A pair of 19th century French patinated bronze figures of Bacchanalian puttithe figures holding spiral poles with flambeau finials on naturalistic bases, raised on circular socles, and mounted on fluted swept rounded ended rectangular white marble plinths, 42cm high (2)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
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A French 19th century gilt bronze mounted mahogany and satine parquetry bonheur du jour or bureau a cylindrein the Louis XVI styleWith lozenge pattern inlay and mahogany drawer linings, the galleried marble inset superstructure with three frieze drawers above a cylinder and hinged fall enclosing three drawers, over one long drawer, on fluted tapering legs, 90cm wide, 56cm deep, 112cm high (35in wide, 22in deep, 44in high) This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A French 19th century gilt bronze mounted rosewood, bois satine and tulipwood parquetry meuble d'appui or pier cabinetprobably by Maison G. GrimardWith trellis inlay, the later marble top above a panelled door (locked) mounted with an acanthus adorned, ribbon-tied and drape swagged 'baldacchino' canopy, over an urn of flowers surmounting a plinth, with scrolled foliate, griffin mask and berried husk strapwork below centred by a mask with a feathered headdress, on toupie feet, 86cm wide x 45cm deep x 117cm high, (33 1/2in wide x 17 1/2in deep x 46in high)Footnotes:A vitrine by Maison G. Grimard which has a very similar central ormolu mount and parquetry to those on the offered lot sold Sotheby's, New York, 20 October 2013, 19th Century Furniture, lot 303. Whilst a Maison G. Grimard cabinet de salon, also possessing these virtually identical characteristics, featured Sotheby's, New York, 15 October 2015, 19th Century Furniture, lot 12. Another comparable vitrine almost certainly by the same firm sold Bonhams, Knightsbridge, 19 October 2016, lot 274.A further related model is illustrated in C. Payne, European Furniture of the 19th Century, 2013, Woodbridge, p.249.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A pair of late 19th century French patinated and gilt bronze twin light figural candelabrathe figures in the manner of Claude Michel Clodion (French, 1723-1814) the fruiting vine arms with urn candle nozzles and beaded edged drip pans supported by bacchanalian infant satyrs on naturalistic bases, raised on Verde Antico moulded cylindrical plinths, later drilled for electricity, 37cm high (2)For further information on this lot please visit Bonhams.com
A late 19th century French gilt bronze mounted Sèvres-style porcelain figural mantel clockthe movement stamped Raingo Frèresthe globular case with elaborate flowerhead and drop-ring laurel handles surmounted by a figural cresting of twin winged putti with doves and a nest, the footed swept base with scrolling foliate superstructure, the Bleu Celeste-ground porcelain painted with reserves of frolicking putti to the dial and base within gilt and 'jewelled' borders, the brass twin train movement with Brocot type suspension striking on a bell, with pendulum, 40cm high For further information on this lot please visit Bonhams.com
A 19th century French gilt bronze figural lampbaseformed as a winged semi clad putto holding aloft a lobed and fluted acanthus fitting, raised on a white marble fluted swept plinth and canted shallow foot with beaded border, later fitted for electricity, 65cm high (not including fittings)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
James Osbourne (English, 1940-1992): A patinated bronze model of a falling horsethe animal falling onto its back, its two rear legs raised into the air, the whole on naturalistic integral base, signed and dated Osbourne 82(?) 47cm high approxThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A large and impressive Chinese verdigris patinated bronze baluster vasein the archaic style, probably second half 20th centuryof narrow baluster form with flared neck and undulating serpent handles, the body cast in relief with deities, dragons and figures riding fantastical beasts on a compartmented 'leiwen' style cellular ground, raised on a footed base, 159cm high approximatelyThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A. Masjouille (French, fl. late 19th century): A patinated bronze figure of 'La Travil'the semi-clad labourer holding a hammer in his left hand, his head turned to sinister, the base signed A. Masjouville, and with applied title plaque LE TRAVAIL / PAR MASJOUILLE (Sc), 79cm high approximatelyThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A pair of late 19th century gilt bronze mounted Wedgwood jasperware and cut glass three light candelabrain the George III style, the models in the manner of Parker & Perrythe three spiral moulded arms with cylindrical nozzles fitted detachable candleholders with scalloped rims above corresponding scalloped collars, the two further decorative arms with scalloped canopies and star finials centred by a central spire with corresponding finial, all hung and strung with facetted pear shaped pendant drops and strings of faceted oval beads, the arms and spire issuing from acanthus cast domed central sections, the porcelain plinths of waisted concave outline with rams masks corners, the sides decorated in relief with classical figures and braziers on a pale blue ground, raised on corresponding moulded bases and ball feet, the porcelain with impressed factory marks to the undersides, 75cm high (2)For further information on this lot please visit Bonhams.com
A pair of late 19th century French gilt bronze candlesticksin the Louis XVI stylethe acanthus cast urn nozzles with beaded drip pans on inverted fluted baluster supports with beaded and acanthus swaged and vacant oval cartouche decoration, the acanthus cast and fluted swept domed bases with beaded borders, 26cm high For further information on this lot please visit Bonhams.com
