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Lot 630
Sieben Orden BayernMedaille zur Goldenen Hochzeit Ludwig III. und Maria Theresia; Luitpold-Jubiläumsmedaille in Bronze 1905; Prinz Alfons-Schießauszeichnung in Silber und Gold; Militärverdienstkreuz in Bronze mit Schwertern 1866; König Ludwig-Kreuz 1916 und Feuerwehrehrenabzeichen für 40 Dienstjahre 1911, guter Zustand, Bänder teilweise neuzeitlich.
Lot 633
Konvolut Medaillen SachsenLandwehrdienstauszeichnung 2. Klasse mit Spange; Ehrenkreuz (Allgemeines Ehrenzeichen) 1876 ohne Schwerter; Medaille für Treue in der Arbeit, 1. Form, König Albert; Medaille für Treue in der Arbeit, 3. Form, König Friedrich August; Friedrich August-Medaille in Bronze und Silber; Dienstauszeichnung 2. Klasse für 12 Jahre sowie Dienstauszeichnung 3. Klasse für 9 Jahre, guter Zustand, Bänder teilweise neuzeitlich.
Lot 647
Ordensspange 1. Weltkrieggroße Spange mit Eisernem Kreuz 2. Klasse 1914, Bayerisches Militärverdienstkreuz in Bronze mit Schwertern, Frontkämpferehrenkreuz, Prinzregent-Luitpold-Medaille 1905, Dienstauszeichnung Bayern III. Klasse für 9 Jahre sowie Ungarische Erinnerungsmedaille 1914/18, ein Abzeichen fehlt (wohl Treue Dienste 3. Reich), guter Zustand.
Lot 650
Ordensnachlass 1. und 2. WeltkriegEisernes Kreuz 2. Klasse 1914, Hersteller K im Bandring, ohne Band, Eisenkern korrodiert; Friedrich-Augustmedaille in Bronze, ohne Band; Frontkämpferehrenkreuz, Hersteller 0.15, Band 10 cm; Medaille Winterschlacht im Osten, Öse und Band fehlen; Treue-Dienste-Abzeichen in Silber, ohne Band sowie zwei Feldspangen und eine Knopflochspange, alle im altersgemäßen Zustand.
Lot 653
Ordensnachlass 1. WeltkriegEisernes Kreuz 2. Klasse, ohne Hersteller, Band 12 cm; Militärverdienstkreuz Bayern in Bronze mit Schwertern im blauen Verleihungsetui (Deschler München), Band 9 cm; Militärverdienstkreuz Bayern in Bronze mit Krone und Schwertern im blauen Verleihungsetui, Band 5 cm; Frontkämpferehrenkreuz, Hersteller G 14, Band 14 cm; Jubiläumskreuz Österreich 1848-1908, Franz Joseph (Daten auf der Rückseite ausgeschliffen), ohne Band, sowie Abzeichen Militärverein Bayern, alle im guten Zustand.
Lot 654
Ordensnachlass 1. WeltkriegEisernes Kreuz 2. Klasse, ohne Hersteller, Band 11 cm; Militärverdienstkreuz Bayern in Bronze mit Schwertern und rotem Verleihungsetui, ohne Band; Prinz Alfons-Schießauszeichnung in Silber; Frontkämpferehrenkreuz, Hersteller G3, Band 7 cm; Abzeichen zum 250-jährigen Jubiläum des Kgl. Bayr. 1. Chevauleger Rgts. 1932; Mitgliedsabzeichen des Bayer. Kriegerbundes; Feldspange mit fünf Ordensbändern, darunter Dienstauszeichnung der NSDAP in Bronze mit Auflage; Abzeichen Reichsparteitag 1938 (Zinkfraß) sowie ein Trommelhaken, alles im guten Zustand.
Lot 660
Konvolut Orden und Abzeichen 1. Weltkrieg16 Stück, darunter Medaille vom Heiligen Michael, Silberstufe; dreimal Frontkämpferehrenkreuz; dreimal Kriegserinnerungsmedaille 1870/71; Tapferkeitsmedaille Österreich 1916/18; Bayerisches Kriegsverdienstkreuz in Bronze mit Schwertern etc., altersgemäßer Zustand.
Lot 663
Medaille Die schwarze Schmachum 1920, Bronze, Avers nackte Frau, die an einem übergroßen Penis mit französischem Soldatenhelm gefesselt ist, links davon die Darstellung eines allsehenden Auges und Umschrift "Die schwarze Schande", Revers Kopf eines französischen Kolonialsoldaten und Umschrift "1920, Die Wacht am Rhein, Liberte Egalite Fraternite", Entwurf des Münchner Medailleurs Karl Götz, mit originaler Schachtel, guter Zustand, D 60 mm.
