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Lot 27
Chinese bronze mirror, circular form with four large characters on a plain ground, cast central section with five character mark, diameter 28cm.Condition report:Some notches to the rim, the largest is 2cm in length, another 1.5cm, and smaller. Some spot tarnishing. Some light random scratching. 1483g.
Lot 107
A mixed collection of silver and plated items comprising: a pair of early 20th Century Japanese silver buddha peppers; a Japanese plated brass vase with engraving and applied brass cranes; a small cast Oriental brass Dog of Fo; a Victorian electroplated skirt-lifter on a plated chain; a bronze small sculpted plaque signed "R.Placht" cased; a wax seal; two plaster portrait medallions; a pair of silver cufflinks; and a silver cigar cutter, the vase 9cm high. (lot)
Lot 322
An Edward VIII silver mounted cut-glass dressing table powder jar, of compressed circular form, the cover enamelled with a vase of flowers, by Synyer and Beddoes, Birmingham 1936; and another similar with a pale bronze enamelled cover by the Daniel Manufacturing Co, Birmingham, 1934, each approximately 11cm diameter. (2)
Lot 243
Australian Interest: an Australian silver caddy spoon, with three leaves and three berries within the stem, no maker's mark, mid-20th Century; an Australian plated caddy spoon commemorating the coronation of King Edward VIII (abdicated 1936); an Australian cast bronze caddy spoon, and matching teaspoon; a plated caddy spoon by the Robur tea company of Melbourne; and a small Australian silver spoon, with a leaf stem, the latter 9.5cms long. (6)
Lot 220
A French silvered-bronze and mottled-glass chandelier,c.1930, by Muller Frères Lunéville, with three orange and blue tulip-shaped shades, all three etched 'Muller Frères Lunéville', 80cm highProvenance: Christie's, South Kensington, 4 October 2005, lot 387.Condition ReportFailed PAT test 13.7.23. One shade with a crack. One chase with a chip to the base. With scratches and scuffs to all shades. Some minor surface marks occuring to the shades. All with some fritting to the edges from mounting. Additional images uploaded.
Lot 334
A rare Italian inlaid mahogany bureau, c.1940, designed by Paolo Buffa, the frieze inlaid in sycamore with a spiral band, the sloping front inlaid with a verdure scene of classical ruins, opening to reveal a fitted interior with drawers and centred with a cupboard mounted with glass beads, over a single drawer, the legs mounted with gilt-bronze sabots,80cm wide45cm deep145cm high Condition ReportRepolished and in good overall condition. With two keys. Some minor knocks to the legs.
Lot 142
â–´ Hermann Haase-Ilsenburg (German, 1879-1960),early 20th century, 'The Abduction of Europa', a patinated bronze group of a young girl seated on the back of a long-horned cow, the bronze base cast with eagles and owls birds to the corners, signed 'H Haase', with foundry medallion for H Gladenbeck and Sohn, Freidrichshagen', 38cm wide 20cm deep59.5cm highHermann Haase (1879-1960) was a German sculptor known for his exceptional talent and contributions to the field of sculpture. Born in Germany, Haase displayed artistic abilities from a young age and pursued formal training in sculpture at various renowned art academies.Haase's artistic style was primarily influenced by the neoclassical and naturalistic movements of the late 19th and early 20th centuries. He demonstrated a remarkable ability to capture human forms with great precision and detail, infusing his sculptures with a sense of grace and vitality.Throughout his career, Haase created a diverse range of sculptures, including portrait busts, figurative works, and monumental pieces. He often drew inspiration from historical figures, mythological themes, and everyday life, translating them into three-dimensional sculptures that conveyed a sense of emotion and narrative.Haase's sculptures were characterised by their technical mastery and attention to anatomical accuracy. He was skilled in capturing the subtleties of facial expressions, gestures, and drapery, bringing his subjects to life in a realistic and captivating manner.H Gladenbeck and Sohn was arguably the most important German foundry of the time. Opened in Berlin in 1851, it cast many of the very best sculptures in bronze, but eventually closed in 1926. Condition ReportPatina good overall. Some spotting to the base.
Lot 193
Émile Pinedo (French, 1840-1916),an Art Nouveau bronze, modelled as a nude woman combing her hair in front of a mirror, signed 'Pinedo' to the base, the front of the base inset with Paris foundry mark, 34cm highCondition ReportWith dust and debris to the base. The mirror plate with spotting and wear.