Gilbert Ledward R.A., (British 1888-1960): A rare patinated bronze figure of 'The Awakening'the nude female with serene expression, her arms raised above her head slightly turned to sinister, supported on integral ivory draped Corinthian column capital, with inscribed dated signature G.Ledward 1915 raised on a marble turned socle plinth, 43cm high overallFootnotes:Born in Chelsea, West London, Gilbert Ledward came from a family of sculptors and potters and trained at the Royal College of Art and the Royal Academy. He won the British Prix de Rome for sculpture in 1913, and in World War I served in the Royal Garrison Artillery and later as a war artist. He produced reliefs for the Imperial War Museum predominantly depicting soldiers in action and after the war he was greatly in demand as a sculptor of war memorials. He was professor of sculpture at the Royal College of Art between 1927 and 1929 and in 1937 was elected a Royal Academician. He subsequently became president of the Royal Society of British Sculptors between 1954 and 1956. In 1956 he also was made OBE and a trustee of the Royal Academy. [The large scale version of 'Awakening' or 'The Awakening' was modelled and cast in 1913 and can be seen can be seen in Ropers Garden on the Chelsea Embankment.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Viktor Lexa (Czechoslovakian, fl. late 19th / early 20th century): A bronze figure of a nude female fencerthe figure holding a rapier in her left hand, signed and dated VICKTOR LEXA 1915, and raised on a cylindrical marble base, 48cm high This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A French early 20th century gilt bronze mounted amboyna and mahogany commodeCirca 1900-1920, the moulded marble top above one frieze drawer mounted with scrolled flowers and foliage, over two shaped panel mounted drawers, the lower drawer with ribbon-tied floral swag mounts centred by an ormolu roundel depicting Venus and Cupid, on keeled cabriole legs terminating in acanthus headed lion paw sabots, 86cm wide x 39cm deep x 83cm high, (33 1/2in wide x 15in deep x 32 1/2in high)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A pair of impressive late 19th century French gilt bronze mounted verde antico marble garniture urnsin the Louis XVI stylethe swept tops with pierced guilloche borders below fixed domed tops with acanthus fruiting knopped finials, the ovoid bodies with twin rams head handles to the shoulders united by floral garlands, the acanthus knopped pedestals above laurel wreath banded circular socles on shallow square plinths, 72cm high (2)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Cloisonne enamel candlestick, decorated with stylised flowers in pinks, greens and blues, 20cms high; along with a selection of Asian items including pair of Japanese Kutani vases; trinket box; Chinese octagonal bowl; bronze horse figure on base; and two carved wood bases; also including a 20th century mantel clock.
Khaled Dawwa (Syrie, né en 1985)Les Passants bronzesigné 'K.Dawa', daté '2020' et numéroté '2/8', numéro 2 d'une édition de 8exécuté en 2020 et coulé en 2021110 x 59 x 36 cmsigned, dated and numberednumber 2 from an edition of 8executed in 2020 and casted in 2021Footnotes:ProvenanceCollection de l'artisteLa présente oeuvre est vendue par le Fonds Claude et France Lemand au profit des Artistes et de l'Institut du Monde ArabeNé en 1985 à Misyaf, nord-ouest de la Syrie, Khaled Dawwa est diplômé des Beaux-Arts de Damas en 2007, section Sculpture. Dans son projet de fin d'études, intitulé « L'Attente», apparaissaient déjà en esquisse les personnages qui vont, jusqu'à aujourd'hui dominer son travail artistique. On y pressent alors également l'importance des thèmes socio-politiques à venir, opposant le peuple au pouvoir.Dans le contexte actuel, au cÅ“ur des changements sociaux et politiques que vivent les pays arabes, y compris la Syrie, Khaled Dawwa ne cesse de réfléchir sur le rôle et l'impact de l'art sur la société. Il souhaite que les thèmes de ses Å“uvres, utilisant des techniques simples et parfois traditionnelles, offrent au public un axe de réflexion.Début 2011, Khaled Dawwa participe activement à la création et la mise en Å“uvre à Damas de l'atelier Al-Boustan. En 2013 il se trouve obligé de fuir vers le Liban où il poursuit son activité artistique en exposant son travail sur sa page Facebook (Clay&Knife).Fin 2014, il s'installe en France où il reprend une activité publique, au-delà de l'espace virtuel. Il continue à aborder les thèmes socio-politiques, mais dans une vision plus globale, comme le montrent ses expositions personnelles « Compressé » (2015) et « Debout! » (2017). Il participe aussi à des expositions collectives en France et en Europe. Khaled Dawwa quitte Marseille et s'établit à Paris où il crée son atelier de sculpture.Khaled Dawwa is a Syrian artist and sculptor based in France since 2014. He was born in 1985 in the city of Masyaf, west of Syria, and completed his university studies in Damascus where he graduated from the Faculty of Fine Arts, Sculpture Department in 2007. Since his early childhood, Khaled has been interested in the concepts of mass and dimensions, and has begun to experiment with the use of available tools. This encouraged him to complete his secondary education in the professional field, where he gained considerable technical expertise and supported his studies at the Faculty of Fine Arts.The core characters to Khaled's work began to crystallize with his graduation project from the Faculty of Fine Arts, which was titled 'In Waiting' for the political and social subject to dominate later. During his graduation project, which coincided with major political and social transformations in Arab societies, including Syria, Khaled's obsession with the role and impact of art in people's lives dominated his approach. Later, Khaled joined the 'Al Bustan' cultural group in Damascus in early 2011, where he helped establish and equip the centre. He continued to work there until 2013. He then travelled to Lebanon where he spent a year hiding, working secretly and continuing his art through the creation of the clay and knife Facebook page. Khaled currently lives in Paris and continues to work at his studio there.Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

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