Lot 692
Konvolut Orden 2. WeltkriegInfanteriesturmabzeichen in Silber, Hohlprägung ohne Hersteller; Medaille Winterschlacht im Osten, Hersteller 10 im Bandring (Förster & Barth Pforzheim), ohne Band; Kriegsverdienstkreuz 2. Klasse ohne Schwerter; Hersteller und Band; Westwallabzeichen ohne Band; Kraftfahrbewährungsabzeichen, Splinte und Gegenplatte fehlen; Tag der Arbeit 1934 und Sportabzeichen in Bronze, 16 mm-Miniatur, alle im guten Zustand.
Lot 712
Konvolut Abzeichen 3. ReichMutterkreuz in Gold, kleiner Emailleschaden mittig, falsches Band; Mutterkreuz in Bronze, am langen Band, mit Verleihungstüte, Hersteller Deschler & Sohn München; sowie ein Parteiabzeichen mit kleinen Emailleschäden, Hersteller Steinhauer & Lück Lüdenscheid.
Lot 717
Konvolut Sportabzeichen 3. ReichSilberstufe mit Hoheitszeichen, Spange mit 16 mm-Miniaturen in Bronze, Silber und Gold (das Bronzene ohne Hoheitszeichen) sowie zwei 16 mm-Miniaturen der Silberstufe mit Hoheitszeichen, alle Abzeichen mit Hersteller Wernstein Jena, alle im guten Zustand, dazu ein Taschenuhrenkompass ohne Funktion, D 45 mm.
Lot 721
Vier Abzeichen 3. ReichSA-Sportabzeichen in Bronze, Hersteller W. Redo Saarlautern; Sportabzeichen in Bronze, Hersteller Ernst Müller Pforzheim; Kriegsverdienstkreuz 2. Klasse mit Schwertern, Hersteller 82 (Augustin Prager, Gablonz) im Bandring, Band 22 cm, sowie Mutterkreuz in Silber mit Bandabschnitt, alle im guten Zustand.
Lot 727
Konvolut Medaillen Sachsen und 3. ReichFriedrich-Augustmedaille in Bronze, mit kurzem Bandabschnitt; für Verdienstvolle Leistungen der Gewerbekammer Plauen an Bandspange; Schutzpatron "ULLR" der Wintersportler; 400 Jahre Lutherbibel sowie Medaille 3. Reich, wohl Westwall-Arbeitsdienst der Firma Phillipp Holzmann Freiburg i/B, Avers Stahlhelm mit Hoheitszeichen über Spaten und Pickel und Umschrift "Arbeiter zur Ehr, der Heimat zur Wehr", alle im guten altersgemäßen Zustand.
Lot 84
Konvolut SpazierstöckeEnde 19. Jh., fünf Stück, zwei Modelle mit Griffstück aus getriebenem Silber, als blütenverzierte Fritzkrücke bzw. mit gedreht geripptem Knauf, dazu schweres Exemplar aus Bronze, verziert von halbplastischem Blattwerk, sowie zwei geschnitzte Modelle aus Bambus, unterschiedliche Maße und Erhaltung, H max. 90 cm.
Lot 20
Playful Heart I is a hand embellished giclee by artist Simon Bull who uses bold colors and large brushstrokes to convey universal feelings of love through his use of hearts symbols painted in sweeping reds, green and blue in front of a mosaic pattern of multiple shades of reds. Numbered in pencil on recto: AP 34/50. Signed in gold pen on lower right. Housed in a warm bronze gilded frame with a black border. Sight size: 21.50"L x 21.50"H. Frame size: 29.50"L x 29.50"H x 1"W. Certificate of Authenticity included. Artist: Simon Bull (English-American b. 1958)Issued: 2006Edition Number: Artist's Proof 34 of 50 Country of Origin: England/United StatesCondition: Age related wear.