Lot 206
An Austrian Hagenauer bronze figure group,of three brass figures, each modelled as braves paddling a wooden canoe,19cm wide, andan Austrian brass bell,1950s, designed by Richard Rohac, with striped sides, 12cm high (2)Condition ReportWear to the bell. Minor knocks and wear to the canoe, otherwise in good condition.
Lot 159
A French Art Nouveau bronze figure,c.1900, 'Les Roses', modelled as a nude lady holding flowers, standing on a butterfly, to a red-veined marble base, signed 'M Fromantal', the front bearing a shield incised 'Les Roses par Fromantal, Ecole Des Beaux Arts', 43cm highCondition ReportGood colour and patination. Minor surface marks. Light scratches and nibbles to the edges of the marble base.
Lot 143
Rudolf Marcuse (German, 1878-1940),'Nach dem Bade', c.1910, bronze,42cm highCondition ReportWith masonry underneath the plinth suggesting a previous mounting. With some joining lines where the right foot hooks the base. The patination rubbed through in areas. A few knocks and marks. Additional images uploaded.
Lot 208
An Art Deco chromed bronze radiator mascot,1930s, modelled as a Schneider Trophy Supermarine S.6, the tail fin with enamelled stripes, raised on a bevelled ash plinth, 16cm wide17cm deep9cm highCondition ReportThe plinth with some scuffs and marks. The enamel flaked and crackled in areas. The chrome plating rubbed through to the stem.
Lot 201
An Art Deco bronze figure,c.1930, modelled as 'Cleopatra with the Asp', reclining on a lion pelt, supported by a sphinx, her headdress and belt embellished with red and clear paste stones, on a green onyx base, unsigned, 36cm wide23cm deep23cm highCondition ReportMinor nibbles to the edge of the onyx base. Good colour and patination.
Lot 199
â–´ Miguel Fernando Lopez ('Milo') (Portuguese, b.1955),an Art Deco-style cold-painted bronze figure of a semi-nude woman, modelled with a long flowing skirt, on a veined marble base, signed 'Milo', with Paris foundry mark,33cm highCondition ReportChips to the marble base, particularly the corners.
Lot 223
ROYAL MINT MULTI-COIN SETS ETC. A Royal Mint 2002 three-coin fine silver set 'The Accession Set'; a 1994 three-coin silver proof '50th Anniversary of the Allied Invasion of Europe; a silver proof 2020 Vote to Leave (EU) 50 pence coin & two 1973 FFE joining Europe 50 pence coins. All with cases & certificates etc. Also, a cased bronze College of Arms Quincentenary medal. For condition see Lot 172 statement. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Lot 71
ROMAN BRITAIN, VICTORIA & LATER BRITISH, CONTINENTAL COINS & BANKNOTE COLLECTION - lot includes 12 x Roman bronze coins, Gordianus 238-244 AD, Julia Mamaea Augusta circa 235 AD, Severus Alexander 222-235 AD and others, most having attached research/collector's observation notes, a large quantity of Victorian and later coinage including 39.7grms of pre-1920 silver coinage and 7.2grms of pre-1947 half silver coinage, 4 x 1922 German 5000 mark notes and a mixed quantity of continental coinage from various countries including the USA, France, Greece and others
Lot 184
John Wood (British, 1801-1870). Student at RA schools, gold medallist 1825. A collection of Royal Academy & Society of Arts silver prize medals comprising: For the Best Drawing from the Antique, 9 December 1820; For an Original Chalk Drawing from a Statue, 1820; For an Original Historical Painting in Oil, 1821; For the Best Drawing from the Life, 10 December 1822; For an Original Design for the Society's Vignette, 1825, each medal housed in a leather case. Together with a gilt bronze medal for Elizabeth Wood's "Catalogue No. 759", 1873, housed in a George Morgan case. Condition varied (6)Notes: John Wood studied at Sass's and the Royal Academy schools, where in 1825 he gained the gold medal for painting. According to a Christie's sale catalogue of 16 February 1872, Wood as a student at the RA 'obtained the notice of Fuseli and Sir Thomas Lawrence, and under the auspices of the latter he commenced his career in art'. He won the competition for the altarpiece of St James's, Bermondsey [The Ascension] 1844, and was commissioned by Earl de Grey to paint the ceiling panels in Wrest Park, Bedfordshire. His work is represented in the National Portrait Gallery, Sir John Soane’s Museum and the V&A. [Catalogue of British Oil Paintings 1820-1860, Ronald Parkinson, V&A, 1990, pp.305-306]Provenance: By descent. The vendor’s great-great-great uncle was John Wood (1801-1870)
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350105 item(s)/page