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Lot 306

A modern stylized bronze of classical form, modeled as a nude seated on a flowing cloth, on a black marble base, signed to back 'Milo', h. 15 cm

Lot 309

A modern bronze figure modeled as a Imp on a boat, in the style of David Goode, unsigned, on a black marble base, h. 34 cm

Lot 310

A modern bronze of abstract form, modeled as a hand and ear, with signature 'Milo' to the front, on a black slate plinth, overall h. 34 cm

Lot 308

After Aldo Vitaleh, a modern bronze modeled as a fairy seated on a wall holding a butterfly, h. 25 cm

Lot 304

A modern bronze of a Greek Olympian discus thrower on a marble base, h. 25 cm

Lot 300

A 19th century bronze figural group of a young boy with a dog drinking from a scalloped shell, with signature to front 'Peiffer', h. 34 cm, w. 43 cm, d. 20 cm

Lot 301

A 19th century bronze figure of a cavalry officer, holding a crop and gloves, on a square wooden plinth, h. 38 cm

Lot 111

Sicily, Syracuse EL 100 Litrai. Agathokles, circa 304-289 BC. Laureate head of Apollo to left; tripod behind, ΣYPAKOΣIΩN before / Head of Artemis to right, wearing earring and pearl necklace, a ribbon in her hair and a quiver over her shoulder; ΣΩTEIPA before, tripod behind. Jenkins, ‘Electrum Coinage at Syracuse’, in Essays to Robinson, Group D, pl. 15, 3 (these dies); SNG Lockett 992; Gulbenkian 344. Good Extremely Fine. Very Rare, and among the finest specimens known. Ex Leu 33, 3 May 1983, lot 245; Ex Monnaies et Médailles 54, 26 October 1978, lot 132. With the usurpation of Agathokles in 317 BC, Syracuse once more monopolised the right of coinage for the whole of Sicily, even more distinctly than in the time of Dionysios. Yet the reign of Agathokles, as noted by Malcolm Bell (Morgantine Studies I, 1981) “was a watershed for the arts in Sicily, just as it was for politics. The change from a conservative late-classical style to the new modes of the early-Hellenistic period came very quickly, within the space of a decade, and it coincided with the replacement of democratic government by the new monarchy. It is clearly perceptible in the coins that Agathokles issued... the bronze Artemis Soteira and the electrum Apollo-Artemis issues, both of which belong after Agathokles’ assumption of the kingship in 304, document the full acceptance of early-Hellenistic style.” Certainly, the quality of the artistry demonstrated on this coin is of the highest standard. The opposing portraits of the divine twins were no doubt favoured by Agathokles on account of being patron deities of the island-fortress of Ortygia, the ancient heart of Syracuse, where according to myth the goddess Leto stopped to give birth to Artemis – and in some versions Apollo too. A temple is present on Ortygia which according to its inscription honours Apollo, but when Cicero visited Syracuse he wrote that it was dedicated to Artemis. Despite having suffered a humiliating defeat against Carthage and settled a peace treaty re-establishing the status quo between Carthage and Syracuse, the latter years of Agathokles’ reign were comparatively peaceful, and were prosperous times for the city. From c.300 Agathokles concentrated his efforts on southern Italy (Diod. Sic. 21 4 ff). In two campaigns he briefly brought Bruttium under his control, and supported Tarentum in 298/7 against the native Lucanians and Messapians. He conquered Kroton in 295 and concluded alliances with other cities. His aim seems to have been the union of Sicilian and south Italian Greeks under his rule. His preparations for another campaign against Carthage were brought to nothing however, as he was assassinated in 289/8, and owing to familial rivalries his designs for a dynasty were thwarted. Thus he ‘restored to the people their self-government’ (Diod. Sic. 21. 16. 5). Depicted often as a cruel and unscrupulous adventurer and tyrant, Agathokles achieved little of lasting historical importance; indeed after his death anarchy erupted both in Syracuse, where a damnatio memoriae was decreed, and in other places that had been under his rule (Diod. Sic. 21. 18). Nonetheless, his patronage of the arts left a legacy of beauty as embodied by a small number of surviving works of art from his reign, and smaller but no less wonderful objects such as this stunning coin.