Lot 436
Large vintage continental copper pot or cauldron. With three brass feet in the form of women and fauna and applied bronze decoration along the sides.Height: 9 3/4 in x diameter: 16 1/2 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 440
Vintage bronze and green marble continental candelabra. Baroque style in the form of an urn with four arms and applied brass elements.Height: 28 in x width: 9 1/2 in x depth: 9 1/2 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 441
Antique Dore style French bronze and marble writing desk set. With a seated Roman figure flanked by two inkwells.Height: 12 1/2 in x width: 19 in x depth: 10 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 442
Geschutzt, Vienna, Austria. Cold painted cast bronze inkwell in the form of a family of birds. Stamped "Geschutzt" along the lower edge. School of Franz Bergman (Austrian, 1898-1963).Height: 2 1/2 in x width: 3 in x depth: 4 1/4 in . />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 444
European bronze sculpture depicting a putti or baby boy. Affixed to a gilt bronze base decorated with flowers and fruits. The base with small cartouches depicting low-relief scenes of putti or cherubs.(Including Base) Height: 20 in x width: 14 3/4 in x depth: 10 1/4 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 445
Auguste Moreau (French, 1834-1917). Bronze sculpture titled "Torch Boy" depicting a young boy or putti holding a torch while a smaller figure follows behind. Incised signature along the base. Affixed to a wooden base with a plaque.(Not Including Wooden Base) Height: 16 1/4 in x width; 10 1/2 in x depth: 6 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 501
Bronze sculpture in the form of an abstracted prancing horse. On a wooden plinth. Not signed. Similar to the style of Alonzo Hauser (American, 1909-1988).Height: 8 1/2 in x width: 3 in x depth: 10 1/2 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 521
Ed Chope (American, 20th century). Bronze sculpture titled "Survival III" depicting two bald eagles fighting over a salmon. Incised signature and numbered 17/150 along the base.Height: 49 in x width: 27 in x depth: 31 in. />Condition: Light wear throughout including some wear along the feathers. Some patination throughout. Light dirt and dust gathered in the recessed areas of the work.
Lot 522
Susan Kliewer (American, 20th/21st c). Bronze sculpture titled "La Sombrilla" depicting a woman seated on a horse with an umbrella, 1995. The horse stands on a rocky outcropping and is surrounded by sheep. Incised signature, date, and numbered 25/45 along the base. With a wooden base.Height: 31 in x width: 20 3/4 in x depth: 16 1/2 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 523
David Lemon (American, b. 1945). Bronze sculpture titled "Mountain Family" depicting a man leading a horse with a Native American woman holding a baby sitting atop, ca. 1994. Incised signature and A.I.C.A. along the base. Stamped 128/150 along the base.Height: 24 1/2 in x width: 18 in x depth: 30 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 524
After Frederick Remington (American, 1861-1909). Large bronze sculpture depicting a man perched precariously on a horse descending a steep slope. Incised signature along the base.Height: 62 1/2 in x width: 36 in x depth: 18 in. />Condition: Light wear throughout including some wear along the extreme edges. Some patination throughout. Light dirt and dust gathered in the recessed areas of the work.
Lot 525
After Frederick Remington (American, 1861-1909). Large original reproduction bronze sculpture depicting a cowboy atop a bucking bronco. Incised signature along the base; further inscribed ASB.Height: 50 in x width: 21 in x depth: 33 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 526
Carl Kauba (Austrian, 1865-1922). Bronze sculpture depicting a Native American in a full feather headdress, possibly dancing. Incised signature along the base. With a label from Browner Antiques and Gallery affixed to the base.Height: 22 in x width: 9 3/4 in x depth: 13 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 527
Carl Kauba (Austrian, 1865-1922). Large bronze sculpture depicting a Native American man in a full feather headdress holding a rifle. Incised signature along the base. With a label from Browner Antiques and Gallery affixed to the base.Height: 72 in x width: 30 in x depth: 23 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 528
Sir Jacob Epstein KBE (American/British, 1880-1959). Bronze sculpture titled "Nude Study 'A' (Betty Peters)" depicting a nude woman with her arms outstretched above her head, ca. 1943-45. Betty Peters was one of Epstein's favorite models. She managed a hostel for sailors in London's East End and is represented in numerous works by the artist from bronze and plaster to drawings and watercolors.Height: 28 in x width: 7 in x depth: 3 1/2 in. />Condition: There are no bends, breaks, losses, or restorations to the bronze. There are areas of accumulated dirt and/or dust in the recesses of the work. There are some areas with a verdigris patination. Along the underside of the bronze there are four points with a high polish: one along each heel, one on the back of her hair, and one along the back of her hands. There is a 1 1/2 inch area of discoloration on her buttocks, possibly from a label, now missing. Light wear throughout from age and use.
