one chip to base. Three graces are grubby but otherwise appear good. Beethoven bust is yellowed and has slight scratch to forehead. Grecian figure has some wear to the finish. Study of lion has two casting cracks in base and one paw is missing.
A Chinese gilt lacquered bronze vase, Ming Dynasty (1368-1644), on an infant Buddha, standing barefoot on a lotus pedestal, his left arm raised above his head with his index finger pointing at the heavens, and his right arm at his side with his index finger pointing at the earth, in a sign of taking possession of the earth, 19.5cm high
Tom Merrifield (British Contemporary), Anton Dolin , Bronze Sculpture, signed back of base and numbered 7/10. Base measurements 2.5 x 15 x 11.5 cm, total height 46.8 cm Sir Anton Dolin (British, 1904-1983) was a ballet dancer and choreography. He danced with Alicia Markova and together they founded the Markova-Dolin ballet and the London Festival Ballet. In the 1940s he joined the newly founded Ballet Theatre and worked as both dancer and choreographer.
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350105 item(s)/page