A massive Chinese bronze elephant-form censer, Ming dynasty, with standing caparisoned elephant supporting a detachable zun form vessel with projecting flanges, flanked by a pair of vases, height 65cm length 50cmCompare a large bronze lion-form censer dating from the Ming dynasty sold by Sotheby's New York, 'Fine Chinese Ceramics and Works of Art', 19th March 2013, Lot 311 which does not include a large vase to its back.
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A Chinese bronze tripod censer, 19th century, the drum shaped body cast in relief with flowerheads on a spiral studded ground, with a pair of high looped handles on three tapering cylindrical legs, cast four character Xuande mark, rosewood cover with lingzhi finial, width 14cm, total height 21cm
Goon T. Chan also known as Shek Kwan Chan (1893-1951). A bronze bust of a young Sun Yat-sen, the figure wearing a mandarin jacket, signed lower right in the bronze, width 43cm height 71cm, together with a wood panel carved with the flags of the Republic of China and Formosa/TaiwanSun Yat-sen (1866 – 1925) was a Chinese physician, writer, philosopher, calligrapher and revolutionary, the first president and founding father of the Republic of China. As the foremost pioneer and first leader of a Republican China, Sun is referred to as the "Father of the Nation" in the Republic of China (ROC) and the "forerunner of democratic revolution" in the People's Republic of China (PRC). Sun played an instrumental role in the overthrow of the Qing dynasty (the last imperial dynasty of China) during the years leading up to the Xinhai Revolution. He was appointed to serve as Provisional President of the Republic of China when it was founded in 1912. He later co-founded the Kuomintang (Nationalist Party of China), serving as its first leader. Sun was a uniting figure in post-Imperial China, and he remains unique among 20th-century Chinese politicians for being widely revered amongst the people from both sides of the Taiwan Strait.The artist Goon T. Chan was born in Taishan in 1893 and left China in 1906 to go to Montreal for English schooling, he studied art at the Museum of Fine Arts Boston from 1917-1928 learning sculpture under Charles Grafly. In 1928 he attended the Academie De La Choumiere in Paris and then on to Florence Academy from 1929-30 and in 1930 he held a show of his work at the Miles Standish Gallery and Museum of Fine Arts in Boston. From 1937 to 1941 he was commissioned to sculpt the bronze bust of the Governor of Hong Kong, Professors of the University of Hong Kong and many noted people of the day in Hong Kong including Sir Robert Kotewall, Sir G. Northcote and Major McFadyen, he also did another version of a memorial bust of Dr Sun Yat Sen. It is possible that this bronze bust is the prize winning sculpture which Chan submitted to the 1934 Nanking competition.
A Chinese gilt bronze figure of Amitayus, Qianlong mark and period, dated 1770, cast seated in dhyanasana, on a rectangular plinth, the hands held in dhyanamudra, wearing a simple robe draped over the left shoulder, the front of the plinth with an inscription reading 'Da Qing Qianlong Gengyin Nian Jingzao' (respectfully made in the Gengyin year during the Qianlong period in the great Qing dynasty, corresponding to 1770), height 19cm, lacking aureole
A Chinese quatrelobed bronze censer, Xuande mark, 18th/19th century, the sides cast and chased with four emblems of the eight immortals amid clouds centered by raised medallions, with a pair of high looped handles to the rim, on four tapering cylindrical feet, width 12.3cm, two legs replaced
A Chinese inscribed bronze ink box, early 20th century, engraved with the seated figure of a sage with an attendant in an interior and a landscape scene with calligraphic inscriptions to the top right and lower left to the cover, width 14cmPurchased by the owner in Singapore when they lived there from 1952-1953.
A rare Chinese Ming cylindrical bronze censer, 16th / 17th century, the body applied with a pair of ruyi shaped handles, cast four character mark 'Yong Chun Zheng Wan' (Forever keeping precious for enjoyment), diameter 11cm, wood standThe owner of this censer purchased the piece in a London auction room before 1983 when they moved house.
An early 20th century French patinated bronze garniture, the timepiece in lyre case, with 2.25 inch Arabic enamel dial, the single train spring barrel movement with cylinder escapement, accompanied by a pair of candlesticks, each with fluted stem and foliate sconce, clock 21.5cm. candlesticks 15cm.