Lot 15
Dia Azzawi (Iraq, born 1939)Angry Arab bronzenumbered '2/9' and stamped 'AZ', number 2 from an edition of 9, executed in 200526 x 22cm (10 1/4 x 8 11/16in).Footnotes:Provenance:Property from a private collection, LondonThence by descent to the present ownerAcquired directly from the Artist by the aboveThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 66
Adam Henein (Egypt, 1929-2020)The Cat bronzesigned 'A.HENEIN' and numbered 'VII/IIX', number 7 from an edition of 8, executed in 197335 x 103cm (13 3/4 x 40 9/16in).Footnotes:Provenance:Property from a distinguished private collection, CairoAcquired directly from the Artist by the above circa 1990sBonhams are delighted to present two exquisite sculptures by one of the most prominent Arab sculptors of our time. Adam Henein was born in Cairo in 1929 into a family of metalworkers. In 1953, he graduated from School of Fine Arts, Cairo, he went on to receive a two-year grant to study at the Luxor Atelier. The atelier was established a decade earlier by the notable Egyptian artist and scholar Mohamed Nagi to promote Egyptian art education in school circular. In 1954 and 1956 Henein received the Luxor price for his artistic achievements. Two years later, he received a diploma in advanced practices from the Munich Academy in Germany.In 1971, Adam Henein was invited to participate in an Egyptian contemporary art exhibition in Paris at the Musée Galleria. He spent the next two and half decades, from 1971 to 1996 in Paris pushing his practice through sculpture and painting and continued focusing on ancient Egyptian themes and traditional materials. The early 1970s marked an important evolution in Henein's artistic practice, whilst in Paris he was given the opportunity to be exposed to the work of great western modern sculptors and artists whose freedom of interpretation he found to be deeply inspiring.In the late 1990s, Henein returned to his homeland. He contributed greatly to his Egypt's cultural landscape, particularly in Aswan where he established the city's annual International Sculpture Symposium. Upon his return to Egypt he was also appointed by the Minister of Culture to head the design team involved in the restoration of the Great Sphinx in Giza. Henein was awarded Egypt's State Medal, the State Merit Award, as well as the Mubarak Award in the arts. His works have been exhibited at the Institut du Monde Arabe in Paris, the Metropolitan Museum of Art in New York, The MATHAF in Doha, The ASB Gallery in Munich as well as in London and Rome.Throughout his vast career Henein produced a significant number of large and small-scale sculptures handling a variety of different mediums such as bronze, granite, plaster, limestone and terracotta. In 2014, the Adam Henein Museum opened its door in Cairo's Al-Harraniya district, which is a priceless gift from the artist himself to his native country. The museum is dedicated to the largest collection of Henein's sculptures as well as featuring some of his paintings.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 16
Mohammed Ghani Hikmat (Iraq, 1929-2011)The Family wooden sculpture signed 'Ghani Hikmat' and dated '1964' in Arabic (lower right), executed in 1964171.5 x 46.5cm (67 1/2 x 18 5/16in).Footnotes:Provenance:Property from the private collection, GermanyAcquired directly from the artist by the present owner's family.'The modulation of sculpted lines in my figures, has been one of the focal points of my work for many years; what drew me in particular to the configuration of these forms is the dual appearance of both conflict and interplay between them. The union and fusion of sculpted figures is an integral part of my work and presents us with a constantly changeable relationship between form and meaning'- Mohammed Ghani HikmatThis remarkable wooden sculpture is a true testament to the unique artistic vision of Mohammed Ghani Hikmat. Born in Baghdad, Iraq in 1961, Hikmat has become known for his distinctive stylized approach to sculpture.Executed in an impressive scale, this sculpture portrays a Bedouin family in Hikmat's distinctive stylized manner. Rather than focusing on fine detail, Hikmat uses bold, sweeping curves and outlines to capture the essence of each figure. The result is a powerful and evocative portrayal that emphasizes the emotion and movement of the family.The wood itself is a work of art, with its deep, rich colors and fine-grained texture. Hikmat's skillful use of the medium creates a sense of fluidity and dynamism, adding to the sense of motion and energy in the sculpture.In 1953, Mohammed Ghani Hikmat graduated from the Institute of Fine Art in Baghdad. He then travelled to Rome to train at the Accademia di Belle Arti, graduating in 1959. While in Italy, he also studied metals at the Instituto di Zaka in Florence, specializing in casting bronze. He subsequently taught sculpture at the Baghdad Institute of Fine Art and the College of Architectural Engineering at the University of Baghdad.During his career, Hikmat was a prolific creator and exhibitor, and an active participant in the growing Iraqi art scene. He held several solo shows in Rome, San Remo, London, Beirut, and Baghdad. He also participated in most major national exhibitions in Iraq. He was a member of the Society of the Friends of Art and later the az-Zawiya group headed by Faiq Hassan. Significantly, Hikmat was also an influential member of the Baghdad Group of Modern Art (BGMA).Founded by his teachers and friends, Jewad Selim and Shakir Hassan Al-Said, the BGMA was arguably the most important artist society in modern Iraq and was dedicated to the idea that Iraq's heritage held a preeminent place within its modern art practice.