Lot 1106

Rectangular Æ Solidus Weight (?) or Dedicatory Plaquette. Circa AD 507-511. Silver inlay legend: BAC AVD APV in three lines. Unpublished in the standard references, for similar examples cf. S. Benadall, Byzantine Weights, 1996, 172 (in the names of Zeno, Odovacar and Symmachus, now in the BnF, Paris); J. Forien de Rochesnard, Album des poids antiques 3, Rome et Byzance, p. 51 (in the name Albinus); NAC sale 5, 1992, 621 = NAC sale 54, 2010, 1339 (in the name Paulinvs praef. vrb.). 4.30g, 15mm. If these are solidus weights they usually suffer the drawback of being light, perhaps due the deterioration of the bronze, and weigh between 4.28g and 3.66g. H. Dressel in 'Corpus Inscriptiones Latinorum' (CIL) 15, listed these as 'tesserae monumetorum' or dedicatory plaquettes intended to mark dedications, reconstructions or repairs to buildings on the basis that some bear the formula renovavit, which perhaps points to this conclusion.

Lot 982

Salonina AV Aureus. Viminacium, circa AD 254-257. CORN SALONINA AVG, diademed and draped bust right / IVNO REGINA, Juno standing left, holding patera and sceptre. RIC 10 var. (joint reign; obv. legend); MIR 36, 902c; Calicó 3675. 3.26g, 19mm, 5h. Near Extremely Fine. Extremely Rare. Salonina was married to Gallienus around 240 and accorded the titles of Augusta and Mater Castrorum (Mother of the Camp) in 254; coinage in bronze, silver and gold, as exemplified by the present specimen, was issued in her name. The reverse depiction of Juno with the accompanying legend IVNO REGINA references the deity’s role as patron goddess of Rome and the empire. Wife of the supreme God Jupiter ‘Greatest and Best’, Juno had a multi-faceted role in Roman religion, performing many interrelated functions. The goddess is represented here in her role as both protector of the state, and of the lives of women (and in particular the empress). The divine association suggested by this aureus between Juno and Salonina as Augusta is one that was often used on imperial coinage, and mirrors the gold issues of her husband which place upon the reverse Jupiter in his alternate roles of guardian and avenger.

Lot 302

A modern stylized bronze of abstract form, modeled as a running horse, with 'Garanti Paris' stamp, on a black marble base, h. 28 cm

Lot 119

A Group of 6 American War Medals, including Legion of Merit, Purple Heart for Military Merit, Bronze Star for Gallantry in Action, Air Medal, Good Conduct and Valour.

Lot 75

A French Style Brass and Bronze Effect Blackamoor Candelabrum, approx 42 cms

Lot 52

Kongo brass or bronze Crucifix figure, also five Ethiopian Coptic crosses, (6) the crucifix measures 24cm high All lots in this Tribal and African Art Sale are sold subject to V.A.T. Therefore £100 hammer price will have Buyers premium on top and also an extra £20 in V.A.T. Condition report: see terms and conditions

Lot 105

Six Hausa Manillas, silver plated bronze. 6cm wide VAT is only payable on the buyers premium for this lot. No VAT will be charged on the hammer price. Condition report: see terms and conditions

Lot 62

Abdoulaye Guindo (b.1966 - ) bronze sculpture of a dog vertebrae, also a another sculpture of a standing man by the same artist in the style of Giacometti measuring 36cm high excluding base. Abdoulaye Guindo is a sculptor working in Bamako the capital of Mali. Guindo is Dogon by birth and works as a plumber, creating his Giacometti inspired sculptures in his spare time from scrap metal. All lots in this Tribal and African Art Sale are sold subject to V.A.T. Therefore £100 hammer price will have Buyers premium on top and also an extra £20 in V.A.T. Condition report: see terms and conditions

Lot 39

Dogon brass or bronze hairpin modelled with four crouching figures, 35.5cm high All lots in this Tribal and African Art Sale are sold subject to V.A.T. Therefore £100 hammer price will have Buyers premium on top and also an extra £20 in V.A.T. Condition report: see terms and conditions

