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A rare 18th century German gilt bronze chamberlain's key, the pierced bow with a crown surmount with an orb finial above a monogram and flanked by lions above a cartouche centred with a coat of arms, 18.5cm long. See Henry Rene D'Allemagne, Deocorative Antique Ironwork, p.90 for an almost identical example. The holder was an archbishop and Elector from "Kur-Trier". Trier is a city in Germany. For literature see DUWE Georg: Erzkammerer, und ihre Schuussel. Osnabruck 1990. With thanks to The Hon William Wallace for cataloguing this lot.
A late 19th century French brass repeating carriage clock, the eight day movement with a lever escapement and striking on a gong, the backplate stamped 'PATENT SURETY POLLER' and 'G. L.', with a silvered dial with Roman numerals, in a chinoiserie pagoda case with bamboo columns, the dial surround decorated with mixed metals depicting a landscape scene with a Chinese figure and a house with flowers and leaves, the side panels in gilt bronze with figures hunting, the other with three figures kiting, 17.6cm high (handle down).
A late Victorian satinwood and amaranth bureau plat in Louis XVI style, with gilt bronze mounts, decorated with trellis parquetry, the top inset with a gilt tooled green leather writing surface, with Bacchic mask clasps to the corners of the top, above a pair of frieze drawers, on square tapering legs and brass caps stamped 'J. C. PATENT' and ceramic castors, 75.8cm high, 120.9cm wide, 69.8cm deep.
A pair of patinated bronze groups of knights on horseback, late 19th century, portrayed in plate armour, their mounts fully caparisoned, each on a rectangular gilt bronze base, above a rectangular green serpentine marble socle, 30 and 28cm high overall respectively Provenance: The collection of the late Ronnie Kirkwood and George Dixon.
A Neapolitan patinated bronze model of Narcissus, late 19th century, probably by the Chiurazzi Foundry and cast after the Antique, portrayed standing and nude but for an animal skin over his left shoulder, the waisted circular base cast with sylised foliage, 62cm high Provenance: The collection of the late Ronnie Kirkwood and George Dixon.
Frederic Bartholdi, (French 1834 ~ 1904), a Continental patinated bronze model of the Lion de Belfort, late 19th century, on an integrally cast rectangular bronze base, entitled in the maquette to the front, atop rectangular green serpentine marble socle, 18cm high, 30cm long overall Bartholdi's most famed work was Liberty Enlightening the World, commonly known as the Statue of Liberty Provenance: The collection of the late Ronnie Kirkwood and George Dixon.
A Continental gilt bronze model of Napoleon Bonapart as Charlemagne, early 20th century, portrayed stepping forwards, a laurel wreath in his hair, with outstretched right arm, detailed drapery overall, on a rectangular marble base, 27.5cm high Provenance: The collection of the late Ronnie Kirkwood and George Dixon.
A pair of Italian gilt bronze models of horses , late 19th century, after two of the four Roman horses forming the Triumphal Quadriga at St Mark's Basilica in Venice, portrayed standing side by side, each with left foreleg raised, on a rectangular rouge marble base, 24.5cm high Provenance: The collection of the late Ronnie Kirkwood and George Dixon.
Antonin Carles, (French 1851 ~ 1919), a gilt bronze model of Bacchus as a youth, portrayed standing and nude but for drapery across his loins, a skyphos held in his raised right hand, his panther reclining at his feet, the shaped base signed in the maquette ANTONIN CARLES PARIS, and with foundry stamp SIOT-PARIS, atop a shaped green onyx socle, 31cm high Provenance: The collection of the late Ronnie Kirkwood and George Dixon.
Otto Schmidt-Hofer, (German 1873 ~ 1925), a patinated bronze model of Classical youth, sometimes called the Supplicant, late 19th century, cast after the Antique, portrayed standing, nude and with upstretched arms, signed in the maquette to the circular base, 29.5cm high; and a bronze model of David with the head of Goliath, late 20th century, atop a black marble base, 28cm high overall Provenance: The collection of the late Ronnie Kirkwood and George Dixon.
An Italian patinated bronze model of an athlete, late 19th century, cast after the Antique, atop a rectangular base, 27cm high; and an Italian patinated bronze group of Wrestlers, cast after the Antique, late 19th century and later marble mounted, 14cm high overall Provenance: The collection of the late Ronnie Kirkwood and George Dixon.
André Galle, (French 1761 ~ 1844), a gilt bronze portrait medallion relief cast with the head of Napoleon Bonapart, inscribed NAPOLEON EMPEREUR DES FRANCAIS ET ROI D'ITALIE, set within an engine milled and gilt bronze circular frame and beneath glass, 9cm diameter overall; a French gilt bronze model of Napoleon, circa 1880, portrayed standing, atop a cylindrical marmo rouge griotte plinth with gilt bronze spreadeagle mount, 26.5cm high overall; a patinated metal bust of a maiden in 18th century taste, early 20th century, with square variegated marble socle, 23.5cm high overall; and a French tole peinte chestnut urn and cover, 20th century, 30cm high Provenance: The collection of the late Ronnie Kirkwood and George Dixon.
Étienne Maurice Falconet, (French 1716 ~ 1791), a patinated bronze bust of a maiden, 19th century, portrayed with serene visage declined to dexter, a rose worn in her plaited hair, her decolletage loosely draped, inscribed FALCONET to the reverse in the maquette, above a waisted square section socle, 29cm high Provenance: The collection of the late Ronnie Kirkwood and George Dixon.
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