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THREE ENGLISH WROUGHT-IRON CANDLEHOLDERS, PROBABLY 17TH CENTURY all with spikes for fixing to beams or tables, one with probably associated cylindrical base, together with a fire-steel, assorted bells of bronze and sheet metal and a child's lead reading tablet (15) Provenance Table candleholder and the fire-steel from the Thames, 1984 and 1981, another candleholder from Canterbury 1991.
ASSORTED HISTORICAL AND EXCAVATED ITEMS including an iron nail recovered from the Mary Rose; a gunflint from the Tower of London, both on oak bases with inscription plaques, three late Medieval brass letters from tomb memorials, a bronze purse-frame, 16th century; six George III bronze tokens dated 1797, three further coins and other items including a brass cased compass, a lead shell-form ampulla, and nine further items (14) The Mary Rose nail was raised by John Deane and William Edwards in 1840, then sold by auction in Portsmouth on 12th November 1840. Then purchased by Mr de Reuck in 1964 in Southampton. For a similar example to the purse frame in this lot see London Museum, 1954, fig. 52, no. 4.
A COLLECTION OF FIFTEEN COPPER-ALLOY MEDIEVAL CHAPES AND BELT-HOOKS, 14TH TO 16TH CENTURY with engraved `black letter' or foliate decoration; together with a group of seven French gilt mounts; a Tudor sword belt-hook, a Norman bronze horse head dagger chape and two latten circular mounts (26) Provenance The Norman knife-chape from Dorset and the sword-belt hook from Greenwich 1987. For similar belt-fittings with black letter inscriptions, see London Museum 1954, fig. 85, nos. 2 and 6.
A COLLECTION OF COPPER-ALLOY AND IRON DAGGER CHAPES, MOSTLY LATE 15TH CENTURY AND EARLY 16TH CENTURIES of various patterns, together with a Romano-British bronze sword chape of crescentic form, 2nd Century A.D., a Roman bronze belt-chape from the Balkans, and an early Medieval bronze knife-chape of zoomorphic design, 11th Century (22)
A PERSIAN BRONZE HORSEBIT, LURISTAN, FIRST MILLENIUM B.C. AND THREE FURTHER EARLY BRONZE HORSEBITS the first of characteristic form, with recurved bit and an elaborate ibex moulding at each end forming the sidebars; together with a Roman bronze horse bit, with writhen bars and four rings for harness and two further brass bits (4) A related example to the first is recorded in the collection of David-Weill see Godard 1931, pl.XLVI, No. 176.
After François Théodore Devaulx (1808-1870), a patinated bronze, of a Bacchic Reveller, she stands holding a bunch of grapes aloft in excess, her hair dressed with flowers and her waist draped with ivy, tambourine by her side, circular rocky base signed in the maquette, 54cm high, late 19th century
Italian Grand Tour School (19th century), a substantial patinated bronze twin-handled urn, the sides cast in high relief with a Bacchanalian procession of centaurs and putti, they hold rhyton, lyre and offertory bowl, cymbals hanging from trees, garlanded urns and altars, handles terminating in shell bosses, fluted circular plinth base, 43cm high
A 19th century French brown patinated bronze table vesta, cast as a putti, allegorical of summer, he sits cross legged on a rock playing his flute, sickle and the harvest at his feet, a basket by his side, the grass cold painted in tones of green, circular plinth base, 10cm high, c. 1870 Condition Report: Good condition. Signs of polishing. The base with slight incurved dent to verso but standing and displaying well.
EUROPEAN SCHOOL (20TH CENTURY) LARGE PATINATED BRONZE GROUP 'THREE SISTERS', bearing indistinct signature. 45cm high x 60cm wide approx on wooden plinth. Possibly Polish.(B.P. 24% incl. VAT) CONDITION REPORT: Appearing in good overall condition, some scuffs and marks around the wooden base but no obvious damage.
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