Lot 43

Abdoulaye Guindo (b.1966 - ) brass or bronze cat, 35cm long Abdoulaye Guindo is a sculptor working in Bamako the capital of Mali. Guindo is Dogon by birth and works as a plumber, creating his Giacometti inspired sculptures in his spare time from scrap metal. All lots in this Tribal and African Art Sale are sold subject to V.A.T. Therefore £100 hammer price will have Buyers premium on top and also an extra £20 in V.A.T. Condition report: see terms and conditions

Lot 4

Benin bronze plaque of a warrior, 51cm high excluding wood base. All lots in this Tribal and African Art Sale are sold subject to V.A.T. Therefore £100 hammer price will have Buyers premium on top and also an extra £20 in V.A.T. Condition report: see terms and conditions

Lot 307

A Good Collection of World Silver and Copper Coins, All High Grade ( 16 ) Coins In Total. 1/ French Silver 10 Dates 1908, 1940, 191, 1942 ( 4 ) Coins, E.F to Uncirculated. 2/ South African One Penny, Date 1898. Uncirculated. 3/ American Silver Date 1883. E.F + Condition. 4/ George V Canada Silver 5 Cents, Date 1918 ( 2 ) Coins. 5/ Napoleon III Bronze 5 Centimes Date 1861. 6/ French Bronze 1 Centimes ( 3 ) Coins, Dates 1861, 1902 & 1916. Uncirculated Condition All Coins. 7/ Carl XV One Ore 1872, Uncirculated. 8/ Umberto I 2 Centesimi Date 1898, Uncirculated - Please See Photos.

Lot 1236

Art Deco Bronze Figure of a Dog Leaping Over a Fence, Raised on a Black and White Marble Effect Base. 8.5 Inches High, 14.25 Inches Wide.

Lot 227

A Very Good Collection of Bronze and Copper World Coins ( A Lot of Uncirculated Coins ) of the 19th Century, ( 28 ) High Grade - Bronze and Copper Coins In Total - Please See Photos. Includes Uncirculated George III Half Silver ( Guyana ) Date 1813, Swedish Two Skilling Banco Coin, Date 1845, Leopold III One Cemtine Coin, Date 1865 - Nr Uncirculated, Republic of Haiti 5 Centimes Bronze Coin, Date 1863. George III Farthing, Date 1799, Nr Uncirculated - Scarce, Swedish One Skilling Banco Date 1849, Nr - Uncirculated, Leopold III 10 Centimes, Date 1854, Nr Uncirculated, Leopold III 10 Centimes, Date 1864 - Nr Uncirculated.

Lot 238

A Bronze Japanese Lobster 8.5 inches long.

Lot 221

A Collection of Very High Grade World Coins ( 5 ) In Total. 1/ Swedish Bronze Carl XV Adolf Five Ore Coin, Date 1861. 2/ American Copper Liberty One Cent, Date 1851, About Uncirculated. 3/ American Copper Liberty One Cent, Date 1848, About Uncirculated. 4/ Napoleon III Bronze 10 Dix Centimes Coin, Date 1855 High Grade. 5. Napoleon III Bronze 5 Centimes, Date 1856 - uncirculated.

Lot 827

Oriental Interest Pair Of Archaic Ring Handled Bronze Vases, Central Band Of Enamelled Mythical Creatures And Applied Prunts, Character Marks To Base, height 12 Inches

Lot 1281

A Japanese 19th Century Fine and Impressive Heavy Bronze Sculpture of a Large Elephant Being Attacked by Two Tigers. Signed to Underside of Elephant, Wonderful Patina and Condition. Stands 7.25 Inches High, 10.25 Inches Wide.

Lot 892

Oriental bronze twin handled censer - measures 20cm diameter

Lot 249

Cornucopia decorative bronze doorstop - measures approximately 12" high

Lot 854

Chinese bronze temple lion ornament - measures approximately 11" high

Lot 887

Bronze effect scottie dog doorstop

Lot 856

A pair of 12" Japanese bronze vases, one is decorated with birds in the sunrise and the other is decorated with a hunting scene

Lot 613

Italian gilt bronze and silver plated mounted inkstand with embossed panel depicting sirens signed Azalti-Leonori (Approx 20cm across)

Lot 557

Small Japanese bronze dish and a Satsuma table salt

Lot 548

Gilt bronze seated Buddha - measures 15cm tall

Lot 28

A 17TH CENTURY INDIAN BRONZE HANGING LAMP, the hanger in the form of Ganesha with demon below, probably Kerala, 45cm high x 21cm diameter