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 39
Adam Henein (Egypt, 1929-2020)The Goat bronzesigned 'A.HENEIN' and numbered 'III/ VIII' on the bottom, number 3 from an edition of 10, executed in 1965 84 x 60cm (33 1/16 x 23 5/8in).Footnotes:Provenance:Property from a private collectionExhibited:Adam Henein Museum, Permanant Collection, Giza (another edition)Published:S. Al-Sharouny, A Museum in a Book: The Farsi Art Collection 'The Egyptian Works' Owned by Dr. Mohammed Said Farsi, Cairo 1998 (illustrated in colour p. 318 and illustrated p. 316 ref. 3/41).M. Khazindar, Adam Henein, Skira, Milan 2005 (another edition illustrated in colour p. 69).An iconic 1960's 'Donkey' sculpture by Adam Henein'In Abrahamic traditions, the goat stands as a poignant symbol of sacrifice and atonement. From the ancient Biblical ritual of the scapegoat, bearing the sins of the community into the wilderness, to the deeper theological narratives, the goat embodies the complexities of innocence, burden, and redemption. Its role serves as a profound reflection on humanity's relationship with the divine and our quest for absolution.'Bonham's are thrilled to unveil one of the most defining and iconic Adam Henein sculptures to ever come to market. One of the artists seminal early zoomorphic sculptures, dating from 1965, 'Goat' stands as a grand, symbolically profound, and deeply evocative example of Henein's oeuvre.Henein's childhood memories from a pastoral village in Egypt fostered a profound bond with the natural milieu and animals that surrounded him. Among them, the goat, particularly the proud female with her large, nurturing udder, captured his imagination. In the rural tapestry of Egypt, the goat emerges not only as an essential asset to peasant life but also as an emblem of vitality and fertility.To Henein, the goat epitomized the grace and allure of a modest existence and the intricate bond between humans and the natural world. The expressiveness of the goat's countenance and the emotions conveyed through its stance and demeanour deeply resonated with him.Supplementing his personal affinity for the goat was the influence of ancient Egyptian traditions, which revered animals both in worship and in daily life. Henein's goat sculptures reflect his aspiration to encapsulate this age-old reverence, immortalizing the eternal elegance and dignity of these creatures.In ancient Egyptian society, goats held both utilitarian and symbolic significance. They were indispensable to peasant life, providing milk, meat, and hide. Moreover, goats were intertwined with the lore of Khnum, the god of fertility. Their representation in art and mythology, therefore, bore witness to Egypt's agricultural legacy and its dependence on these animals.Yet, the symbolism of goats is not restricted to ancient Egyptian context. In Christian traditions, goats evoke powerful narratives. Their portrayal as innocent 'scapegoats' underscores their sacrificial roles, bearing humanity's burdens before God. However, the duality of their symbolism is evident, as they have, at times, been associated with the devil, representing the nuanced balance of sacred and profane. Today, the goat remains not only a tribute to Egypt's rich agrarian past but also a testament to its continued relevance in many regions of the nation.'This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 236
A group of Victorian and later GB medallions including 1887 Jubilee silver medal, 1862 silver medal ‘To The Commemoration Of His Late R.H. The Prince Consort Albert International Exhibition 1862’, another gilt Jubilee medal, 1888 Royal Manchester Liverpool and North Lancarshire Agricultural Society medal, 1857 Exhibition of Art Treasures medal, and an Edward VIII coronation bronze medal, (6)
Lot 237
A group of medals including a bronze Kaiser medal (110mm) 1911, in case, a Belgian Leopold II 1891 Menin silver medal awarded to William Tell, A Swedish 1953 Landskamp medal, a Hudson Bay company medal, an 1855 Paris Exhibition bronze Medal of Honneur medal. A US San Francisco 1915 ‘Lucky Penny’ Panama Pacific International Exposition medal, with a copy of an 1875 One Yen medallion, and a 100 Cash large Chinese coin, (8)
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