19th Century French white marble dark and gilt patinated bronze mounted mantel clock, the oval case with putto and goat surmount, further swag and scroll mounts and gilt bun feet, the enamel dial with Arabic and Roman numerals, the two train movement with outside count wheel, striking on a bell
Paire de flambeaux formant candélabres style Louis XVI à cassolettes sur pied central s'évasant et terminant par quatre pieds de bouc, en bronze doré à sept feux . H. 58 cm & D. 40 cm (aux feux), et 28 cm (au pied). Condition: Redorés. Une bobèche manquante.LuminairesLightingLeuchterMeublesFurnitureMöbel
Ensemble de deux camées sur le thème de Napoléon Ier comprenant : - J-F. Antoine Bovy (1795-1877,FR), "Portrait de Napoléon Ier lauré". Résine, s.b.m. 12x6 cm. - Antonio Canova (1757-1822 IT), attribué à, "Portrait d'homme de profil" (probablement Napoléon Ier). Résine, signé sur les côtés. D. 6 cm. Référence: Une pièce du même motif en marbre et une deuxime en bronze de J.F Antoine Bovy se trouvent aujourd'hui conservées au Musée de Rueil-Malmaison.Armes - Militaria (Historicals)SculpturesSkulpturen
Paire de bras de lumière d'époque Empire en bronze doré ciselé à cornet de feuilles d'acanthe portant un bouquet de sept lumières à enroulements et retombées de grappes de raisin retenues par une corolle.H. 11 cm (applique) & L. 40 cm & H. 30 cm. Condition: dorure noircie.LuminairesLightingLeuchter
Ghanta et vajra dorje en bronze et autres métaux dans sa boîte en bois et cuir.finement moulée en deux pièces, le manche de la cloche (Ghanta) est en bronze doré formé d'une tête centrale de Vairocana expressive et couronnée d'un diadème de huit feuilles, avec de longs lobes auriculaires ornés de bijoux, des yeux baissés et une expression méditative, posée sous une base de lotus soutenant une moitié en forme de vajra aux têtes de Makara projetant quatre pointes se rejoignant à leur extrémité autour d'un pieux central en fer de météorite..…..L'intérieur de la cloche présente en haut de la fonte intérieure avec un fleuron stylisé, avec des pétales descendant le long du marli inscrit avec un caractère lança en sanskrit.Epoque Ming pour la cloche coulée en bronze dans un alliage de cinq métaux. Le rdo-rje (tib) ou vajra (skt) à cinq pointes est très probablement du Xve. La cloche est signée en sanscrit à l'intérieur.H. de la boîte 18x11 cmArt sacréReligious ArtSakrale KunstSculpturesSkulpturenArts d'AsieAsian ArtAsiatica
Quatre plaques miniatures de meuble en biscuit vert de Wedgwood à décor de scènes de personnages à l'antique en appliqué blanc. Encadrement en bronze doré sur un support rectangulaire en bois. D. 4.8 cm. On y joint un vase sur piédouche en biscuit blanc de Wedgwood à un registre en frise d'un décor végétal bleu en appliqué. Chemise du pied et col à godrons. H. 13.9 & D. 10 cm.Miniatures - showcase objectsMiniaturen - Nippsachen-KunstobjektePorcelaine - CéramiqueCeramics Porzellan und Fayence
Suspension Muller frères Lunéville armature en bronze doré de style Art nouveau, coupole centrale et quatre tulipes en verre marmoréen orange et bleu. Signature à l'acide sur toutes les parties en verre.H. 76 & D.53 cm. Condition: petit éclat de verre au niveau de la coupole centraleLuminairesLightingLeuchter
A BRONZE MEDALLION GIVE BY LORD ASHTON to commemorate the opening of Lancaster Town Hall 1909, in engraved cardboard box and a modern gold plated medallion for the 'Jorvic Viking Centre' and another bronze medallion 'C.H Johnson & Sons Ltd, 'Bicenntenial 1790 - 1990', 2" dia, in plastic vision case (3)
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