Lot 31

A 19TH CENTURY FRENCH BRONZE FIGURE of a dancing Cupid on an ebonised plinth, 29cm high overall; and a gilt architectural corner element of acanthus and putti form, 20cm high (2)

Lot 113

AN AUSTRIAN COLD-PAINTED BRONZE MODEL of a stag, late 19th/early 20th Century, stamped Geschutzt, the rutting stag on a naturalistic base, 26cm high x 20cm wide

Lot 33

A SOUTH INDIAN BRONZE MODEL CANNON cast with twin lions, 23cm and another miniature bronze cannon, 13cm long (2)

Lot 259

A GROUP OF NINE ASHANTI BRONZE GOLD WEIGHTS of duck and dragon form, 7cm to 2cm high (9)

Lot 35

A 19TH CENTURY AUSTRIAN BRONZE CANDLESTICK of oriental figure form on an inverted coronet base, circa 1900, 36cm high

Lot 34

A PAIR OF 19TH CENTURY FRENCH BRONZE CANDLESTICKS after a design by Auguste Maximilian Delafontain circa 1880 each on a triform base, 42cm high (2)

Lot 188

A BENIN BRONZE HEAD of an Oba or traditional ruler with lattice head dress, 31cm high; and Benin bronze figure of an attendant holding a bowl, 26cm high (2)

Lot 32

A GROUP OF THREE 18TH AND 19TH CENTURY BRONZE FIGURES including a Corpus Christi, 15.5cm high; a dancing girl, 23cm high; and a primitive man holding a club, 15cm high (3)

Lot 66

A 19TH CENTURY TURKISH BRONZE LARGE CIRCULAR PLAQUE with finely engraved Islamic script and foliate decoration, 73cm diameter

Lot 354

A CAST BRONZE HEAD of an African girl, indistinctly signed to the base, 32cm high, and a plaster head after the Antique on a pine plinth, 23cm high (2)

Lot 30

AN ITALIAN BRONZE BUST after the Antique 'Christ of Sorrows' on a rouge marble rectangular plinth, 28cm high

Lot 112

FERDINAND LEPCKE (1866-1909) A bronze study of a nude girl writing, signed on base and dated 1892 and bearing Kalmar foundry stamp, 26cm high x 32cm wide

Lot 671

Sabatino (Italian, late 19th century) - bronze study of a cherub holding a goose, signed and dated 1884, 24" high (repair to one wing)

Lot 672

Cast bronze study of Olympus, upon a black grained marble base, Galleria R. Romanelli, Firenze, 14" high

Lot 682

Goyeaux - early 20th century bronze figure of a peasant girl blowing into a bowl, titled 'C A Brule' and signed, also further inscription verso 'Art Union of London 1909', 8.5" high

Lot 699

Art Deco cold painted cast bronze figure of a recumbent hound, upon a stepped rectangular marble base, 18.5" long x 9" high

Lot 771

Royal Caledonian Curling Club 1838-1888 large bronze medal, cast with a rampant lion crest and scene of people curling to the back, 3" diameter

Lot 690

Bronze model of the Albani Vase, upon a stepped square black marble base, 8" high

Lot 680

After Amadeo Gennarelli (1881-1943) - 'The Carrier Pigeon', JB Deposse bronze guaranti of Paris seal mark, upon a black marble plinth base, 17" high

Lot 683

Cast bronze novelty pin tray in the form of a standing blackamoor holding a gilt scallop shell in one hand and a birdcage in the other, recent, 9" high

Lot 698

Austrian cold painted bronze of a spaniel, 1.75" long

Lot 673

20th Century - pair of bronze characters modelled as dancing ladies, indistinctly signed Osborne?, the largest 17" high (2)

Lot 689

French Empire style ormolu and bronze five branch candelabra, upon a Corinthian column and triform plateau, 29" high

Lot 675

Brault - French bronze figural study of a bird in flight upon a black marble base, signed, inscribed 'Bronze', 23" high, 21" wide

Lot 700

Antique cast brass pestle and mortar, the mortar 4.5" high: together with a further cast bronze and gilt stand, 4" high (3)

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